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Michael Kiwanuka Announces Rescheduled North American Tour Dates

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Michael Kiwanuka has rescheduled his tour dates in support of his sophomore album Love & Hate.

The album itself has already accrued critical acclaim, with Associated Press stating, “Most of the album’s 10 songs are rooted in Kiwanuka’s acoustic guitar and warm, expressive voice. It’s a solid foundation for the souped-up arrangements and can even bear with grace the heaviness in the shame, deception, loss and hurt of the lyrics.” Kiwanuka’s live show only serves to enhance the beautiful and carefully crafted album, and is not to be missed when in your town.

Kiwanuka made waves with his first single off the album ‘Black Man in a White World,” with Paste Magazine comparing the track to classics like Marvin Gaye’s ‘What’s Going On’ and admitting “Michael Kiwanuka wasn’t reaching for subtlety… “Black Man in a White World’ is an uptempo hymn set to handclaps, featuring funky guitar licks and a Motown string section.”

The album was recorded in Los Angeles and London and produced by Grammy Award winning Brian Joseph Burton, AKA Dangermouse, and young up-and-coming producer Inflo. Honest, unabashed, and ambitious, this new record is Kiwanuka emerging from the emotional cocoon of his first album, ready to secure his position as one of the most exciting and renowned talents of our time.

Music from Love & Hate will be included in Baz Lurhmann’s new musical drama television series “The Get Down” which premiered worldwide on Netflix August 12th. Told through the lives and music of a ragtag crew of South Bronx teens, The Get Down is a mythic saga of the transformation of 1970s New York City.

Michael Kiwanuka Live:
May 18, 2017 – Los Angeles, CA – The Fonda Theatre
May 19, 2017 – San Francisco, CA – The Fillmore
May 21, 2017 – Portland, OR – Wonder Ballroom
May 22, 2017 – Seattle, WA – The Showbox
May 23, 2017 – Vancouver, BC – Commodore Ballroom
May 26, 2017 – Minneapolis, MN – Cedar Cultural Center
May 27, 2017 – Chicago, IL – Park West
May 29, 2017 – Toronto, ON – Phoenix Concert Theatre
May 30, 2017 – Montreal, QC – Corona Theatre
May 31, 2017 – Boston, MA – Royale NightClub
June 2, 2017 – New York, NY – Governors Ball Music Festival
June 4, 2017 – Washington, DC – 9:30 Club
June 7, 2017 – Indianapolis, IN – Deluxe at Old National Centre
June 9, 2017 – Atlanta, GA – Terminal West
June 10, 2017 – Manchester, TN – Bonnaroo Music Festival
June 11, 2017 – Nashville, TN – 3rd & Lindsley

The Chainsmokers Announce Their Debut Album And 2017 Arena Tour

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GRAMMY-nominated artist/producer duo The Chainsmokers left it up to their fans to decide whether or not they’d release an album, and the clamor has been heard across the world. In response to popular demand, the duo has announced that they will release their debut album this year via Columbia / Disruptor Records.

The album news comes alongside the announcement of The Chainsmokers’ biggest ever tour to date. The 40 city ‘Memories: Do Not Open’ North American arena tour kicks off on April 13 in Miami, FL and will stop in major cities across the U.S. and Canada before wrapping in June – see full list of tour dates below. Multi-platinum artist Kiiara will join The Chainsmokers as special guest on all dates. Every ticket purchased online for the tour includes a copy of The Chainsmokers’ forthcoming debut album.

The general on-sale begins Friday, February 3 via Ticketmaster. For additional tour and ticket information please visit here.

The album and tour announcements come hot on the heels of the release of The Chainsmokers’ brand new single “Paris.” The song, which USA TODAY notes “has all the makings of their next huge hit,” immediately shot to the #1 spot on iTunes’ Top Songs chart upon release and debuted at #7 on Billboard’s Hot 100, marking the duo’s fourth track to reach the Top 10 and their highest first week entrance on the chart to date. The song features vocals from Drew himself and serves as the follow up to their previous smash hit “Closer,” the biggest #1 song in 2016. The beachy lyric video for “Paris,” directed by Rory Kramer and shot on location at Casa Malca in Tulum, Mexico, features Instagram model Alexis Ren and is already approaching 60 Million views.

The Chainsmokers are up for three GRAMMY Awards this year in the Best New Artist, Best Pop Duo/Group Performance (“Closer” Featuring Halsey) and Best Dance Recording (“Don’t Let Me Down” Featuring Daya) categories. The GRAMMY® Awards will air on Sunday, February 12 at 8/7c on CBS.

