David Letterman talks about giving Conan O’Brien a horse, his new Netflix show, being honored for the Mark Twain Prize, reveals what he misses most about late-night and tells stories about life after his show.
Photo Gallery: I Prevail with We Came As Romans, The Word Alive and Escape The Fate at Niagara Falls’ Rapids Theatre
All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com
Eurythmics’ “Sweet Dreams” Is Covered By Computers
Eurythmics’ 1981 hit Sweet Dreams (Are Made of This) as played by old floppy discs and computer parts. To be honest, it sounds like a weedy remix I would have done back on my Casino back in the day, so I’m all for this!
The 13th Annual Andy Kim Christmas Show Is a Go!
The 13th Annual ANDY KIM CHRISTMAS will be held at the Queen Elizabeth Theatre on December 6th. Tickets go onsale this Wednesday at Noon.
Going into its 13th year, the Andy Kim Christmas has been gathering friends and fans together to celebrate the spirit and generosity of the musical community in Toronto with all proceeds going to charity. The concert event is the brainchild of music legend, and the evening’s host and performer, Andy Kim.
This year, the event is hosted by Sean Cullen, and features performances from Ron Sexsmith, Hawksley Workman, members of The Strumbells, Platinum Blonde, The Sheepdogs, Kayla Diamond, Michel Pagilaro, Choir! Choir! Choir! with more to be announced.
“Lucky 13. As I look back I’m awed by the magic & spirituality of this one idea,” says Andy Kim. “Ask my fellow Canadian Artists to help me help our community. Giving is always the best part of an artists’ life & knowing that we’ve raised over $700,000 through the years makes it all worthwhile.
My relationship with ‘Gifts of Light’ is a very special one & as I continue to see how this program makes a difference in our community, I am proud to again make this my Charity of choice.”
Ron Sexsmith says, “I look forward to the Andy Kim Christmas Show every year…Even more than Christmas itself.”
During this one-of-a-kind charity event, patrons will be treated to a classic variety entertainment show that includes holiday performances by some of the country’s most sought-after singer/songwriters and performers. Past guests include Nelly Furtado, Sloan, Tom Cochrane, Cowboy Junkies, Barenaked Ladies, The Trews, Feist, Amy Milan, Sam Roberts, Lights, Ron Sexsmith, Alex Lifeson from Rush, Broken Social Scene, James Black & Rick Jackett from Finger Eleven, Serena Ryder, Colin James, Sarah Harmer, Jacksoul, BUCK65, Honeymoon Suite, Arkells, K-os, Tom Wilson, Tomi Swick, Beverley Mahood, Bobby Bazini, and more. Join us for a magical evening jam-packed with Canadian talent and Christmas music.
Born in Montreal, Andy Kim was inspired by the Beatles, Hank Williams, Frank Sinatra, Elvis, Buddy Holly, and Bob Dylan. He found fame in New York City at just 16 years old when he wrote How’d We Ever Get This Way?, the first of nine Billboard Top 40 hits, including #1 songs Rock Me Gently and Sugar, Sugar, one of Billboard’s “Greatest Songs of All Time.” A true Canadian son, Andy has been awarded the country’s top industry honor twice, the JUNO Award for outstanding achievements in the record industry, as well as the Indie Award for Favorite Solo Artist in 2005. Andy is a member of Songwriters Hall of Fame and was inducted into Billboard’s Hit Parade Hall of Fame in 2010. Over his epic career, Andy has sold over 30 million records, with songs covered by music history’s greats, including Wilson Pickett, Tom Jones, Ike & Tina Turner, and Bob Marley. His latest album, It’s Decided, was released in April, 2015 on Arts & Crafts to critical acclaim. In May, 2016, Andy was inducted into the Canadian Music Hall Of Fame. Andy Kim’s music can be heard in hit series such as Showcase’s Ray Donovan and Netflix’s Mindhunters. Pizza Pizza is currently using their own version of Sugar, Sugar in their campaigns to celebrate their 50th Anniversary throughout 2017 and into 2018.
The Sound Of Vinyl Launches Exciting New Way To Discover And Buy Records Through First-Of-Its-Kind Text Message Service
The Sound of Vinyl (http://thesoundofvinyl.us) provides a powerful and convenient solution to help music enthusiasts discover vinyl and build their record collections. The service offers new and classic albums from a vast catalog of over 20,000 titles from all major labels and dozens of indie labels. In addition to being a full-service online store, The Sound of Vinyl provides an innovative recommendation engine that suggests albums based on a user’s personal tastes, and features exclusive content and album suggestions from top music experts.
