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The Coroner’s Report Into INXS’ Michael Hutchence’s Death Has Been Released

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I’ll start off here by saying I loved INXS. There was no stopping for me when Shabooh Shoobah came out in 1982, and when those Platinum albums were flying in like Frisbees during their triumphant Kick album and tour in 1987, it was the band striving to become what they finally achieved. Lead singer Michael Hutchence passed away 20 years ago this week and the coroner’s report into his death has finally been released. I glanced at it quickly, not wanting to know any more than what I do, and have started to put their albums from start to finish today. Loudly.

I have received a completed police brief into the death of Michael Kelland Hutchence on 22nd November, 1997, at the Ritz-Carlton Hotel, Double Bay. I am satisfied that the cause of death was ‘hanging’. I am also satisfied that there was no other person involved in causing the death.

The question of whether the death was a suicide or not has to be considered.

The deceased was found at 11.50am naked behind the door to his room. He had apparently hanged himself with his own belt and the buckle broke away and his body was found kneeling on the floor and facing the door.

It has been suggested that the death resulted from an act of auto eroticism. However, there is no forensic or other evidence to substantiate this suggestion. I therefore discount that manner of death.

With regard to the question of suicide I have to be satisfied on a strong balance of probabilities before I am able to come to such a conclusion. There is a presumption against suicide. Having considered the extensive brief I am satisfied that the standard required to conclude that this death was a suicide has been reached for the following reasons:

1. Michelle Bennet, [sic] a former de-facto of the deceased, received two telephone calls from him on the morning of the 22nd November. The first was on an answering machine and Mr Hutchence sounded ‘drunk’. During the second call at 9.54am the deceased commenced to cry and according to Ms Bennett sounded ‘very upset’. She was concerned about his demeanour and for his welfare and told him she would come immediately. However, when she arrived at the hotel she was not able to rouse him by knocking loudly on his door nor by ringing him. She wrote a note and left it at reception. Ms Bennett stated that Mr Hutchence never expressed previous inclinations regarding suicide.

2. The deceased’s father, Kelland Hutchence, dined with him the previous night. The deceased was in good spirits, however appeared very worried in regard to the outcome of a custody suit in London. Mr Hutchence could offer no explanation as to why his son would take his own life.

3. Ms Kym Wilson and Mr Andrew Rayment were with the deceased in his hotel room from sometime after 11pm and left about 5am. According to Ms Wilson the deceased appeared to want both of them to remain with him to offer support if the result of his custody hearing was unfavourable. His mood was described as ‘elevated, however pensive when discussing Court proceedings’. All three persons consumed alcohol, including vodka, beer and champagne together with cocktails during this time.

4. Whilst Ms Wilson and Mr Rayment were in the room Ms Martha Troup, the deceased’s personal manager, rang from New York. Then later at 9.38am she received, via voicemail, a call from Michael Hutchence in which he said ‘Martha, Michael here. I f***ing had enough.’ She rang the hotel immediately and the telephone rang out. A further call was received at 9.50am on Ms Troup’s telephone answering machine. The deceased sounded as if he was affected by something, and was slow and deep. This call worried Ms Troup and spoke to John Martin the tour manager for INXS about her concerns. Mr Martin refers to a note received from the deceased stating that he was ‘not going to rehearsals today’. The rehearsal was to be the last one prior to the start of the tour and was quite important.

5. Ms Paula Yates provided a statement. She provided background to the custody dispute between her and Sir Robert Geldof. She stated that she rang the deceased at sometime prior to 5.38am on the 22nd November and he told her he was going to beg Geldof to let the children come out to Australia. She had told the deceased that the custody matter had not been finalised and was adjourned until the 17th December and she would not be bringing the children out. Ms Yates stated that the deceased sounded ‘desperate’ during the conversation.

6. Sir Robert Geldof received two telephone calls from the deceased, the first at about 6.30pm London time on evening of 21st November. It was a short duration and Geldof asked the deceased to call back. The second call was received by Geldof about 5.30am on 22nd November, Sydney time. This call was of some length. Geldof refers to deceased’s demeanour as being ‘hectoring and abusive and threatening’ in nature. He refers to the deceased as ‘begging’ to allow him to let the children come to Australia. He did not sound depressed during the conversation. A friend of both Geldof and Paula Yates, Ms Belinda Brewin, confirms the substance of the conversation between the two. A statement obtained from a Gail Coward, the occupant of the room directly next to the deceased’s room, alludes to her hearing a loud male voice and expletives emitting from the deceased’s room about 5am that morning. I am satisfied that she was hearing the telephone conversation between the deceased and Geldof.

7. A statement obtained from the mother of the deceased, Mrs Patricia Glassop, confirms her opinion that the deceased was in a depressed state.

8. In December, 1995, Michael Hutchence was first prescribed Prozac by Dr J. Borham, a London medical practitioner to treat a pre-existing depressive problem. He was last so prescribed on 1st November, 1997. A London psychiatrist, Mr Mark Collins, was consulted by the deceased on 17th October, 1997 in regard to a minor depression being experienced by him. According to the Doctor there was no hint of suicidal thinking by the deceased.

9. An analysis report of the deceased’s blood indicates the presence of alcohol, cocaine, Prozac and other prescription drugs.

On consideration of the entirety of the evidence gathered I am satisfied that the deceased was in a severe depressed state on the morning of the 22nd November, 1997, due to a number of factors, including the relationship with Paula Yates and the pressure of the ongoing dispute with Sir Robert Geldof, combined with the effects of the substances that he had ingested at that time. As indicated I am satisfied that the deceased intended and did take his own life.

