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Emerson, Lake & Palmer Sign Their Ground-Breaking Progressive Rock Catalogue To BMG

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Emerson, Lake & Palmer – better known as ELP – one of the most influential bands of the progressive rock era, have signed their 40-million-album-selling catalogue to new model music company BMG. It is the biggest new catalogue deal to be struck by BMG since it announced this summer that Peter Stack, founder of respected catalogue company Union Square Music acquired by BMG in 2014, would become its worldwide Head of Catalogue.

The ELP deal includes rights to at least 17 albums by the super-group, including the groundbreaking top 5 debut album Emerson, Lake & Palmer (1970), UK Number 1 Tarkus (1971) and probably their best known album Brain Salad Surgery, which reached Number 2 in 1973. It brings together rights previously split between North America and Europe, with BMG now holding rights for the World excluding South East Asia. Significantly, it promises a prestigious reissue campaign, with BMG gaining access to the prized ELP archive including original master tapes, demos, alternate versions, radio sessions, videos, rare photos / memorabilia and bootlegs, from artists who helped define ‘album rock’.

ELP were formed in 1970 by flamboyant keyboard player Keith Emerson (formerly of The Nice), singer and guitarist Greg Lake (formerly of King Crimson) and drummer/percussionist Carl Palmer (formerly of Atomic Rooster). Blending jazz and classical music with a wide-screen hard-rock style, ELP were one of the torchbearers of the progressive rock sound and were one of the most commercially successful bands of the 1970s. By 1974 they were as big as Led Zeppelin as a live draw.

Their first seven albums, all now to be re-issued by BMG, reached the UK Top 10 and US Top 20. Their third album, a live interpretation of Modest Mussorgsky’s Pictures At An Exhibition, recorded at Newcastle City Hall and released in 1971, achieved the unprecedented feat of propelling a complete classical work into the UK Top 10.

Although fundamentally an albums band, ELP scored a UK Number 2 single in 1977 with their version of Aaron Copland’s ‘Fanfare For The Common Man’. BMG has also secured rights as part of the deal to Greg Lake’s evergreen ‘I Believe In Father Christmas’ which reached Number 2 in the UK in 1975 and so celebrates its 40th Anniversary this year.

Peter Stack, BMG Executive Vice-President Global Catalogue Recordings said: “ELP have created an extraordinary body of work which helped to define progressive rock, and we are delighted that they have placed their faith in BMG. We will give this catalogue the respect it truly deserves and can promise some exciting times ahead for both existing and future fans of Emerson, Lake and Palmer.”

ELP manager Stewart Young said: “ELP and myself are looking forward to the opportunity of working with BMG. This agreement brings our catalogue under one roof for the first time for the world outside South East Asia. BMG shares our belief that these works should be treated with the upmost respect, with reissues which offer the kind of quality that our fans deserve.”

They Might Be Giants Return With A Kids Album, Why? Because, That’s Why!

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At last! TMBG is returning to the world of kids stuff! You might have heard some of the tracks previewed on Dial-A-Song, but we can now confirm the arrival of a fantastic set of 18 new songs called Why? What kind of album is Why? Well, it’s not bad for you but it’s not good for you either. It’s just about fun, like TMBG’s first kids album No! Why? is memorable songs in family-friendly package with none of that pandering aftertaste.

Like previous TMBG kid productions it’s a family affair with John Flansburgh’s wife Robin “Goldie” Goldwasser singing a couple of tracks, while bassist Danny Weinkauf, joined by his daughter, steps up to the mic for the song Elephants. Alison Cowles, the daughter longtime video animation collaborator David Cowles (The Mesopotamians, We Live in a Dump, Science is Real) has contributed all the illustrations for the album. Right out of the gate TMBG hits the listener with the odd brilliance of “Oh You Did” through the folkie charm of “Out of A Tree,” the full rocking of “Or So I Have Read” the perky “I Just Want to Dance,” and wrapping things up with the optimism of “Then The Kids Took Over.” Why? has everything to delight both kids and parents.

You’ll never guess what the first item sold on the internet was. Hint: It has to do with Sting.

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The first true e-commerce transaction didn’t happen until 1994 with the advent of the Internet as we more or less know it today. Though Pizza Hut often gets credit for the first e-commerce transaction (they started selling pizzas online in late August 1994) the actual credit goes to Dan Kohn, a 21-year-old entrepreneur who ran a website based in New Hampshire called NetMarket.

On August 11, 1994, Kohn sold a CD of Sting’s Ten Summoner’s Tales album to a friend in Philadelphia, who used his credit card to spend $12.48, plus shipping costs, in a transaction that, for the first time ever, was protected by encryption technology.

