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Foo Fighters Are Curating And Performing At CALJAM18 In California

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Foo Fighters have confirmed that they will headline and curate the eagerly anticipated second incarnation of the rock n roll marathon that LA Weekly hailed as “a celebration of music and life,” the Los Angeles Times cited as a reminder to fans “why they come to music festivals: to feel connection and catharsis,” and Forbes reported “the response from fans inside and after was one of elation and joy at another great rock and roll party from the band who does them better than anyone else today”:

CALJAM18 will take place October 5 and 6, 2018, returning to Glen Helen Regional Park and Amphitheater for another Friday night camping party followed by another Saturday 12-hour rock extravaganza: More fun, food, sun and sweat, more guitars, and even more good times.

Zac Brown, Ben Simonetti And Niko Moon’s Sir Rosevelt Unveil Debut Self-Titled Album Arriving December 15

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GRAMMY Award-winning recording artist Zac Brown teams with songwriter Niko Moon and producer Ben Simonetti to craft an extraordinary new Southern pop outfit, Sir Rosevelt. The trio’s debut 11-track self-titled album arrives to all music retailers and streaming services on Friday, December 15th.

“Sir Rosevelt” is available for pre-order beginning today, joined by an instant-grat download of a brand new track, “Something ‘Bout You” co-produced by 4x GRAMMY® Award-winner Timbaland (Missy Elliott, Justin Timberlake) – and accompanied by a colorful new lyric video:

Sir Rosevelt’s debut single “Sunday Finest,” co-written with 10x GRAMMY Award-winner Pharrell Williams earlier this year, was also joined by a spectacular companion visual – WATCH HERE – directed by Diego Pernia (who previously collaborated with Brown on the acclaimed “Remedy – A Zac Brown Band Film”) and praised by Rolling Stone as “an ode to the relentless pursuit of hedonism” that “recalls the glorious opulence of The Great Gatsby’s Roaring Twenties.”

Sir Rosevelt followed the release of “Sunday Finest” with their first-ever network TV live performance on ABC’s Jimmy Kimmel Live! The appearance saw electrifying renditions of “Sunday Finest” and the upcoming album track, “Hurricane.” In addition, “Sunday Finest” was featured throughout TNT and TBS’ hugely rated coverage of the 2017 NBA All-Star Game.

Sir Rosevelt will celebrate the release of their debut self-titled album “Sir Rosevelt” with a much anticipated performance at CBS Radio’s “An Epic New Year’s Eve Weekend,” slated for Friday, December 29th at The Cosmopolitan of Las Vegas. The show – on sale now via Ticketmaster – marks Sir Rosevelt’s first-ever U.S. live date following two prior critically-acclaimed performances earlier this year at London’s Scala and Australia’s Byron Bay Bluesfest. Additional North American live dates will be unveiled soon for 2018.

“Sir Rosevelt” sees Zac Brown (of the 3x GRAMMY Award-winning Zac Brown Band), Niko Moon and Ben Simonetti uniting as Sir Rosevelt to create a thoroughly original new sound marrying pop, dance, acoustic instrumentation, and a distinctive Southern sensibility. The trio first came together as Zac Brown Band began experimenting with new sounds and recording techniques on 2015’s chart-topping fourth album, “JEKYLL + HYDE.” Inspired by the full-throttle dynamics of electronic/dance music and the elasticity of contemporary pop, Brown teamed with his friends and longtime collaborators Niko Moon (co-writer with Brown on genre-busting, multi-format #1 hits like “Heavy Is The Head (feat. Chris Cornell)” and “Beautiful Drug”) and Nashville recording engineer Ben Simonetti (Foo Fighters, Blake Shelton) with a goal of creating something altogether original and idiosyncratic.

The result is an album that is both utterly unique and remarkably cohesive, melding disparate influences into an innovative, up-to-the-minute brand of Southern pop unlike anything else.

Taylor Swift Announces “Reputation” North American Tour

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Taylor Swift is hitting the road for the first time in two years, and this will easily be one of the biggest tours of 2018. Kicking off May 8 in Glendale, Arizona, the 27-date jaunt will support her sixth album, Reputation, before wrapping up in Arlington, Texas, on Oct. 6. According to Swift’s website, additional concerts will be announced in the U.K., Ireland, Australia, and New Zealand.

