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Josh Groban’s ‘Cinematic’ Arrives With Jennifer Hudson, a Hollywood Star, and Arena Tour

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Josh Groban has been building toward ‘Cinematic’ for a long time, and the album lands today via Reprise Records with the full weight of that anticipation behind it. Ten tracks. Ten film songs. One of the most carefully assembled vocal projects of his career. Listen here.

Produced by Greg Wells, whose credits include Wicked, The Greatest Showman, Adele, and Taylor Swift, ‘Cinematic’ was recorded in both Los Angeles and London. The source material runs deep: The Godfather, Casablanca, The Lion King, Ghost, Coco, Pinocchio, and more. Groban didn’t just cover these songs. He found new emotional territory inside them.

Standout moments are plentiful. “Unchained Melody” becomes a duet with Jennifer Hudson. “Moon River” features Josh’s father, Jack Groban, on trumpet. “Can You Feel the Love Tonight” is performed with the Gay Men’s Chorus of Los Angeles. A Sicilian-language rendition of “Brucia La Terra” from The Godfather is exactly as stunning as it sounds.

Groban speaks to the intention behind the project directly. “Each one represents a moment in film that has resonated across generations,” he says, “and I approached them with a deep respect for their original impact. At the same time, I wanted to find new emotional colors within them.”

Earlier this week, Groban received his star on the Hollywood Walk of Fame, a milestone that arrives at a fitting moment. He performs “Skyfall” on Good Morning America this Monday, May 11, appears on Late Night with Seth Meyers on Tuesday, May 12, and performs “Stand By Me” on The Kelly Clarkson Show on Thursday, May 14. His Q with Tom Power interview is out today.

This follows the completion of his GEMS World Tour, which covered Hawaii, Taiwan, Singapore, Indonesia, the Philippines, Japan, New Zealand, Australia, Ireland, the United Kingdom, France, Germany, and the Netherlands. The road doesn’t stop there.

In June, Groban heads out across North America with special guest Jennifer Hudson, opening in Montreal on June 2 and Toronto on June 4, then moving through Boston, Philadelphia, New York, Nashville, Atlanta, Tampa, and beyond through July 3 in Salt Lake City. This fall, he returns to The Colosseum at Caesars Palace for GEMS The Las Vegas Residency.

Off stage, Groban’s Find Your Light Foundation awarded over $1.5M to 257 nonprofit organizations in 40 states in its most recent grant cycle, reaching over 600,000 K-12 students. Since launching 20 years ago, the foundation has donated over $7.5M to arts education organizations across the U.S.

‘Cinematic’ Tracklist:

  1. As Time Goes By (Casablanca)
  2. Skyfall (James Bond’s Skyfall)
  3. Brucia La Terra (The Godfather)
  4. Can You Feel The Love Tonight (The Lion King) featuring the Gay Men’s Chorus of Los Angeles
  5. When You Wish Upon A Star (Pinocchio)
  6. Unchained Melody (Ghost) with Jennifer Hudson
  7. Remember Me (Coco)
  8. Moon River (Breakfast at Tiffany’s) featuring Jack Groban
  9. Against All Odds (Against All Odds)
  10. Stand By Me (Stand By Me)

North American Tour with Special Guest Jennifer Hudson:

June 2 – Montreal, QC – Place Bell

June 4 – Toronto, ON – Scotiabank Arena

June 6 – Boston, MA – TD Garden

June 7 – Philadelphia, PA – Xfinity Mobile Arena

June 10 – Hershey, PA – Giant Center

June 12 – New York, NY – Madison Square Garden

June 16 – Nashville, TN – Bridgestone Arena

June 17 – Atlanta, GA – Gas South Arena

June 19 – Tampa, FL – Benchmark International Arena

June 20 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood

June 24 – Columbus, OH – Schottenstein Center

June 25 – Detroit, MI – Little Caesars Arena

June 27 – Chicago, IL – Allstate Arena

June 28 – St Paul, MN – Grand Casino Arena

July 1 – Denver, CO – Ball Arena

July 3 – Salt Lake City, UT – Maverik Center

Josh Groban: GEMS The Las Vegas Residency:

October 2 – Las Vegas, NV – The Colosseum at Caesars Palace

October 3 – Las Vegas, NV – The Colosseum at Caesars Palace

October 7 – Las Vegas, NV – The Colosseum at Caesars Palace

October 9 – Las Vegas, NV – The Colosseum at Caesars Palace

October 10 – Las Vegas, NV – The Colosseum at Caesars Palace

Margaret Cho and Jane Wiedlin Team Up for the Gloriously Unfiltered “Yer Dihh”

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Margaret Cho and Jane Wiedlin didn’t ease into 2026. They recorded “Yer Dihh” on New Year’s Day in San Francisco, and the result is exactly as bold, unfiltered, and unapologetic as that origin story suggests. The track is out now, and it’s making itself known.

Written by Margaret Cho, Jane Wiedlin, and Travis Kasperbauer, with music by Wiedlin and Kasperbauer, “Yer Dihh” is a pulsating, sex-positive banger built for clubs and cranked speakers. It was produced by Wiedlin and Kasperbauer at Lucky Recording Company, and it features both artists on vocals in full, committed form.

