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Canadian Singer-Songwriter Barney Bentall’s ‘The Drifter & The Preacher’ Set for Release on October 13

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Canadian Singer-Songwriter Barney Bentall’s ‘The Drifter & The Preacher’ Set for Release on October 13

After a five year recording hiatus, JUNO Award winner Barney Bentall returns with what is arguably his most personal record to date, The Drifter & The Preacher.

The Drifter & The Preacher is the great paradox of a nomadic homebody, and a musical tour de force that could prove to be truly defining for a musician, a songwriter, a friend, a father, a brother, a husband and a son… coming face-to-face with a life lived. Lead single “The Miner,” which was co-written and features his son Dustin Bentall, will be immediately available as a download to fans who pre-order the album on iTunes. Check out the official video for “The Miner” here.  Pre-order begins today on iTunes, Amazon and on the True North Records label store.

Barney Bentall hit the music scene as the lead man for Barney Bentall and The Legendary Hearts back in 1988, with his self-titled debut CD soaring to the top of the charts, reaching platinum status in Canada and establishing Bentall as a must-see as a concert draw.

The last couple of years have seen Barney Bentall translate his tremendous ability and deep introspection into his 10th studio album, which is an ambitious effort accomplished by one of the greatest storytellers of our time. “This was written for my father-in-law. Bar none, one of the most interesting and intelligent people I have met,” says Bentall. “He taught me many valuable things and gave me the best friend I have. He died with his boots on at the age of ninety-three. I wrote this at my ranch shortly after on a star-studded night.”

While plenty of musicians have told stories of their family, Bentall possesses the emotion and interpretive skills to reveal an eclectic range that few could muster, and no more so than in the first single, “The Miner.” Says Bentall, “My son Dustin is a travelling musician. ‘The Miner’ marks the first time we wrote a song together… It started out as a story about Dustin’s grandfather and as a continuation of ‘The Drifter‘.  Songs often have a mind of their own and… ‘Life goes where it goes’.  When the dust had settled, we ended up with a story loosely based on a good friend of ours.  He, much like the two of us, is driving down the road less travelled.”

The Drifter & The Preacher also features a collaboration with Jim Cuddy of Blue Rodeo on “Won’t Change The World.” Bentall says, “Sometimes a song is the only tool in the chest when you are trying to get back into someone’s favour. My good friend Jim Cuddy jumped in on this one. I swear, that boy gets behind an old tube microphone in a recording studio and puts on a clinic every time.”

Inspiration set in not only from his family, but good friends, too.  “The Ocean and You (A song for John Mann)” is a stirring song paying tribute to the Spirit Of The West singer. “Around the time we were forming the Legendary Hearts, we had this rustic studio in a millwork shop in the False Creek area in Vancouver. It was a sketchy part of town at the time, but heaven to us. Back in the day, that studio was our Clubhouse. We wrote and demoed ‘Something To Live For’ there, among many other songs. The founding members of Spirit Of The West — Geoffrey Kelly and John Mann — became lifelong friends of mine in the early ‘80s. We made their first record in that studio and had a wonderful party or two. Along with our partners/wives, it was an unforgettable and cherished circle. I wrote this song about John and his ongoing courageous fight with early onset Alzheimer’s. It is also about the equally courageous role of John’s partner Jill. God bless ya, Johnny.”

Look for more official videos and tour dates to follow. Below is the complete track listing.

The Drifter & The Preacher | Track Listing

  1. The Miner (Featuring Dustin Bentall)
  2. Moon At The Door
  3. The Drifter
  4. Hey Mama
  5. In The Morning
  6. The Preacher
  7. Won’t Change The World (Featuring Jim Cuddy)
  8. Don’t Wait For Me Marie
  9. Say Goodbye To Albert Comfort
  10. The Ocean And You (A Song For John Mann)
  11. On The Shores Of Grise Fjord

Catch Barney Bentall live at the following Canadian tour stops:
July 20 – Toronto, ON – Live on the Patio at Roy Thomson Hall
July 21 – Mission, BC – Mission Folk Music Festival
July 26 – 30 – Calgary, AB – Calgary Folk Music Festival
August 4 – Minnedosa, MB – Rockin’ The Fields of Minnedosa Festival
August 6 – Comox, BC – The Filberg Festival
August 18 – Saskatoon, SK – Rock The River Festival
August 19 – Wainwright, AB – Come By The Hills Music Festival
October 29 – Ottawa, ON – National Arts Centre – Azrieli Studio