The Sound of Vinyl’s recommendation service uses cutting-edge technology to send personalized album picks by text message. When a user enters their mobile phone number and creates a taste profile, The Sound of Vinyl begins sending daily texts with album recommendations that feature album artwork, information and price. Users can reply LIKE or DISLIKE to improve future picks, or simply reply YES to instantly buy an album, creating a seamless shopping experience. The service is powered by Seattle-based startup MessageYes.
The Sound of Vinyl will also host exclusive vinyl records from rock, jazz and classical to R&B, rap and hip-hop. Limited edition color variations of albums by Arrested Development, Marvin Gaye, Miles Davis, Iggy Pop, KISS, Grand Funk, and The Go-Gos are slated for release, with more titles launching every month. Quantities are extremely limited; recent exclusives by Interpol and …And You Will Know Us By the Trail of Dead sold out in less than a week.
Additionally, The Sound of Vinyl’s website will host exclusive content from music experts including Henry Rollins, Young Guru, Don Was, Ahmet Zappa, and more, as well as artists, producers, radio DJs, and music journalists. The website will also feature videos, interviews, editorial, and hand-picked album recommendations. More content will be available on The Sound of Vinyl’s blog and social media channels.
Henry Rollins, punk rock icon and accomplished author, and Gimel “Young Guru” Keaton, renowned audio engineer and DJ, are The Sound of Vinyl’s first featured vinyl curators. Rollins will recommend his favorite albums, share stories from his life in punk rock, and interview music veterans like producer Don Was and legendary Capitol Studios vinyl mastering engineer Ron McMaster. Young Guru will tap into his experience engineering music for iconic artists like Jay Z, Beyoncé, and Alicia Keys, as well as his deep history as a DJ and producer, to showcase albums that form the foundation of his work.
Muddy Waters’ Seminal Debut LP “The Best Of Muddy Waters” To Be Reissued On Vinyl For First Time In 30 Years On November 10
Few pieces of art have been as influential as Muddy Waters’ seminal debut album The Best of Muddy Waters, a humble piece of vinyl released by an upstart label in 1958 that served as The Big Bang for rock ‘n’ roll and the ensuing half century of modern popular culture. On November 10, Geffen/UMe will celebrate the forthcoming 60th anniversary of Waters’ first album by reissuing The Best of Muddy Waters on vinyl in original mono for the first time in 30 years while also making it available for download and streaming for the first time ever, giving new and familiar listeners a reminder of the bluesman’s truly incandescent music.
Born McKinley Morganfield in Mississippi in 1915, Waters was initially a sharecropper playing his acoustic guitar for change and tips at rural plantation parties. He migrated to Chicago in 1943 where he brought together a pipeline of the city’s top musicians to create, refine and define the modern blues. While he was undergoing this transformation, millions of rural Southern blacks were making the same journey, and their stories and music were working into the popular consciousness – and capturing the imagination of a restless teenage suburbia increasingly open to new things in the rebellious 1960s.
An assemblage of Waters 78 RPM recording made between 1948 and 1954 for Chess Records, The Best of Muddy Waters captured Waters’ growth from acoustic artist to archetypical electrified band leader and charted the exciting evolution of blues. Rolling Stone awarded the timeless greatest hits collection a rare five-star review, hailing the 12 songs as “one masterpiece after another,” and exclaiming, “Throughout, Waters embodies a persona that simmers with lust, loss and menace. His voice intimates threat, never more so than when he unleashes his gripping repertoire of moans, howls, hollers, hums, groans and growls.” Continuing, “The tension-wire whine of his slide guitar and the hypnotic drone of Little Walter’s harmonica often mimic the cadences of Waters’ voice, creating the claustrophobic impression that the singer’s pain, desperation and explosive urges are the only emotions that exist. Charms, spells and erotic magic suffuse these songs.”
Between the thematically fitting bookends of opener “I Just Want to Make Love to You” and unforgettable closer “I Can’t Be Satisfied” – rock ‘n’ roll’s mission statement if ever there was one, the album laid the blueprint for modern blues, rock and even country music, with monumental recordings like “Rollin’ Stone,” “Honey Bee” and “(I’m Your) Hoochie Coochie Man.”
