Pop’s rising star Sofia Camara returns with her fresh single “Girls Like You,” released today, accompanied by a vibrant lyric video, the track marks a bold, danceable step for the 23-year-old singer-songwriter, as she pivots from ballads to breezy summer pop.
Speaking about the track, Camara shares, “This song is about emotional muscle memory… There’s something so beautiful about a little bit of danger and the unknown – especially when it feels so familiar, like love.”
“Girls Like You” brings together a high-profile songwriting team: Mike Wise, Nathan Ferraro, Lowell, and Donny Bravo. The team previously worked on Camara’s hit “Who Do I Call Now? (Hellbent),” and includes Lowell, the 2025 JUNO Songwriter of the Year, and Ferraro, co-writer of Beyoncé’s “Texas Hold ‘Em.”
Already road-tested during Camara’s opening set for Dean Lewis’ sold-out European tour, “Girls Like You” sparked fan enthusiasm, with pre-release teasers reaching over 14.4 million views.
Sofia Camara continues a breakout year, with highlights including her duet “With You” with Dean Lewis, upcoming festival debuts at Osheaga and Lollapalooza, and her first headline tour, the Healing Hearts Tour, kicking off in Europe this fall.
If Baryshnikov was a robot and the stage was a parking lot, you’d get Hyundai’s new parking robots. These little geniuses glide 2.2-ton cars into perfect spots like they’re auditioning for Swan Lake. Somewhere, a valet is applauding.
Music has a magical way of transporting us—one chord, one lyric, and suddenly we’re in another world. But for many artists, the need to step away from the stage and the studio to find real-world inspiration is more than just a luxury—it’s essential. While many creatives seek out the buzz of cities like Berlin or Los Angeles, a new wave of musicians and entertainers are trading the neon lights for something a little quieter, a little slower, and a lot more picturesque: the Maltese island of Gozo.
Gozo is a serene escape, steeped in Mediterranean history and overflowing with natural beauty. While it’s far from the traditional music hotspots, it’s quickly gaining ground as a retreat for artists looking to refresh their minds, recharge their creativity, and, perhaps most importantly, disconnect to reconnect.
Why Artists Are Flocking to Gozo
It’s not just the turquoise waters or the centuries-old limestone cliffs that are drawing musicians to Gozo—it’s the rhythm of the place itself. The island pulses at its own tempo, slower than most of us are used to. And that’s the point.
Imagine writing your next album’s lyrics while sitting on a cliffside overlooking the Azure Window, or mixing beats to the soothing soundtrack of waves crashing in Xlendi Bay. Gozo isn’t loud, but it’s deeply musical in its own quiet, ambient way.
Here’s why Gozo makes such an attractive spot for music and entertainment professionals:
Solitude without Isolation: Artists can escape the noise but still find vibrant local culture.
Visual and Sonic Inspiration: From the hum of fishing boats to live local folk music, it’s a feast for the senses.
History and Harmony: The island’s temples, churches, and narrow village streets offer both visual backdrops and thematic material for storytelling.
Getting There Without Missing a Beat
For those on a tight schedule—whether mid-tour or squeezing in a brief creative sabbatical—convenience matters. That’s why many performers and their crews opt forGozo high speed services. These high-speed ferry connections cut down on travel time from Malta dramatically, letting you focus more on your craft and less on logistics. Quick access to the island without sacrificing comfort has made Gozo an increasingly viable stop for music video shoots, acoustic sessions, or just a much-needed breather.
The Island’s Growing Artistic Footprint
While Gozo is still relatively untouched by mass commercialism, it’s far from sleepy. Local events like the Victoria International Arts Festival or Gaulitana: A Festival of Music are proof of the island’s growing cultural clout. Indie musicians have begun organizing pop-up beachside gigs, and filmmakers are capturing the unique lighting and textures of the island in their visual storytelling.
Even some international artists have been spotted using Gozo as a location for music videos and album covers, enticed by its authentic charm and cinematic views. Whether it’s a stripped-down acoustic set filmed at Dwejra Bay or an ethereal synth-heavy track recorded in a restored farmhouse, the island delivers on both vibe and vibe-check.
Crafting Sound in Silence: Gozo’s Creative Edge
In an industry dominated by overproduction and saturation, quiet can be a radical creative decision. Many artists who visit Gozo note how the lack of city noise and digital distractions enhances their songwriting process. Here, the muse doesn’t yell—it whispers.
