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Band Submissions Now Open For ShrEdmonton 2017 Fest & Conference

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Prairie Fire Events Ltd is proud to announce that band submissions are now open for the official Farmageddon Open Air indoor sister festival SHREDMONTON Metal Festival and Conference taking place from Friday, May 12th to Sunday, May 14th 2017 in Edmonton, AB. Applications can be submitted at www.Shredmonton.com from November 1st, 2016 until January 15th, 2017 11:59pm MT.

Last year’s Shredmonton featured over 20 bands over the course of 3 days at The Starlite Room and The Brixx Bar and Grill, as well as a multi-room industry based conference located at the Shaw Conference Center. The full line up consisted of an ultra heavy hitting bill that included headliners Dying Fetus, Acacia Strain, Jungle Rot, Black Crown Initiate, Goatwhore, Finnish power metallers Thunderstone along with some of Western Canada’s best such as Disciples of Power, Planet Eater, Scythia, Tylor Dory Trio, Every Hour Kills among many more! Conference panels were held the Shaw Conference Center on recording, photography, video production, publicity, media relations, journalism, and concert promotion / talent buying for festivals / venues with music industry professionals from across Canada.

Prince’s Estate Signs With Universal For Music Publishing

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Universal Music Publishing Group today announced an agreement with the Estate of Prince Rogers Nelson to become, effective immediately, the exclusive worldwide publishing administrator for Prince’s entire song catalog.

With the agreement, UMPG is responsible for servicing and administering Prince’s expansive catalog of songs. UMPG will also work closely with Prince’s estate to develop new creative outlets for his music.

In making the announcement, Jody Gerson, Chairman and CEO of Universal Music Publishing Group, said, “We’re humbled to be entrusted with Prince’s catalog and I’m grateful to my entire team for their work in making this agreement a reality. UMPG is a premiere destination for songwriters because of the meticulous care, focus and passion we bring to creating opportunities for our artists and their body of work. With the timelessness and genius of Prince’s music, there are no limits to what we can achieve working with his estate. Prince’s popularity will only continue to grow around the world.”

Sir Lucian Grainge, Chairman and CEO of Universal Music Group, said, “We are looking forward to continuing Prince’s legacy and ensuring that generations to come will know his unique brilliance. I congratulate Jody and her team on this landmark deal. Since joining UMPG as Chairman and CEO in 2015, Jody has done a remarkable job at developing and signing some of the most important songwriters and recording artists in contemporary music highlighted by the addition of Prince’s incredible catalog of work.”

Bremer Trust, the court-appointed temporary special administrator of the Prince Rogers Nelson Estate, hired entertainment industry experts Charles Koppelman, Chairman and CEO of CAK Entertainment Inc., and L. Londell McMillan, Chairman and CEO of The NorthStar Enterprises Worldwide, to secure business agreements in the best interest of the estate. They commented, “We are pleased that UMPG shall once again administer Prince’s music publishing worldwide and assist the estate by giving Prince’s iconic music catalog the proper care and support it deserves. With this major agreement, the estate maintains ownership of Prince’s music, and now legions of fans from around the world will have even greater opportunities to continue to delight in his incomparable songwriting and musical expression.”

During a career spanning four decades, Prince sold more than 100 million albums worldwide, making him one of the most successful artists of all time, with numerous No. 1 songs in the U.S. including “Purple Rain,” “Lets Go Crazy,” “Kiss” and “Cream.” In addition to his own recordings, Prince was a prolific songwriter for other artists as well, with credits including “Nothing Compares 2 U” (Sinead O’Connor), “Manic Monday” (Bangles), “When You Were Mine” (Cyndi Lauper), “I Feel For You” (Chaka Khan) and “How Come You Don’t Call Me Anymore” (Alicia Keys).

Prince won seven Grammy Awards, a Golden Globe Award and an Academy Award for Purple Rain. He was inducted into the Rock and Roll Hall of Fame in 2004, his first year of eligibility. UMPG served as Prince’s publisher from 2001 to 2014.

Bob Marley & the Wailers Gets Expanded 3-LP/Digital Version Of “Live!” Out December 16

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Bob Marley & the Wailers were at the peak of their artistic powers when they arrived at the Lyceum London for two shows on July 17 and 18, 1975, having just released Natty Dread the year before and about to unleash Rastaman Vibration on the world. The Rolling Stones mobile studio was on hand to record both shows, with seven songs from the second released as Live!, in December of that same year. The recording was subsequently broadcast as part of the syndicated radio program King Biscuit Flower Hour in 1976.