It was weathered, scratched, well-traveled copies of The Best of Muddy Waters – often passed hand to hand – that launched a revolution due to its influence on future British and American rock ‘n’ roll stars. Waters’ deeply emotional, often foreboding and always mysterious music helped inspire the imagination of acts such as the Rolling Stones – who take their name directly from Waters’ music – Eric Clapton, John Mayall, Led Zeppelin, The Band and so many others. These artists in turn took their love and appreciation of Waters to millions of listeners and aspiring musicians, creating a timeless feedback loop that continues with each generation. Waters’ music arrived at important crossroads moments in both the bluesman’s personal life and that of the nation.
The re-release The Best of Muddy Waters gives fans a chance to examine this masterpiece again, a classic work of art that both inspires creative genius and entertains casual fans in ways that changed popular culture.
The Best of Muddy Waters track listing:
Side A
1. I Just Want To Make Love To You
2. Long Distance Call
3. Louisiana Blues
4. Honey Bee
5. Rollin’ Stone
6. I’m Ready
Side B
1. Hoochie Coochie
2. She Moves Me
3. I Want You To Love Me
4. Standing Around Crying
5. Still A Fool
6. I Can’t Be Satisfied
Elton John Announces Final Shows Of His Critically-Acclaimed Caesars Palace Residency
Elton John has announced the end of “The Million Dollar Piano,” his second critically-acclaimed Las Vegas residency at The Colosseum at Caesars Palace. The final 14 shows will occur in the Spring of 2018 with dates scheduled April 28 – May 19, 2018. Tickets go on sale Sunday, Oct. 22 at 10 a.m. PT.
Since February 2004, Elton will have performed 450 shows at The Colosseum to over 1.8 million fans from across the world. His first highly successful five-year Caesars Palace residency “The Red Piano” played 243 shows to approximately one million people through April 2009. Elton and his band made a triumphant return to Caesars Palace on Sept. 28, 2011, with an all new, second residency production, “The Million Dollar Piano” which has received worldwide acclaim by critics and fans alike and will have played 207 shows at residency’s close.
In addition to the final performances going on sale, previously announced dates of “The Million Dollar Piano” through Nov. 4 and Feb. 9 through Mar. 2, 2018 are on sale now.
Tickets may be purchased in person at The Colosseum at Caesars Palace Box Office, by calling 888-4-ELTON J, or online at thecolosseum.com or axs.com. Ticket prices start at $75 (prices include a 9% Live Entertainment Tax). VIP packages are available. Orders are subject to additional service charges and fees. There is an eight (8) ticket limit per guest. For groups of 20 or more, call (702) 731-7208. Shows are scheduled for 7:30 p.m.
“The Million Dollar Piano” features iconic hits and classic album tracks from throughout Elton’s incredible five-decade career, all enhanced by the most elaborate stage design Elton has ever used. At the centerpiece of the performance is the show’s namesake piano, an engineering marvel featuring more than 68 LED video screens created by Yamaha.
Elton John’s band features Nigel Olsson (part of Elton’s original three-piece band) on drums, Davey Johnstone (who first recorded with Elton in 1971 and joined the band a year later) on guitar, John Mahon on percussion, Kim Bullard on keyboards, Matt Bissonette on bass, with a special appearance by percussionist Ray Cooper.
Elton is one of the top-selling solo artists of all time, with 38 gold records and 31 platinum albums, 29 consecutive Top 40 hits, and he has sold more than 300 million records worldwide. Elton holds the record for the biggest-selling single of all time, “Candle in the Wind 1997,” which sold over 33 million copies, as well as for most appearances on Billboard’s Adult Contemporary chart with his most recent single “A Good Heart” (from his latest album “Wonderful Crazy Night”) marking his 72nd entry. He has also written the music for stage and screen successes Billy Elliot: The Musical, Elton John and Tim Rice’s Aida, and The Lion King, which was named the highest-grossing stage show or film release in the world. Elton has over 4,000 performances, in more than 80 countries, to his credit since launching his first tour in 1970.
Among the many awards and honors bestowed upon him are five Grammys, a Grammy Legend award, a Tony and an Oscar, a Best British Male Artist BRIT Award, induction into the Rock and Roll Hall of Fame and the Songwriters Hall of Fame, the Kennedy Center Honor, Legend of Live Award, 12 Ivor Novello Awards and a knighthood from HM Queen Elizabeth II for “services to music and charitable services.”
