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John Sykes Returns With Posthumous Single ‘Believe In Yourself’ This June

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There’s new music coming from one of rock’s most revered guitarists. Golden Robot Records will release ‘Believe in Yourself’, a posthumous single from the late John Sykes, worldwide on June 12, with a global pre-save live now across all major streaming platforms. The track previews a forthcoming EP built from some of the last known recordings Sykes left behind.

The single gathers everything fans have long treasured about his artistry, soaring vocals, electrifying guitar work, and a deeply personal lyrical message delivered with real passion. It plays as both a celebration of his creative spirit and a heartfelt farewell to a player whose influence shaped generations of rock and metal musicians.

The release follows the EP’s first single, ‘My Guitar’, which drew an overwhelmingly positive response from longtime listeners and newcomers alike. Praised for its sincerity, musicianship and that unmistakable signature sound, it reaffirmed the lasting pull of Sykes’ work and the deep connection he still holds with audiences around the world.

Across decades of groundbreaking music, Sykes built a legacy on unforgettable riffs, powerful performances and uncompromising musicianship. His contributions keep resonating globally, inspiring fans and fellow players. Golden Robot Records calls it an honor to help share this body of work with the people who supported and loved him throughout his remarkable career.

The full EP arrives in November, preserving the next creative chapter from a catalogue that stays timeless. ‘Believe in Yourself’ hits streaming on June 12, with a physical CD release confirmed for later in the year.

Hayes Carll Plays Intimate 1927 Concert Series In Bristol This August

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A songwriter’s songwriter is heading for one of the most fitting rooms imaginable. Birthplace of Country Music presents Hayes Carll as part of its intimate 1927 Concert Series, with cocktails and catering, on Friday, August 21, 2026, at the Birthplace of Country Music Museum. The lobby reception starts at 6 p.m., with the show following at 7 p.m.

Carll has spent more than two decades earning his standing as one of Americana’s most beloved and consistent voices, and he’s done it by staying unflinchingly himself rather than chasing trends. His songs cut through the noise and name hard truths with humor, humility and heart, landing as both deeply personal and widely understood.

His pen reaches well past his own records. Carll’s songs have been cut by Kenny Chesney, Lee Ann Womack and Brothers Osborne, though it’s his own warm, weathered delivery that leaves the deepest mark. American Songwriter put him in John Prine territory, praising the way he wraps serious ideas in dark humor and melodies that stick after a single listen.

The accolades have followed. He’s been recognized by the Americana Music Association, nominated for a Grammy, and championed by The New York Times and Pitchfork. Rolling Stone Country framed his work as a testament to slowing down and appreciating the moment, to loving, parenting and engaging with the world in a lasting way.

This is the kind of show the 1927 series exists for, a celebrated writer in a small space where every lyric carries. For longtime followers and newcomers alike, an evening with Hayes Carll offers something rare, a voice that’s still doing the work and still listening.

Event Information:

What: 1927 Concert Series with Hayes Carll

Where: Birthplace of Country Music Museum

When: Friday, August 21, 2026

Lobby Reception: 6 p.m.

Show: 7 p.m.

Video: Red Hot Chili Peppers Storm Poland In Remastered 4K Concert From 2007

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Here’s the Red Hot Chili Peppers at the absolute peak of their powers. Newly remastered in 4K UHD and now streaming, this full concert captures the funk-rock quartet at Poland’s Silesian Stadium in 2007, deep in their ‘Stadium Arcadium’ era when their global reach and creative run were both cresting. The chemistry is the whole show, Flea’s thundering basslines locking with Chad Smith’s powerhouse drumming, John Frusciante’s intricate guitar lines weaving through, and Anthony Kiedis prowling the front with his charismatic vocals. The setlist mixes beloved classics with cuts from the double album, swinging between high-energy anthems and soulful, melodic stretches. It’s a pristine document of one of the most compelling live acts in music history, firing on all cylinders in front of an ecstatic Polish crowd.