Taylor Swift Tour Dates

May 8 – Glendale, AZ @ University of Phoenix Stadium
May 12 – Santa Clara, CA @ Levi’s Stadium
May 19 – Pasadena, CA @ Rose Bowl
May 22 – Seattle, WA @ CenturyLink Field
May 25 – Denver, CO @ Sports Authority Field At Mile High
June 2 – Chicago, IL @ Soldier Field
June 30 – Louisville, KY @ Papa John’s Cardinal Stadium
July 7 – Columbus, OH @ Ohio Stadium
July 10 – Washington, DC @ FedEx Field
July 14 – Philadelphia, PA @ Lincoln Financial Field
July 17 – Cleveland, OH @ First Energy Stadium
July 21 – East Rutherford, NJ @ MetLife Stadium
July 28 – Foxborough, MA @ Gillette Stadium
August 4 – Toronto, ON @ Rogers Centre
August 7 – Pittsburgh, PA @ Heinz Field
August 11 – Atlanta, GA @ Mercedes-Benz Stadium
August 14 – Tampa, FL @ Raymond James Stadium
August 18 – Miami, FL @ Hard Rock Stadium
August 25 – Nashville, TN @ Nissan Stadium
August 28 – Detroit, MI @ Ford Field
September 01 – Minneapolis, MN @ U.S. Bank Stadium
September 08 – Kansas City, MO @ Arrowhead Stadium
September 15 – Indianapolis, IN @ Lucas Oil Stadium
September 18 – St. Louis, MO @ The Dome at America’s Center
September 22 – New Orleans, LA @ Mercedes-Benz Superdome
September 29 – Houston, TX @ NRG Stadium
October 6 – Arlington, TX @ AT&T Stadium

Photo Gallery: Silversun Pickups at Toronto’s Rebel Night Club

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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I Love This: Singer of German Band Tears Up When People In Brooklyn Sing Along

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Swiss/German girl duo BOY, performing “Little Numbers” at their first-ever Brooklyn show. In this emotional performance, Swiss singer Valeska Steiner is surprised to hear the whole audience sing along, being that it’s their American debut.

Photo Gallery: USS – Ubiquitous Synergy Seekers with Ascot Royals and Nikki’s Wives at Hamilton’s The Studio

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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How To Get a Song In The Charts

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Brett Domino returns with another pop songwriting guide, complete with his own potential hit single .

Dolly Parton On Her First Guitar

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Reverb: Can you tell us about your very first guitar and the instrument that you dreamed of owning when you were growing up?

“Music was such a large part of our whole family. All of my mama’s people were musical. They all played some sort of musical instrument. Of course, I took my music real serious, and I was always plucking along on somebody’s instrument — whatever they would leave lying around or whenever my family would come. But I always loved the guitar.

“I had two uncles who played — Uncle Bill, who helped me get into the business, and Uncle Lewis, who was also a great guitar player. He had this little Martin guitar that I loved, so when he saw how serious I was about my music, he gave me his little Martin guitar. It was my treasure.”

“When I left home at 18, I put it in the loft because it was beat up. My plan was always to — when I got money, when I got rich and famous — have it fixed up. But the loft burned out of our house, and burned up my guitar, so I only have the neck of that one. But I have collected little Martin guitars all through the years. I have some classic little guitars, especially the Martins, the baby Martins.”

Via

Unreleased Ella Fitzgerald Live Album, ‘Ella At Zardi’s’, Unearthed From Verve’s Vaults 60+ Years Later In Celebration Of Jazz Legend’s Centennial

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Verve Records and UMe will close out their year-long celebration of jazz legend Ella Fitzgerald’s centennial with the ultimate present for her 100th birthday – a completely unreleased live album. More than 60 years after it was recorded, Ella At Zardi’s will finally be released on CD and digital on December 1. Today, WBGO, the global leader in jazz radio, premiered the album’s opening track, “It All Depends on You,” both on the air and at WBGO.org, with an accompanying article. The song, popularized by Doris Day, Frank Sinatra and Nat King Cole, was never released on any of Fitzgerald’s albums, making this a truly rare performance. Listen at WBGO: http://wbgo.org/post/after-six-decades-vault-ella-zardis-brings-new-shine-ella-fitzgeralds-centennial

Recorded on February 2, 1956 at Zardi’s Jazzland in Hollywood, Ella At Zardi’s features the entirety of the evening’s two-set, 21-song performance, which captures an inspired Fitzgerald, backed by a stellar trio comprised of pianist Don Abney, bassist Vernon Alley and drummer Frank Capp, singing and swinging in front of an animated, adoring crowd, just days before she’d go on to record the album that would catapult her to stardom. The concert was originally recorded by Norman Granz to celebrate the creation of, and Fitzgerald’s signing to, Verve Records, which Granz founded largely to give Fitzgerald the attention that he felt she wasn’t receiving at her then-current label, Decca. Ella At Zardi’s was planned as the label’s inaugural release but shelved in favor of the now-classic studio album Ella Fitzgerald Sings The Cole Porter Song Book, which kicked off a best-selling, signature series of Song Book releases. The Zardi’s tapes languished in Verve’s vaults for six decades.