Ella Fitzgerald And Louis Armstrong’s New 4CD Set, “Cheek To Cheek: The Complete Duet Recordings,” Out November 10
By the time Ella Fitzgerald and Louis Armstrong collaborated on their first duet together, they were each already jazz giants. Fitzgerald was an acclaimed solo artist for Decca with many hits and more than 200 songs under her young belt, first with the Chick Webb Orchestra and then as leader of her own big band. Armstrong, known affectionately as Pops, was one of the leading singers, trumpet players and entertainers of the day; a star of both sound and screen. Together their talent knew no bounds and propelled them further to stardom, and today are some of the biggest highlights of both of their extraordinary careers.
For the first time, all of Fitzgerald and Armstrong’s classic duets are in one place: Cheek To Cheek: The Complete Duet Recordings, a new 4CD and digital set will be available November 10. Part of Ella 100, Verve Records/UMe’s yearlong celebration of Fitzgerald’s centennial, the 75-track collection gathers their three timeless Verve albums – newly remastered versions of Ella and Louis, Ella and Louis Again and Porgy and Bess – along with all of their Decca singles, live recordings from Jazz at the Hollywood Bowl, recorded as a warmup for Ella and Louis, plus several alternates and false starts from the Decca and Verve eras, illuminating their craft and good humor. Cheek To Cheek also includes unreleased material: “The Memphis Blues,” with Bing Crosby, from his radio show; several takes of Armstrong’s solo showcase, “Bess, Oh Where’s My Bess;” and an instrumental mix of “Red-Headed Woman.” The comprehensive collection is rounded out with extensive essay by Ricky Riccardi, the world’s leading authority on Armstrong, plus detailed annotations and rare images from the archives.
Armstrong and Fitzgerald were first paired together by Decca label head Milt Gabler when they were both recording for the label. For the inaugural session in January 1946, Gabler had them cut the new song “You Won’t Be Satisfied (Until You Break My Heart)” and a recent Nat King Cole hit, “The Frim Fram Sauce.” The former became a jukebox hit and hinted at the magic they could create together. Over the next few years they would reunite for a string of singles – all eight are presented here in order of release – before recording their first album together. Fitzgerald’s manager Norman Granz, on the heels of founding Verve Records with his highly successful first release, Ella Fitzgerald Sings The Cole Porter Song Book, put Fitzgerald and Armstrong in the studio on August 16, 1956 to record the entire eleven-song Ella and Louis album in a day. The record was a critical and commercial success when released in the fall of 1956. Down Beat gave it five stars and, in November, the album hit No. 1 on Billboard’s Jazz charts. The night before recording the album, Fitzgerald and Armstrong performed together at the Hollywood Bowl, and these rare, impromptu performances of “You Won’t Be Satisfied,” along with “Undecided,” marking their earliest collaborative recordings for Granz, are included on the fourth disc.
Knowing he needed to get them back in the studio as soon as possible, Granz recorded them in several ambitious sessions from July 23 to August 19, resulting in the follow up album Ella and Louis Again as well as Porgy and Bess, the folk opera with music and lyrics by George & Ira Gershwin. Ella and Louis Again once again captured their chemistry and resulted in the irresistible “Let’s Call The Whole Thing Off,” the joyful “Stompin’ At The Savoy,” and “Autumn In New York,” one of their finest ballad performances. They also each turned in separate solo features, notably extended interpretations of “These Foolish Things” by Fitzgerald and “Let’s Do It” by Armstrong. The sessions for Porgy and Bessincluded their final four duets. The recordings capture their teamwork at the peak of its powers, exemplified in the way they seamlessly traded roles of singing and scatting on “Summertime” and “Bess, You Is My Woman Now.” Granz held the album until 1959, when the big-budget film version was in theaters, and it was another success.
In addition to gathering all of Fitzgerald and Armstrong’s duets, Cheek To Cheek also gives a unique opportunity to hear what it was like to be in the studio with these two titans. The closing disc is rife with a bevy of alternate takes and false starts, displaying their camaraderie, with many previously unreleased, until now.