“Even if the NSA was listening in, they couldn’t get his credit card number,” Kohn told Peter Lewis of the New York Times in an article the following day about NetMarket—what Lewis called “a new venture that is the equivalent of a shopping mall in cyberspace.”

Via Fast Company

Adam Sandler has updated the roster of The Chanukah Song

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Adam Sandler has updated the roster of The Chanukah Song, adding Drake, Scarlett Johansson and more.

Sia’s Isolated Vocals For “Chandelier” From SNL

The video for Sia’s Chandelier is still climbing the charts for one of the most-viewed in music history, with more than 1 billion YouTube views. In support of the single and 1000 Forms of Fear, Sia, often with Ziegler, performed “Chandelier” on a number of television shows, including The Ellen DeGeneres Show, Late Night with Seth Meyers, Jimmy Kimmel Live! and Saturday Night Live, the latter where this isolated vocal comes from.

I Don’t Know What You’re Taking About So Here’s A Hamster Eating a Carrot In Bed

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I need to watch this video the next time I’m stressed out.

‘The Competition’, A New ‘Minions’ Mini-Movie Is Here

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The story of Universal Pictures and Illumination Entertainment’s Minions begins at the dawn of time. Starting as single-celled yellow organisms, Minions evolve through the ages, perpetually serving the most despicable of masters. After accidentally killing off so many of them — from T. Rex to Napoleon—the Minions find themselves without a master to serve and fall into a deep depression.

But one Minion named Kevin has a plan, and he — alongside teenage rebel Stuart and lovable little Bob — ventures out into the world to find a new evil boss for his brethren to follow.

The trio embarks upon an adventure that ultimately leads them to their next potential master, Scarlet Overkill (Academy Award winner Sandra Bullock), the world’s first-ever female super-villain. They travel from frigid Antarctica to 1960s New York City, ending in mod London, where they must face their biggest challenge to date: saving all of Minionkind…from annihilation.

Featuring a soundtrack of hit music from the ’60s that still permeates our culture today, Minions is produced by Illumination’s Chris Meledandri and Janet Healy, and is directed by Pierre Coffin and Kyle Balda. Brian Lynch has written the screenplay for the 3D-CG comedy adventure, and Chris Renaud serves as executive producer of the film.

Dalton Higgins launches his sixth book Rap N’ Roll: Pop Culture, Darkly Stated

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Award-winning journalist, author, broadcaster and blogger Dalton Higgins’ sixth book Rap N’ Roll: Pop Culture, Darkly Stated, a collection of pop culture essays, launches on December 4th at A Different Booklist bookstore located in Toronto’s Annex neighborhood.

Coming on the heels of 2012’s Far From Over: The Music and Life of Drake – carried in the Rock n’ Roll Hall of Fame & Museum collection in Cleveland – which clinically sheds light on the Drake phenomenon, and 2009’s Hip Hop World – which is carried in Harvard University’s hip hop archive, and led to a 2010 Hip Hop Scholar of the Year award nomination courtesy of Washington DC’s WBLINC – Rap N’ Roll is Higgins’ first art house-styled collection of writings that cover a wide range of topics including music (reggae, punk, rap), race, technology, public transportation (TTC), Jamaican culture, skin bleaching, performance enhancing drugs and the publishing industry itself.

“I’ve been blogging and writing essays about popular culture in magazines since 1995 from the vantage point of someone who is a global citizen yet distinctly African Canadian,” says Higgins whose pioneering work in the area of music presentation and criticism has taken him across the United States, Denmark, France, Australia, Germany, Colombia, England, Spain and Cuba among other destinations. “The fact that I am equally versed in hip hop as I am in hockey tends to confound some readers, but it’s 2015 and my prose simply signifies the voice of a first Generation Canadian lending their distinct point of view on a plethora of things affecting contemporary culture. Honest discussions about race, culture, hip hop, athletics and technology is what needs to happen more and is what tends to wet my reading audiences whistle.”

Reggae. Punk. Race. Hip hop. Technology. Counterculture. Toronto. Rap N’ Roll: Pop Culture, Darkly Stated is all of these things. And then some. Available in both hardcover and softcover glossy full colour format, Rap N’ Roll is a theoretical culmination of some of the more provocative topics and subject matter that Higgins has written about in North American periodicals over the last 20 years. Is rap the new rock n’ roll? Is the traditional book publishing industry on its deathbed? If you live in Toronto, has the TTC acronym come to stand for Totally Terrible Crap? Are Iggy Azalea and Macklemore the future of hip hop, and is MAGIC! the future of reggae? How did Jamaica become so tallawah despite its small size? Was sprinter Ben Johnson a PED futurist given the Lance Armstronging and A-Rodization of professional sports? Higgins also tackles tough topics related to cultural appropriation and digital culture with the honesty and precision of a seasoned veteran.