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How sign language innovators are bringing music to the deaf

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Amber Galloway Gallego is one of a growing number of ASL interpreters that specializes in the performing arts, specifically music. She’s interpreted for over 400 artists at this point and has a special knack for interpreting hip-hop acts like Kendrick Lamar and Drake.

Meet Suzanne Ciani, The Woman Who Revolutionised Electronic Music

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In the 1960s the world of electronic music was dominated by men – and Suzanne Ciani was one of the very few women who started to compose synthesizer music. Her music went on to be used widely in adverts, pin ball machines and influenced many musicians. Suzanne’s early recordings have recently been re-released and brought her a new generation of young fans. Suzanne was born in Boston and started out as a classical pianist. She explained to Matthew Bannister how electronic music first came into her life. A new documentary about her life – A life in Waves – will be out soon.

Michael McDonald On The Importance Of Social Media

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You issued a Twitter statement in 2014 about the death of Michael Brown, an unarmed 18-year-old African-American man who was shot by police in August of that year. Anything to say about how your ideas about racial injustice and police brutality have come up in your music over the years? And when did those ideas come to fruition?
It’s come up going back as far as Takin’ It to the Streets. Growing up in St. Louis, I remember contemplating, “What if I had been born black? What would my life be like?” In the same town, in the same given day, being restricted to where I could go in the city. That whole idea of it was always kind of disturbing, weird, especially when you’re a kid. You don’t know how to even really think about it. It was always a big question in my mind. I grew up largely in a white community that seemed to have all those social ills. As a kid, you’re kind of wide open. You don’t have all the prejudices that you might gain as an adult.

What about now?
What I notice in today’s particular form of social polarities and prejudices is people don’t want to really look at the problem. They want to deflect to “Well, white lives matter too.” Well, that’s not the point. People are not saying that white lives don’t matter. What they’re saying is there’s a real disparity here, no matter how you want to look at it. No one is saying that the police are evil, wholesale evil. Any kid who grows up in the inner city probably knows as many positive encounters with police as not.

If you’re a young black man in this country, with the social development that has taken place over the years and the injustices involved with that, your idea of being arrested on the street is totally different than any white kid your age because it wasn’t that long ago, especially in certain regions of the country, where if you got pulled over for the smallest infraction, whatever it might be, you better run your ass off and you better not stop. If you got caught, you might wind up in front of a judge in the next five hours and sent off to a chain gang somewhere, and your parents may never hear from you again. That’s just a sad reality.

You’ve also been outspoken in your praise of the Sioux nation in their opposition to the Dakota Access pipeline. On Facebook last December, you wrote, “As we offer our congratulations to the brave and decent folks who stood their ground at Standing Rock, let us also express our gratitude for this was not just a victory for the Sioux nation but a victory for all humanity against corporate greed!”
Everybody wants to go, “They should be dealing with their alcoholism on the reservation and not worrying about this pipeline.” You know, it’s like, That’s not the point. The point is, this is a sovereign nation. They have more of a right to say no than even you and I do because they might use the eminent domain bullshit on you and I, because we live here. The fact is, the Sioux nation is a sovereign nation. It’s the last bit of sovereignty that they have. We’ve broken every treaty with them up to now. Now we’re going to break this one?

It’s more important for these guys to make a few million dollars for the limited amount of jobs, for the limited amount of time, and they pass that off to all of us as “Oh, these are jobs, and this is energy.” It’s bullshit is what it is. It’s a pipeline that they’re going to expect us to maintain, the taxpayers, and they’re gonna pollute these people’s water table. It’s gonna be the next Flint, Michigan. We’ve got to stop bullshitting ourselves.

You’re not afraid to use social media to voice your political opinions.
I’m always struggling between “Does the world really need my opinion on this?” I think we all have to speak up, especially at times like this when what’s going on is pretty frightening. There’s this whole idea that, How do I put this? This has happened before, and it’s happening right under our nose, and I think unfortunately there’s a whole generation that doesn’t really appreciate the recent history of how this has happened before. The United States is not immune to this happening.

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Video: Iggy Pop’s first appearance on The Late Show with David Letterman, December 1982

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In his first of five Late Night appearances, Iggy Pop performs “Eat or Be Eaten” with the band and then chats with Dave for two full segments.

John Legend Sings Classic Gordon Ramsay Insults

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“You put so much oil in this, the US wanted to invade the f**king plate!” – so beautiful that it brings a tear to the eye. John Legend & Chef Ramsay duet for the new album: ‘Gordon’

How Long It Took Successful Artists To Crack The Charts

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Overnight success or decades of effort?

Here’s a cool interactive visual on the careers of the 100 Greatest Artists according to Rolling Stone, and uncovering how long it took them to score their first top 10 hits.

Thundercat: NPR Music Tiny Desk Concert

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Thundercat, born Stephen Bruner, is willing and able to shape-shift to fit into just about any box you show him — he just won’t stay in there for long. Whether fusing his talent for jazz while a bassist with punk legacy act Suicidal Tendencies or as a member of Snoop Dogg’s band — maybe running a little too far with a solo here and there — the focus seems to eventually drift his way.