Taco Bell’s Feed The Beat Marks 20 Years Of Artist Discovery With 100-Strong Anniversary Class

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Two decades in, one of the most unusual partnerships in music keeps doing what it set out to do: feed working musicians. Taco Bell has unveiled the Feed The Beat 20th Anniversary Class, 100 rising artists joining a program that’s backed more than 2,000 musicians since 2006. The roster runs wide, with This Is Lorelei, Gelli Haha, Ecca Vandal, The Two Lips, Cure for Paranoia, Cashier, MX Lonely, Cdubz, Bad Nerves, The Hellp, Lowertown, Terror, Chezile and Jai’Len Josey among the names spanning indie rock, hip-hop, country, electronic and hardcore.

The idea behind Feed The Beat has always been refreshingly plain. Musicians on tour need to eat, so the program started by handing artists $500 in Taco Bell gift cards to cover meals between shows, no contracts and no obligations. That ethos still drives it 20 years later.

The model has grown well past free food. Participating artists can land their music in Taco Bell content and events, plus amplification across the brand’s huge social presence. Nearly 200 Feed The Beat artists have featured in campaigns over the years, and the program champions inclusivity, staying free to submit and built to support artists for the long haul.

The pop culture moments speak for themselves. Doja Cat covered Hole’s ‘Celebrity Skin’ in the 2022 Big Game spot The Grande Escape, and Turnstile turned up across multiple campaigns, including the 2022 Nacho Fries spot and last year’s Luxe Cravings ad with Tony Hawk.

Last year the brand launched the Feed The Beat Record Club, letting Taco Bell Rewards Members claim an exclusive vinyl box through a Tuesday Drop in the app. Artists including 54 Ultra, Anxious, Doja Cat, Frankie and the Witch Fingers, hemlocke springs, Hot Mulligan, Magdalena Bay and Portugal. the Man have had albums featured, with a fifth edition dropping next month.

The new class joins an alumni network stacked with names who’ve gone on to big things, among them Noah Kahan, Mannequin Pussy, 100 Gecs, Dillon Francis, The All-American Rejects, NEIL FRANCES, Tanner Adell and RØZ, all of them just starting out when they got the call.

Tim Bergevin, Taco Bell’s Vice President of Entertainment, Energy, and Events Marketing, said it’s been incredible to watch the breadth of artists the program has supported, and that this class continues the commitment to fueling musicians on the road. Jon Landman, CBDO at The Syndicate, pointed to how rare the original concept was, a brand backing up-and-coming musicians across all genres without asking for anything back, and noted the goal has always been authentic relationships.

You can dig into the full 20th Anniversary Class at FeedTheBeat.com.

Owain Rhys Davies, Welsh Actor Of ‘Twin Peaks: The Return’ And West End Stages, Dies At 44

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Owain Rhys Davies, the Welsh actor known to global audiences as Agent Wilson in David Lynch’s ‘Twin Peaks: The Return’, has died at 44. His brother Rhodri confirmed the news in an Instagram post.

Born in Cardiff, Davies built a career that moved easily between stage and screen and crossed continents. His London West End work ran through major productions including ‘Mamma Mia!’, ‘The Wizard of Oz’ and ‘By Jeeves’, and he appeared in ‘A Funny Thing Happened on the Way to the Forum’ at the Royal National Theatre. His stage credits stretched worldwide, taking in Disney’s ‘The Lion King’, ‘Something Rotten’, ‘Grease’, ‘Under Milk Wood’ and the UMPO Summer Blockbuster, which he also directed. He recently finished a sold-out run of ‘The Complete Works of Shakespeare Abridged’ at the International Theatre Salzburg.

On screen, his three episodes as Agent Wilson in Lynch’s acclaimed ‘Twin Peaks: The Return’ brought his widest recognition. His other television and film work included ‘Alice Through the Looking Glass’, ‘The Indian Doctor’, ‘The OA’, ‘My Dead Ex’, ‘The Relationtrip’ and the feature ‘A Serial Killer’s Guide to Life’. He also lent his voice to Travis Beacham’s award-winning Audible series ‘Impact Winter’.

Tributes have poured in from those who knew him. Downton Abbey star Joanne Froggatt called him a beautiful friend who was joy and life and talent and kindness all at once, and said she was devastated by the loss. Rhodri Davies described the reach of his brother’s love and generosity as vast, noting the family-like bonds Owain built with friends and colleagues alongside his biological family.

The family has asked for privacy as they come to terms with the loss and said they will share further information as arrangements are made. Owain Rhys Davies is survived by his father and his brother, Rhodri.

