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Johnny Cash, Judas Priest, OutKast, Stevie Ray Vaughan, Elvis Limited Edition Vinyl Exclusives For Record Store Day’s Annual Black Friday Event

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Legacy Recordings, the catalog division of Sony Music Entertainment, announces the label’s line-up of collectible 12″, 10″ and 7″ vinyl releases created especially for Record Store Day’s Black Friday 2015, celebrated this year at the nation’s independent record stores on Friday, November 27, 2015. Now in its eighth year, Record Store Day is an annual day-long celebration of record store culture taking place on the third Saturday in April, with an annual Black Friday event occurring the day after Thanksgiving. This year, RSD has named Dave Grohl as Record Store Day Ambassador 2015.

For RSD Black Friday 2015, Legacy is catering to connoisseurs of classic sounds delivered old school, offering a range of RSD exclusives and numbered limited vinyl editions.

Legacy’s RSD Black Friday 2015 releases include these collectible titles:

Various – Transformers: The Movie Soundtrack – 12″ 2LP Etched Sides: A (Autobot) / D (Decepticon) in Transforming Package
Leading Legacy’s RSD Black Friday line-up this year is a 2LP 12″ vinyl 30th anniversary edition of Transformers: The Movie Soundtrack. In commemoration of the 1986 cinematic blockbuster, Legacy has created an innovative gatefold jacket that completely converts all four sides of the cover from an Autobot-themed jacket to a Decepticon-themed jacket. This 2LP collection is pressed on 150gram color vinyl: LP1 in translucent red with the Autobot logo etched on side A; LP2 in translucent purple with the Decepticon logo etched on side D. Remastered and re-imagined, Transformers: The Movie Soundtrack has never looked or sounded better!

Earth, Wind & Fire – The Best of Earth, Wind & Fire, Vol. 1 – 12″ 1LP Vinyl Picture Disc The Best of Earth, Wind & Fire, Vol. 1, EWF’s monumental 1978 anthology, compiled the group’s previously charting songs–including “Shining Star,” “Sing a Song,” “Getaway” and “Fantasy”–alongside new tracks including a cover of the Beatles’ “Got to Get You Into My Life” (which won a Best Arrangement with Vocal Grammy for Maurice White) and “September,” a song which became an EWF classic, hitting the Top 10 on both sides of the Atlantic. A Billboard Top 10, RIAA 5x platinum-selling album, The Best of Earth, Wind & Fire, Vol. 1 has been pressed as a collectible picture disc, featuring the iconic EWF gold coin logo plus a die-cut insert, especially for RSD 2015.

The Isley Brothers – Groove with You…LIVE! – 12″ 2LP Gold/Blue 180g Vinyl
The “Great Lost Isley Brothers Album,” Groove with You…LIVE! is a previously unreleased double album recorded for release in 1980. This newly restored performance offers an immersive listen into a crucial chapter in the Isley Brothers’ history, a pivotal moment in the fusion of rock and funk music in an era fueled by the sound of the Isleys. The album includes the hits “That Lady” and “Fight the Power” plus fan favorites like “Here We Go Again,” “Summer Breeze,” and “Voyage to Atlantis.” Featuring new cover art, evocative of the era, Groove with You…LIVE! is a 2LP set pressed on 180gram gold (LP1) and blue (LP2) vinyl, designed to look like a classic release from the Isley Brothers’ T-Neck discography.

Johnny CashMan In Black: Live in Denmark 1971 – 12″ 2LP Red/White 120g Vinyl
American musical icon Johnny Cash was at a career highpoint and in the middle of a successful tour of Scandinavia in 1971 when asked to star in his own concert special for Danish television. Lensed before a small audience on a small sound set, Man In Black: Live in Denmark 1971 captures the essence of a Johnny Cash show of the era, showcasing performances with his touring companions–the Tennessee Three (his backup band) June Carter Cash, the Carter Family, Carl Perkins, and the Statler Brothers–on a setlist of hits, classics and songs-of-the-day including “If I Were a Carpenter” (Johnny Cash and June Carter Cash), the song that won the couple the 1971 Grammy Award for Best Country Performance by a Duo or Group with Vocal. Previously commercially available only as a DVD (released in 2006), the audio portion of Johnny Cash’s Man In Black: Live in Denmark 1971 can finally be enjoyed for the first time as a full-length album on RSD Black Friday 2015. This collectible 2LP set is pressed on 120gram opaque white (LP1) and red (LP2) vinyl (the colors of the flag of Denmark).