Studios and remote recording setups have also started to pop up in renovated villas and stone-walled homes, allowing musicians to lay down high-quality tracks without needing to be in a major studio hub. The focus? Craft over chaos.
Noteworthy Perks for Creatives in Gozo
Feature
Benefit for Artists
Quiet natural settings
Ideal for songwriting and meditation
Local food and wine scene
Fuel for creativity and relaxation
Reliable high-speed ferry
Easy to travel even with limited time
Emerging music scene
Room for collaboration and low-pressure exposure
Authentic visual landscapes
Perfect for photography, videography, and filming
Final Notes from the Soundtrack of Gozo
You don’t need to be a folk artist or classical composer to appreciate Gozo’s gifts. DJs, pop singers, indie bands, even filmmakers and podcast hosts—all can find something of value on this island. Whether you’re laying down a beat, building a brand, or simply recharging between gigs, Gozo provides a space where your creativity can exhale.
Its rhythm is different. Slower, sure. But in a world that never stops spinning, sometimes slowing down is exactly what your art needs.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
Today, multi-platinum producer Pitt Tha Kid releases his latest single, “Drill To Dubai.” Listen here.
On “Drill To Dubai,” Pitt Tha Kid is introducing himself as a culture conduit by bringing together sounds from across the world through his 4 featured artists.
“The idea behind this record was to pull different cultures together and create a sound that hasn’t been heard before,” says Pitt. “It combines the NY, Arabic and Indian hip hop scenes for an anthem we can all vibe to.”
From the United States, Pitt brings in New York City’s heavy hitter DD Osama. DD began his music career in 2021, and quickly rose to fame with his music video for “40s N 9s” amassing over 28 million views on YouTube, contributing to his growing popularity. From the bubbling South Asian music scene, Pitt brings in Big Boi Deep, a Punjabi singer and lyricist known for blending traditional Punjabi lyrics with modern Western beats. From Egypt, Pitt has brought on FL EX, a prominent rapper and singer who has significantly influenced the Egyptian drill and North African hip-hop scenes. Last, but not least, Pitt has enlisted Tayeb Santo – a rising rapper and hip-hop artist born and raised in the United Arab Emirates (UAE), known for his unique ability to blend multiple Arabic dialects into his music. Tayeb is fluent in several Arabic dialects—Arabic Fusha, Emirati, and Egyptian, to name a few—allowing him to connect with audiences across different Arab communities, giving his music a distinctive, relatable edge.
The track arrives alongside a high energy music video which features footage from each artist, shot in their respective cities, with Pitt at the centre bringing together sights and sounds from across the world.
In only five years since carving his own path in the industry, Pitt’s versatile creativity and natural skill has earned him three #1 albums (Shoot For The Stars, Aim For The Moon by Pop Smoke, So Much Fun by Young Thug, Los Dioses by Latin superstars Anuel AA & Ozuna, 11:11 by Chris Brown, and pink tape by Lil Uzi Vert) and production credits for some of the hottest names in music (Coi Leray, Lil Wayne, EST Gee, NAV, Big Sean, Bryson Tiller, Chlöe Bailey, Mike WiLL Made-It, ScHoolboy Q, 2 Chainz).
Today, GRAMMY-nominated breakout superstar Teddy Swims releases “God Went Crazy,” a rich and soulful tribute to finding “the one.”
Listen HERE, which made its broadcast premiere on MTV Live, MTVU, MTV Biggest Pop and on the Paramount Times Square billboards.
The brand new single is also the first official taste of the 32-song set I’ve Tried Everything But Therapy (Complete Edition), arriving June 27, with six new tracks including a feature from BigXthaPlug and Raiche. Pre-order the album HERE. The (Complete Edition) will gather up new music alongside all of the songs from Swims’ record-breaking first two albums, I’ve Tried Everything But Therapy (Part 1) and (Part 2), which included the powerful singles, “Bad Dreams,”“Guilty,”“Are You Even Real” with GIVĒON, “The Door,” and “Lose Control.” The latter has become a 6x Platinum hit with nearly 4 billion global streams and, as of last week, holds the record for the longest Hot 100 run in history. “Lose Control” is currently #8 with 93 weeks on the chart and counting.
“God Went Crazy” is yet another reminder of Swims’ powerful voice, vision, and charisma. Over a dreamy score rich with warm bass, chiming keys, and soaring strings, Swims captures the feeling of being totally awestruck by love: “God went crazy when he painted you, ain’t seen nothing like this before / Took a little extra time on you, before he let you walk out the door.”
