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Chris Cornell’s Wife Vicky Writes Letter to Late Husband: “I’m Sorry You Were Alone”

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To My Sweet Christopher,

You were the best father, husband and son-in-law. Your patience, empathy and love always showed through.

You had always said I saved you, that you wouldn’t be alive if it were not for me. My heart gleamed to see you happy, living and motivated. Excited for life. Doing everything you could to give back. We had the time of our lives in the last decade and I’m sorry, my sweet love, that I did not see what happened to you that night. I’m sorry you were alone, and I know that was not you, my sweet Christopher. Your children know that too, so you can rest in peace.

I’m broken, but I will stand up for you and I will take care of our beautiful babies. I will think of you every minute of every day and I will fight for you. You were right when you said we are soulmates. It has been said that paths that have crossed will cross again, and I know that you will come find me, and I will be here waiting.

I love you more than anyone has ever loved anyone in the history of loving and more than anyone ever will.

Always and forever,
Your Vicky

Via

14 Of My Rules For My Daughter’s First Concert

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Like many families the shock and horror of what happened in Manchester, UK at the Ariana Grande show have dominated conversation in our house. We are music fans and concert goers and this senseless attack hit us hard. The images of mostly teenage girls running, injured and scared while their parents were frantic, are devastating. So we talk. We talk not only about the news as it comes in, but also about “now what?”

My daughter, Hannah, and I want a share a bit about what those conversations are like.

Eric: My first inclination is that you’re not going to a show without me. Ever. Like never. But that’s really not possible. Or likely. Or fair. Or right. I know that going to shows with your friends, at your age, is the best. I remember those shows. So we have to figure it out.

Hannah: I’m going to a show with my friend in a couple of weeks. We only bought two tickets. Let’s figure it out.

And so we came up with a plan, an action plan. We’re calling it “14 ways your 14 daughter can go to show with her 14 year old friend”.  If you have things to add to it, we don’t mind if you change the title.

  1. My parents are putting a data plan on my phone so that I don’t have to rely on access to Wifi if I need it to reach them.
  2. I’ll keep a fully-charged extra battery (and cord) in my purse.
  3. We will have a confirmed meeting place inside the venue where my parents can access without a ticket.
  4. We will have a secondary meeting place outside the venue in case of emergency.
  5. We’re going to look at a map of the venue and we will choose and use venue entrances that are not the “main” ones because it will be less crowded and easier to meet up.
  6. I will keep a contact card with emergency contact information inside my iPhone case and An ID card with my name and contact information for my parents will be in my pocket or purse in case I lose my phone. At 14, I don’t have a driver’s licence.
  7. I will make sure that I have phone numbers in my contacts for all of my family (ie. grandparents, aunts and uncles, etc.).
  8. My parents will have the phone numbers for my friend that I’m going to the show with and their parents and vice versa.
  9. I will always have a 20-dollar bill for emergency ONLY in my purse. (A concert t-shirt is not an emergency, says my Dad. But looking at his t-shirt collection, you would think otherwise.).
  10. We will hang back in our seats after the show ends and let the crowd thin out a bit. Even 10 minutes will be thousands of people less leaving at the same time.
  11. My parents will be having dinner across the street and I’ll know where they are. 5 minutes away.
  12. We will stick together. When one of us goes to the bathroom or to get a drink, we both go. Always. No exceptions.
  13. We will check in throughout the show – the first time will be when I get to my seat and again when the show is over.
  14. I will ask venue staff if I need help or directions.

A PS from Eric (aka Dad):

And because I have the benefit of having more concert-going experience and knowledge than most, there a couple of things that I want to add, as a parent:

Many venues for shows that are attended by this age group have designated spaces inside for parents/guardians to hang out. If the venue has this, I’m there.

I will only buy her tickets for seats – not general admission or floors. In a chaotic situation, that space could get dangerous and I know that she’s safer in a seat in the stands. Picture it, you know what I mean.

Because I’m sometimes on social media, I might follow the tweets from reporters who are live-tweeting the show. Just keeping an eye it.

This is what feels right for us, for now. It could change. We’ve all seen how fast our comfort zones can change. Only you know, what yours is and it will be right for you.

With love and strength to Manchester, Ariana Grande and her team.