Judas Priest – “Painkiller” (25th Anniversary) – 10″ Die Cut Buzz Saw EP
Commemorating the 25th anniversary of Painkiller. Legacy Recordings is releasing this 10″ die cut buzz saw EP, including the album’s Grammy nominated title track, “Painkiller”.

Neil Hefti – “Batman Theme” / “The Batusi” – 7″ 45RPM Yellow Vinyl Single
Composer Neil Hefti’s iconic theme music from the 1960s live action television series, a runaway hit in 1966, coupled with “The Batusi,” a go-go dance parody of “The Watusi,” introduced on the “Batman” premiere episode, characterized by its signature move: making a horizontal V-sign with the index and middle fingers of both hands and crossing them in front one one’s eyes. The “Batman Theme”/”The Batusi” single is pressed on opaque yellow vinyl in a newly designed picture sleeve inspired by the original graphics of the show.

OutKast – Stankonia – 12″ 2LP Orange/Yellow/Purple Black Spatter – Edition Limited to 3,000 Numbered Copies
A special 15th anniversary edition, limited to 3,000 numbered copies, of Stankonia, the fourth studio album by Atlanta’s experimental hip-hop duo OutKast (André 3000 and Big Boi), is being released for RSD Black Friday 2015. An eclectic musical concoction blending elements of funk, gospel, techno, psychedelic rock into a heady Dirty South gumbo, Stankonia debuted at #2 on the Billboard 200, selling more than half a million copies in its first week. Featuring the hit singles “B.O.B.,” “So Fresh, So Clean,” and “Ms. Jackson” (the first OutKast single to reach #1 on the Billboard Hot 100), Stankonia took home the 2002 Grammy for Best Rap Album while “Ms. Jackson” won the Grammy for Best Rap Performance by a Duo or Group. Ranked #359 on Rolling Stone’s 500 Greatest Albums of All Time, Stankonia stands as an undisputed hip-hop masterpiece and milestone.

Various – Garden State Soundtrack – 12″ 2LP Orange/Yellow/Ribbon Color Vinyl – Edition Limited to 3,000 Numbered Copies
Legacy Recordings celebrates RSD Black Friday 2015 with this 2LP vinyl edition, limited to 3,000 numbered copies, of Garden State – Music From The Motion Picture, Originally released on August 10, 2004, Garden State – Music From The Motion Picturefeatured songs, personally chosen by Zach Braff (the film’s writer/director), which served as psychological and emotional touchstones in the movie. Since its release in ’04, “Garden State” has achieved cult status as one of the era’s definitive coming-of-age films, while the soundtrack set a platinum standard for alternative and indie rock compilations.
Braff’s work as the album’s producer and musical curator earned the 2005 Grammy Award for Best Compilation Soundtrack Album for a Motion Picture, Television or Other Visual Media. Garden State – Music From The Motion Picture has sold more than 1.3 million copies and is certified platinum by the Recording Industry Association of American.

Stevie Ray Vaughan & Double Trouble – A Legend in the Making – 12″ 2LP White/Grey Vinyl
Recorded on-stage at Toronto’s legendary El Mocambo Club on July 20, 1983, Stevie Ray Vaughan & Double Trouble’s A Legend in the Making was originally released as a promotional title for radio broadcast only. This blistering live set was released for the first time commercially in 2014 as a bonus CD in The Complete Epic Recordings Collection boxset. RSD 2015 marks the first time that A Legend in the Making has ever been released on vinyl. This collectible edition includes 2LPs with LP1 struck on 180gram vinyl with LP1 pressed on opaque white and LP2 on gray.

