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Musicians Welcome Signs installed at Live Music Venues with Loading Zones

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Recently, four of Hamilton’s live music venues received additional signage outside their venues welcoming musicians. These signs signify one of the steps in building and visually demonstrating a city that is supportive of our vibrant music scene and its artists.

The idea for this project was brought forward as a recommendation by the Music Industry Working Committee (MIWC) and Hamilton Live Music Venue Alliance earlier this year. In response to this advice, city staff in Tourism and Culture and Parking & By-law Services worked together to identify solutions that addressed the MIWC’s suggestions and concerns.

Now, when musicians and their teams need to park in the loading zones the owner of the venue will lend them a sign to place in the windshield of their vehicle, which signals to by-law enforcement staff that there’s a musician who requires this space to unload. The intention of the welcome signs is to do just that – welcome musicians to use these areas when they are loading/unloading, basically letting musicians/bands know they can use this space and what the rules are to avoid getting a ticket. It also reminds others that musicians need these spots for their work.

That Time Nirvana Did An Interview In A Bathroom, With Dave Grohl Taking A Bath

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If you ever thought Nirvana didn’t have a fun time when together, check out this amazing interview of them in a bathroom, from the show Raw Power in 1992.

Terry Bradshaw Performs “I’m So Lonesome I Could Cry”

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Terry Bradshaw isn’t just a multi-Super Bowl Champion and a Hall of Fame quarterback with the Pittsburgh Steelers. Oh no, my friend, he’s also FOX television’s host for the NFL Sunday pre-game show.

But if you’re a classic country music fan, you may remember him as a successful country music artist. In 1976, Terry had a Top 20 country hit with his version of the Hank Williams classic I’m So Lonesome I Could Cry.

https://youtu.be/XTwS0WiKkqU

The Story Of Toronto’s “People City” Song Anthem

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In 1972, Moses Znaimer commissioned singer-songwriter Tommy Ambrose and ad-guru Gary Gray to create a love song about Toronto which would be used as the theme music for a new local UHF Television station called Citytv.

The result was “People City”, an ode to Toronto’s burgeoning multicultural fabric and character, championed by then Mayor David Crombie as a possible official song for the city itself.

The Toronto which “People City” forecast came to exist, but sadly the song ebbed into history. 45 years later, Moses Znaimer, Tommy Ambrose, Gary Gray and David Crombie reflect on the era, the song, and its bittersweet legacy.

People City: Toronto's Lost Anthem (2017) from Retrontario on Vimeo.

100 Albums Scratch Poster

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Think you’re a well-rounded music aficionado? You’ve barely scratched the surface. Whether it’s Led Zeppelin, Miles Davis or Lauryn Hill – there’s always a few musical blindspots that you’re yet to properly explore.

The 100 Albums Scratch Poster covers a wide spectrum of musical styles – everything from jazz and hip-hop to good old fashioned rock n’ roll. This carefully curated mix of seminal music moments and modern classics is certain to expand your musical horizons.

Scratch away the foil panels to show off the albums you’ve already heard, then use the remainder as your very own musical bucket list. Thanks to the wonders (or horrors, depending how you see it) of Spotify you no longer even have to buy the albums, so you can work your way through them all in no time.

Andy Warhol Campbell’s Soup Can Chess Set

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Kidrobot and The Andy Warhol Foundation have teamed up to create an iconic look at an iconic game with the collectible Andy Warhol Campbell’s Soup Can Chess Set. This chess set features Andy Warhol’s iconic Campbell’s Soup Cans as chess pieces on a pop of color chess board complete with felt accents. Each vinyl 3-inch Campbells soup can is labeled and printed on top with its corresponding piece to bring a pop art look to any game room. Get this collectible and interactive art piece today.

The Roots And Bilal: Tiny Desk Concert

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Via NPR:

Can you believe it? Yes, those are The Roots packed behind the Tiny Desk. Black Thought, Questlove and the crew carved out a few hours in their hectic Tonight Show schedule to visit NPR headquarters in Washington D.C. Why travel four hours for a 12-minute concert when you own the late-night airwaves? The answer can be found in the lyrics to The Roots’ new song, “It Ain’t Fair.”

Armed with the incredible vocalist Bilal, The Roots performed the signature track from Detroit, a film about the race riots in 1967. “It Ain’t Fair” glares unflinchingly, takes a knee and raises a fist against the societal construct that has systematically denied equality of experience to those “presumed inferior,” to quote one of Bilal’s verses. And it achieves all this while covering its heart with its right hand. This reflective hymn tenderly yanks your heart strings and offers a window into the ethos of those who would like to stand for the flag but cannot in good principle, lest these same evils continue to exist.

Those lucky enough to be in the Tiny Desk audience witnessed masters at work. Black Thought is truly one of the most intelligent emcees ever, and his razor-sharp lyricism was on full display. Questlove, a musical and cultural historian nonpareil, was both a metronomical and moral anchor. It felt like the culmination of decades of academic rigor and boom-bap sessions, fittingly backed by a seven-piece horn section. Bilal’s falsetto-laced vocals and warm resonance evoked powerful messaging reminiscent of Curtis Mayfield’s “Don’t Worry,” delivered with the eccentricity of Prince.

Late last year, Common premiered “Letter to the Free” at the Tiny Desk and later won an Emmy for the song. It wouldn’t surprise me if “It Ain’t Fair” becomes another award-winning performance when the Oscars roll around early next year. This is a song that deserves to be heard in the millions of households that watch The Roots every night.

Photo Gallery: Trivium with Arch Enemy, While She Sleeps and Fit For An Autopsy at Toronto’s Danforth Music Hall

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Trivium
Trivium
Trivium
Trivium
Trivium
Trivium
Trivium
Arch Enemy
Arch Enemy
Arch Enemy
Arch Enemy
Arch Enemy
Arch Enemy
Arch Enemy
While She Sleeps
While She Sleeps
While She Sleeps
While She Sleeps
While She Sleeps
Fit For An Autopsy
Fit For An Autopsy
Fit For An Autopsy
Fit For An Autopsy
Fit For An Autopsy
Fit For An Autopsy

Transform Your Tennis Racket Into a Fully Functional Electric Guitar

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Scrap Wood City transformed a cheap tennis racket into a fully functional 3-strong electric guitar. John McEnroe would love this!

25 Bass Guitars, 1 Solo…Wait…What?

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Here’s musician Davie504 playing 25 different bass guitars from his collection to form a single, cohesive bass solo. Stick around for #24…