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Canadian Music Publishers Association Unveils Rebrand and New Programming

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 The Canadian Music Publishers Association, the trusted voice for music publishers operating in Canada, announced today it will become Music Publishers Canada, effective October 29. The new identity better reflects the heart of what music publishers do: create, promote, and protect. The rebrand includes a refreshed look, social media channels and evolving programming.
“The new brand communicates our evolving identity as champions of the rights of music publishers in Canada,” said Margaret McGuffin, Executive Director of Music Publishers Canada. “These are exciting times. The creation and distribution of music in Canada is undergoing rapid and extraordinary change and the role of the music publisher has never been more integral. It has grown into overseeing the creation, promotion and protection of songs and the development of new markets. It encompasses everything from songwriter development to copyright management.”
Music Publishers Canada’s transformation includes programming that reflects the industry’s evolving needs. Upcoming programs include:

Meet the Music Supervisors, October 29, in Toronto, a roundtable B2B speed-dating event with US and Canadian music supervisors that offers networking opportunities.

Music and the Filmmaker: Partners in Storytelling, October 29, in association with TIFF, a panel discussion and reception for Canadian creative entrepreneurs looking to forge innovative opportunities through the pairing of music with film and television production. The discussion focuses on inspiring songwriting, filmmaking and storytelling, and offers insight into how music publishers, independent labels and filmmakers can be valuable collaborators. The award-winning panel includes:

  • Sarah Slean, Moderator, Singer-Songwriter, Composer & Actor
  • Jeff Barnaby, Director, Screenwriter & Composer (Blood Quantum; Rhymes for Young Ghouls)
  • Daniel Roher, Director (Once Were Brothers: Robbie Robertson and The Band; Ghosts of our Forest)
  • Joanne Sarazen, Screenwriter & Playwright (Tammy’s Always Dying)
  • Rich Brisson, Sync / Licensing Manager, Cadence Music Group
  • John Rowley, Composer, Music Supervisor for film, television and digital media

Music Tech Summit, October 30, 2019, in Toronto, an annual event that helps music publishers stay ahead of the curve by providing education about emerging technologies and sharing information about the new ways that music is used and consumed.

Create UK for songwriters, November 26 to 29, 2019, in London, England, is a song camp that connects Canadian and UK songwriters. Initiated in 2016, the camp fosters creative partnerships, collaboration and song creation in new markets. Past markets have included Denmark, Germany and the US.

Create UK B2B for publishers, November 27 to 29, 2019, offers export-ready Canadian companies an opportunity to network and gain experience in international markets. In collaboration with the Canadian Embassy in London, UK’s Music Publishers Association, programming includes meetings with UK labels, publishers, music supervisors and industry organizations.

For more information about Music Publishers Canada programming, go to musicpublisher.ca.

Founded in 1949, Music Publishers Canada has seen significant growth, change, and disruption within the music industry. Publishers represent and invest in thousands of Canadian songs, songwriters and composers who are heard daily on the radio, on streaming services, in video games  and in film, television and other screen-based productions around the world.

As an organization, Music Publishers Canada has taken a leading role in:

  • Speaking out about the importance of modernizing Canada’s Copyright Act.
  • Developing export initiatives that connect Canadian songwriters in international territories at songwriting camps and link music publishers with key business contacts in critical global markets through its CREATE series. To-date, successful CREATE missions have been held in markets like Berlin, Copenhagen, Los Angeles, Calgary, and Austin and will be held in the UK in November.
  • Providing innovative, one-of-a-kind mentorship opportunities for women-identifying songwriters and producers through the Women in the Studio program. This program offers highly curated networking, skills development opportunities and experiences to a segment of the music industry that is less likely to be offered these opportunities.
  • Creating opportunities for music publishers to directly engage with technologies at the frontier of how music is created and distributed in Canada at the annual Music Tech Summit.
  • Offering opportunities for music publishers to engage with other creative industry professionals, and broader critical connections with the screen-based industries through partnerships with the Toronto International Film Festival and the BANFF World Media Festival.

Music Publishers Canada will continue to be a leading voice is ensuring that the value of the song, music publishing and copyright management is understood by the music industry, users of copyrights, governments and the general public.

Spirit of the Forest charity single from 1989 featuring Brian Wilson, Ringo Starr, The Ramones, Iggy Pop, Kate Bush, Debbie Harry, Bonnie Raitt and more

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The Spirit of the Forest single, written by Gentlemen Without Weapons, was released on 7″ and 12″ single on 5 June 1989. The record was launched on 1 June 1989 by Richard Branson and Earth Love Fund (ELF) Rainforest Appeal in conjunction with the U.N.E.P. at the United Nations. The single was double “A”-sided with star artists performing on both sides. All proceeds from the record, song-writing, publishing and video were donated to the programmes dedicated to saving the Rainforests of the world.

