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‘Sesame Street’ Parodies Unboxing Videos With Cookie Monster Unboxing His Lunchbox

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Whoever is doing Sesame Street’s social media and videos are doing it better than any other company right now. What do you think Cookie Monster will find in his lunchbox? Watch and find out.

Shania Twain Sets Out On 1st North American Tour In Over A Decade

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One of the world’s best-selling female artist in history, Shania Twain, has announced her first North American tour in more than 11 years entitled ROCK THIS COUNTRY.   The 48 date run comes hot on the heels of her hit two-year residency in Las Vegas at The Colosseum at Caesars Palace.

Shania’s tour kicks off in North America on June 5 in Seattle, WA where she will perform her extensive catalog of iconic hits in a brand new production for fans coast to coast in major US cities such as New York, Washington DC, Los Angeles, and Chicago, among others. Additionally, the tour will hit Canadian cities including Toronto, Vancouver, Edmonton, and Montreal, presented by AEG Live.  American Express® Card Members can purchase tickets through Front Of The Line for the Canadian shows only before the general public beginning Tuesday, March 10th at 10am through Thursday, March 12 at 10pm local time, with the public on-sale for most North American shows beginning Friday, March 13 at 10:00 am local on axs.com. Exceptions noted below.  ShaniaTwain.com presale begins Tuesday, March 10 at 10am local time through Thursday, March 12 at 10pm local time.

A limited number of exclusive VIP Packages also will be available. Theses offers can include premium reserved tickets, access to Shania Twain’s preshow VIP sound check, exclusive merchandise and much more. A $1.00 donation from each ticket purchased will go to the Shania Kids Can Foundation. Opening acts include Canadian musician and actor Wes Mack from June 5 – June 28, and Grammy Award nominated singer/songwriter Gavin DeGraw from June 30 – August 23.

“This is a celebration tour. It’s party time!  The ROCK THIS COUNTRY tour will have a different spirit than my past tours,” said Twain. “It’s a Shania they’ve never seen before.  A lot of years have gone by and I’ve got a lot more to share.”

Beloved by millions worldwide, Shania has multi-platinum album sales in 32 countries with over 75 million albums sold, and 17 top 10 singles. Three of Shania’s albums (The Woman In Me, Come On Over, Up! ) reached Diamond certification, making her the only artist to have three consecutive albums sell more than 10 million copies in the US.

Rising to fame with her debut album Shania Twain (1993), Shania became a worldwide phenomenon with the release of Come On Over (1997), which became the best-selling country album of all time, and the best-selling album released by a female artist. Most recently, Shania performed 105 shows during her two-year Las Vegas residency, Shania: Still The One, beginning on December 1, 2012 at The Colosseum at Ceasars Palace and wrapping in December of 2014. The show garnered rave reviews throughout its tenure.

Shania Twain 2015 Summer Tour

Opening acts include Wes Mack from June 5 – June 28, and Gavin DeGraw from June 30 – August 23