The Ella Fitzgerald Charitable Foundation
The Ella Fitzgerald Charitable Foundation was created and funded in 1993 by Ella Fitzgerald in order to fulfill her desires to use the fruits of her success to help people of all races, cultures and beliefs. Fitzgerald hoped to make their lives more rewarding, and she wanted to foster a love of reading, as well as a love of music. In addition, she hoped to provide assistance to the at-risk and disadvantaged members of our communities – assistance that would enable them to achieve a better quality of life. The Board of Directors of the Ella Fitzgerald Charitable Foundation seeks to continue Ella Fitzgerald’s goals by making charitable grants serving four major areas of interest:
- creating educational and other opportunities for children
- fostering a love and knowledge of music, including assistance to students of music
- the provision of health care, food, shelter and counseling to those in need
- specific areas of medical care and research with an emphasis on Diabetes, vision problems and heart disease
Ella Fitzgerald and Louis Armstrong
Cheek To Cheek: The Complete Duet Recordings
Disc 1
The Decca Singles
1. You Won’t Be Satisfied (Until You Break My Heart)
2. The Frim Fram Sauce
3. Dream A Little Dream Of Me
4. Can Anyone Explain? (No, No, No!)
5. Necessary Evil
6. Oops!
7. Who Walks in When I Walk Out
8. Would You Like to Take a Walk (Sump’n Good’ll Come From That)
Ella and Louis
9. Can’t We Be Friends
10. Isn’t This A Lovely Day
11. Moonlight In Vermont
12. They Can’t Take That Away From Me
13. Under A Blanket Of Blue
14. Tenderly
15. A Foggy Day
16. Stars Fell On Alabama
17. Cheek to Cheek
18. The Nearness of You
19. April In Paris
Disc 2
Ella and Louis Again
1. Don’t Be That Way
2. Makin’ Whoopee
3. They All Laughed
4. Comes Love
5. Autumn In New York
6. Let’s Do It (Let’s Fall In Love)
7. Stompin’ At The Savoy
8. I Won’t Dance
9. Gee Baby, Ain’t I Good To You
10. Let’s Call The Whole Thing Off
11. These Foolish Things (Remind Me Of You)
12. I’ve Got My Love To Keep Me Warm
13. Willow Weep For Me
14. I’m Putting All My Eggs In One Basket
15. A Fine Romance
16. Ill Wind
17. Love Is Here To Stay
Disc 3
Ella and Louis Again (cont’d.)
1. I Get A Kick Out Of You
2. Learnin’ The Blues
Porgy And Bess
3. Overture
4. Summertime
5. I Wants To Stay Here
6. My Man’s Gone Now
7. I Got Plenty O’ Nuttin’
8. The Buzzard Song
9. Bess, You Is My Woman Now
10. It Ain’t Necessarily So
11. What You Want Wid Bess?
12. A Woman Is A Sometime Thing
13. Oh, Doctor Jesus
14. Medley: Here Come Da Honey Man/Crab Man/Oh, Dey’s So Fresh And Fine
15. There’s A Boat Dat’s Leavin’ Soon For New York
16. Bess, Oh Where’s My Bess?
17. Oh Lawd, I’m On My Way
Disc 4: Bonus Tracks
Ella and Louis Live
1. The Memphis Blues (Live from The Chesterfield Show) with Bing Crosby *
2. You Won’t Be Satisfied (Until You Break My Heart) (Live at the Hollywood Bowl)
3. Undecided (Live at the Hollywood Bowl)
Decca Extras
4. You Won’t Be Satisfied (Until You Break My Heart) false start and breakdown
5. The Frim Fram Sauce false starts/takes 1 and 2 *
6. The Frim Fram Sauce alternate take
Ella and Louis Again Extras
7. Makin’ Whoopee take 1
8. Makin’ Whoopee take 2
9. I Get A Kick Out Of You take 2 (run-through) and take 3 (breakdown)
10. I Get A Kick Out Of You take 4
11. I Get A Kick Out Of You take 13
12. Let’s Do It (Let’s Fall In Love) take 3
13. Willow Weep For Me take 4
Porgy And Bess Extras
14. I Got Plenty O’ Nuttin’ (mono master)
15. A Woman Is A Sometime Thing (mono master)
16. Bess, Oh Where’s My Bess? takes 5 and 6
17. Bess, Oh Where’s My Bess? take 7
18. Bess, Oh Where’s My Bess? take 8 *
19. Bess, Oh Where’s My Bess? take 9 *
20. Bess, Oh Where’s My Bess? insert for take 9 *
21. Bess, Oh Where’s My Bess? take 10 *
22. Red-Headed Woman instrumental *
* Previously unreleased
Bell Media Introduces the Next Big Music Series THE LAUNCH at MIPCOM
Hot on the heels of wrapping its inaugural production in Toronto, Canada, Bell Media unveiled at MIPCOM today the next big music TV format, THE LAUNCH. Represented at the market by Jane Rimer, the all-new international format comes from Bell Media and world-renowned music mogul Scott Borchetta, President and CEO of Big Machine Label Group. Reinventing the music competition series genre, THE LAUNCH debuts a new and unique format, documenting an authentic, behind-the-scenes look at what it takes to break a new artist and bring a song to life.