“I hope fans hear ‘God Went Crazy’ and it makes them think about that special person in their lives,” says Swims. “I’m lucky enough to have found a sweet, sweet love who, when I look at her, I just know there was some extra time spent on her. I know perfection is subjective, but she’s pretty damn close. ‘God Went Crazy’ is about the indescribable feeling you have when you know you’ve met your person. It is my way of trying to put into words what a soul mate means to me. When you find that special person in your life, they just feel like home.”
Swims is in the middle of an already monumental year. After releasing I’ve Tried Everything But Therapy (Part 2) — which includes cameos from GIVĒON, Muni Long, Coco Jones, and GloRilla — he performed “Lose Control” at the GRAMMY Awards, where he was nominated for Best New Artist. He then launched a sold-out UK/European arena tour, did a festival sweep through South America, and is currently in the midst of his biggest headlining North American tour yet. He was recently nominated for 3 BET Awards including Best New Artist, Best Collaboration and Best Male R&B/Pop Artist. This fall, Swims and his band Freak Feely head overseas for a run of arena dates in Australia and New Zealand. See the full list of dates below and click HERE for ticket info.
All of that followed a banner 2024 fueled by the incredible success of I’ve Tried Everything But Therapy (Part 1), which shot “Lose Control” to #1 on not only the Hot 100, but also five radio airplay charts (Radio Songs, Pop Airplay, Adult Pop Airplay, Adult Contemporary Airplay, Adult R&B Airplay). Swims also delivered thrilling performances at the 2024 MTV VMAs, where he received three nominations, and the 2024 Billboard Music Awards, where he received eight nominations and won two awards: Top Hot 100 Song and Top Radio Song of 2024.
Putting in work for years on a quiet-yet-steady grind, Swims arrived at the forefront of popular culture as a tried-and-true star without comparison. He stirred up attention after posting covers online in 2019 — including Michael Jackson’s “Rock with You” and Shania Twain’s “You’re Still the One” — gaining hundreds of millions of views and leading to his signing to Warner Records in 2020. He tirelessly honed his voice and songwriting across a series of EPs — Unlearning (2021), Tough Love (2022), and Sleep Is Exhausting (2022). And he showcased his sky-high range by recording with artists as diverse as Maren Morris, Meghan Trainor, Orville Peck, Jessie Murph, X Ambassadors, ILLENIUM, Tiësto, Armin Van Buuren, and Matoma.
Now, Swims shows no signs of slowing down as he continues on his most ambitious global headlining tour to date and prepares for the release of I’ve Tried Everything But Therapy (Complete Edition) — a worthy culmination of his world-conquering run thus far.
I’ve Tried Everything But Therapy (Complete Edition) TRACKLIST
Disc 1
1. Need You More
2. God Went Crazy
3. Free Drugs
4. Small Hands (feat. Raiche)
5. Dancing With Your Ghost
6. All Gas No Brakes (feat. BigXthaPlug)
Disc 2
1. Not Your Man
2. Funeral
3. Your Kind of Crazy
4. Bad Dreams
5. Are You Even Real (feat. Giveon)
6. Black & White (feat. Muni Long)
7. Northern Lights
8. Guilty
9. It Ain’t Easy
10. If You Ever Change Your Mind
11. She Got It (feat. Coco Jones & GloRilla)
12. Hammer to the Heart
13. She Loves the Rain
Disc 3
1. Apple Juice
2. Tell Me
3. Growing Up is Getting Old
Disc 4
1. Some Things I’ll Never Know
2. Lose Control
3. What More Can I Say
4. The Door
5. Goodbye’s Been Good to You
6. Last Communion
7. You Still Get to Me
8. Suitcase
9. Flame
10. Evergreen
Teddy Swims 2025 Tour Dates:
Jul 5 – Sioux City, IA @ Saturday in the Park at Grandview Park
Jul 6 – Minneapolis, MN @ Armory
Jul 8 – Chicago, IL @ Huntington Bank Pavilion at Northerly Island
Jul 9 – Indianapolis, IN @ Everwise Amphitheater at White River State Park