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THE CHAINSMOKERS ‘MEMORIES: DO NOT OPEN’ TOUR DATES:
April 13 Miami, FL American Airlines Arena
April 14 Tampa, FL Amalie Arena
April 15 North Charleston, SC North Charleston Coliseum
April 18 Charlottesville, VA John Paul Jones Arena
April 20 Bridgeport, CT Webster Bank Arena
April 21 Albany, NY Times Union Center
April 22 Pittsburgh, PA PPG Paints Arena
April 25 Cleveland, OH Wolstein Center
April 26 Cincinnati, OH U.S. Bank Arena
April 27 Detroit, MI Joe Louis Arena
April 28 Madison, WI Veterans Memorial Coliseum
April 29 Rosemont, IL Allstate Arena
April 30 Des Moines, IA Wells Fargo Arena
May 2 West Valley City, UT Maverik Center
May 4 Sacramento, CA Golden 1 Center
May 5 San Francisco, CA Bill Graham Civic
May 6 San Francisco, CA Bill Graham Civic
May 8 San Diego, CA Valley View Casino Center
May 9 Glendale, AZ Gila River Arena
May 11 San Antonio, TX Freeman Coliseum
May 13 New Orleans, LA Smoothie King Arena
May 16 Tulsa, OK BOK Center
May 17 Kansas City, MO Sprint Center
May 18 St. Louis, MO Scottrade Center
May 19 Memphis, TN FedEx Forum
May 20 Louisville, KY KFC Yum! Center
May 23 Columbia, SC Colonial Life Arena
May 24 Raleigh, NC PNC Arena
May 25 Hampton, VA Hampton Coliseum
May 26 Columbia, MD Merriweather Post Pavilion
May 30 Toronto, ON Air Canada Centre
June 1 Montreal, QC Bell Centre
June 2 Boston, MA TD Garden
June 3 Philadelphia, PA Liacouras Center
June 4 Philadelphia, PA Liacouras Center
June 7 Providence, RI Dunkin Donuts Center
June 9 Queens, NY Forest Hills Stadium
June 10 Queens, NY Forest Hills Stadium

Jamiroquai Announce Eighth Studio Album, “Automaton”

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Grammy award-winning global electronic soul funk superstars, Jamiroquai, announce their return with their eight studio album, Automaton. Written and self- produced by Jay Kay and Jamiroquai keyboard-maestro Matt Johnson, Automaton will be available for release on 31 March via Virgin EMI/Universal Music Canada.

Causing a swarm of excitement from fans across the globe, after the release of ‘Automaton Transmission 001’ last Monday, Jamiroquai release the full length video for the album’s title track, available to watch here. A slice of neo-noir science fiction, the video was directed by Charlie Lightening (Arcade Fire, Bjork) with creative direction from front man Jay Kay. This is the latest visual to be released from the band, who were responsible for such game-changing videos as ‘Canned Heat’, ‘Little L’ & four-time MTV Video Music Award winner ‘Virtual Insanity’.

On Automaton Jay Kay comments, “The inspiration for Automaton is in recognition of the rise of artificial intelligence and technology in our world today and how we as humans are beginning to forget the more pleasant, simple and eloquent things in life and in our environment including our relationship with one another as human beings.”

Founded in 1992 by Jay Kay, Jamiroquai have become one of the most successful acts on the planet since the release of their debut album Emergency on Planet Earth. With famous fans including the likes of Chance the Rapper, The Black Madonna, Anderson.Paak, Pharrell, Tyler the Creator, Jungle, Redman, Stevie Wonder & The Internet, Jamiroquai have consistently proven themselves as one of the most influential musical innovators of their time. With over seven albums reaching the UK Top 10 (and three reaching #1), the Grammy Award winning band have sold over 26 million albums worldwide and hold the Guinness Book of World Records record for best-selling funk album of all time.

Jamiroquai also announce a unique intimate headline show at The London Roundhouse on the day of album release, 31st of March, preceded by their first live show in six years at Pleyel in Paris on the 28th of March. Previously announced, Jamiroquai will also be performing at a string of international headline festival dates.

Jarvis Cocker and Chilly Gonzales To Release “Room 29” On March 17

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Standing at the west end of Hollywood’s Sunset Boulevard, the Chateau Marmont hotel has seen many a famous and infamous guest pass through its doors since it opened in 1929. A 2012 stay in one of its second-floor rooms inspired British lyricist and singer Jarvis Cocker to look into its history and led to this collaborative project with multi-faceted Canadian pianist and composer Chilly Gonzales. Room 29, a 21st-century song cycle, is set for release on Deutsche Grammophon/Universal Music Canada, the country’s leading music company, on 17 March. Gonzales’ score and Cocker’s lyrics conjure up the lives of some of Room 29’s previous occupants, as well as shining a light on the glittering fantasy and often bleak reality of Hollywood.

“If you must get in trouble, do it at the Chateau Marmont,” noted Harry Cohn, founder of Columbia Pictures, in 1939. Jarvis Cocker was intrigued by the hotel’s links to the history of the film industry. He found the key to creativity in the fact that Room 29 contained a baby-grand piano. What if it could “sing” of the life stories and events it had witnessed? The idea also ignited Chilly Gonzales’s imagination, and both artists embarked on a three-year journey of artistic discovery, unearthing details about guests such as Jean Harlow, Mark Twain’s daughter Clara, and Los Angeles mobster Meyer Cohen, alias “Mickey the Haberdasher”. As well as dramatizing some of those stories, their songs capture both the essential loneliness of the hotel room and the ways in which moving images have “moved” people in ways they don’t quite understand. Gonzales and Cocker have drawn on the 19th-century model of the song cycle for a structure capable of containing the broad sweep of emotions and states of mind elicited by the real and imaginary dramas of one unusual hotel suite. Room 29 emerges as metaphor for a place within each of us, home to our deepest desires and fantasies.