Cho doesn’t mince words about what the collaboration means to her. “The Go-Go’s was my very first concert and I lived my childhood dream of getting to collaborate with Jane Wiedlin on this amazing song,” she says. “It’s a banger and I’m so excited for everyone to bang to it.”

Wiedlin, a songwriter with decades of landmark pop history behind her, came into this one with her eyes wide open. “In all my years of being a songwriter, I did NOT see this coming,” she says. “It was 100% fun from start to finish. In these repressed and bigoted times, I’m so glad to support Margaret with a silly, hot, and sex-positive song.”

The video matches the track’s energy without blinking. Uncut and raw, it features an ensemble of comedy and drag superstars including Alaska Thunderfuck, Guy Branum, Dylan Adler, Sherry Vine, Dina Martina, Sam Oh, Rachel Scanlon, Scott Silverman, Kenny Hash, Roz Hernandez, Solomon Giorgio, Daniel Webb, Zach Noe Towers, Dana Goldberg, and Matteo Lane. It’s a full-on celebration and a deliberate statement.

“Yer Dihh” is the kind of track that reminds you what fearless pop collaboration sounds like, two artists fully in on the joke and fully committed to the groove. It demands to be played loud.

Diamond Cafe Turns Unspoken Longing Into Something Electric With “If Only”

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Some songs live in the space between feeling and action. “If Only,” the new single from Diamond Cafe, goes straight there and doesn’t look back. Out now via Warner Music Canada, the track is written and produced entirely by Diamond Cafe himself, and it marks a distinct shift into darker sonic territory.

Heavy bass, a driving guitar line, and Diamond’s powerful vocals build tension from the first bar. The arrangement is tense and deliberate, pulling the listener into a moment of suspended emotion. He sings, “If only tonight was the night I could tell you, of all of the risk I would take,” and the line lands exactly as it should.

Diamond describes the creative core plainly: “‘If Only’ pulls from the texts I never sent. It lives in that space between what you feel and what you’re too afraid to say out loud. It’s everything I wish I said… just too late to matter.”

“If Only” follows “No Wonder,” released earlier this year, and continues a run of momentum that accelerated hard through 2025. That year saw Diamond Cafe handpicked by Teddy Swims as direct support for his North American arena tour, bringing his performance to tens of thousands of new listeners across the continent.

Beyond the arena run, Diamond sold out headlining shows in Los Angeles, Brooklyn, Toronto, Chicago, and Paris, twice, within the same calendar year. Those aren’t numbers you accumulate by accident. They reflect an artist whose live show has become a genuine event.

Tastemaker platforms took notice early. Appearances on On The Radar and Cadillac Chronicles helped establish Diamond as a name worth watching well before the mainstream caught up. Pitchfork dubbed him a “pop-funk prodigy.” RANGE Magazine called him “Canada’s next sparkling, 24-carat superstar.” Supporters include Anderson .Paak, Zack Fox, F1 driver Lewis Hamilton, PNAU, and the legendary El DeBarge, who joined Diamond on stage for a surprise duet at his sold-out LA debut.

His creative résumé runs deep. Collaborations with Free Nationals, SG Lewis, Jenevieve, and Bones. Production credits alongside BNYX on Zack Fox’s wood tip EP. Featured appearances on Gashi’s album ‘1984’ and the Cool Kids’ album ‘BABY OIL STAIRCASE / CHILLOUT’. Sync placements in HBO’s Ballers, Netflix’s The Lake, and Prime Video’s Flinch round out a profile that crosses every lane.

Now signed to Warner Music Canada and with new music building, “If Only” is another sharp, emotionally precise entry from one of the most compelling artists working right now.

11 Albums That Could Be Movie Soundtracks

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Cinema and music have always shared the same grammar. Tension, release, character, atmosphere, narrative arc. The best film scores don’t just accompany images, they generate them. And occasionally, a record arrives that does this without a single frame of footage attached. These 11 albums think in scenes. They have acts. They have protagonists. A good director would know exactly what to do with any one of them.

‘The Dark Side of the Moon’ — Pink Floyd (1973)

The Wizard of Oz sync has been documented and debated for decades, and the fact that it holds up at all is the point. This is an album structured around anxiety, mortality, and the passage of time, precisely the architecture of a great dystopian sci-fi film. Stanley Kubrick would have understood it immediately.

‘The Rise and Fall of Ziggy Stardust’ — David Bowie (1972)

The concept is already written. An alien messiah descends to Earth as a rock star, gets consumed by the very audience that worships him, and disintegrates. The character arc is complete, the themes are rich, and the music is extraordinary. This film should have existed 40 years ago.

‘Dummy’ — Portishead (1994)

Every track on this record establishes location, mood, and emotional stakes within the first 30 seconds. That’s a screenwriting skill. The trip-hop production and Beth Gibbons’ voice build a 90s European noir world so completely that the screenplay practically writes itself. Carol Reed would have loved it.