Jul 11 – Cincinnati, OH @ Icon Music Center Festival Stage
Jul 12 – Pittsburgh, PA @ Stage AE
Jul 14 – Richmond, VA @ Virginia Credit Union
Jul 16 – Washington, DC @ The Anthem
Jul 17 – Washington, DC @ The Anthem
Jul 19 – Boston, MA @ Fenway Park (with Thomas Rhett)
Jul 21 – Erie, PA @ Erie Insurance Arena
Jul 31 – San Diego, CA @ Sycuan Stage at Gallagher Square Petco Park
Aug 1 – Las Vegas, NV @ Bakkt Theater at Planet Hollywood
Aug 3 – Phoenix, AZ @ Arizona Financial Theatre
Aug 6 – Austin, TX @ Moody Amphitheater
Aug 7 – Irving, TX @ The Pavilion at Toyota Music Factory
Aug 9 – Houston, TX @ 713 Music Hall
Aug 10 – New Orleans, LA @ Champions Square
Aug 12 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park
Aug 13 – Atlanta, GA @ Cadence Bank Amphitheatre at Chastain Park
Aug 15 – Birmingham, AL @ Birmingham Amphitheater
Aug 16 – Southaven, MS @ BankPlus Amphitheater at Snowden Grove
Aug 18 – Huntsville, AL @ The Orion Amphitheater
Aug 20 – Nashville, TN @ Ascend Amphitheater
Aug 21 – Nashville, TN @ Ascend Amphitheater
Aug 23 – Kansas City, MO @ Starlight Theatre
Aug 24 – Oklahoma City, OK @ Zoo Amphitheatre
Aug 26 – Morrison, CO @ Red Rocks Amphitheatre
Aug 28 – Sandy, UT @ America First Field Plaza
Aug 30 – Vancouver, BC @ Doug Mitchell Thunderbird Centre
Aug 31 – Seattle, WA @ WaMu Theater
Sep 3 – Troutdale, OR @ Edgefield Concerts on the Lawn
Sep 5 – Berkeley, CA @ Greek Theatre
Sep 6 – South Lake Tahoe, NV @ Harveys Lake Tahoe Outdoor Arena
Sep 9 – Los Angeles, CA @ Greek Theatre
Sep 10 – Los Angeles, CA @ Greek Theatre
Sep 26 – Honolulu, HI @ Waikiki Shell
Sep 27 – Honolulu, HI @ Waikiki Shell
Oct 7 – Christchurch, New Zealand @ Wolfbrook Arena
Oct 9 – Auckland, New Zealand @ Spark Arena
Oct 14 – Sydney, Australia @ Qudos Bank Arena
Oct 15 – Sydney, Australia @ Qudos Bank Arena
Oct 16 – Sydney, Australia @ Qudos Bank Arena
Oct 18 – Brisbane, Australia @ Brisbane Entertainment Centre
Oct 19 – Brisbane, Australia @ Brisbane Entertainment Centre
Oct 22 – Melbourne, Australia @ Rod Laver Arena
Oct 23 – Melbourne, Australia @ Rod Laver Arena
Oct 24 – Melbourne, Australia @ Rod Laver Arena
Oct 27 – Hindmarsh, Australia @ Adelaide Entertainment Centre
Four-time Juno Award winner TOBi returns to the spotlight, launching his independent chapter, with the release of “Life is a Jungle” via ADA. The hip-hop track, produced by platinum-selling producer Nick Lobel (known for work with Harry Styles, Stephen Sanchez, and Halsey), marks TOBi’s first release from the upcoming album ELEMENTS Vol. 2—the follow-up to the critically acclaimed ELEMENTS Vol. 1, which earned several JUNO Awards, and was shortlisted for the 2024 Polaris Prize. Steam “Life is a Jungle” here.
With lyrics that speak to raw and unfiltered emotions, of the release TOBi says “This is one of those songs where I needed to say exactly what was in my heart. No second draft. Just raw expression at 4 in the morning.”
The single, which was shared with fans exclusively through TOBi’s site PANIC.FM, is a dynamic hiphop track that blends intricate rhythms with atmospheric synths, creating an immersive soundscape that mirrors the complexities and unpredictability of life’s journey. This track is the first new music from TOBi’s forthcoming ELEMENTS VOL. 2 album, due out on July 9, 2025. “Life is a Jungle” arrives with an official music video directed by Marissa Blair.
Since his 2021 debut release, TOBi has cemented his status as an icon in Toronto’s rap and music scene, with the release of his critically acclaimed ELEMENTS Vol. 1 (2020) album, a genre-defying project that won the 2021 JUNO Award for Rap Recording of the Year and was shortlisted for the Polaris Music Prize. As TOBi enters a new independent era driven by the intention to create purposeful music, fans can expect a project that builds new musical memories—one that centers on his community and roots while embracing the many layers within us all.
