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See the Smithsonian’s Mini-Doc On Musical Cities With Kings of Leon, Ben Folds, Eric Church, And Slayer

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What kind of place stimulates creative minds and sparks a surge of invention and innovation? The Smithsonian Institute’s National Museum of American History traveled across the country to Nashville, Tennessee to explore the “Music City” and speak with artists such as Kings of Leon, Ben Folds, Eric Church, Marty Stuart, and others about the innovative history of music in Nashville.

Next, The Smithsonian filmed the listening rooms in the Bluebird Café to show the history of American songwriting at this famous venue in Nashville, TN.

Musician and composer Ben Folds in Nashville, TN gives a tour and history of Chet Atkins’ original RCA Records Victor Studio A.

Rudy’s Music in Soho, New York City is a full-service shop with an amp room, bass room, and their renowned repair/build shop on-site. This is the background for the invention of the archtop guitar with historian Rudy Pensa and world renowned archtop builder John Monteleone.

The Smithsonian next traveled across the country to San Francisco, California, to talk with the thrash band Slayer about the the innovative history of thrash metal.

Watch Echo & the Bunnymen Brazilian TV Special From 1987

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Echo & the Bunnymen recorded “the greatest album ever made”, according to their lead vocalist Ian McCulloch, and more than a few would agree with him. Ocean Rain, from 1984, contained the hit singles “The Killing Moon”, “Silver” and “Seven Seas” and is a fine listen now, too. One more studio album, 1987’s Echo & the Bunnymen, was released before McCulloch left the band to pursue a solo career in 1988. That record sold well (UK No. 4), and was a small American hit, their only LP to have significant sales there.

Watch The 1970 Documentary “Groupies” Featuring Pamela Des Barres And Cynthia Plaster Caster

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The 1970 documentary Groupies features some famous faces—namely Pamela Des Barres (billed as “Miss Pamela”), and Cynthia Plaster Caster (listed as “Cynthia P. Caster”), and it’s not particularity shocking or anything. When the history of pop/rock about the ’60s and ’70s are written for the final time, you’ll find names in this doc to have their place – Joee Cocker and Ten Years After, but here’s your chance to check out just how successful Terry Reid, Spooky Tooth, and Cat Mother really were – at least for a time.

https://youtu.be/uBF2ISTBbCs

The Chapman stick revival starts here

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The Chapman stick revival starts here, with “The Stickman” in action, playing bass and chords with the left hand, chords and melody with the right.

According to their website:

Our designs are based on the revolutionary Free Hands two-handed tapping method discovered by Emmett Chapman on guitar in 1969 and taught since then to players around the world. With Emmett’s method, both of your hands are equal partners. As they approach the fretboard from opposite sides, your fingers line up parallel to the frets and a powerful new musical language emerges – bass lines, lead melodies, chords, and rhythm, simultaneously, and in any combination you desire.

The Best Roommate Wanted Ad You’ll Ever See

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What a little creativity can do. I hope he finds a good home soon.

Gene Simmons’ Isolated Vocals For Kiss’ Rock And Roll All Nite

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Kiss’ Rock and Roll All Nite was originally released on their 1975 album Dressed to Kill. It was released as the A-side of their fifth single, with the album track Getaway. The studio version of the song peaked at No. 68 on the Billboard singles chart, besting the band’s previous charting single, Kissin’ Time (#89). A subsequent live version, released as a single in October 1975, eventually reached No. 12 in early 1976, the first of six Top 20 songs for Kiss in the 1970s. Rock and Roll All Nite became Kiss’s most identifiable song and has served as the group’s closing concert number in almost every concert since 1976. In 2008 it was named the 16th greatest hard rock song of all time by VH1.

Since the release of Rock and Roll All Nite, you can find it on 24 separate Kiss albums and official compilations, including the Scooby-Doo! and Kiss: Rock and Roll Mystery movie.

https://youtu.be/DlM38yDCpLo

…and here’s the track without vocals.

https://youtu.be/OX6wpayyoKg

The Fader released a documentary on Wnnipeg-born hip-hop artist Allan Kingdom

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This past spring, The FADER flew to St. Paul, Minnesota to spend time with rising rapper and singer Allan Kingdom and visit his childhood home for the second in our FADER Documentary series. A couple of months earlier, Kingdom had caught the world’s ear after being featured on Kanye West’s “All Day” and joining him on stage for an unforgettable performance at the BRIT Awards. As Kingdom tells it, an email from Kanye confidante Plain Pat changed his life, but his story began way before that. Born in Winnipeg, Manitoba to a pair of immigrants from Tanzania and South Africa, he was raised in the Twin Cities, where he eventually battled against the odds of being from a flyover state.

“Music is very competitive and he’s from Minnesota and people that succeed, most of the time they are from other places,” remembers his mom. “I didn’t think he would make it. What makes you successful is not just talent. It’s determination, it’s connection, it’s outlook to life.”

What makes Kingdom an especially intriguing and promising artist is his unique take on hip-hop. He blends a left-field, backpack rap feel with pop sensibilities, says Robert Semmer, The FADER’s senior producer and the director of True North. “In a world where everyone is trying to be someone else, Allan couldn’t be anybody but himself,” says Semmer. “Rap is so often about trying to put on a persona, but the colors in other rappers’ palettes, he doesn’t need any of those to paint.”

Foo Fighters’ Taylor Hawkins Kills It On Drums As A Ninth Grader

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In showing phenomenal power on the drums even as a Ninth Grader, here’s Foo Fighters’ Taylor Hawkins giving instant grat that practice makes perfect.

Hear Robert Plant and Alison Krauss’ First Song Together In 6 Years

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This holiday season sees ‘Love the Coopers’ film get released, and the story looks heartwarming already: When four generations of the Cooper clan come together for their annual Christmas Eve celebration, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

But it’s the Official Soundtrack Album that is sure to warm people by the fire. Capturing the Coopers’ holiday theme, the soundtrack includes the studio reunion of Robert Plant and Alison Krauss on their Christmas original “The Light of Christmas Day,” their first recording since 2009’s platinum-certified Grammy Award Winner for “Album of the Year,” Raising Sand. Otis Redding’s “Merry Christmas Baby,” Sixpence None the Richer’s “Carol of the Bells,” and also features seasonal classics from Bob Dylan, Nina Simone, and more.

Check out Plant and Krauss’ song below.

Allison Janney and Stephen Colbert Give Dramatic Reading Of Foreigner’s “Hot Blooded”

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On a recent episode of Late Show With Stephen Colbert, Emmy Award-winning actress Allison Janney told Colbert that she employs dramatic readings of 1970s-era pop hits as an acting exercise. Since there could be no better asking for proof, she wows the crowd with Foreigner’s Hot Blooded.

I kinda hope Janney actually does this, THAT’S a very cool idea.