Photo Gallery: Muse with Thirty Seconds To Mars at Toronto’s Budweiser Stage

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Photo Gallery: Muse with Thirty Seconds To Mars at Toronto’s Budweiser Stage

All photos taken by Mini’s Memories. You can contact her at minismemories@hotmail.com

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There’s A New Music Video From Nine Inch Nails

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There’s A New Music Video From Nine Inch Nails

“So what are you waiting for? You got what you asked for. Did it fix what was wrong with you?”

The new music video (let’s let that sink in…the new music video) for Nine Inch Nails’ single was made with a modified version of Llamasoft’s PS4 virtual reality shooter Polybius. The single is from the new EP ‘ADD VIOLENCE’ coming July 21st.

In this Oscar-nominated short, a mysterious vinyl record suddenly allows Pia to travel through time

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In this Oscar-nominated short, a mysterious vinyl record suddenly allows Pia to travel through time

In A Single Life, this Oscar-nominated short, a mysterious vinyl record suddenly allows Pia to travel through time.

A Single Life from Job, Joris & Marieke on Vimeo.

The soundtrack for A Single Life by Happy Camper is available on Spotify:

open.spotify.com/artist/5DKa6wxmwykF9PwsIm8FXw

Birthplace of Country Music Celebrates The 90th Anniversary Of 1927 Bristol Sessions

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Birthplace of Country Music Celebrates The 90th Anniversary Of 1927 Bristol Sessions

This summer the Birthplace of Country Music (BCM) celebrates the 90th anniversary of the legendary 1927 Bristol Sessions recordings with an exciting series of panels, performances, premieres, and promotions showcasing the deep impact of the Sessions. Kicking off on July 15 with a symposium featuring Ralph Peer II, Barry Mazor, and the producers of the PBS documentary American Epic, the celebration continues through the award-winning Bristol Rhythm & Roots Reunion music festival September 15—17, 2017.

“Ours is a story that isn’t often told, yet the events that happened in Bristol in 1927 revolutionized the country music industry,” said Leah Ross, Executive Director of BCM. “This celebration honors the legacy of the Bristol Sessions and its lasting impact on the soundtrack of our lives. We urge everyone who loves music to explore this important history in Bristol and take part in the events during the 90th anniversary.”

Arguably the most influential country music recordings in history, the 1927 Bristol Sessions were produced by Ralph Peer of the Victor Talking Machine Company and included the first recordings of the Carter Family and Jimmie Rodgers, among others. The 1927 Bristol Sessions ushered in a new era for the commerical music industry due to their commercial success and the state-of-the-art technology used to record them.

A quick overview of the 90th anniversary offerings are below. To view a full list of activities and to purchase tickets, visit 1927BristolSessions.org.

90th Anniversary Symposium with Ralph Peer II
Saturday, July 15: 2:00 p.m.—7:00 p.m. ET

The 90th Anniversary Symposium will delve into the technology, impact, and legacy of the 1927 Bristol Sessions. Following a screening of portions of the PBS documentary American Epic and discussion with producers Allison McGourty and Bernard MacMahon, esteemed music journalist and author Barry Mazor (Ralph Peer and the Making of Popular Roots Music, Meeting Jimmie Rodgers: How America’s Original Roots Music Hero Changed the Pop Sounds of a Century) will explore the impact of the Bristol Sessions. Ralph Peer II, CEO of peermusic, and his wife Liz Peer will provide the keynote.

Friends of 1927 Concert
Saturday, July 29, 2017: 6:30 p.m. ET

This intimate concert experience features the respected talents of musician and Grammy Award-winnng producer Carl Jackson, Kentucky Music Hall of Fame inductee Larry Cordle, and SESAC Country Music Songwriter of the Year Jerry Salley. Cocktails and hors d’oeuvres are included.