Credit: Marissa Blair
TOBi is a Nigerian-born, Brampton-raised rapper and singer whose genre-blending sound fuses hip hop, R&B, neo-soul, and Afrobeats. His music is deeply introspective, exploring themes of identity, vulnerability, and the immigrant experience. TOBi’s artistry has garnered critical acclaim, with Complex Magazine naming him a “top artist to watch,” and features in Billboard, Rolling Stone, i-D, COLORS, and PAPER.
His discography includes the debut album STILL (2019), which delves into post-traumatic growth and self-reflection; ELEMENTS Vol. 1 (2020), a genre-defying project that won the 2021 JUNO Award for Rap Recording of the Year and was shortlisted for the Polaris Music Prize; and PANIC (2023), which earned him two 2024 JUNO Awards for Rap Album/EP of the Year and Rap Single of the Year for “Someone I Knew.”
TOBi’s work resonates with audiences seeking authenticity and emotional depth, solidifying his place as a transformative voice in contemporary music.
Billy Preston could have easily been the “Fifth Beatle” but he was a radiant thread woven through the fabric of modern music. Whether laying down grooves in soul, funk, gospel, or rock, Preston brought magic to every record he touched. Check out his joy, his jaw-dropping list of collaborations—each one a gift to music lovers everywhere.
Sam Cooke – Night Beat (1963) Billy played keys on this late-night R&B classic, helping lay the foundation for modern soul with his gospel-rich touch.
Little Richard – I Don’t Know What You Got (But It’s Got Me) (1965) He backed the rock ’n’ roll pioneer with simmering keyboard lines—and later co-wrote the joyous “Great Gosh A’Mighty.”
Ray Charles – In the Heat of the Night (1967) Billy contributed his elegant, bluesy piano playing to this soulful soundtrack.
Ike Turner – A Black Man’s Soul (1969) He brought signature organ grooves to this explosive funk instrumental collection.
The Beatles – “Get Back” / “Don’t Let Me Down” (1969) He became the only artist credited alongside the Beatles on a single, earning “The Beatles with Billy Preston” billing.
The Beatles – Abbey Road (1969) Billy added swirling keys to the band’s final masterpiece, coloring tracks like “Something” with warmth.
The Beatles – Let It Be (1970) He’s all over the record, his organ lifting songs like “I’ve Got a Feeling” to spiritual heights.
George Harrison – All Things Must Pass (1970) He played throughout this sprawling triple album, adding gospel fire and soul to Harrison’s solo debut.
John Lennon – Plastic Ono Band (1970) Billy played piano on “God,” providing the minimalist support Lennon needed to deliver raw, personal truths.
The Rolling Stones – Sticky Fingers (1971) He helped carve out the gritty, blues-drenched atmosphere with unmistakable flair.
George Harrison & Friends – The Concert for Bangladesh (1971) He played live at this historic show, helping bring spiritual and musical force to the stage.
Sly and the Family Stone – There’s a Riot Goin’ On (1971) Billy lent moody, textured keys to one of funk’s most essential albums.
King Curtis & Aretha Franklin – Live at Fillmore West (1971) Preston backed Aretha and Curtis on this electrifying soul concert.
Barbra Streisand – Barbra Joan Streisand (1971) He played keyboards and drums, showing his flexibility in pop and theatrical arrangements.
The Rolling Stones – Exile on Main St. (1972) Billy’s organ lines gave weight and punch to this classic double album.
Peter Frampton – Wind of Change (1972) He contributed piano, harpsichord, accordion, and more—demonstrating his range and sensitivity.
Ringo Starr – Ringo (1973) Played organ on “I’m the Greatest” and “Oh My My,” adding depth to Starr’s breakout solo LP.
The Rolling Stones – Goats Head Soup (1973) Preston’s grooves added a psychedelic soul to the Stones’ funkier leanings.
George Harrison – Dark Horse (1974) He played electric piano on the title track and beyond, keeping the grooves tight.
Ringo Starr – Goodnight Vienna (1974) He returned with clavinet and electric piano contributions, especially on the title track and “Only You.”
The Rolling Stones – It’s Only Rock ’n Roll (1974) Billy added raw, rhythmic texture to the Stones’ glam-rock era.
Joe Cocker – “You Are So Beautiful” (1975) Co-wrote one of the most moving love ballads of the decade.
George Harrison – Extra Texture (1975) Contributed electric piano on the funky “His Name Is Legs (Ladies And Gentlemen).”
Little Richard – “Steal Miss Liza (Steal Liza Jane)” (1975) Collaborated again with the architect of rock ’n’ roll.
