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Think you’re a big loser? Sub Pop wants to send you to college

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Sub Pop, the label that fomented the grunge revolution and launched Nirvan aupon the world, is also a caring, sharing company, dedicated to ensuring that even those who have bypassed the traditional measures of success get a chance. In fact, it’s not willing to support winners in any way; instead it is offering college funding to those who have suffered failures.

The label has been offering “loser scholarships” each year since 2007, and now this year’s loser scholarships have been unveiled. The good news: those eligible can secure thousands of dollars of financial help. The bad news: only high school seniors resident in the states of Washington and Oregon are eligible.

Sub Pop Records in Seattle, WA is offering a grand total of $15,000 worth of college scholarship money to three eligible high school seniors. There are three scholarships—one for $7,000, one for $5,000 and one for $3,000. As longtime and proud losers ourselves, we’re exceedingly happy to be able, in some small way, to help further the education of art-enthused misfits from the NW.

Applicants must be a resident of Washington or Oregon, and a graduating senior on your way to full-time enrollment at an accredited university or college. We are looking for applicants who are involved and/or interested in music and/or the creative arts in some way. However, you do not need to be pursuing an education in the arts.

To apply you must submit an essay, one page or less, using any combination of the following questions as a guide (or write something completely your own, be inspired and creative!). Please list the school you are graduating from and the school you plan to attend in the fall at the top of your essay along with your contact information.

– What are you doing in the arts/music field in your community?

– What does being a Sub Pop ‘Loser’ mean to you?

– What are your influences and/or who inspired you to become involved in the arts?

– Describe your biggest failure and explain how it has brought you closer to your goal(s).

– Discuss a special attribute or accomplishment that sets you apart.

– How has your family or community background affected the way you see the world?

Applicants are strongly encouraged to send digital links and/or provide hard copies of their artwork along with their essay (they have never had a winner who submitted only an essay). However, please be aware that Sub Pop will not return any of this material, so please don’t send originals. Sub Pop will give equal opportunity to all applicants who fit the criteria outlined above. The deadline for applications is Sunday, March 20th.

All submissions and attachments to scholarship@subpop.com by March 20th, 2016. They will announce the scholarship winners on April 12th.

Via The Guardian

Sleater-Kinney’s Corin Tucker And Chvrches’ Lauren Mayberry On Sexism In The Music Industry

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LAUREN MAYBERRY: I did an interview today with a reasonably respected British journalist and he actually asked me in the interview, “Do you think you’d like to take some time out of music in the next few years to focus on your personal life? I don’t know if you have a partner but have you considered how you would juggle children with touring?” I had never been asked that question before. I was like, “Well that’s not really your business, pal.”

CORIN TUCKER: Do you think a male musician would ever be asked that question?

MAYBERRY: Well, I didn’t want to scream on the phone at him. In my head, I was like, “I’ll find a polite way of getting out of it.” I figured if I was like, “Dude that’s incredibly rude, condescending, and offensive,” then I’m going to get tired of [being] that person who does that all the time. It’s inevitable that people are going to find out about my natural, god-given feminist rage. People are like, “Why are you angry all the time?” It’s like, I’m not angry. I’d like to think I’m a reasonably nice person, but unfortunately when those conversations come up, it does make me angry. It should make people angry. I did wonder in the interview if this guy was real-life trolling me.

TUCKER: I agree. There are so many times that as a woman in the music industry you’re asked questions no male musician would ever be asked. For me being a mom and having two kids, I don’t think men who are fathers in bands are being asked the responsibility questions, about touring with kids—up until recently. Recently there has been a cultural shift with fathers being parents, and it’s totally crucial. I do think we have a long way to go in terms of the culture around women still being career women, and asking a woman about her career and her work, just seeing them as fully validated human beings in the workplace. It’s so important that you are speaking up about this because so many women experience it and don’t have a way to talk about it. It’s incredibly hurtful and really unacceptable. If we don’t speak up about it, how do we expect to change it? Do you think that people are more prone to hateful language online, when it is anonymous?

MAYBERRY: We’ve had a few things at shows, but nothing as extreme and as aggressive as we’ve had online. I think the anonymity factor really wraps it up. It’s a weird protection for people. It’s so risky, because how do you ever crack down on that without cracking down on free speech in general, which is incredibly important? A part of me thinks that Twitter and message boards are worse because of the anonymity factor. I have a personal Twitter for band purposes, but I don’t use social media a lot. I fall in a weird age gap. I was on band message boards when I was 16, but I was on the early curve of Facebook. I did it for work when I worked in media, and I did it for the band, but I can’t relate to the idea that you live your life online. Part of me feels like I don’t really get drawn into a negative way of thinking about it. For us, the Internet has been really amazing, and I think it’s a place of great passion, creativity, and knowledge. Seeing people communicate about the band online has been amazing, but I think a lot of people spend a lot of time talking about what they hate rather than what they love. I don’t want to get trapped in that.

Via Interview Magazine

Cineplex’s New Animated Short Featuring Genesis Cover Song Will Make Your Room Very Dusty.

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cineplexlily

With its new “See The Big Picture” brand platform, Cineplex Entertainment is trying to forge an emotional connection with Canadians who need to take a break.

The new platform launches today with an animated short called “Lily & the Snowman.” In it, a young girl’s snowman come to life, as do the stories he tells using the shadows cast from a light in the house. Once Lily sees that the morning light makes the snowman melt, she finds a daytime home for him in the garage fridge, bringing him out every night to play. That fridge becomes a more permanent, frost-bitten home as Lily gets older and has less time to play with him, until a late night at the office reminds her of how important taking some time for entertainment is for herself (and her family).

In January, the rendition of Genesis’ “Follow You, Follow Me” by Vapor featuring Adaline featured in the video will be made available for purchase, with proceeds going to Free the Children, Cineplex’s national charity partner.

Via Strategy

This LEGO Coca-Cola Vending Machine Actually Works And I Want One

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LEGO builder ElectryDragonite made this Coca-Cola desktop vending machine using LEGO bricks, Mindstorms NXT controllers, and servo motors to dispense one of four different drink flavors. Don’t try and put fake coins in, though, it has a mechanism that rejects bad coins. It even keeps drinks cool, as you’ll be if you ever had one of these.

Steve From Blue’s Clues Talks About Being Fameish

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“Fameish people are like famous people… without the public dignity.”

Steve Burns is best known for playing ‘Steve’ on Nickelodeon’s Blue’s Clues from 1996-2002. Since then, he has released a rock record for grown ups that received pretty good reviews, toured with The Flaming Lips, made an album of music for children, and appeared in strange plays, mostly in Brooklyn. In this video, he talks about the real meaning of fame.

Why You Should Run

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Anyone can be a runner. All you have to do is start running. Even if you’re dead last in the race, you can finish the race.

https://youtu.be/OxunzQQNgQM