Since moving to Germany in the late 1990s, Chilly Gonzales has pursued a breathtaking range of musical projects, spanning everything from rap and experimental rock to hip hop and Satie-inspired minimalism. The classically trained pianist collaborated with the Kaiser Quartett on his last solo album, Chambers, attracting critical acclaim to its neo-Romantic reflections on chamber music in the age of pop. The Hamburg-based string quartet plays a prominent part in Room 29, providing a sonorous tonal complement to Gonzales’ piano writing and accompanying Jarvis Cocker’s vocals. Lead singer and primary lyricist of Pulp for over 30 years, on and off, Cocker has also released two solo albums, and developed a successful broadcasting career, presenting both Jarvis Cocker’s Sunday Service on BBC Radio 6 Music and BBC Radio 4’s Wireless Nights.

Room 29 was recorded in Paris following its “work-in-progress” premiere at Hamburg’s Kampnagel in January last year. The finished piece will return to Kampnagel for three performances (17-19 March) before touring to London’s Barbican Centre (23-25 March), the Berlin Volksbühne (28-30 March), Paris (April/July) and selected summer festivals.

Frank Zappa on Fads

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“I don‘t think that there‘s a girl around that would fit in with what we do” – Frank Zappa on June 6, 1971, as told to Howard Smith.

Frank Zappa had a few opinions. Surly? Matter-of-fact? Misunderstood? I’ll let you decide as PBS’ Blank On Blank presents this rarely heard interview with Zappa recorded in his hotel room.

Zappa has a few things to say about women’s lib (“a fad”), on LA vs “depressing” New York, why America is a nation of people being told what to do, and why women couldn’t hack it in his band.

David Lee Roth’s “No Holds Bar-B-Que” Is The Strangest Thing You’ll Watch All Week

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During an interview with the A.V. Club, David Lee Roth described 2002’s No Holds Bar-B-Que film as “A variety of ingredients, I think probably that you’d recognize instantly. Fritz Lang’s Metropolis, Soupy Sales, Groucho, Kurosawa, Hugh Hefner and on and on and on. But I’ve woven it together in a form that I think is much more appropriate for our national attention-deficit syndrome, or whatever it is we’re having. As in, ‘Too hip, gotta go, golly, look at the time. Gotta go change the air in my tires, love to hang, bye.’”

No Holds Bar-B-Que never really saw an official release, although VHS copies were circulated among select press outlets at the time. CDNow offered a explanation, saying it “opens with Roth flailing about in a large city in some sort of Kung Fu/T’ai Chi-style dance with swords and poles” and “only gets stranger” from there.

Via

Paul McCartney On His Relationship With John Lennon In 1978

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Paul McCartney appeared in the first episode in South Bank Show documentary filmed during the recording of the song Mull of Kintyre. Sitting down with host Melvyn Bragg, McCartney talks about how he writes his songs, and curiously, his bust-up with John Lennon and ends by explaining how he gets a thrill from hearing people singing his tunes.

Watch New York-based salsa band Los Hacheros bring the NPR Music house down

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Sometimes it’s necessary to get back to basics. In the case of Los Hacheros, that means returning to the deep groove of Afro-Caribbean music that provides the source material for modern salsa and all of its permutations.

As you’ll see in this video, Los Hacheros’s dedication to authenticity is masterfully executed with a serious dose of sabor. In fact, the band was so swinging, it was impossible to sit on the sidelines and pass up my own chance to jump in during “Bambulaye” and perform with the band myself. So clear out the furniture and turn up the sound on this video to create your own dance party.

AJJ’s ‘Goodbye, Oh Goodbye’ Parodies OK Go Video In Unspectacular Fashion

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The music video Goodbye, Oh Goodbye by AJJ from their album The Bible 2 is exactly like OK Go video for The Writing’s on the Wall, except, you know, all the spectacular events and scenes.

How Sarah McLachlan Saved Run-DMC’s Darryl McDaniels’ Life

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“Angel” is a piano record—dark and heavy. Right then and there, cruising through the bustling city, just home from Europe, I felt that song speak to me like no other. It felt like Sarah McLachlan had recorded that song specifically for me and I was meant to hear it at that very moment. I woke up the next morning with my wife at my side. “Hey, honey, you heard of Sarah McLachlan, that song ‘Angel’? I really like it.” I mentioned it to her because anything I say that I like, my wife likes to get it and surprise me. Sure enough, the next day I had the whole Sarah McLachlan album. Over the next year, that was the song I listened to every day, “Angel,” all day, on repeat. I listened to all the other songs on the album, “Building a Mystery,” this and that. Then I went out and bought everything she’d ever recorded.

For a whole year, every day I listened to “Angel” for almost the entire day. Wherever I was and whatever I was doing, the song was with me. Sometimes, I didn’t even want to leave my house for listening to that song.

— Darryl “DMC” McDaniels in Ten Ways Not To Commit Suicide