Born in Bristol Film Premiere
Public screening dates: August 4—6, 2017

In 1927 musicians came from all over the region to make music in Bristol; they ended up making history. Don’t miss the highly-anticipated premiere of Born in Bristol, a film highlighting this history and featuring some of country music’s most respected artists, including Dolly Parton, Eric Church, Marty Stuart, Vince Gill, and many more. Public screenings will take place at the Birthplace of Country Music Museum, and the film is included with a museum admission ticket.

90th Anniversary Promotional Admission
Museum admission is only 90 cents July 25-30, 2017

In honor of the 90th anniversary, patrons can visit the Birthplace of Country Music Museum to explore the history and music of the 1927 Bristol Sessions and experience the amazing impact of those recordings with a special admission price of only 90 cents from July 25 to July 30!

Bristol Rhythm Tribute to the 90th
September 15-17, 2017

Bristol Rhythm & Roots Reunion will pay tribute to the 90th anniversary of the 1927 Bristol Sessions with a once-in-a-lifetime special showcase featuring an array of festival artists yet to be announced. The tribute will take place on the final day of the festival. Weekend passes to Bristol Rhythm are on sale now; headlining talent at this year’s event includes Dwight Yoakam, Judah and the Lion, Jerry Douglas Presents Earls of Leicester, Son Volt, Rodney Crowell, Rainbow Kitten Surprise, and many, many more. Visit BristolRhythm.comfor the complete lineup and to purchase tickets.

E.ON teams up with Noah Harris and Gorillaz for new battery ad

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E.ON teams up with Noah Harris and Gorillaz for new battery ad

To promote their solar storage batteries, E.ON teamed up with Noah Harris and Gorillaz to create a solar powered desert rave extravaganza.

E.ON x Gorillaz – A Solar Collaboration from noah harris on Vimeo.

Photo Gallery: Metallica at Toronto’s Rogers Centre

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Photo Gallery: Metallica at Toronto’s Rogers Centre

By Dawn Hamilton

It was a sea of leather, long hair, and liquor at The Rogers Centre for the one and only Metallica. I don’t think I have ever seen so many people in one place all head banging in unison to every single song Metallica played. They started the night with “HardWired” and even before the first note the fans were already singing in the crowd. High fives and fist bumps were plentiful to anyone passing you as you walked to your seats and even wanting me to join in the fun in the photo pit before I started my night. Everyone seemed to be in great spirits, and who wouldn’t be, it is Metallica after all.

What can I say about at band that has been around since probably the beginning of time that hasn’t been said before. I grew up listening to them in high school, yes I am aging myself, and there was a multitude of parents bringing the new generation to bask in the presence of this iconic band. Even a very young fan was at the front of the pit area, whom near the end of the night was pointed out by James, “How old are you? 13? And you are in the front row? You and your dad came to Metallica? That’s fucking cool, your dad is cool and you are a cool kid.” I can see why they chose the Rogers Centre for such a monumental event. After playing such a tiny venue, The Opera House in Toronto, to the other end of the scale, the most grandiose venue in Toronto it seems there is nothing Metallica can’t do or hasn’t done already.

The stage set up was fairly simple, just the usual backline but behind them was the biggest LED wall I have ever seen showing live footage of them below. That being said, flames, lazers and even fireworks made for tons of ambience throughout the concert.

“We got all kinds of people here tonight, I wanna know out of curiously… I wanna know with a show of hands how many new people are here tonight?” In my opinion, probably one quarter of the venue raised their hands as James posed this question.

“This goes out to all the brand new family members here…. all the old schoolers like it heavy and Metallica gives you heavy”. Heavy is exactly what they gave us as the guitars started screaming and they started “Sad But True”. This was the start of the next few songs for us old schoolers as they continued with their songs “One” and “Master Of Puppets”. If the PA system had any dust or cobwebs in it I can guarantee they have all been shaken loose and are currently on the floor of the Rogers Centre. This was one of the loudest concerts I have ever been to, with one exception, Cinderella at Copps Coliseum back in the day.

Just before the end of the night Metallica made the show a little bit more intimate by moving the band to the end of the catwalk and in the front of the “snakepit”, explaining to the fans “we are recreating the garage, exactly how it was when we first started in 1983 way before you were born kid” speaking to the 13 year old in the front row. They also brought another young fan on stage for a moment to sit behind Lars’ drum kit, the next generation Metallica. “This is exactly how it was in the garage, Lars was that young and except you weren’t here” James quipped then instructed the fans “When I say seek…” the crowd erupted Destroy.