Hannah and Eric Alper

 

Randy Newman’s First Album In 9 Years, Dark Matter, Set For Release August 4

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Nonesuch Records releases Dark Matter, Randy Newman’s first album of new material in nine years, on August 4, 2017. The record is the follow-up to 2008’s acclaimed Harps and Angels, which the Guardian praised for its “sumptuous melodies, devastating pathos and thorny, irony-laden character songs,” calling it, “the work of a true master of popular song.” Dark Matter was recorded in Los Angeles and produced by long-time Newman collaborators Mitchell Froom, Lenny Waronker, and David Boucher. The album’s nine songs include the 2016 digitally released “Putin,” plus songs about the Kennedy brothers, Sonny Boy Williamson, science vs. religion, love and loss, and more (full track list below; album available on vinyl August 18). Dark Matter is available to pre-order now at iTunes and the Nonesuch Store, where the album track “Putin” may be downloaded immediately. Pre-orders from Nonesuch also come with an exclusive print, a limited number of which will be signed by Newman. Tour dates begin this summer (details below); further fall shows will be announced soon.

Newman, who is known for writing from the perspective of various narrators, many of whom are unreliable, tried something new on Dark Matter: “If there is anything consistent about the songs, there is often more than one voice, in the big ones, and it’s different for me, a difficult thing to bring off, to make it comprehensible,” he says. “I think it works. They cover more ground than most songs do and portray a number of different characters. Audiences are smart. They’ll understand the songs. I hope they like them as well.

“I’m proud of the record,” Newman continues. “I think it’s entertaining—I hope it’s entertaining—and that’s eighty percent of what I try to do. Also, I’m doing something different than I’ve ever done before.  It’s a step forward for me. And considering how long I’ve been doing this, I’m kinda proud of that.”

After starting his songwriting career as a teenager, Newman began recording as a singer and pianist in 1968 with a self-titled album. Throughout the 1970s, he released several other acclaimed albums such as 12 Songs, Sail Away, and Good Old Boys. In addition to his solo recordings and regular international touring, Newman began composing and scoring for films in the 1980s. The list of movies he has worked on since then includes The Natural, Awakenings, Ragtime, all three Toy Story pictures, Seabiscuit, James and the Giant Peach, A Bug’s Life, and most recently, Disney/Pixar’s Cars 3.

Between 2003 and 2016, Nonesuch released three volumes of The Randy Newman Songbook, comprising solo recordings of songs from throughout Newman’s five-decade career, along with a three-CD box set of all volumes (a four-LP, limited-edition vinyl version included bonus tracks). The New York Times said of the first disc: “The great craftsmanship is more apparent in the stripped-down context,” and the Associated Press said, “Few singer-songwriters could inject more new life into solo piano versions of their work than Randy Newman.” In 2011, the label released a live CD and DVD recorded at London’s intimate LSO St. Luke’s, accompanied by the BBC Concert Orchestra led by Robert Ziegler.

Randy Newman’s many honors include six Grammys, three Emmys, and two Academy Awards, as well as a star on the Hollywood Walk of Fame. He was inducted into the Songwriters Hall of Fame in 2002 and the Rock and Roll Hall of Fame in 2013—the same year he was given an Ivor Novello PRS for Music Special International Award. Newman also was presented with a PEN New England Song Lyrics of Literary Excellence Award in 2014.

Randy Newman
Dark Matter
1. The Great Debate
2. Brothers
3. Putin
4. Lost Without You
5. Sonny Boy
6. It’s a Jungle out There (V2)
7. She Chose Me
8. On the Beach
9. Wandering Boy

Produced by Mitchell Froom, Lenny Waronker and David Boucher
Recorded and mixed by David Boucher
Randy Newman – piano/vocals
Matt Chamberlain – drums
David Piltch – bass
Blake Mills – guitar
Mitchell Froom – additional keyboards

Boy With Cancer Asks Comedian To Attend His Funeral But He Has One Special Request

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Comedian Russell Howard tells a hysterically funny, yet touching story about his friendship with Deryn, a young 14-year-old cancer patient, who asks him to attend his funeral. This story had me laughing and crying at the same time. You’ll want to watch right to the end – it’s the best part.

https://youtu.be/yvxQGPAc5Rs

U2’s Surprise Performance of “I Still Haven’t Found What I’m Looking For”

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U2 talks about the inspiration behind The Joshua Tree album and to express their support for the victims of the May 22 Manchester bombings.

U2 frontman Bono addressed the attack during the show’s interview segment, forcefully arguing that such baseless hatred needs to be fought with love, and Manchester won’t be darkened by the evil people behind the bombings.