George Harrison – Thirty Three & 1/3 (1976) His keyboard flourishes supported Harrison’s late-’70s rebirth.
Eric Clapton – No Reason to Cry (1976) Billy lent keyboard work to this bluesy, laid-back album recorded in The Band’s studio.
The Rolling Stones – Black and Blue (1976) Played funky clavinet and organ on tracks that experimented with reggae and disco.
The Rolling Stones – Love You Live (1976) His live contributions captured the Stones’ swagger in real time.
Sgt. Pepper’s Lonely Hearts Club Band (Film) – (1978) Played and acted as “Sgt. Pepper” in this Beatles-inspired cinematic spectacle.
The Rolling Stones – Tattoo You (1981) Added organ to an album built from a decade of vault material.
George Harrison – Gone Troppo (1982) Billy’s electric piano grounded Harrison’s breezy pop explorations.
Luther Vandross – “Til My Baby Comes Home” (1985) Brought a gospel touch on organ to this sultry R&B hit.
Little Richard – “Great Gosh A’Mighty” (1986) Co-wrote this joyful return to form for Little Richard.
Hank Crawford & Jimmy McGriff – Steppin’ Up (1987) Played piano on this rich, swinging soul-jazz collaboration.
Ringo Starr – Ringo Starr and His All-Starr Band (1990) Joined the tour as keyboardist and vocalist.
Jovanotti – Giovani Jovanotti (1990) Added keys and Fender Rhodes to this energetic Italian pop album.
Red Hot Chili Peppers – “Show Me Your Soul” (1990) Joined the Chili Peppers on this rare groove track.
Mick Jagger – Wandering Spirit (1993) Featured on five tracks including “Sweet Thing” and “Use Me,” giving Jagger’s solo effort serious soul.
Jephté Guillaume – Voyage of Dreams (1996) Played organ and strings on several tracks, blending Afro-Caribbean grooves with funk.
Donnie McClurkin – Donnie McClurkin (1996) Brought his gospel organ back to church for this Grammy-winning artist.
Helen Baylor – Love Brought Me Back (1996) Played soulful organ on this gospel return album.
Jaguares – El Equilibrio de los Jaguares (1996) Added Hammond B3 to “Detrás de los Cerros,” bringing warmth to Latin rock.
Me’shell Ndegeocello – Peace Beyond Passion (1996) Played keys on “Deuteronomy: Niggerman,” fusing funk and spoken word.
The Rolling Stones – Bridges to Babylon (1997) Laid down organ on “Saint of Me,” deepening the groove.
Juana La Loca – Estas en mí (1997) Contributed piano to this atmospheric Argentinian rock album.
Richie Sambora – Undiscovered Soul (1998) Provided support on this introspective solo effort by the Bon Jovi guitarist.
Fastball – The Harsh Light of Day (2000) Played keys on “You’re An Ocean,” giving it bounce and swing.
Elton John – Songs from the West Coast (2001) Played Hammond organ on several tracks including “I Want Love.”
Nikka Costa – Everybody Got Their Something (2001) Played clavinet on this funk-fueled breakthrough.
Eric Clapton – Reptile (2001) Continued their long collaboration with lush keyboard work.
Eric Clapton – One More Car, One More Rider (2001) Live DVD featured Billy’s own “Will It Go Round in Circles.”
Joni Mitchell – Travelogue (2002) Played Hammond B3 on “You Dream Flat Tires,” adding subtle resonance.
Johnny Cash – American IV: The Man Comes Around (2002) Played piano on “Tear Stained Letter” and “Personal Jesus.”
George Harrison – Concert for George (2002) Performed live on “Isn’t It a Pity” and “My Sweet Lord.”
Donnie – The Colored Section (2003) Played Hammond B3 on the album’s final track.
Jet – Get Born (2003) Contributed keyboard textures to this breakout rock debut.
Eric Clapton – Me and Mr. Johnson (2004) Backed Clapton on this tribute to blues legend Robert Johnson.
Eric Clapton – Crossroads Guitar Festival (2004) Played and appeared in this historic guitar showcase.
Ray Charles – Genius Loves Company (2004) Joined Charles for a heartfelt collaboration on this Grammy-winning record.
Julia Fordham – That’s Life (2004) Added depth and texture with tasteful keys.
Neil Diamond – 12 Songs (2005) Helped bring Rick Rubin’s minimalist vision to life with rich keyboard tones.
Eric Clapton – Back Home (2005) Returned again for another round of soul-stirring session work.