The Marley Family will now release for the first time the complete sets from both shows, Bob Marley & the Wailers-Live!, as a three-LP set in 180-gram black vinyl and as a digital package on December 16 in a tri-gatefold package that also includes a reproduction of the tour program from the band’s historic ’75 U.K. tour.  In addition, on the same day, a seven-inch live vinyl disc, will also be made available as an exclusive at UDiscover and the Bob Marley Museum in Kingston, Jamaica.

Marley and the Wailers’ classic line-up included bassist Aston “Family Man” Barrett, drummer Carlton “Carly” Barrett, guitarist Al Anderson, keyboardist Tyrone Downie, percussionist Alvin “Seeco” Patterson and the I-Three — backing vocalists Rita Marley, Judy Mowatt and Marcia Griffiths.  The group was  fresh off its legendary five-night stint at the Roxy Theatre in Los Angles from July 9 through July 13, when they stepped on the stage at London’s Lyceum Theatre for an abbreviated U.K. tour which would also include dates at The Odeon in Birmingham on July 19 and The Hard Rock in Manchester on July 20. Marley was in top form during the two Lyceum shows, animatedly interacting with the crowd, who sang along to what most consider the definitive version of “No Woman, No Cry.”

The BBC’s Chris Jones wrote about the album in 2009: “This seminal live document captures almost exactly the point where both roots reggae and Rastafarianism finally entered popular culture… Capturing the band at the peak of their powers with a set list that held absolutely no low points… this was a Wailers that could more than handle the lusher, fuller rock reggae that transformed Marley’s Rastaman diatribes into pop gold.  No one before this had combined both roots and R&B in this way… uniting both working and middle classes with his songs of universal struggle and religious metaphor.”

Bob Marley & the Wailers-Live!  (three-LP vinyl)

+ previously unreleased performance / ++ previously unreleased full length version

Live at The Lyceum, London, July 17, 1975

Side One

  1. TRENCHTOWN ROCK  5.10 +
  2. BURNING AND LOOTING  5.09 +
  3. THEM BELLY FULL (BUT WE HUNGRY)  4.35 +
  4. REBEL MUSIC (3 O’CLOCK ROADBLOCK)  5.25 +

Side Two

  1. STIR IT UP  5.14 +
  2. NO WOMAN, NO CRY  7.37 +
  3. NATTY DREAD  5.27 +
  4. KINKY REGGAE  7.55 +

Side Three

  1. I SHOT THE SHERIFF  5.15 +
  2. GET UP STAND UP  10.18 +

Live at The Lyceum, London, July 18, 1975

Side Four

  1. TRENCHTOWN ROCK  4.23
  2. SLAVE DRIVER  4.02 +
  3. BURNING AND LOOTING  4.56
  4. THEM BELLY FULL (BUT WE HUNGRY)  3.53
  5. REBEL MUSIC (3 O’CLOCK ROADBLOCK)  5.16 +

Side Five

  1. NO WOMAN, NO CRY  7.06
  2. KINKY REGGAE  6.42
  3. NATTY DREAD  4.33 +
  4. STIR IT UP  4.43 +

Side Six

  1. LIVELY UP YOURSELF  7.49  ++
  2. I SHOT THE SHERIFF  7.08
  3. GET UP STAND UP  10.17 ++

 

Frank Zappa’s extensive vault release continues with Meat Light, Chicago ’78 and Little Dots, on November 4

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The Zappa Family Trust is continuing its excavation and rescue of the vast musical treasures buried in Frank Zappa’s extensive vault and will release the highly-anticipated albums, Meat Light, Chicago ’78 and Little Dots, on November 4 via Zappa Records/UMe/Universal Music. Zappa’s seminal band The Mothers Of Invention’s experimental double-album Uncle Meat will receive the Project/Object Audio Documentary deluxe treatment as Meat Light, a three-disc set that includes the original 1969 vinyl mix (restored, remastered and available on CD and digitally for the first time), Zappa’s never-before-released original sequence and a variety of unreleased rare alternate mixes, live performances, and studio session outtakes. Chicago ’78 continues Zappa’s Vaulternative Records live releases with an incredible previously unreleased concert recorded at the Uptown Theater in Chicago on September 29, 1978, captured here in its entirety. Little Dots, the sequel to 2006’s fan-favorite Imaginary Diseases, features additional hand-picked selections from the Maestro himself of the 10-piece horn-driven ensemble ‘Petit Wazoo’ tour of late 1972. All albums are available for pre-order now.