Jun 5 Seattle, WA KeyArena at Seattle Center
Jun 7 Vancouver, BC Pepsi Live! At Rogers Arena
Jun 9 Vancouver, BC Pepsi Live! At Rogers Arena
Jun 11 Edmonton, AB Rexall Place
Jun 12 Edmonton, AB Rexall Place
Jun 14 Saskatoon, SK SaskTel Centre
Jun 15 Winnipeg, MB MTS Centre
Jun 19 London, ON Budweiser Gardens
Jun 20 London, ON Budweiser Gardens
Jun 22 Hamilton, ON FirstOntario Centre
Jun 24 Toronto, ON Air Canada Centre
Jun 25 Toronto, ON Air Canada Centre
Jun 27 Ottawa, ON Wesley Clover Parks ****
Jun 28 Montreal, QC Bell Centre *
Jun 30 New York, NY Madison Square Garden
Jul 1 Long Island, NY Nassau Coliseum
Jul 3 Uncasville, CT Mohegan Sun Arena **
Jul 7 Newark, NJ Prudential Center
Jul 8 Boston, MA TD Garden
Jul 10 Pittsburgh, PA CONSOL Energy Center
Jul 11 Grand Rapids, MI Van Andel Arena
Jul 13 Indianapolis, IN Bankers Life Fieldhouse **
Jul 15 Jacksonville, FL Jacksonville Veterans Memorial Arena
Jul 16 Miami, FL AmericanAirlines Arena
Jul 18 Greenville, SC Bon Secours Wellness Arena
Jul 19 Charlotte, NC Time Warner Cable Arena
Jul 21 Washington, DC Verizon Center
Jul 22 Philadelphia, PA Wells Fargo Center
Jul 25 Auburn Hills, MI Palace of Auburn Hills
Jul 26 Moline, IL iWireless Center
Jul 28 Minneapolis, MN Target Center
Jul 29 Rosemont, IL Allstate Arena
Jul 31 Nashville, TN Bridgestone Arena
Aug 1 Atlanta, GA Philips Arena
Aug 3 Louisville, KY KFC Yum! Center
Aug 4 St. Louis, MO Scottrade Center
Aug 6 Des Moines, IA Wells Fargo Arena
Aug 7 Kansas City, MO Sprint Center
Aug 9 Austin, TX Frank Erwin Center
Aug 10 Dallas, TX American Airlines Center
Aug 12 Oklahoma City, OK Chesapeake Energy Arena
Aug 14 Denver, CO Pepsi Center ***
Aug 15 Salt Lake City, UT EnergySolutions Arena
Aug 17 San Jose, CA SAP Center at San Jose
Aug 19 Anaheim, CA Honda Center
Aug 20 Los Angeles, CA STAPLES Center
Aug 22 San Diego, CA Valley View Casino Center
Aug 23 Fresno, CA Save Mart Center

 

* On sale Saturday March 21

** On sale Friday March 20

*** On sale Friday March 27

**** Festival date with The Doobie Brothers also performing

The Tea Party: “We had to do a lot of soul-searching, but now the bond between the three of us is stronger.”

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The arrival of the venerable Canadian exotic rock trio’s highly anticipated new studio album, The Ocean At The End, marks the official end of the 10-year vacuum of fresh The Tea Party original material. “The Black Sea,” a stellar track from the 11-song-deep effort and the electrifying tandem of Jeff Martin (vocals, guitars, producer, songwriter); Stuart Chatwood (bass, keyboards) and Jeff Burrows (drums, percussion), completes the band’s cycle of resurrection, some of the first new music we’ve heard from them since 2004’s Seven Circles and the first project since the double-disc Live From Australia: The Reformation Tour 2012.

“The three of us probably never thought we’d be sitting here right now,” admits Martin, whose booming baritone, emotionally candid and mystical songwriting and string-bending guitar prowess has served as the creative catalyst for eight platinum and gold studio albums, one EP, one greatest hits collection, a live disc and over 2 million in global album sales.

“It’s a testament to the strength of the music that we’ve created in the past and a testament to the friendship that exists between the three of us. We had to do a lot of soul-searching, but now the bond between the three of us is stronger.”

It’s what Jeff Burrows calls, simply, “a rebirth.”

Eric: This is a band I could safely say would have never come back again. What happened?
Jeff Martin: It’s deep, it’s complicated but if you want to distill it down to a simple answer, we just missed each other too much.
Eric: I love that answer. If you still want to do it, then you should have every reason to do it.
Jeff: I can speak for myself, I kind of loss the passion for it towards the end. The Tea Party, in the best of our days, we always had this firewall. The firewall was our management Steve Hoffman. Keeping the industry and the record company away from us so we could just be who we needed to be. To make the record, once it’s done, here you go. No other cooks in the kitchen. Too many got in towards the end. Steve got sick and had to fight for his life and he couldn’t fight for us anymore. There was just too much pressure. It wasn’t the band anymore. So I had to go away, just figure myself out and find that passion for making music again. I tried many things, which I’m proud of, but as time went on one thing became clearer and clearer to me. That nothing could compare to being with my two best friends again and making that magic. So when the phone call came, back in 2010 I was game.