Video: Placebo Light Up Mexico City On ‘Loud Like Love’ Tour In 2014

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A pro-shot night from Placebo’s ‘Loud Like Love’ tour now lives online, and it’s a gem. Filmed at the intimate El Plaza Condesa in Mexico City in 2014, the show came as a special smaller gig right after the band’s huge Vive Latino festival set, giving a few thousand lucky fans a personal evening with one of alternative rock’s most magnetic live acts. Brian Molko’s unmistakable voice leads the charge, locked in with Stefan Olsdal’s melodic bass and Steve Forrest’s sharp, dynamic drumming. The set moves between fresh material and the anthems that built the band’s name, and the energy in the room never dips. It’s a glam, punk and alt-rock blend delivered with real force, a cherished document for longtime fans and a perfect entry point for anyone meeting Placebo for the first time.


NYC Co-Names West 8th Street For Jimi Hendrix, Launching National TeachRock Education Push

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A Greenwich Village street is about to carry one of the most revered names in music history. On June 10 at 11 a.m., New York City will officially co-name West 8th Street Jimi Hendrix Way, honoring the guitarist and cultural icon just a block from the historic Electric Lady Studios he founded. The ceremony, pushed back from February 24 after inclement weather, lands at the southeast corner of Sixth Avenue and West 8th Street.

NYC District 2 Council Member Harvey Epstein leads the co-naming, spearheaded by the Hendrix family-owned Experience Hendrix, L.L.C., headed by Janie Hendrix, alongside musician and writer Jeff Slate. The day doubles as the public launch of a national education partnership with Stevie Van Zandt’s TeachRock, expanding a library of more than 500 free, standards-aligned lessons that teach history, social studies, language arts and other core subjects through music and popular culture.

The lineup at the ceremony reads like a celebration of the music itself. Joining Epstein are TeachRock founder Stevie Van Zandt, Experience Hendrix President and CEO Janie Hendrix, Grammy-winning Living Colour guitarist Vernon Reid, songwriter and performer Valerie Simpson, CBS Orchestra guitarist Felicia Collins, and producer and engineer Eddie Kramer, who worked closely with Hendrix and helped conceptualize Electric Lady Studios.

The centerpiece of the partnership is a new multimedia Hendrix curriculum for middle and high school students. The lesson, Jimi Hendrix: Rock’s Trailblazing Innovator and Influential Guitarist, traces his path from Blues and R&B roots to a revolutionary impact on rock, sound design and live performance. Students dig into how he reshaped creative identity and why his influence still lands more than 50 years on.

There’s real craft behind the classroom tools. The lesson was co-developed with educator and musician John Anthony, and it features exclusive archival footage from Experience Hendrix, including Hendrix’s legendary 1967 Monterey International Pop Festival performance. TeachRock teamed with NYU’s MusEdLab to build interactive tools that let students experiment with the guitar effects and sonic innovations that defined his signature sound.

Epstein framed the tribute around the neighborhood’s history of culture, arts and activism, calling Hendrix a groundbreaking musician and a powerful voice for peace, racial equity and social justice. Van Zandt put it plainly, saying Hendrix didn’t just play guitar, he reimagined what art could be, and TeachRock wants students to feel that same sense of possibility.

Janie Hendrix connected the project straight to the family’s mission, describing her father’s music as a gateway for young people to connect with history, creativity and their own potential.

The free lesson is available now at teachrock.org as part of TeachRock’s curriculum library, aligned with National Standards for Music Education, National Core Arts Standards, Social Studies standards and Common Core State Standards.

Event Details:

What: Official West 8th Street Co-Naming Ceremony Honoring Jimi Hendrix

When: Wednesday, June 10, 2026 | 11:00 a.m.

Where: Corner of West 8th Street and Sixth Avenue, New York City

Who: Council Member Harvey Epstein, Stevie Van Zandt, Janie Hendrix, Vernon Reid, Valerie Simpson, Felicia Collins, local TeachRock educators and students

Elvis Costello Brings ‘Radio Soul!’ Tour To Niagara Falls This September

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One of the sharpest songwriters of the last 50 years is coming to Niagara Falls. Elvis Costello & The Imposters with Charlie Sexton land at the OLG Stage at Fallsview Casino on Saturday, September 12, 2026, as part of the ‘Radio Soul! The Songs of Elvis Costello from the Early Days to the Late Hours’ tour.