Meat Light sheds and shines a light on Zappa’s 1969 avant-garde opus Uncle Meat, an album created with The Mothers Of Invention to serve as the soundtrack to a film that was not finished until the ‘80s. One of the last releases that Zappa’s late wife Gail Zappa worked on with Vaultmeister Joe Travers, the three-disc Project/Object Audio Documentary Deluxe Edition collects the original 1969 vinyl mix of the album with the original sequence Zappa conceived before he turned it into the masterwork along with unique source material and bonus vault tracks mostly compiled from the recording sessions at Apolostic Studios in NYC between 1967-68. Long hailed for its innovation and experimentation, Zappa experimented with tape speed, overdubbing and a collage of sounds. As he wrote in the original liner notes: “The music on this album was recorded over a period of 5 months from October 1967 to February 1968. Things that sound like a full orchestra were carefully assembled, track by track through a procedure known as overdubbing. The weird middle section of DOG BREATH (after the line, “Ready to attack”) has forty tracks built into it. Things that sound like trumpets are actually clarinets played through a Maestro with a setting labeled Oboe D’Amore and sped up a minor third with a V.S.O. (variable speed oscillator).” “Uncle Meat documents the original Mothers at the telepathic height of their musical powers,” exclaimed Dangerous Minds. “The album’s aural collage of short, sharp shocks of avant garde musical interludes, doo-wop, free jazz, spoken word bits, cartoony music and far-out concert recordings were the fullest expression at that point of the young composer’s genius.”

Recorded September 29, 1978 at the Uptown Theatre in Chicago, the aptly-titled two-disc album, Chicago ’78, captures in great sound quality the second of two shows played that night in its entirety, a rarity for Zappa recordings. The concert delivers with a good blend of fan favorites, blistering guitar solos, audience participation, on-the-spot improvisations and stellar playing from Zappa and his talented band. Notably, the album includes rare live versions of “Yo Mama” and “Strictly Genteel” and a spontaneous improv by Zappa where he plays riffs that would end up turning into the future songs “I’m A Beautiful Guy” and “Crew Slut.” Due to only having one tape machine rolling at a time and the length of the recording time, the live performance was recorded on three different sources. In order to present this show in its entirety, it was culled from the three different sources: Main Source: ½-inch 4-Track analog tape masters; Secondary sources: ¼-inch 2-Track reel to-reel analog tape masters and a board cassette. All tapes were heat-treated and transferred at 96K 24B .WAV by Joe Travers.

Long sought after by fans, Little Dots is the sequel to Imaginary Diseases. It consists of additional music compiled from master tapes hand-picked and worked on by Zappa himself of the “Petit Wazoo,” a short-lived 10-piece ensemble with an emphasis on brass and woodwind instrumentation that toured North America in late October-December 1972. All masters were transferred at The Utility Muffin Research Kitchen in 2004. Most of these performances were scattered amongst various reels, some incomplete, all found in The Vault. Zappa would work with material from this line-up on and off, but nothing was ever officially released during his lifetime. Recorded live with the horn-driven ensemble, this collection includes the first legitimate release of the entire three-part “Rollo” suite for the first time as well as the title track composition. “Cosmik Debris” is the first version which predates the issued master on APOSTROPHE(’) in 1974. The album ends with a mammoth 25-minute long improvisation recorded in Columbia, S.C.

To commemorate the 50th anniversary of Zappa’s first-ever single, “How Could I Be Such A Fool,” the song will be released b/w “Help I’m A Rock (3rd Movement: It Can’t Happen Here)” on 7-inch pink vinyl for Record Store Day’s Black Friday on November 25.

Released in theaters in June to rave reviews, Sony Pictures Classics’ feature documentary, “Eat That Question,” was released September 27 on Blu-ray, DVD and digital. Told solely through rare and never before seen historic footage of Frank Zappa’s highly acclaimed 30-year career, this unique 90-minute documentary is an energetic celebration of an often outspoken but brilliant musician. Unforgettable Zappa interviews and performances from one of rock and roll’s most legendary self-taught musicians have been painstakingly gathered across decades by director Thorsten Shütte from the obscure vaults of TV stations around the world to create this unparalleled look at one of the brightest minds popular music has ever witnessed.