I am also satisfied that this death is one in which nothing will be gained by holding a formal Inquest. The identity of the deceased, the date and place of death and the manner and cause of death are clearly set out and the time and expense of holding an Inquest is not warranted and therefore such will be dispensed with.

May I offer to the family of Michael Hutchence my sincere condolences on their sad loss.

INQUEST DISPENSED WITH.

(D.W. HAND)

N.S.W. STATE CORONER.

Glebe. 6th February, 1998

You’re Going To Be Shocked At How Much The Average Person Spends On Music Per Year

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Technology continues to drive changes for how listeners are crafting and shaping their own music experience. Listening to music is more of an individual experience than ever before through playlist creation, choice of listening device and the management of what is shared across social media channels.

Now in its sixth year, Music 360 is a comprehensive, in-depth study of consumer interaction in the U.S. It examines curation, streaming and exclusive content, the impact of technology, the continuing success of radio and the influence of social media.

Playlisting Is On the Rise

Nearly three-quarters of those who stream music in the U.S. create online playlists—some are for themselves, and some they share with others. More than half of all music listeners create playlists, and 32% share their lists with others, up from 24% in 2016.

Via

Bauhaus’ Kevin Haskins’ “UNDEAD: The Visual History and Legacy of Bauhaus” Available For Presale

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Bauhaus Undead’s aesthetic reflects the bands art school origins to create and elegant and tasteful art book. This deluxe coffee table book is a fitting tribute and celebration of the legacy created by this ground breaking band. The book is ready for pre-order now.

Jack Black’s Son Racked Up a $3K App Bill

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Jack Black talks to Jimmy Fallon about life with his two sons, including occasionally getting attacked in his wallet and genitals.

Pixar’s ‘Incredibles 2’ Official Teaser Trailer

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Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transistion for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again—which is easier said than done, even when they’re all Incredible.

Directed by Brad Bird (“Iron Giant,” “The Incredibles”) and produced by John Walker (“The Incredibles”) and Nicole Grindle (“Sanjay’s Super Team” short, “Toy Story 3” associate producer), “Incredibles 2” busts into theaters on June 15, 2018.

Why every American graduation plays the same song

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We’re all familiar with Pomp & Circumstance, the graduation song that’s the official soundtrack of almost every commencement. But how did it get so big? In this episode of Vox’s Almanac, Phil Edwards investigates and finds diamonds, war, and Dame Clara Butt.

Pomp & Circumstance has long been a graduation anthem. Part of Edward Elgar’s infamous military marches, the tune was composed in the midst of the Boer War, a conflict that expanded the British empire in search of diamonds and gold. When the song was used for Edward VII’s coronation, it was lent words that, even today, promote the British empire. That’s why the version with lyrics is known as “Land of Hope and Glory.”

The famous song was used when Elgar received an honorary degree at Yale and, quite simply, people liked how it sounded. It quickly spread and became a graduation anthem in America (and remained an unofficial national anthem in the UK). Today, we hear it everywhere — and it’s all thanks to Edward Elgar’s unique place in British culture.

Aimee Mann Performs Four Songs At NPR’s Tiny Desk Concert

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“This song is called ‘You Never Loved Me’ — it’s another cheery, optimistic number,” says Aimee Mann, introducing the second of four songs in this Tiny Desk Concert. She has been writing songs on the human condition — more often than not with a strong sense of humor to underpin the inevitable melancholy — as far back as the ’80s, when she was the singer and bassist in Boston’s The Young Snakes. Mann’s newest solo record, the first in five years, is baldly called Mental Illness — clearly, there’s a deep honesty within these songs.

Thousands Of Photos From NASA’s Apollo Missions Are Turned Into An Animated College

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In the year 1957 the cold war expands to space. The Soviet-Union sends Sputnik as the first man-made object into earth-orbit. 3 years later Yuri Gagarin enters space as the first man in space. The so called “Space Race” seems to be decided. But in 1961 President Kennedy promised to send American Astronauts to the Moon. The Apollo Project was born. A space ship had to be built that is strong enough to escape earth’s gravitation, land on the moon and bring the crew safely back to earth. Motion Designer Christian worked with his brother and Composer Wolfgang for 18 months on this short film. The foundation were thousands original NASA photos, taken from the Astronauts during the Apollo Missions, which were released in September 2015. It is an animated collage using different techniques to bring the stills to life.

LUNAR from Christian Stangl on Vimeo.

Watch David Bowie Perform The Album “Low” For The Last Time In 2002

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Here’s David Bowie, live at Montreux Jazz Festival, Auditorium Stravinski, Montreux, Switzerland on July 18 2002. The Low set at the Montreux Jazz Festival was captured on video with high-quality audio and video, and also the final time Bowie ever played the album Low live.

Music Archeology: Reviving the World’s Forgotten Records

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For generations, record collectors have played a vital role in the preservation of musical and cultural heritage by “digging” for obscure music created by overlooked artists. These music “archeologists” are consumed by a desire to give these records a second chance at being heard and appreciated. In our digital age, these record-diggers also act as music curators and are crucial alternative voices to a contemporary culture often served by computer algorithms.

In addition, MIMS launched several ventures such as 24 Hours of Vinyl, numerous signature events and several music curation projects, including a weekly radio show. For the past 15 years, Alexis has been a pillar of the Montreal music scene as DJ Lexis. He is a music entrepreneur, a music programmer at Montreal’s Phi Centre and tours for worldwide DJ shows and festivals.