Elvis Presley – “If I Can Dream” / “Anything That’s Part of You” – 7″ 45RPM Black Vinyl
Pressed on classic black vinyl, this 45rpm single contains the title track from RCA/Legacy’s forthcoming If I Can Dream album coupled with the previously unreleased “Anything That’s Part of You.” Part of the ongoing Elvis 80th Birthday Celebration, If I Can Dreamshowcases Elvis Presley with the Royal Philharmonic Orchestra, the King of Rock & Roll at the peak of his powers.

Jimi HendrixBurning Desire – 12″ 2LP – First 5,000 Copies Numbered
Burning Desire is a posthumous compilation of recordings by Jimi Hendrix including instrumental studio jams and demos recorded in late 1969 through early 1970. Originally released on Dagger Records, Burning Desire has never been released on vinyl (or sold as a CD in stores) prior to this new RSD Black Friday 2015 release. The first 5,000 copies of Burning Desire will be numbered.

Falco – “Rock Me Amadeus” / “Vienna Calling” – 7″ 45RPM – IMPORT
A special commemorative release celebrating the upcoming 30 anniversary of Falco’s career-defining hit, “Rock Me Amadeus” features the song’s American edit (#1 on the Billboard 100 in March 1986) couple with Falco’s “Vienna Calling” (the 86er mix which peaked at #6 on the US Billboard charts in 1986). This RSD Black Friday 2015 IMPORT single is limited to 1,000 units in the US.

Alan Parsons Project – The Turn of a Friendly Card: Single Edits – 7″ 45RPM – Limited Edition Green Vinyl – IMPORT
A special limited edition 7″ vinyl release for RSD 2015, The Turn of a Friendly Card: Single Edits presents the rare single edits of three key tracks from the album–“The Turn of a Friendly Card” / “Snake Eyes” / “Games People Play”–in commemoration of the 35th anniversary of the APP’s 1980 progressive rock masterpiece. Pressed on green vinyl, this special RSD Black Friday IMPORT is limited to sales of 1,000 units in the United States.

 

Revisiting Classic Album Covers in French

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Consultez ces album classique couvre … en français !
Check out these classical album covers…in French!

Doors.

Blur.

Boards of Canada.

Cat Power.

Earth, Wind & Fire.

Gipsy Kings.

Howlin’ Wolf.

James Brown.

Joy Division.

Kiss.

Kool & The Gang.

Massive Attack.

Queen.

Talking Heads.

The Beatles.

The Who.

Via Fubiz

‘Hello’ Video Director Explains Why Adele Is Using a Flip Phone And There’s A Telephone Booth In The Woods

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When Adele’s new video for “Hello” was released on Friday, Oct. 23, plenty of fans had the same question: Why does she have a flip phone?

Director Xavier Dolan says “I could see the GIFs on Twitter, I’m like, ‘Guys, get over it. It doesn’t matter.’ But the real explanation is that I never like filming modern phones or cars. They’re so implanted in our lives that when you see them in movies you’re reminded you’re in reality,” he tells The Los Angeles Times.

“If you see an iPhone or a Toyota in a movie, they’re anti-narrative, they take you out of the story,” Dolan continues. “If I put an iPhone or a modern car in a movie it feels like I’m making a commercial.”

It turns out that the phone booth shown in the video has much more meaning than the decision to feature a flip phone. “It says she is stranded in nature, which has regained its rights,” he says. “It’s an element of the past. It’s much more important than the flip [phone] and trying to identify whether it’s Samsung or an AE9 or whatever.”

Via Billboard

Patti Smith on What She Believes In

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I believe I am still the same person; no amount of change in the world can change that.