For those not knowing where to start in Zappa’s vast catalog or for fans wanting some of their favourite Zappa material on one disc, ZAPPAtite – Frank Zappa’s Tastiest Tracks, was  released in September. The 18-track album collects some of Zappa’s best known and beloved compositions, from his early psychedelic rock beginnings to his avant-garde experimentation, jazz-rock explorations, symphonic suites and satirical send-ups, compiling them into one easily digestible collection and offering key entryways into the many musical worlds of the visionary musician.

Meat Light Track Listing

Disc 1: Original 1969 Vinyl Mix

  1. Uncle Meat: Main Title Theme
  2. The Voice Of Cheese
  3. Nine Types Of Industrial Pollution
  4. Zolar Czackl
  5. Dog Breath, In The Year Of The Plague
  6. The Legend Of The Golden Arches
  7. Louie Louie (At the Royal Albert Hall in London)
  8. The Dog Breath Variations
  9. Sleeping In A Jar
  10. Our Bizarre Relationship
  11. The Uncle Meat Variations
  12. Electric Aunt Jemima
  13. Prelude To King Kong
  14. God Bless America (Live at the Whisky A Go Go)
  15. A Pound For A Brown On The Bus
  16. Ian Underwood Whips It Out (Live on stage in Copenhagen)
  17. Mr. Green Genes
  18. We Can Shoot You
  19. If We’d All Been Living In California…
  20. The Air
  21. Project X
  22. Cruising For Burgers
  23. King Kong (as played by the Mothers in a studio)
  24. King Kong (it’s magnificence as interpreted by Dom DeWild)
  25. King Kong (as Motorhead explains it)
  26. King Kong (the Gardner Varieties)
  27. King Kong (as played by 3 deranged Good Humor Trucks)
  28. King Kong (live on a flat bed diesel in the middle of a race track at a Miami Pop Festival…the Underwood ramifications)

Disc 2: Original Sequence

Part One

  1. Dog Breath, In The Year Of The Plague
  2. The Legend Of The Golden Arches
  3. The Voice Of Cheese
  4. Whiskey Wah
  5. Nine Types Of Industrial Pollution
  6. Louie Louie (Live at the Royal Albert Hall in London)
  7. The Dog Breath Variations
  8. Shoot You Percussion Item

Part Two

  1. The Whip
  2. The Uncle Meat Variations
  3. King Kong

Part Three

  1. Project X Minus .5
  2. A Pound For A Brown On The Bus
  3. Electric Aunt Jemima
  4. Prelude To King Kong
  5. God Bless America (Live at the Whiskey A Go Go)
  6. Sleeping In A Jar
  7. Cops & Buns
  8. Zolar Czakl

Disc 3: Original Sequence (continued)

Part Four

  1. We Can Not Shoot You
  2. Mr. Green Genes
  3. PooYeahrg
  4. Uncle Meat: Main Title Theme
  5. Our Bizarre Relationship
  6. Later We Can Shoot You
  7. If We’d All Been Living In California…
  8. ‘Ere Ian Whips It/JCB Spits It/Motorhead Rips it
  9. The Air
  10. Project X .5
  11. Cruising For Burgers

From The Vault

  1. “A Bunch Of Stuff”
  2. Dog Breath (Single Version – Stereo)
  3. Tango
  4. The String Quartet*
  5. Electric Aunt Jemima (Mix Outtake)
  6. Exercise 4 Variant
  7. Zolar Czackl (Mix Outtake)
  8. “More Beer!”
  9. Green Genes Snoop
  10. Mr. Green Genes (Mix Outtake)
  11. Echo Pie
  12. 1/4 Tone Unit
  13. Sakuji’s March
  14. No. 4*
  15. Prelude To King Kong (Extended Version)*
  16. Blood Unit*
  17. My Guitar (Proto I- Excerpt)*
  18. Nine Types Of Industrial Pollution (Guitar Track, Normal Speed)
  19. Uncle Meat (Live at Columbia University 1969)
  20. Dog Breath (Instrumental)*
  21. The Dog Breath Variations (Mix Outtake)

*Mono

Little Dots Track Listing

  1. Cosmik Debris
  2. Little Dots (Part 1, Part 2)
  3. Rollo Includes: Rollo/The Rollo Interior Area/Rollo Goes Out
  4. Kansas City Shuffle
  5. ‘Columbia, S.C.’ (Part 1, Part 2)