Costello rose up in the late ’70s and never stopped moving, folding rock, punk, pop, jazz and orchestral music into a catalogue that runs hundreds of songs deep. He’s a Grammy winner and a Rock & Roll Hall of Fame inductee, and the live show still crackles. Expect the classics that built his name plus the new material that keeps him vital.

The hits run long. “(What’s So Funny ‘Bout) Peace, Love and Understanding,” “Veronica,” “Alison,” and “Oliver’s Army” only scratch the surface of a songbook that’s been covered across every genre imaginable.

The company around him carries serious pedigree too. Charlie Sexton, guitarist, songwriter and producer, has recorded with Ron Wood, Keith Richards, David Bowie and Bob Dylan. Costello himself has worked alongside Paul McCartney, Burt Bacharach, Tony Bennett and Allen Toussaint over the decades, a guest list that reads like a music history syllabus.

This is a night built for a room that knows the words. The OLG Stage at Fallsview ranks as the number 1 venue in Canada by size, a 5,000-seat hall overlooking the Horseshoe Falls, and it’s the kind of space these songs deserve.

Cathy Price, Vice President of Marketing and Resort Operations for Niagara Casinos, called Costello one of the most profoundly influential figures in popular music, with songs that keep resonating across generations.

Tickets go on sale Friday, June 5 at 10:00 a.m. through ticketmaster.ca.

Alan Doyle’s Sold-Out East Coast Kitchen Party ‘Tell Tale Harbour’ Returns To Toronto

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The crowds spoke, and Mirvish Productions listened. After a sell-out run during the 2025/26 season, the musical comedy ‘Tell Tale Harbour’ rolls back into Toronto’s Royal Alexandra Theatre this winter, December 22, 2026 to January 24, 2027.

Great Big Sea’s Alan Doyle co-wrote the show and stars as Frank, anchoring a story that runs on equal parts mischief and heart. The reviews tracked the reaction. The Toronto Star called it hilarious with an enormous heart. Global News landed on feel-good and fun, wonderfully written and performed.

The setup is pure Atlantic Canada. A small harbour loses its fish plant, and the whole village scrambles for a way to survive. A frozen french fry factory could save everyone, bringing jobs and a future, but the deal comes with a catch. The town needs a full-time resident doctor.

So the townspeople do what any proud community would do. They spin the truth, stage an elaborate charm offensive, and try to convince an interim doctor to make the move permanent. It’s as relatable as it is ridiculous, and it celebrates the people who build a life on the edge of the mighty Atlantic.

The score and the laughs hit the level you’d want from the best East Coast kitchen party, warm and rowdy and built to send a crowd home grinning. Based on Ken Scott’s screenplay ‘The Grand Seduction’, the show comes co-created by Adam Brazier, Alan Doyle, Bob Foster and Edward Riche.

Doyle leads a deep Original Canadian company. The cast features AP Bautista as Marie, Joel Cumber as Gus, Susan Henley as Vera, Gabrielle Jones as Gina, Melissa MacKenzie as Kathleen, Laurie Murdoch as Yvon, Kale Penny as Dr. Chris, and Alison Woolridge as Barbara, among others.

Joining them are Toronto musician and actor Michael Cox on swing, Saccha Dennis (& Juliet Toronto) as Louise, and Trevor Patt (Disney’s The Lion King, Toronto 2024) as Chip.

Brian Hill directs, with orchestrations, arrangements and music direction by Bob Foster, and choreography by Robin Calvert. The production first played the Royal Alexandra as part of Mirvish Productions’ 2025-2026 Main Season, in co-production with The Confederation Centre of the Arts, developed with support from the National Arts Centre’s National Creation Fund.

Tickets go on sale Monday June 15 at 10AM at mirvish.com or by calling 1.800.461.3333.