I believe in movement. I believe in that lighthearted balloon, the world. I believe in midnight and the hour of noon. But what else do I believe in? Sometimes everything. Sometimes nothing. It fluctuates like light flitting over a pond. I believe in life, which one day each of us shall lose. When we are young we think we won’t, that we are different. As a child I thought I would never grow up, that I could will it so. And then I realized, quite recently, that I had crossed some line, unconsciously cloaked in the truth of my chronology. How did we get so damn old? I say to my joints, my iron-colored hair. Now I am older than my love, my departed friends. Perhaps I will live so long that the New York Public Library will be obliged to hand over the walking stick of Virginia Woolf. I would cherish it for her, and the stones in her pocket. But I would also keep on living, refusing to surrender my pen.

Patti Smith in M Train

Meet The First Person To Run A Marathon Without Talking About It

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She had the guts and determination to not even Instagram it. It almost seemed like she enjoyed running for it’s own sake. I mean… what? What?!

World’s Most Pathetic Elevator Chime

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It resides on the 10th floor of the Novotel Hotel on Collins St, Melbourne. Somebody put it out of its misery.

Jimmy Kimmel asks people their computer passwords. They happily respond.

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President Obama just veiled earlier this year a number of proposals to crack down on hackers. It’s great that the government is working on this but all of us need to do a better job of protecting ourselves. So Jimmy Kimmel sent a camera out onto Hollywood Boulevard to help people by asking them to tell them their password.

Half A Million Miles, Expenses $33.31

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In August in 1969, Colonel Edwin “Buzz” Aldrin, Jr. submitted his expenses for a trip he took from Houston, Texas, to Cape Kennedy, Florida, to the moon, to the Pacific Ocean, to Hawaii, and back to Houston. The total expenses? $33.31. I spend this much on one cab ride across the city.

65

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H/T Neatorama

Hear Kurt Vile’s Appearance on NPR’s World Cafe

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Philadelphia’s Kurt Vile, formerly a member of The War On Drugs, has been making solo albums since 2008. The process of recording his latest, b’lieve i’m goin down, included an extended stay in California: He went to Los Angeles to record with Warpaint drummer Stella Mozgawa, and to Joshua Tree to soak up its unique vibe.

Vile has described b’lieve i’m goin down as a “loner record,” more real and vulnerable than his other work. The album features more acoustic guitar than usual and introduces a little banjo and piano into the mix. Vile says that one song was even inspired by a desert jam with the Malian group Tinariwen. Hear the full conversation and performance, recorded live in Philadelphia, on this page.

Elvis Costello on what he gets out of collaborations

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Your book is a reminder of the many collaborations you’ve done. What do you get out of collaborations that you can’t get from writing by yourself?

EC: Actually, they’re mostly noted because of the contrast between two of the most famous songwriters that I’ve worked with [Paul McCartney and Burt Bacharach]. So when people refer to the collaborations, they’re usually referring to songwriting collaborations that, as terrific as they were to be in, are—at least in terms of their recorded versions—12 songs apiece. Compared to all the other songs I’ve written, not really a major component in volume. A major component in experience, yes. And I sort of think it overlooks that everything you do, unless you’re going to be a solo folk singer, is a collaboration of a kind. You just don’t put that label on it when you put a band together. And that obviously is a collaboration too.

I didn’t really separate out those songwriting experiences with people that I mentioned from all of the other stuff. They were obviously just very, very unusual experiences, to find yourself across from somebody that you listened to as a child and try to dismiss all of that, really, and just be that person that you were in that moment, and bring everything that you could to it, you know? The collaborations, they’re the kind of experiences that are particularly contrasting to the place I began, being driven by my curiosity about those forms. In the late ’80s, if I was listening more to concert hall music than I was to some sort of rock ’n’ roll club music, then that’s just what I was listening to, and it led me to work with people from that world.

And I had to learn how to communicate. That’s what moved me to learn how to write musical notation. It’s like not being able to spell. Some people can’t spell very well and can still communicate and have beautiful, original ideas. But I had to learn how to do that if I wanted to communicate with those people. It just left me with more possibilities in the way to go after that. I felt like I could write better songs for a rock ’n’ roll combo because I’d had those other adventures. You can turn the electricity off, or you work with people who play violins or different types of instruments or come from a different type of music entirely. And then you pick up the electric guitar again, it’s like it’s brand new.

Via AV Club