Chicago ’78 Track Listing

Disc: 1

  1. Chicago Walk-On
  2. Twenty-One
  3. Dancin’ Fool
  4. Easy Meat
  5. Honey, Don’t You Want A Man Like Me?
  6. Keep It Greasy
  7. Village Of The Sun
  8. The Meek Shall Inherit Nothing
  9. Bamboozled By Love
  10. Sy Borg

Disc: 2

  1. Little House I Used To Live In
  2. Paroxysmal Splendor
  3. Yo Mama
  4. Magic Fingers
  5. Don’t Eat The Yellow Snow
  6. Strictly Genteel
  7. Black Napkins

Check Out This Corporate Sales Video For Prince’s Paisley Park In 1991

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Now that Prince’s Paisley Park is open for tours, this isn’t the first time the hallowed hallways of the Purple One were available to the general public. As this 1991 corporate video shows, the location was available for rent for a wide variety of audio and video production uses.

“Paisley Park Enterprises, the model for the next century—or at least ‘1999’! It can be in your hands today!”

"Paisley Park Studio" from Craig Laurence Rice on Vimeo.

Michael Bublé Makes Return as Host of THE 2017 JUNO AWARDS

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CTV and The Canadian Academy of Recording Arts and Sciences (CARAS) confirmed today that multi-Grammy and JUNO Award-winner Michael Bublé is set to take the reins as host of CTV’s broadcast of THE 2017 JUNO AWARDS, returning to the Nation’s Capital during the year-long celebrations marking the 150th anniversary of Confederation.

Bublé returns to the JUNO stage following his unforgettable performance as host at THE 2013 JUNO AWARDS in Regina, which garnered him the Canadian Screen Award for best Host in the Variety, Lifestyle, Reality/Competition, Performing Arts or Talk Program or Series. THE 2017 JUNO AWARDS airs live on CTV and CTV GO from the Canadian Tire Centre in Ottawa on Sunday, April 2.

“I’m just a kid from Burnaby, so to get the opportunity to host this incredible night in Canadian music, for the second time, is amazing,” said Michael Bublé.

The multi-platinum singer released his ninth studio album, Nobody But Me, on October 21, his first album in three years. It follows the critically acclaimed To Be Loved album which was his fourth album to reach #1 on Billboard’s Top 200 Charts. The exciting new collection of original pop tunes and beautiful standards highlights Bublé’s talent as a profound interpreter of the American songbook, as well as his gifted songwriting and producing style. Nobody But Me was recorded in Los Angeles and Vancouver and includes three new Bublé-penned originals, along with breathtaking reinventions of classics including “My Baby Just Cares For Me”, “The Very Thought of You”, Brian Wilson’s “God Only Knows”, and the Johnny Mercer-written classic “I Wanna Be Around”.

**Media Note** – Photos of THE 2017 JUNO AWARDS host are available at www.bellmediapr.ca/network/CTV and www.junoawards.ca.

Tickets for THE 2017 JUNO AWARDS go on sale this Saturday, Nov. 5 at 10 a.m. ET. Tickets are available starting at $39 through the Canadian Tire Centre Box Office, by phone at 1-877-788-3267 and online at ticketmaster.ca. The JUNO Awards has partnered with Plus 1 so that $1 from every ticket is donated to MusiCounts, helping to ensure that children and youth across Canada have access to musical instruments. Plus 1 is a non-profit that partners with touring artists to facilitate a $1 add-on from every concert ticket to go to a cause the artist partner believes in.

Additional performer and presenter announcements will be released in the coming months.

After Watching This Video, You’ll Know Why God Made A Dog

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You know a dog lover. Share this with them. They’ll go “Yup, I know, and why is it so dusty here of all of a sudden?”

Pop Superstars ABBA Teaming Up With Simon Fuller And Universal Music Group To Launch New Digital Experience

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Nearly 35 years after their last public performance together, the members of ABBA are preparing to give their fans around the world what millions of them have long dreamed of but considered impossible: a new entertainment experience.

World-renowned entertainment entrepreneur Simon Fuller, the members of ABBA, and Universal Music Group are partnering together in a groundbreaking venture that will utilize the very latest in digital and virtual reality technology. The aim is to create an original entertainment experience with the Swedish pop superstars that will enable a new generation of fans to see, hear, and feel ABBA in a way previously unimagined.