Eric: Who called?
Jeff: It was management that called. Our agent had been telling us we’d been getting offers every year for the band to reform.
Eric: How did that make you feel? Did you care at that point in the beginning when those calls were coming through?
Jeff: The serendipity of that phone call was I was ready to care again. Here we are. Obviously when we got back together there were some hurdles that we needed to pass. The music was always there, even the first rehearsal when we got back together. It was pure magic. The Tea Party is much more than that, it’s a trust. A friendship that goes back longer than most. So we had to get that back again, and once we did and we did it in spades. It’s stronger than ever. That’s when the new music started to come.
Eric: When you look back at when you were each doing your own projects, did you are about what the audience had to say about you doing a solo album, and not work through any problems with the band? Were there signpoints in your life that you felt you had to continue your own road?
Jeff: I’m pretty certain there would have been trepidation. How do you really – just as an individual, how do you stand up to that? The legacy of what the band is and will be. I agree with you, it’s more or less, for my personal journey anyway, it was just signposts as you said and moments – different collectives that came together, different people but it was moving me back to the band again. Moving me back to having that passion again, for the band. There’s just a lot i had to go through personally to get back there so that I could come back to Jeff and Stewart and be the captain of the ship again.

Eric: Did everyone fall easily back into their respective roles for the band?
Stuart Chapman: I think the roles evolved. We were happy – Jeff mentioned having to prove himself to us, we were happy – I don’t want to say give him another shot, but we were happy for him to regain control of the band with regard to production in the studio. It worked out great. Jeff had mentioned before, how Jeff and myself had recorded so many things in the interim that we brought a lot more to the table and took a lot of pressure off him. To produce, sing, play guitar, overdub to do all these things he was taking on, it’s a lot of pressure.
Eric: How many of the new songs were created after the band got together? Were there any you had on the solo back burner?
Jeff: Only two songs really come to mind. “Submission” and “The Water’s On Fire.” I had those as demos. I made those as demos when I knew the band was getting back together. The rest of the record was just the three of us, just like the old days in Windsor. Writing in a room, jamming being a great hard rock band. No bells, no whistles, no toys. Just plug the guitar in, let’s rock.
Eric: Sadly missed since you’ve been gone, but now you’re back. How cool is it that you get to be in a band now, again with your friends at your age?
Jeff: What do you mean, my age? [laughs]
Eric: 29. The same age as I am.
Jeff: Riiiiight.

An Astronaut’s Guide to Optimism Starring Canadian Astronaut Chris Hadfield

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Our world is not as bad a place as we often feel it to be. It is easy to look to the future and lament how far there is left to go, but sometimes it is helpful to stop and reflect on just how far we’ve come.

Jim Henson’s Muppets perform on The Ed Sullivan Show for the first time in 1966

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The popularity of garage rock starts here. Garage rock and Muppet history was made on September 18, 1966 as this date marked the first television appearance on CBS-TV’s The Ed Sullivan Show of Jim Henson’s Muppets. For this first appearance, Henson chose a 1966 garage rock song called “Rock It To Me” by a teen band called The Bruthers.

http://youtu.be/nH9k6nDZLcM

The Greatest Story About A Musician I’ve Ever Heard, As Told By Brian Eno

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The April 25, 2011 issue of the New Yorker contained a fascinating article about David Eagleman, the celebrated neuroscientist and director of the Laboratory for Perception and Action at Baylor College of Medicine in Houston. A number of professional drummers, invited by Brian Eno and from some of the biggest bands in the world, allowed Eagleman to observe them. They were outfitted with EEG units on their heads in special workstations for the data collection. The tests were conducted on a laptop. A software program asked the drummers to do four things: Keep a steady beat; compare the length of two tones; synchronize a beat to an image and compare different rhythms to one another.

“I was working with Larry Mullen, Jr., on one of the U2 albums,” Eno told me. “ ‘All That You Don’t Leave Behind,’ or whatever it’s called.” Mullen was playing drums over a recording of the band and a click track—a computer-generated beat that was meant to keep all the overdubbed parts in synch. In this case, however, Mullen thought that the click track was slightly off: it was a fraction of a beat behind the rest of the band. “I said, ‘No, that can’t be so, Larry,’ ” Eno recalled. “ ‘We’ve all worked to that track, so it must be right.’ But he said, ‘Sorry, I just can’t play to it.’ ”

Eno eventually adjusted the click to Mullen’s satisfaction, but he was just humoring him. It was only later, after the drummer had left, that Eno checked the original track again and realized that Mullen was right: the click was off by six milliseconds. “The thing is,” Eno told me, “when we were adjusting it I once had it two milliseconds to the wrong side of the beat, and he said, ‘No, you’ve got to come back a bit.’ Which I think is absolutely staggering.”