Ella At Zardi’s captures the brilliance and inspiration Fitzgerald’s performances embodied at the time. As veteran jazz journalist Kirk Silsbee observes in the album’s liner notes, “We can hear a fluid and joyous singer who operates with almost giddy authority. Ella manages to find a way of swinging almost every number, no matter the tempo. She anticipates her studio songbook albums with Duke Ellington’s ‘In A Mellow Tone,’ Cole Porter’s ‘My Heart Belongs To Daddy,’ the Gershwins’ ‘S’Wonderful’ and ‘I’ve Got a Crush On You,’ and Jerome Kern’s ‘A Fine Romance’… Ella uses her intelligent phrasing and rhythmic sense in inventive and exhilarating ways. Her repertoire was vast and she didn’t always remember the correct lyrics of a song. But the way she spontaneously redesigns the text in the most musical of ways is Fitzgerald’s signature.”

Ella At Zardi’s caps off Verve/UMe’s slate of releases in celebration of “Ella 100,” which has included the four-CD set 100 Songs For A Centennial; the six-LP vinyl box set Ella Fitzgerald Sings The George & Ira Gershwin Song Books and Someone to Watch Over Me, which marries Fitzgerald’s vocals with new instrumental tracks by the London Symphony Orchestra. The centennial has also seen the first-ever digital releases of her rare early singles for the Decca label.

Ella At Zardi’s stands out for its history-making rediscovery of a vintage performance by one of jazz’s greatest artists. As Granz enthuses in his stage introduction, “This is for real; for me she’s the greatest there is—Miss Ella Fitzgerald!”

First Set

1. It All Depends On You
2. Tenderly
3. Why Don’t You Do Right
4. Cry Me A River
5. In A Mellow Tone
6. Joe Williams’ Blues
7. A Fine Romance
8. How High The Moon
9. Gone With The Wind
10. Bernie’s Tune

Second Set

11. ‘S Wonderful
12. Glad To Be Unhappy
13. Lullaby of Birdland
14. The Tender Trap
15. And The Angels Sing
16. I Can’t Give You Anything But Love
17. Little Boy (a.k.a. Little Girl)
18. A-Tisket, A-Tisket
19. My Heart Belongs To Daddy
20. Airmail Special
21. I’ve Got A Crush On You

Alternative Love Blueprint – A History of Alternative Music

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A wonderful print available for sale featuring history of alternative and independent music mapped out to the circuit board of an early transistor radio, courtesy of the site Dorothy.

Their Alternative Love Blueprint celebrates over 300 musicians, artists, managers and producers who (in our opinion) have been pivotal to the evolution of the alternative and independent music scene, from Bill Hayley & His Comets whose 1950s Rock Around the Clock became the first ever anthem for a rebellious youth, to the DIY ethic of present day bands like Arctic Monkeys and Radiohead.

The print weaves it way through many musical sub-genres and counter-cultures including early underground and experimental rock (The Velvet Underground), proto-punk (MC5, The Stooges), New York and CBGB’s Punk (Ramones, Patti Smith), UK Punk (Sex Pistols, The Clash), 2 Tone & Ska (The Specials), Krautrock (Kraftwerk, Can, Neu!), Hardcore (Black Flag, Hüsker Dü), Riot Grrrl (Bikini Kill, Sleater-Kinney), Post Punk and Manchester’s Lesser Free Trade Hall fall-out (Joy Division, Buzzcocks, The Fall), Grunge (Nirvana, Pixies), Alternative (The Smiths, R.E.M) Madchester (The Stone Roses, Happy Mondays) and Garage Rock Revival (The White Stripes, The Strokes). The print also salutes creative catalysts such as Malcolm McLaren and Vivienne Westwood and innovative record labels including Stiff, Rough Trade and Postcard.