Simon Fuller has been at the cutting edge of social and technological change for three decades, using his insights to transform popular culture. For the past several years, his businesses have been quietly investing in virtual reality technologies and developing hyper-realistic digital humans in the field of entertainment. The collaboration with the four members of ABBA, who first formed in Stockholm in 1972 and who remain among the most iconic and enduring talents in the world, marks a key “ahead of the curve” step towards fully realizing the possibilities of virtual reality-and in the process transforming the face of popular entertainment.

The members of ABBA will be involved throughout the creative process, maintaining the authenticity and integrity of the band’s original vision within this exciting new realm of entertainment possibilities.

Benny Andersson: “We’re inspired by the limitless possibilities of what the future holds and are loving being a part of creating something new and dramatic here. A time machine that captures the essence of who we were. And are.”

Frida Lyngstad: “Our fans around the world are always asking us to reform and so I hope this new ABBA creation will excite them as much as it excites me!”

Simon Fuller, Founder and CEO of XIX Entertainment: “The creativity and ideas flowing from the members of ABBA over the past few months have filled me with great excitement. We are exploring a new technological world, with Virtual Reality and Artificial Intelligence at the forefront, that will allow us to create new forms of entertainment and content we couldn’t have previously imagined.”

Sir Lucian Grainge, Chairman and CEO of Universal Music Group: “Having the privilege of working closely with the band for over two decades, I can comfortably say there are few recording artists who like ABBA bring together their mastery of craft, a high level of professionalism and enormous commercial success. I’m thrilled to be involved in this innovative new project that will introduce the band who are responsible for some of the greatest songs and melodies in pop music to a new generation of fans.”

SoundExchange Submits Rate Proposal For Sirius XM, Music Choice And Muzak To U.S. Copyright Royalty Judges For 2018-2022

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SoundExchange has submitted its rate proposal and direct testimony in the SDARS III rate proceeding. In that proceeding, the Copyright Royalty Board (CRB) will set rates for the years 2018-2022 for Sirius XM’s satellite radio service as well as for the cable/satellite TV music services provided by Music Choice and Muzak.

Based on the analysis of its experts, SoundExchange has proposed a rate that is the greater of (i) 23% of revenue and (ii) per subscriber rates starting at $ 2.48 per subscriber per month in 2018 with moderate annual increases. The current rates for Sirius XM’s satellite radio service are 10.5% of Sirius XM’s “Gross Revenues” as the CRB’s regulations define that term) in 2016 and 11% in 2017. For Music Choice and Muzak, SoundExchange proposed a per subscriber per month rate starting at $ 0.019 per subscriber per month with annual increases. The current rate for Music Choice’s and Muzak’s cable/satellite TV music services is 8.5% of Gross Revenues in both 2016 and 2017.

SoundExchange is proposing meaningful increases in the royalty rates, and has submitted robust testimony from economists, other experts and representatives of recording artists, major labels and indie labels in support of its rate proposal.

This initial round of testimony is one of several steps in the rate proceedings. SoundExchange and the other parties will now be able to examine each other’s rate proposals and testimony and submit rebuttal testimony by February 19, 2017. The CRB will hold a hearing beginning April 19, 2017, which will last several weeks. After final briefing by the parties, the CRB will issue its rate determination by December 15, 2017.

SOCAN Achieves 2016 Music Ally Digital Music Award For Innovation In Publishing

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SOCAN has won an award for Innovation in Publishing, at the 2016 Music Ally Digital Music Awards on October 26th at the Café de Paris in London, England.

SOCAN was honoured for acquiring the state-of-the-art technology firms MediaNet and Audiam and the launch of our Royalty Guru anlytics software, fueling our continuing transformation to a full-service music rights organization.

“Achieving the Music Ally Digital Music Award in Publishing is a proud testament to our determination to lead the global transformation of music rights,” said SOCAN CEO Eric Baptiste. “We’re assertively moving forward to find new ways to serve our current and future members and expand the scope of our business and technologies.”

For a list of 2016 winners, click here. The Music Ally Digital Music Awards showcase some of the most inventive artists, startups and people in the digital world, with Google Play as the lead sponsor for this second annual edition.

Music Ally’s mission is to explore ways that the two worlds of music and technology can work profitably together. The organization seeks to help re-shape the music business so that it’s fit for purpose in the digital age, representing the new breed of empowered artists and managers, helping build sustainable careers in a fairer system.