Performance Schedule: Tue – Sat: 7:30PM Wed: 1:30PM Sat / Sun: 2PM

Holiday Schedule: Thu Dec 24: 1:30PM Fri Dec 25: No performance Sat Dec 26: 2PM & 7:30PM Sun Dec 27: 2PM & 7:30PM Tue Dec 29: 1:30PM & 7:30PM Wed Dec 30: 1:30PM & 7:30PM Thu Dec 31: 1:30PM Jan 1: No performance

How an Emergency Fund Can Change Your Life

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By Mitch Rice

An emergency fund is the most boring, unglamorous,  life-changing financial tool available to you. It doesn’t earn impressive returns or compound into millions. It just sits in a savings account doing almost nothing visible…until the day you need it. And on that day, it becomes the most valuable thing you have.

The difference between having an emergency fund and not having one isn’t always financial. When you think about it, it’s really a psychological investment. It’s the difference between facing an unexpected problem from a position of stability and facing it from a position of desperation. That distinction affects every decision you make during a crisis, and those decisions determine whether the crisis stays contained or spirals into something powerful.

Building Margin Into Your Life

Financial margin is the space between what you earn and what you need. Most people operate with almost none. Their income covers their expenses, their expenses consume their income, and there’s nothing left over to absorb a shock. When something unexpected happens, and it always does eventually, there’s no buffer. The shock hits directly and the damage is immediate.

An emergency fund creates margin. Not necessarily in your monthly budget, but in your life. It gives you the ability to absorb a financial blow without making desperate decisions. You can take a day to think before you act, or you can evaluate your options rather than grabbing the first one available. You even have the luxury to say no to a bad deal because you’re not starving for cash.

The Power of Financial “Insulation”

Let’s take a look at a fictional (but all-too-real) scenario that illustrates why margin matters. Let’s say you’re in a serious car accident caused by another driver. Your injuries are significant and you’re facing weeks or months of medical treatment. You can’t work and the medical bills start arriving before you’ve even finished the initial round of treatment.

In this situation, you have a legitimate personal injury claim. Your attorney tells you the case is strong and the full value of your claim is worth a lot. But the insurance company’s first offer comes in at a fraction of what the claim is worth. They know you’re hurting financially and that you don’t have any income coming in (as a result of missing work). In this situation, they’re counting on that pressure to make you accept a lowball offer.

Without an emergency fund, that pressure is overwhelming. When you have rent, food, medications, and car payments due, you need money fast. And if you don’t have an emergency fund in place, you’re likely to accept the “fast cash” in the form of a settlement that’s worth pennies on the dollar. But if you have an emergency fund, it gives you a buffer to be patient. You can wait for the full settlement and not get caught up in the short term.

Keeping Small Problems Small

Not every emergency is a car accident or a job loss. Most emergencies are smaller and more mundane. For instance, it might be a car repair or a veterinary emergency for your dog.

Without an emergency fund, these small events can become huge problems. Maybe you’ve found yourself in a situation where a $600 car repair has to go onto a credit card at 22 percent interest. When that happens, the $600 becomes $750 by the time you pay it off. 

With an emergency fund, the $600 car repair is simply a transfer from savings. It gets handled right away, and then you replenish the fund over the following weeks. The initial problem doesn’t compound into something bigger than it was. 

How to Build an Emergency Fund

Most people don’t have an emergency fund because they aren’t sure how to build one. But it’s not as difficult or intimidating as it seems. It comes down to small, consistent payments made over time.

Start with $500 as your first target. That amount covers most minor emergencies and breaks the cycle of putting everything on credit. Once you reach $500, set the next target at $1,000. Then keep going.

As you start doing this, automate the contribution. Set up a transfer from your checking account to a separate savings account on payday. You can begin with something manageable, like $25 or $50 per paycheck. (The amount matters less than the consistency.) If you’re able to increase over time, do that.

Another key is to keep the fund in a separate account from your daily checking. A high-yield savings account earns better interest and creates enough separation that you won’t dip into it for non-emergencies. In addition to your regular paycheck contributions, direct windfall money into the fund. 

Ready, Set, Go!

An emergency fund won’t make you wealthy. It won’t generate passive income or fund your retirement. What it will do is stand between you and the financial shocks that derail people who don’t have one. It will give you margin. It will give you patience. It will give you the ability to make better decisions under pressure. And over the course of your life, the decisions it protects you from making in desperation will be worth far more than the balance sitting in the account.

Data and information are provided for informational purposes only, and are not intended for investment or other purposes.