Unfortunately the night for myself didn’t start until Metallica hit the stage as I was stuck in traffic for 4 hours (normally a 1.5 hours drive) trying to make my way down to the Rogers Centre. I am crushed I wasn’t able to witness Volbeat and to photograph Avenge Sevenfold, but I am positive they both kicked ass during their set. Hopefully next time I will have the opportunity to photograph both bands soon.

This was a weekend of nostalgia, the biggest heavy metal bands were in town and I couldn’t be more thankful to be rocking out with the best of them. James said as much before the encore “Are you still out there? Metallica is grateful to be here after 36 years. You make us feel good”. I am pretty sure a ton of people are not feeling so good this Monday and I can guarantee there was more than one person who called in “sick” to work today due to self inflicted liquor intake which is sad but true…..

Once again thanks to the crew because without them there is no show!

All photos and review done by Mini’s Memories. You can contact her at minismemories@hotmail.com

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New Radicals’ 1998 Album, “Maybe You’ve Been Brainwashed Too,” Gets First-Ever Vinyl Release As 2-LP Set

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New Radicals’ 1998 Album, “Maybe You’ve Been Brainwashed Too,” Gets First-Ever Vinyl Release As 2-LP Set

ew Radicals were an American alternative band formed by singer-songwriter Gregg Alexander. Maybe You’ve Been Brainwashed Too, the 1998 MCA Records release – featuring the hit single “You Get What You Give” – is now being reissued by Interscope/UMe on vinyl for the first time as a 2-LP set – with an additional, exclusive color edition in translucent gold — on August 4.

After a pair of late-’80s, early-’90s solo albums, Alexander put together a group with a wide range of collaborators including Danielle Brisebois, best known for her roles in All in the Family, as well as future Paul McCartney guitarist Rusty Anderson, and “Thriller” keyboardist Greg Phillinganes to form the band and record Maybe You’ve Been Brainwashed Too. The band’s rock-pop-funk, blue-eyed soul hybrid, which was released on October 20, 1998, was praised by critics, who said it had its own “unique, oddball bounce” and compared it to Todd Rundgren, and Prince, among others.

The album went platinum in America, and proved even more popular around the world, cracking the top 10 in the U.K. as well as many other territories. The first single, “You Get What You Give,” was a smash hit on the Billboard Hot 100, topped the charts in Canada and New Zealand and was in the Top 5 in the U.K. In addition to its success on the Pop Radio charts, the song also crossed music genres and peaked in the top 10 of the Billboard Modern Rock chart.

Like much of the rest of the politically charged, sex-and-drugs-infused lyrics, “You Get What You Give” took on health insurance fraud, big-bank corruption and the threat of technology while cheekily name-checking “fashion shoots with Beck and Hanson, Courtney Love and Marilyn Manson,” insisting, “You’re all fakes, run to your mansions/Come around, we’ll kick your ass in.”

The song has been praised by the likes of U2’s The Edge, who told Time magazine he “really would have loved to have written [it],” while Joni Mitchell cited it in the liner notes of her 2004 compilation, Artist’s Choice, praising it for “rising from the swamp of ‘McMusic’ like a flower of hope.” Rolling Stone named “You Get What You Give” one of the 50 Best Songs of the Nineties, VH1 voted it one of the “100 Greatest Songs of the ’90s,” while Pitchfork, Entertainment Weekly and Spin all dubbed it one of the top tracks of the decade as well.

Before the second single “Someday We’ll Know” was released in 1999, the band had broken up. The song was later covered by the group America, as well as Mandy Moore and Switchfoot’s Jon Foreman on the 2002 soundtrack to A Walk to Remember. Hall & Oates also covered the track on their 2003 album, Do It for Love, with a special appearance by Todd Rundgren.

