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… And You Will Know Us By The Trail Of Dead’s ‘”Source Tags & Codes” Get Expanded Vinyl Reissue

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… And You Will Know Us By The Trail Of Dead’s landmark album, Source Tags & Codes, will be released as an expanded vinyl edition on August 11 via Interscope/UMe to commemorate its 15th anniversary. Housed in a gatefold sleeve, the album, which will also be available digitally, will be pressed on black vinyl as a double LP for the first time ever and include three tracks previously only available on various rare and international releases (“Invocation,” “Life Is Elsewhere,” and “Blood Rites”). The back cover will be a replica of the Japanese version which features a drawing of a teenage boy while the iconic image of a cackling Henry Miller from the compact disc and North American back cover will be represented with a unique etching on Side D of the second LP. A very limited amount of 500 copies will be available on midnight navy vinyl exclusively via The Sound of Vinyl.

Few albums in 2002 were as highly anticipated as Trail of Dead’s major label debut, Source Tags & Codes, which saw the band making the leap from venerable indie Merge Records to Interscope. Having already amassed a rabid fanbase off the strength of two acclaimed albums and their legendary, nihilistic live shows, the Austin, Texas-based band – fronted by dual vocal powerhouses and multi-instrumentalists Conrad Keely and Jason Reece and rounded out with Neil Busch and Kevin Allen – had many waiting with baited breath to see what their move to the majors would produce. Armed with the biggest recording budget of their career, the band teamed back up with producer Mike McCarthy who helmed their sophomore album, Madonna, and secluded themselves at Prairie Sun Recording Studio in Cotati, Calif., a sleepy town located north of San Francisco in Sonoma County wine country. Free from financial and time constraints and the distractions of home, they were able to focus, experiment and fully realize their distinctive sound.

“Source Tags & Codes was our moment to take a stab at creating a timeless album,” says founding member Reece. “We had the chance to have that freedom to experiment with new sonic possibilities while messing with the major label paradigm. It was truly a chaotic, strange and beautiful time in our young lives.”

Upon release on February 26, 2002, Source Tags & Codes thrust the band into the mainstream spotlight as it was met with glowing reviews from critics and fans alike who hailed the album as a masterpiece, lauding the band’s uncanny ability to create something at once beautiful and brutal, raw and refined. Pitchfork awarded the album a perfect 10 rating, putting it the rarefied company of such classic records as Radiohead’s OK Computer and Wilco’s Yankee Hotel Foxtrot. Writer Matt LeMay proclaimed: “Dense, beautiful, intricate, haunting, explosive, and dangerous, this is everything rock music aspires to be: intense, incredible songs arranged perfectly and performed with skill and passion. Source Tags & Codes will take you in, rip you to shreds, piece you together, lick your wounds clean, and send you back into the world with a concurrent sense of loss and hope. And you will never, ever be the same.” Entertainment Weekly declared, “Hardcore punk outbursts alternate with art-rock feedback flights and dreamy bits of melody that somehow fuse into a coherent, often spectacular album,” while NME remarked, “Accordingly, Source Tags & Codes comes with an albatross-like weight of expectation round its skinny neck – yet happily, it’s supported by a band who have grown to match it,” adding, “their smash-and-grab dynamic manages the neat trick of sounding simultaneously untutored and highly focused, following new twisted threads out from the early-90s underground labyrinth.” In its “A” review, The Onion’s AV Club wrote, “When …And You Will Know Us By The Trail Of Dead wraps the project with the clanging title track, with its images of ‘the ruined landscapes that I once called home,’ it’s concluded more than just a collection of songs. It’s provided an experience.”

The 15th anniversary vinyl edition provides fans an opportunity to hear the album with the addition of 3 tracks previously not included on the US release. The plaintive piano piece “Invocation” gently begins the LP before shifting into the driving “It Was There That I Saw You,” providing a unique alternate beginning. The sparse instrumental “Life Is Elsewhere” serves as an intermission to the first act and evokes feudal Japan with its sound effects and Japanese dialog. The pummeling “Blood Rites” follows the title track and closes things out with orchestral strings that give way to a piercing guitar, Keely’s blood curdling scream and the band’s controlled sonic chaos.