“They hate music, they hate women, they even hate little girls. They hate everything that we love, and the worst of humanity was on display in Manchester last night,” Bono told Kimmel. “But so was the best… Manchester has an undefeatable spirit, I can assure you.”

https://youtu.be/6ylSoAxpcKk

Acclaimed Singer/Songwriter Catherine MacLellan Issues Tribute Album “If It’s Alright With You: The Songs Of Gene MacLellan”

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There are skillful tributes and heartfelt homages. And then there’s If It’s Alright With You: The Songs of Gene MacLellan, a legacy project like no other which finds acclaimed folk singer/songwriter Catherine MacLellan covering songs by her late father, the legendary Gene MacLellan, with a magnificence only blood ties can summon. It arrives June 30 via True North Records.

For two decades, Gene MacLellan quietly commanded the ears of the world from his Prince Edward Island home as artists including Anne Murray, Elvis Presley, Loretta Lynn, Chet Atkins, Joan Baez and Ocean turned MacLellan compositions like ‘Snowbird,’ ‘Put Your Hand in the Hand’ and ‘The Call’ into worldwide chart-toppers and repertoire standards.

Catherine MacLellan has long explored her father’s catalogue in tangential ways while establishing herself as a peerless musician all her own – see a Roots & Traditional Solo Album of the Year Juno Award for 2015’s brilliant The Raven’s Sun plus a boatload of East Coast Music Awards, Canadian Folk Music Awards, and Music PEI Awards.

But fully embracing the musical heirloom that is her birth right wasn’t an imperative – until now. Enter the alternately melancholic and jubilant but unfailingly captivating If It’s Alright With You: The Songs of Gene MacLellan, destined to bring these homespun chestnuts to a whole new audience.

“The Juno made me feel as though people know me and appreciated my music. Now I want to share my dad’s music. It’s also an opportunity for me to get to know him better. The more I get to know his songs, the closer I feel to him.”

The discovery has been bittersweet; MacLellan lost her father in 1995 while still in her mid-teens. Yet her readings of his inimitable songs have unearthed rare joy. Witness ‘The Call,’ with MacLellan’s voice shadowing that of fast-rising PEI songwriter John Connolly, who palpably conjures the song’s down-on-his-luck protagonist.

‘Put Your Hand in the Hand’ – a gospel/pop smash charted by 70s rockers Ocean and still performed in every corner of the globe today – is stripped back to its barest essentials. “Dave Gunning, JP Cormier and myself played it as an encore on tour and it was so fun, just two guitars and three voices. We recorded our version in three hours one afternoon in Calgary and I think it’s perfect.”

And then there’s the matchless ‘Snowbird,’ Anne Murray’s signature song and an indisputable classic for the ages. Says MacLellan, “I got out the Wurlitzer and played it as simply as possible. It’s very honest. I was also able to record an extra verse only my dad ever recorded.” The resulting track is at once gentle and effervescent. Also included on the album: ‘Bidin’ My Time,’ ‘Shilo Song’ and ‘Thorn In My Shoe.’

And what would Gene MacLellan make of Catherine’s bespoke journey through his songbook? “He would be happy to know his songs continue on, being remembered and given a new spark,” she says. “It’s a testament to what a young guy from very humble beginnings can do.”

Google Home and Amazon Echo Become Friends

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Emma K. discovered the sweet interaction that occurs when the two most popular smart speakers, Google Home and Amazon Echo, are introduced to each other. I hope they become BFFs and go out for many, many years full of joy and happiness together.

Nick Offerman’s Common Sense #1: How to Unite Our Divided Country

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Nick Offerman shares his advice for surviving 2017 in a new series for Vanity Fair, “Common Sense.”

Playing some Red Hot Chili Peppers song using an actual red hot chili pepper… and a bass guitar!

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Musician Davide Biale used a red hot chili pepper to play an impressive medley of Flea‘s genre-bending bass lines from a variety of Red Hot Chili Peppers songs.

The Monkees’ “33⅓ Revolutions per Monkee” Is VERY 1960s

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33⅓ Revolutions per Monkee is a television special starring the Monkees that aired on NBC on April 14, 1969. Produced by Jack Good (creator of the television series Shindig!), the musical guests on the show included Jerry Lee Lewis, Fats Domino, Little Richard, the Clara Ward Singers, the Buddy Miles Express, Paul Arnold and the Moon Express, and We Three in musical performances.

Although they were billed as musical guests, Julie Driscoll and Brian Auger (alongside their then-backing band The Trinity) found themselves playing a prominent role; in fact, it can be argued that the special focused more on the guest stars (specifically, Auger and Driscoll) than the Monkees themselves. This special is notable as the Monkees’ final performance as a quartet until 1986, as Peter Tork left the group at the end of the special’s production.

The story follows Brian Auger and his assistant (Driscoll) as they take The Monkees through various stages of evolution until they are ready to brainwash the world via commercial exploitation.

https://youtu.be/uI1V9RmFX8I