After New Radicals, Alexander concentrated on production and songwriting, and continued to successfully write hits — but for other artists. In 2002, Alexander won a GRAMMY® Award for co-writing Santana’s top 5 hit “The Game of Love” featuring Michelle Branch. Alexander also co-wrote the songs for Once director John Carney’s 2014 film, Begin Again, with Alexander earning a Best Original Song Academy Award® nomination for “Lost Stars” with Brisebois. He’s also written and produced songs for Tina Turner, Cee-Lo, Rod Stewart, Rivers Cuomo, and The Struts, earning praise from Allmusic’s Stephen Thomas Erlewine who called Alexander “the catchiest, smartest professional mainstream pop songwriter of the early 2000s.” Maybe You’ve Been Brainwashed Too serves as the finest example of that talent.

Maybe You’ve Been Brainwashed Too Track listing

Disc One/Side One
1. Mother We Just Can’t Get Enough
2. You Get What You Give
3. I Hope I Didn’t Just Give Away the Ending

Disc One/Side Two
4. I Don’t Wanna Die Anymore
5. Jehovah Made This Whole Joint for You
6. Somebody We’ll Know (Album version)

Disc Two/Side One
7. Maybe You’ve Been Brainwashed Too
8. In Need of a Miracle
9. Gotta Stay High

Disc Two/Side Two
10. Technicolor Love
11. Flowers
12. Crying Like a Church on Monday

D’Angelo’s Neo-Soul Masterpiece, ‘Brown Sugar,’ Remastered and Expanded for New Deluxe Edition

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D’Angelo’s Neo-Soul Masterpiece, ‘Brown Sugar,’ Remastered and Expanded for New Deluxe Edition

D’Angelo’s platinum-certified debut, 1995’s neo-soul masterpiece Brown Sugar, is newly remastered and expanded for a 2CD and digital Deluxe Edition to be released August 25 by Virgin/UMe. Remastered by GRAMMY-winning engineer Russell Elevado, Brown Sugar’s Deluxe Edition adds 21 rare tracks, including remixes by CJ Mackintosh, Dallas Austin, King Tech, Erick Sermon and Incognito, as well as instrumentals and a cappella versions. Of the 21 newly added tracks, 15 were previously available only on vinyl and seven will make their commercial release debuts on the new edition.

Brown Sugar’s 2CD Deluxe Edition is presented in a digipak with a 20-page booklet featuring an essay by noted author and filmmaker Nelson George, rare photographs, and lyrics for the album’s 10 original tracks.

Released July 4, 1995, D’Angelo’s Brown Sugar album heralded a new direction for soul music, bridging tradition and innovation. D’Angelo, then 21 years old, wrote, arranged, performed and produced most of the album himself, inspired by classic jazz, gospel, soul, and hip-hop and using a mix of vintage and new equipment to realize his creative vision.

In the Deluxe Edition booklet, D’Angelo’s Brown Sugar co-producer Bob Power writes: “D was one of those artists that came not just fully formed, but truly genre-bending; genre-creating is really more like it.”

D’Angelo’s Brown Sugar collaborators also included A Tribe Called Quest’s Ali Shaheed Muhammad for the title track and Raphael Saadiq for “Lady.” The first album to be dubbed “neo-soul,” Brown Sugar spent 65 weeks on the Billboard 200 albums chart and drew praise from music critics around the world. In his four-star album review for Rolling Stone, Cheo Hodari Coker wrote, “Brown Sugar is a reminder of where R&B has been and, if the genre is to resurrect its creative relevance like a phoenix rising from the ashes, where it needs to go.”

“Young D’Angelo was duly anointed the new musical messiah, charged with leading the culture into a new promised land,” writes Nelson George in his Deluxe Edition essay.

Brown Sugar received four GRAMMY Award nominations. The groundbreaking album is featured in Mojo’s list of 100 Modern Classics and in Rolling Stone’s Essential Recordings of the ’90s.