Three recording sessions, taking place in Los Angeles, London and New York were organised to get as much artists involved as possible. The full listing of participating artists is as follows:

Los Angeles: Thomas Dolby, Joni Mitchell, Richard Page (Mr. Mister), Marc Jordan, Mick Fleetwood, Billy Burnett, Belinda Carlisle, Rita Coolidge, Michael Des Barres, Bonnie Raitt, Brian Wilson, Olivia Newton-John, Don, Sweet Pea, & Sir Harry Bowens (Was Not Was), Ivan Lins, Amy Sky, Peter Bogdonovich (PSA Only), Charles Fleisher (PSA Only) plus representatives of ten Indian tribes.
London: David Gilmour (Pink Floyd), Kate Bush, Ringo Starr, Jon Anderson (Yes), XTC, Fish (Marillion), Louise Goffin, Chris Rea, Kim Wilde, Mark Brezezicki, Nathan Moore (Brother Beyond), Sam Brown, Trevor Steele (Escape Club), Andy Fairweather Lowe, Bruce Foxton, Frank Dunnery (It Bites), Shikisha, Johnny Warman
New York: Donna Summer, Iggy Pop, Lacy J. Dalton, Richie Havens, L.L. Cool J, The Ramones, Taylor Dayne, Deborah Harry, Kate Person (B-52’s), Lisa Bonet and Lenny Kravitz, David Clayton-Thomas, Little Steven, Africa Bambaataa, Jungle Brothers, Betsey Johnson (PSA Only), Andie McDowell (PSA), Joe Franklin (PSA), Rich Stevens (PSA), Richie Stats (Plasmatics), Holly Vincent (Holly and the Italians), Dolette McDonald, Raging Hormones.

How Trumpets Are Made

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Vincent Bach combined his unique talents as both a musician and an engineer to create brass instruments of unequaled total quality – instruments which today remain the sound choice of artists worldwide.

The Mad Magazine TV Special from 1974

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In 1974, Mad Magazine made its mark on television with The Mad Magazine TV Special, an animated pilot that sought to bring the iconic satirical publication to life. Although it never aired as a full series, the special captured the zany humor, biting satire, and offbeat style that made Mad Magazine a cultural staple.

Jimmy Fallon, The Who & The Roots Sing “Won’t Get Fooled Again” on Classroom Instruments

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Pete Townshend and Roger Daltrey of The Who join Jimmy Fallon and The Roots perform their hit classic “Won’t Get Fooled Again” with classroom instruments. Love live The Who.

https://youtu.be/Ks8s1hC9y7c

How To Make an Electric Guitar out of Car Scraps

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How to Make Everything explores turning scrapyard parts into a homemade electric guitar, complete with a flamethrower!

“You shouldn’t let poets lie to you” – Bjork in 1988 showing how imagination and science created a heartwarming result

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I wish Björk could explain everything. I would pay to hear her do a Masterclass on whatever she’d want to talk about.

Cheech and Chong’s “Basketball Jones” Featuring George Harrison, Billy Preston, and Carole King

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Cheech and Chong’s “Basketball Jones featuring Tyrone Shoelaces” first appeared on the 1973 album Los Cochinos. The songs opening lyric, “basketball jones, I got a basketball jones”, references “jones” as slang for craving or addiction. A “basketball jones” thus refers to loving basketball so much that it overtakes all other thoughts.

Sung in falsetto by Cheech Marin, playing the title character Tyrone (as in “tie-your-own”) Shoelaces, musicians who appeared on the record included George Harrison, Billy Preston, Tom Scott, and Carole King (so the record became the highest peaking single on which she appeared during 1973). The Blossoms and Michelle Phillips (from The Mamas & the Papas) performed vocals as cheerleaders on the track.

Other members of the ad-hoc all-stars included Nicky Hopkins (piano), Tom Scott (sax), Billy Preston (organ), Jimmy Karstein (drums) and Jim Keltner (percussion).

Here’s The First Trailer For Hulu’s Biopic Series ‘Wu-Tang: An American Saga’

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“You listening to beats — you ain’t listening to the whispers out in the streets.” “Wu-Tang: An American Saga” premiered on Hulu on September 4.

https://youtu.be/ov0VN0HPiPI