A decade and a half later, Source Tags & Codes has stood the test of time and sounds as urgent, challenging, enthralling and explosive as Trail Of Dead’s influential opus did when first released. In recent years, retrospective reviews have continued to heap on the praise with Pitchfork including it in their “Top 200 Albums Of The 2000s,” the BBC calling it “one of the finest rock albums of recent history,” and XPN hailing it as “an unparalleled masterpiece of its time, an unbloated orchestral record during a time when punk bands weren’t supposed to be so worldly or indulgent.”

TRACKLISTING

LP1
[A]
1. Invocation
2. It Was There That I Saw You
3. Another Morning Stoner
4. Baudelaire
5. Homage

[B]
1. How Near, How Far
2. Life Is Elsewhere
3. Heart In The Hand Of The Matter
4. Monsoon
5. Days Of Being Wild

LP2
[C]
1. Relative Ways
2. After The Laughter
3. Source Tags & Codes
4. Blood Rites

[D]
Etching

Darius Rucker to Host New Golf Show on SiriusXM

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Three-time Grammy Award-winning musician Darius Rucker, an avid golfer and passionate fan of the game, will host a new monthly show on SiriusXM’s 24/7 golf channel, SiriusXM PGA TOUR Radio. On Par with Darius Rucker will debut July 26 (3:00-4:00 pm ET) and will feature Rucker’s perspective on the game as a devoted player (he is a single-digit handicap) and fan.

Rucker is friendly with many active players on both the PGA TOUR and PGA TOUR Champions, and he is a partner at MGC Sports, a sports agency that currently represents golfers and other athletes. He will invite the game’s stars as well as other celebrities with a passion for golf on the show for conversations that will span the worlds of golf and entertainment.

“They say that rock stars want to be pro athletes, and pro athletes want to be rock stars, and there is definitely some truth to that,” said Rucker. “It’s no secret that music and golf are two passions of mine. I’ve been lucky enough to play with and get to know well some of the best golfers on tour. While we’re on the course, I’m looking for swing tips and all they want to do is talk music. SiriusXM is the perfect place to blend both of those worlds into one show, and I am really excited to get started.”

Darius Rucker first attained multi-platinum status as the lead singer and rhythm guitarist of Hootie & the Blowfish. Since re-introducing himself to the world as a solo country artist, his musical life has had a remarkable second act that has featured many chart-topping hits. Rucker’s as-yet-untitled fifth Capitol Records Nashville album will be released later this year

Rucker’s passion for golf has been conspicuous since the game played a prominent role in the 1995 music video for “Only Wanna Be With You,” one of the earliest hits for Hootie & the Blowfish. He plays nearly every day when he is touring and was a VIP guest of Team USA at the 2016 Ryder Cup.

Rucker is also actively involved with several golf events. These include the “Darius Rucker Intercollegiate,” the annual women’s college golf tournament held in Hilton Head; the Annual Hootie & the Blowfish Monday After the Masters celebrity pro-am tournament; the “Darius and Friends” concert and golf tournament that raised over $1 million for St. Jude Children’s Hospital in the eight years since its inception; as well as the ACM Lifting Lives Golf Classic charity tournament.

Rucker first attained multi-Platinum status in the music industry as the lead singer and rhythm guitarist of GRAMMY award-winning Hootie & the Blowfish. Since re-introducing himself to the world as a country artist, he has released four consecutive albums to top the Billboard Country albums chart and earned a whole new legion of fans. In 2014, Rucker won his third career GRAMMY award for Best Solo Country Performance for his 4x Platinum selling cover of Old Crow Medicine Show’s “Wagon Wheel,” off his album, True Believers. Rucker’s first two country albums, Learn To Live and Charleston, SC 1966 produced five No. 1 singles including “Come Back Song,” “This,” “Alright,” “It Won’t Be Like This For Long” and “Don’t Think I Don’t Think About It.” Southern Style, his fourth studio country album, features his seventh No. 1 single “Homegrown Honey,” co-written by Rucker, label mate Charles Kelley of Lady Antebellum and Nathan Chapman. Rucker’s last single, “If I Told You,” is his eighth No. 1 on country radio and the first cut from his forthcoming fifth album for Capitol Nashville. His second single from the upcoming project, “For The First Time,” goes to country radio on July 24.