Ringo Starr – Choose Love (2005) Contributed keys to this optimistic, pop-leaning record.
George Harrison – The Concert for Bangladesh (2005 Remaster) Featured again in the remastered version of the historic live album.
Various Artists – I Believe to My Soul (2005) Performed alongside Mavis Staples, Ann Peebles, and Allen Toussaint.
Rebecca Pidgeon – Tough on Crime (2005) Added keyboard flourishes to this moody, literate album.
Red Hot Chili Peppers – Stadium Arcadium (2006) Played on “Warlocks,” giving the track vintage swagger.
Eric Clapton & J.J. Cale – The Road to Escondido (2006) Played soulful keys on this rootsy collaboration.
Sam Moore – Overnight Sensational (2006) Played Hammond B3 and sang on a version of “You Are So Beautiful.”
Is’real Benton – Reach (2007) Played organ on “Have a Good Time.”
Howard Hewett – Imagine (2007) Brought his unmistakable organ tone to this smooth R&B effort.
The Rolling Stones – Brussels Affair (Live 1973) (2011) Live recordings showcased his funky, hard-driving keys.
The Rolling Stones – L.A. Friday (2012) Featured in another live vault release full of soul and swagger.
The Rolling Stones – Goats Head Soup (Deluxe) (2020) Reintroduced with remastered grooves from his original 1973 sessions.
The Rolling Stones – El Mocambo 1977 (2022) Unearthed live show captures Billy’s tight chemistry with the Stones.
Billy Preston was a collaborator’s dream—supportive, expressive, and endlessly creative. From soul to rock, gospel to funk, his fingerprints are on the music that shaped generations. This is a tribute to every note, every groove, and every grin he brought to the studio.
Dr. John was a walking, talking, piano-playing embodiment of New Orleans—funky, mystical, and full of heart. With a career that spanned decades and genres, he gave us so much more than “Right Place, Wrong Time.” He was a storyteller, a healer, a Night Tripper, and a king of cool. Here are five lesser-known facts about the man born Malcolm John Rebennack Jr. that’ll make you love him even more.
1. He Wanted a Friend to Be Dr. John First Before he ever wore the feathered headdress or conjured swampy magic on stage, Dr. John wasn’t supposed to be Dr. John. The persona was originally dreamed up for his friend Ronnie Barron. Barron was going to be the frontman of a wild new stage show inspired by New Orleans voodoo legends. But when Barron dropped out, Rebennack stepped in and the Night Tripper was born. He didn’t just take on the character—he became it.
2. He Once Got Kicked Out of Choir—Then Played With the Greats As a kid, Dr. John didn’t exactly fit into choir robes. He was kicked out of choir early on, but that didn’t stop him. By his teens, he was jamming with local legends in clubs and learning from the likes of Professor Longhair. Soon enough, he was recording music professionally, working alongside the likes of Little Richard and Guitar Slim. The kid who got tossed out of school ended up becoming one of the most respected musicians in the world.
3. He Lost a Finger—but Found His Sound A teenage Dr. John made his name on guitar, not piano. That changed one night during a scuffle at a gig in Florida when he was shot in the hand. The injury made it impossible to keep playing guitar the same way. Instead of quitting, he switched instruments—first to bass, and then to piano. That’s when the Dr. John style we know today began to bloom: funky, fluid, and deeply New Orleans.
4. His Tribute to Louis Armstrong Came to Him in a Dream In 2014, Dr. John released Ske-Dat-De-Dat: The Spirit of Satch, a joyful and heartfelt tribute to Louis Armstrong. The inspiration? According to Dr. John, Satchmo himself came to him in a dream and said, “Do my music your way.” And he did. The album reimagined Armstrong’s classics with gospel, funk, and jazz flourishes, all stamped with that unmistakable New Orleans groove.
5. He Made the Bonnaroo Festival Name Famous Before the Festival Did Before 80,000 people were dancing in the Tennessee dust each summer, Desitively Bonnaroo was a 1974 album by Dr. John, produced with Allen Toussaint and backed by The Meters. The name “Bonnaroo” comes from Creole slang meaning “the best on the street,” and it perfectly summed up the vibe. When the modern Bonnaroo Festival launched in 2002, they named it in honor of that album and that spirit. Dr. John wasn’t just part of history—he helped name it.
Dr. John left us on June 6, 2019, but his music, his magic, and his message live on. He brought New Orleans to the world, not with fireworks, but with a funky shuffle and a knowing grin. Whether you first heard him on The Last Waltz, spinning Gris-Gris on vinyl, or singing in The Princess and the Frog, there’s always more to discover in his musical gumbo. Laissez les bons temps rouler, Mac.