After releasing two brilliant solo albums, he was plucked to work on what eventually became one of the most important works of art released this decade: Kendrick Lamar’s To Pimp A Butterfly. Capitalizing off of the new exposure, he quickly released the EP The Beyond/Where the Giants Roam. That was followed about two years later by Drunk, his most solid project to date.

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Colonel Chris Hadfield Announces New Dates for Canada 151 Tour

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Coming off an incredible run of his “Canada 150 Tour” in 2017, Canada’s first spaceship commander, Colonel Chris Hadfield will be hitting the road again in 2018 with his ‘Canada 151’ show. The celebration will include Hadfield sharing a selection of stories, images, songs and ideas about the nation he is so proud to call home. By customizing his performance to each audience, everyone is sure to leave with a sense that Canada is truly “out of this world”.

“I am so looking forward to sharing what I’ve seen and learned as a Canadian in orbit, an astronaut looking at Canada and the world. There will be stories, images, videos, music and ideas of this country in its 151st year, plus a chance for Q&A and to meet in-person! ” said Colonel Chris Hadfield. “I am immensely proud of Canada, especially at this moment in history. Please join me for a rare evening of stories, images, videos, music and ideas.”

As one of the most seasoned and accomplished astronauts in the world, Colonel Hadfield offers his unique perspective by looking at the history and future of Canada through its people and the land itself. Performing songs like his fun-living, patriotic single “In Canada,” to his evocative “Beyond the Terra” that looks away from the land to the skies, Colonel Hadfield ties his presentation together with stories of great Canadians and tales from his incredible career.

Through his 21-years as an astronaut, three spaceflights and 2600 orbits of Earth, Colonel Hadfield has become a worldwide sensation. In 1992 he was selected by the Canadian Space Agency as a NASA Mission Specialist – Canada’s first fully qualified Space Shuttle crew member. In November 1995 while aboard Shuttle Atlantic, he was the first Canadian to operate the Canadarm in space, and to board a Russian spacecraft as he helped build space station “Mir.” In 2001, Colonel Hadfield was the first Canadian to perform two spacewalks and in 2013 he was the first and only Canadian Commander of the International Space Station. While in orbit, Hadfield was a constant presence on social media and produced what is considered to be the first music video shot in space, a version of David Bowie’s Space Oddity, which has been viewed over 16 million times.

American Express presale begins on Tuesday, October 31st at 10am EST. Live Nation Member presale begins on Wednesday, November 1st at 10am EST. General public can purchase tickets on Friday, November 3rd at 10am EST.

Tour Dates
February 8, 2018 FirstOntario Concert Hall Hamilton, ON
February 9, 2018 Centennial Hall London, ON
February 21, 2018 Capital Theatre North Bay, ON
February 22, 2018 Empire Theatre Belleville, ON
February 24, 2018 Grand Theatre Kingston, ON
March 1, 2018 Rebecca Cohn Auditorium Halifax, NS
March 2, 2018 Imperial Theatre Saint John, NB
March 3, 2018 Holy Heart Theatre St. John’s, NL

14-minute Doc About The Sound Team For Blade Runner 2049

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Here’s a cool 14-minute doc about the sound team behind Director Denis Villeneuve’s, Blade Runner 2049 featuring supervising sound editor Mark Mangini, sound designer Theo Green, re-recording mixer Doug Hemphill and Ron Bartlett, picture editor Joe Walker and Composers Hans Zimmer and Benjamin Wallfisch.

Officer K (Ryan Gosling), a new blade runner for the Los Angeles Police Department, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. His discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former blade runner who’s been missing for 30 years.

SoundWorks Collection: The Sound of Blade Runner 2049 from Michael Coleman on Vimeo.

John Lennon’s Personal “Butcher Cover” Album With His Original Artwork Is Up For Auction

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The term “world class” is probably a bit over-used in describing collectibles. Labeling this unique, rare, and desirable Beatles item as “World Class” is not hyperbole. If anything, it does not do it justice. Offered here is the Yesterday And Today Stereo Prototype “Butcher Cover” that was owned by John Lennon and even displayed on the wall of his Dakota apartment until the point where he had an assistant take it down and deliver it to the Record Plant where he signed it in blue ink: “To Dave from/ John Lennon/ Dec 7th 71“. The recipient was Dave Morrell, a Beatles fan and bootleg collector who was in the studio showing John some of his memorabilia and bootleg material. The Butcher was given in essentially a trade for a reel-to-reel tape of the Yellow Matter Custard bootleg that Lennon desired. Lennon filled the blank back of the cover with an original piece of art in black ink. It fills the cover and depicts a man with a shovel and his dog, both posed in front of a setting sun. Interestingly, he incorporated various tears, stains, and flaws into the picture.

If you have (so far), $100,000 to spend, you can get it here.