David Letterman’s Appearance On 1979 Episode of ‘Mork & Mindy’

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Late-night talk-show host David Letterman ((as a parody of EST leader Werner Erhard) guest-stars with Morgan Fairchild in this episode of Mork & Mindy with Robin Williams from 1979.

Carrie Fisher and Mark Hamill on 1980’s British Children’s Television Program “Blue Peter”

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Carrie Fisher and Mark Hamill during a promotion tour for Star Wars – Episode V: The Empire Strikes Back visiting the BBC children’s program Blue Peter in 1980.

https://youtu.be/ygjiiWxB7G8

Gary Numan Talks Synths With Yo Gabba Gabba’s DJ Lance Rock

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Late last year, Gary Numan was honoured with a Moog Innovation award at the 2016 Moogfest in Durham, NC, and had a few moments for a live stream and not-for-kids interview with DJ Lance Rock, known for hosting Yo Gabba Gabba.

Watch Morrissey And George Michael Discuss Joy Division On ’80s Music Talk Show

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The ’80s music panel show, Eight Days A Week, sounds like a great idea now – have the hot music artists of the day speak seriously about the artists of the day for critical dissection. The topic at hand for the video below? Joy Division. While Morrissey praised the band’s legacy and George Michael had a surprising revelation that, yes, he was indeed a Joy Division fan.

Watch the full Eight Days A Week episode below – the Joy Division discussion begins at 13:21.

https://youtu.be/H1ZMi3cPzUg

Nina Simone Sings “To Be Young, Gifted and Black” on Sesame Street in 1972

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“To Be Young, Gifted and Black” is a song by Nina Simone with lyrics by Weldon Irvine. It was written in memory of Simone’s late friend Lorraine Hansberry, author of the play A Raisin in the Sun, who had died in 1965 aged 34. The song was originally recorded and released by Simone in 1969, also featuring on her 1970 album Black Gold, and was a Civil Rights Movement anthem. Released as a single, it peaked at number eight on the R&B chart and number 76 on the Hot 100.

XTC’s Andy Partridge On His Love Of Bubblegum Music

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In 1997, XTC’s Andy Partridge enthused to Joe Silva of Consumable Online about his love of bubblegum pop:
Partridge: I think everybody in whatever chosen artform-musician or a writer or a film maker, everyone has at least two faces. Why not get joy out of at least a dozen? So those are all musical styles I feel completely at ease working with. There are a lot that I haven’t got into that I would feel completely at ease working with. Bubblegum music, I think I have a huge debt to bubblegum music.

Silva: Could you name an artist, like just off the top of your head?

Partridge: Oh. just all things like a band named the Equals in England. I don’t know if you ever got to hear them. They were originally two white guys and three black guys and the one black fellow that stood in the middle painted half his body white so there were two and a half of each color in the band. They played these really banal, kind of giddy and exciting youth club kind of things. They had some really huge hits in England but I guess they didn’t come over the Atlantic. They were like bubblegum ska. They were very direct. As soon as you put an Equals record, there was an instant party. People like the Equals.. Oh, who was who did that “Yummy Yummy”? The Ohio Express? Lemon Pipers, although they were sort of at the psychedelic end of bubble gum. “Mellow Yellow” meets a Quick Joey Small or “Mony Mony” meets almost anything by the early Troggs. You know, it transcends or descends below all expectations and thus it comes out in another dimension somewhere. It goes faster than the speed of light ale and bursts through into the banal zone. I have a huge debt to bubblegum music. I love it.

Best #TBT EVER! Sesame Street is proud to present, THE 80s!

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#SesameSingsThe80s is worthy of your 5 minutes today, if not just for them doing a parody of Super Freak.