Gambling can be an exciting and entertaining activity, but for some, it can turn into a serious addiction with financial and emotional consequences. Understanding the risks and recognizing the signs of gambling addiction is crucial to promoting responsible gaming and preventing harmful behaviors.
How Gambling Addiction Develops
Gambling addiction, also known as compulsive gambling, occurs when a person loses control over their betting habits. This condition is often fueled by psychological factors such as the thrill of winning, the desire to recover losses, or the false belief that luck will eventually turn in their favor.
Over time, compulsive gamblers may experience financial difficulties, strained relationships, and emotional distress. The inability to stop betting, even when facing negative consequences, is a clear indicator of addiction.
Signs of Gambling Addiction
Some common signs of gambling addiction include:
Loss of control: Inability to limit betting amounts or stop gambling.
Financial problems: Borrowing money or selling possessions to continue gambling.
Neglecting responsibilities: Ignoring work, family, or social obligations due to gambling.
Emotional distress: Anxiety, depression, or frustration linked to betting outcomes.
The Role of Responsible Gambling Platforms
Many betting platforms are taking steps to promote responsible gambling and provide support for those struggling with addiction.La Tri Ecuador, for example, encourages users to set betting limits and access resources for responsible gaming. These initiatives help create a safer environment for players while minimizing the risks associated with compulsive gambling.
How to Prevent Gambling Addiction
To avoid falling into harmful betting habits, consider the following strategies:
Set limits: Establish a budget and stick to it.
Recognize warning signs: Be aware of behaviors that indicate loss of control.
Seek support: If gambling is affecting your life, reach out to professionals or support groups.
Take breaks: Avoid excessive gambling sessions and engage in other activities.
Conclusion
Gambling addiction is a serious issue that requires awareness and preventive measures. By recognizing the risks and promoting responsible gaming, individuals can enjoy betting as a form of entertainment without falling into harmful patterns. Platforms like La Tri Ecuador play a crucial role in fostering a safe and responsible gambling environment.
Data and information are provided for informational purposes only, and are not intended for investment or other purposes.
When Eminem released The Slim Shady LP in 1999, he changed the sound and attitude of mainstream rap forever. With dark humor, brutally honest lyrics, and wild imagination, Eminem introduced the world to his alter ego Slim Shady and never looked back. This album gave hip-hop a jolt of energy, shock, and talent that no one saw coming.
1. “My Name Is” was finished in one hour On Eminem’s very first day working with Dr. Dre, the two created “My Name Is” in about 60 minutes. Dr. Dre built the beat, Eminem freestyled over it, and the song came together almost instantly. This fast-paced collaboration showed how naturally they worked together. The song became Eminem’s first Billboard hit and introduced Slim Shady to the world.
2. Hailie’s voice was recorded without Kim knowing Eminem’s daughter Hailie appears on the track “’97 Bonnie & Clyde.” At the time, Eminem was not on good terms with Kim. He told her he was taking Hailie to Chuck E. Cheese, but instead brought her to the studio to record vocals. Kim only found out after the song was finished. Eminem later said he planned to explain everything to Hailie when she got older.
3. A prank call turned into the Ken Kaniff character The skit featuring Ken Kaniff started as a prank call recorded by Detroit rapper Aristotle. After a falling out between the two, Eminem took over the Ken Kaniff role himself on future albums. The character became a recurring part of Eminem’s storytelling. Ken Kaniff appeared again in Eminem’s 2024 album, showing just how long the joke lasted.
4. Zoe Winkler’s voicemail became a skit One of the skits on the album features a voicemail from Zoe Winkler, daughter of actor Henry Winkler. She was upset by Eminem’s music and left a message for her friend about it. Instead of being offended, Eminem asked her for permission to use the message on the album. She agreed, and it became part of the final tracklist.
5. The bassline in “My Name Is” nearly got scrapped The famous bassline in “My Name Is” comes from Labi Siffre’s 1975 song “I Got The.” Siffre only allowed it to be used after Eminem agreed to remove homophobic and sexist lyrics from the song. Without that approval, the song might have been completely different. Eminem’s team re-recorded the riff with musicians to meet the request, keeping the heart of the sample intact.
The Slim Shady LP became a cornerstone of hip-hop and launched one of the most unique voices the genre has ever heard. These stories behind the music show just how raw, strange, and brilliant that breakthrough moment really was.