Via Dangerous Minds

Early Videos Of John Belushi at Second City in 1972

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After starting his own comedy troupe, The West Compass Trio, with Tino Insana and Steve Beshekas, in 1971 John Belushi was asked to join the cast of The Second City. At Second City, he met and began working with Harold Ramis.

In the below sketch “Funeral,” John Belushi plays the humiliated son of a father who died a less-than-respectable death alongside ensemble performers Joe Flaherty, Harold Ramis, Jim Fisher, Judy Morgan, and Eugenie Ross-Leming as his grieving friends and family.

http://youtu.be/3vMrhu5-3Xo

Here’s a Second City clip featuring Belushi showing off his Truman Capote impersonation that he would later bring to his run on SNL.

http://youtu.be/kGC7v0PNCLI

Vince Vaughn and Co-stars Pose for Stock Photos You Can Use for Free

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I don’t really know much about the new Vince Vaughn movie Unfinished Business, which comes out Friday, except the promtoional blub reads “What began as a routine business trip goes off the rails in every imaginable—and unimaginable—way, including unplanned stops at a massive sex fetish event and a global economic summit.” Sounds good so far, right? But if it’s anything like this pre-buzz campaign, it’s a winner. Twentieth Century Fox has teamed up with iStock by Getty Images to create a set of stock photos featuring Vaughn along with co-stars Tom Wilkinson, Dave Franco and others.

Via AdWeek

On International Ear Care Day, Watch A Girl Hear Music For The First Time

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On International Ear Care Day, watch this video to know how important your hearing is. After activating her cochlear implant, this girl is able not only to hear music properly for the first time, but to make it.

Godspeed You! Black Emperor’s Curated Sled Island Music and Arts Festival Announces First Wave of Artists

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Sled Island Music and Arts Festival, happening from June 24-28, 2015 in Calgary, Alberta is excited to announce its first wave of 2015 artists. The ninth annual festival sets itself apart from the pack by presenting a thoughtfully-chosen selection of intimate musical performances in more than 30 venues. Today, organizers are proud to announce a sample of the more than 250 bands that will descend on the festival this June.

Each year, Sled Island invites a guest curator to help to set the direction and tone of the festival through specialized programming choices and with their presence at the event. This year, the festival is thrilled to have Godspeed You! Black Emperor in that role. The band, which recently announced a new LP to be released this spring, will bring their stunning orchestral post-rock to the city’s beautiful Central United Church for two nights. It’s the first time Godspeed You! Black Emperor will play Calgary.

They’ll be joined by New York legends Television, a band known for profoundly changing the vocabulary of punk and post-punk music, as well as Drive Like Jehu, newly-reunited San Diego-based post-hardcore legends who will be playing a very rare show. Also playing are dizzying noise rock icons Lightning Bolt and the collaborative experimental electric guitar duo of Kim Gordon and Bill Nace Body/Head. In partnership with the National Music Centre (NMC), Daniel Lanois, the famed record producer, guitarist and songwriter, will be completing an artist residency at NMC before delivering an intimate performance at the Republik. NMC will be giving Lanois special access to its instrument and music technology collection as they prepare to move into their new facility, opening Spring 2016.

Other bands to join this spectacular collection of artists will be infectious power pop trio Ex Hex, charismatic and fun neo-garage rockers King Tuff, pioneers of American doom metal Pentagram, and Southern California fuzzed-out stoner rock progenitors Fu Manchu.

In what will be a massive night for one of 2015’s hottest bands, Viet Cong will play a special hometown show. Also confirmed is beautifully loud, heavy, noisy punk rockers Pissed Jeans, Ninja Tune’s Norwegian experimental jazz phenoms Jaga Jazzist, celebrated Detroit-based soulful hip hop artist and producer Black Milk, and digital folk artists Hundred Waters.

Additional artists announced include Son Lux, Lydia Ainsworth, The Coathangers, Iceage and Oxbow.

As part of Godspeed You! Black Emperor’s guest curation (which includes the selection of Body/Head), they have also invited The Ex, Matana Roberts, Fred & Toody, Carla Bozulich, Avec Le Soleil Sortant De Sa Bouche, Big Brave and David Dondero to join.