D’Angelo: Brown Sugar (Deluxe Edition) [2CD, digital]

CD 1 (Remastered album, plus bonus tracks)
1. Brown Sugar
2. Alright
3. Jonz In My Bonz
4. Me And Those Dreamin’ Eyes Of Mine
5. Sh*t, Damn, Motherf*cker
6. Smooth
7. Cruisin’
8. When We Get By
9. Lady
10. Higher
Bonus Tracks
11. Brown Sugar A Cappella (released on 12″ single)
12. Me And Those Dreamin’ Eyes Of Mine A Cappella (released on promotional 12″ single)
13. Brown Sugar Instrumental (released on 12″ single)
14. Lady Just Tha Beat Mix Instrumental w/Chorus (Mixed by DJ Premier; released on CD Maxi-Single)
15. Brown Sugar Alternate Version (released on 12″ single)

CD 2 (More Sugar)
1. Brown Sugar King Tech Remix feat. Kool G. Rap (released on 12″ promotional single)
2. Me And Those Dreamin’ Eyes Of Mine Def Squad Remix feat. Redman (Remixed by Erick Sermon for Funk Lord Productions; released on 12″ single)
3. Cruisin’ Cut The Sax Remix (Remix by King Tech; Released on 12″ single)
4. Lady Just Tha Beat Mix/featuring AZ (Remixed by DJ Premier for Works of Mart Productions, Inc.; released on CD Maxi-Single)
5. Brown Sugar Soul Inside 808 Mix (Mix by DJ Dodge; released on U.K. 12″ single)
6. Me And Those Dreamin’ Eyes Of Mine Two Way Street Mix (Remixed by DJ Premier for Works of Mart Productions, Inc.; released on promotional 12″ single)
7. Cruisin’ Dallas Austin Remix (released on 12″ single)
8. Lady 2B3 Shake Dat Ass Mix (Remix produced by Neville Thomas and Pule Pheto for 2B3 Productions; released on U.K. CD Maxi-Single)
9. Brown Sugar Incognito Molasses Remix (released on “She’s Always In My Hair” promotional 12″ single)
10. Me And Those Dreamin’ Eyes Of Mine Dreamy Remix (Remixed by Erick Sermon for Funk Lord Productions; released on promotional 12″ single)
11. Cruisin’ Wet Remix (released on CD single)
12. Brown Sugar Dollar Bag Mix (released on U.K. 12″ single)
13. Cruisin’ God Made Me Funky Remix (released on promotional 12″ single)
14. Brown Sugar CJ Mackintosh Remix (Additional production and Remix by CJ Mackintosh; released on the various artists CD collection Nu Classic Soul)
15. Lady CJ Mackintosh Mix Radio Edit (Additional production and Remix by CJ Mackintosh; released on U.K. CD Maxi-Single)
16. Cruisin’ Who’s Fooling Who Mix (released on promotional 12″ single)

Shania Twain offering exclusive album packages benefiting Shania Kids Can Foundation

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Shania Twain offering exclusive album packages benefiting Shania Kids Can Foundation

Shania Twain promised herself that if she were ever in a position to give back, she would find a way to help children reach their full potential. After overcoming the hardships, loss and extreme poverty of her youth, Shania is now one of the most iconic country stars in the world and is helping to provide the best possible opportunities for youth today facing similar challenges through the Shania Kids Can Foundation. Established in 2010, the organization was created to help underprivileged children with academic, nutritional, therapeutic and extra-curricular support providing a safe, secure environment where a child can thrive and reach their personal best.

With the Sep. 29 launch of her brand new album, NOW, featuring new single “Life’s About to Get Good,” Shania is offering exclusive album packages to benefit Shania Kids Can. Package options range from the new Shania deluxe album, Shania Kids Can merchandise and autographed memorabilia to tickets to an intimate pre-release listening party, one-of-a-kind performance outfits worn by Shania, the custom motorcycle used in Shania’s Still the One Live from Las Vegas stage show, dinner in Nashville with Shania and much more.

For additional details and package descriptions, go here.

Founded by performer Shania Twain in 2010, Shania Kids Can helps to relieve the economic, social and personal sufferings of children that she herself experienced as a child. Shania Kids Can operates in elementary schools throughout North America delivering programs that aim to provide all-inclusive support and stability by qualified professionals in the form of one-on-one consultations as well as group activities and opportunities all while in the safe, confidence-building environment that is the Shania Kids Can Clubhouse. Among the services offered are: Academic support, nutritious food, social and psychological support, vocational training and practical life skills, as well as after school programs. Shania Kids Can is a Canadian registered charity, Shania Kids Can US Ltd is a registered 501 (c) (3) charity.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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