Created for markets around the world, in each close-ended, hour-long episode of THE LAUNCH, five unsigned emerging artists compete for the opportunity to record and perform a new original song, mentored by a panel of internationally renowned music industry legends – from discovery to stardom in just 48 hours.
Each of the six episodes kicks off with the introduction of a new original song that has been created by a renowned songwriter. Then, each of the five artists audition for the mentors, including Borchetta, for the chance of a lifetime: to record that original song.
After deliberating, the mentors choose two of the artists they feel have the most potential and are the right fit for the original song, working with them over the next 48 hours to shape the song according to their abilities and strengths. And then it’s showtime: the two artists compete against one another, performing their rendition of the original song in front of a live audience as the mentors watch the song come to life.
The mentors then decide which version of the song will be released across the country immediately following the broadcast of the episode – ultimately deciding in that moment whose career will soar – and all in the span of one episode!
The inaugural edition of THE LAUNCH, created for CTV, Canada’s #1 private broadcaster, recently wrapped production and will premiere on the network in early 2018.
“Unlike any other music television program, each episode of THE LAUNCH begins with a new song created and shaped by the best-of-the-best within the music industry, filling a resounding gap in the genre by pairing new songs with the best-fitting emerging artists – and then immediately launching these new songs to the world,” said Randy Lennox, President, Bell Media. “Each week, our mentors and live studio audiences were blown away by the caliber of unsigned talent in our midst. We are proud of this genre-busting new program and can’t wait to showcase this original format to international buyers.”
“The formula driving THE LAUNCH: a shot at “that one big break” with a great song, top-notch production, and all-out marketing, is a dream come true for any aspiring artist,” said Scott Borchetta. “Not only did this out-of-the-box concept attract a dream team of world-class music industry mentors, each week both our mentors and our live studio audiences were part of alchemy in action. We can’t wait for viewers across Canada and around the world to experience the creation and launch of music’s next big songs.”
In the Canadian version for CTV, each week’s song will be released leveraging the multiple platforms and resources of Bell Media, Canada’s leading content company. Following the conclusion of each episode, the chosen songs are immediately available and promoted on Bell Media platforms across the country, including Bell Media Radio, Canada’s largest radio broadcaster, along with the iHeartRadio Canada app and Bell Media’s stable of leading digital and TV properties. Bell Media’s commitment to the winning artists continues with major media and promotion the day after the episodes air on flagship Bell Media radio and television properties.
A staggering roster of musical A-listers joined Borchetta as mentors in the Canadian version of THE LAUNCH, including international musical icon and reigning “Queen of Country Pop” Shania Twain; Culture Club alumnus and Grammy Award-winner Boy George; eight-time GRAMMY Award-winning multi-platinum superstar Fergie; Canadian singer and songwriter and international pop sensation Alessia Cara; rock icon and founding member of legendary rock band Mötley Crüe Nikki Sixx; sought-after songwriter with her own recent hit single “Issues”, Julia Michaels; and Grammy Award-winner and co-founder of country-pop duo Sugarland Jennifer Nettles.
Award-winning producers/songwriters cast alongside Borchetta in the breakout season of THE LAUNCH include OneRepublic’s Ryan Tedder, busbee (P!nk, Shakira, Blake Shelton), Dann Huff (producer behind more than 50 #1 hit records ), Ian Kirkpatrick (behind multi-platinum hit songs from Jason Derulo and Selena Gomez), and Canada’s own Stephan Moccio, the music mastermind behind massive, inescapable hits like the quintuple-platinum “Wrecking Ball”.
Doug the Pug Meeting Pug Puppies
Pupper celebrity Doug the Pug and his interactions with tiny pug puppies. Hear that sound? It’s the world getting saved by all this cuteness.