‘To Pimp a Butterfly’ — Kendrick Lamar (2015)

This album has a three-act structure, a recurring narrator, thematic motifs that develop across the runtime, and a final scene where Kendrick interviews Tupac from beyond the grave. The spoken word passages function as voiceover. The whole record is a film that happens to be music.

‘Hounds of Love’ — Kate Bush (1985)

Side two, “The Ninth Wave,” follows a consciousness drifting between life and drowning. It’s nine minutes of the most precisely constructed surrealist filmmaking never committed to celluloid. Agnès Varda could have made something extraordinary with this material. Someone still could.

‘Random Access Memories’ — Daft Punk (2013)

This record understands production the way a cinematographer understands light. Every texture, every transition, every guest appearance is a deliberate compositional choice. The Giorgio Moroder monologue alone functions as a film prologue. Put this behind a futuristic romance and you’d have something close to perfect.

‘Blood on the Tracks’ — Bob Dylan (1975)

Dylan once said this album was inspired by Chekhov, and you can hear it. The characters are specific, the situations are vivid, and the emotional register shifts from track to track the way a great script moves between scenes. John Cassavetes could have done something devastating with this record.

‘If I Can’t Have Love, I Want Power’ — Halsey (2021)

Halsey released a 45-minute feature film alongside this album, which confirms the instinct. The industrial production and gothic atmosphere build a fully immersive dark fantasy world. Trent Reznor and Atticus Ross produced it, two people who already know exactly how to score a film.

‘Robbie Robertson’ — Robbie Robertson (1987)

Daniel Lanois produced this record, and his fingerprints are all over it, that particular quality of sound that feels like a place rather than a performance. Southern Gothic, atmospheric, and slightly out of time. This album is the score to a neo-noir film that nobody ever made, and that’s a genuine loss.

‘Viva la Vida’ — Coldplay (2008)

Brian Eno’s production gives this record an orchestral sweep that most film composers spend entire careers chasing. The title track sounds like the fall of an empire from the inside. As a historical drama or fantasy epic, this album would be doing half the director’s work for them.

‘The Black Parade’ — My Chemical Romance (2006)

A dying patient moves through death and whatever follows. The narrative is structured, the emotional arc is complete, and the music moves between operatic bombast and genuine tenderness with real dramatic control. This is a fully realized musical drama. The stage adaptation is overdue, let alone the film.

Everything You Need to Know About Growing Your Music on TikTok Right Now

Let’s talk about TikTok. Not the dance trends, not the viral moments, not the algorithm horror stories. Let’s talk about what TikTok actually is for musicians right now, which is the single most powerful organic discovery tool that’s ever existed in the history of recorded music. That’s not hyperbole. That’s just where we are.

The music industry spent decades building walls between artists and audiences. Radio gatekeepers, label budgets, playlist algorithms controlled by a handful of people in corner offices. TikTok knocked all of that down. A 19-year-old bedroom producer in Saskatoon now has the same shot at reaching 10 million people as a major label artist with a seven-figure marketing budget. That’s genuinely exciting, and if you’re an artist who hasn’t fully committed to the platform yet, here’s why you should.

The first thing you need to understand is that TikTok isn’t a music streaming platform. It’s a content platform where music lives. That distinction matters more than anything else in this conversation. People don’t come to TikTok to listen to your album. They come to be entertained, surprised, moved, and delighted. Your job is to make content that does one of those things, and then let the music do the rest.

Don’t think about going viral. Seriously, don’t. Chasing virality is the fastest way to make content that feels hollow and performs accordingly. Instead, think about consistency. The artists who build real audiences on TikTok are the ones who show up regularly, who document their process, who let people into the room where the music gets made. That access is what builds loyalty, and loyalty is what converts casual viewers into fans who’ll actually buy a ticket or stream an album on repeat.

Here’s what actually works. Post the moment a song comes together. That 30-second clip where the hook locks in and you can hear it in your own face, that’s gold. Post the mistakes. Post the version that didn’t work before you found the one that did. Post yourself reacting to the song three months after you wrote it. Post the story behind the lyrics. TikTok audiences are hungry for authenticity, and musicians have an almost unlimited supply of it if they’re willing to share it.

Your hook needs to happen in the first two to three seconds. Not the first 10, not the first 30. Two to three seconds. If your video doesn’t grab attention immediately, TikTok’s algorithm won’t give it a second chance, and neither will the person watching. This isn’t cynical, it’s just the nature of the format. Think of it like radio. You had about that long to grab someone before they changed the station. Same principle, smaller screen.

Sound quality matters more than video quality. This surprises people, but it’s consistently true. A slightly grainy, handheld video with great audio will outperform a beautifully lit, professionally shot clip with muddy sound every single time. You’re a musician. Your audio is your strongest asset. Use it.

Use TikTok’s native tools. Duets, stitches, trending sounds used creatively rather than literally. These aren’t gimmicks, they’re features the algorithm actively rewards. When you engage with other creators’ content through duets and stitches, you’re borrowing their audience for a moment. Do that thoughtfully and consistently and you’ll find your own audience growing in ways that feel organic rather than manufactured.

Don’t ignore the comments. This sounds obvious but it’s where most artists drop the ball. Your comments section is a direct line to the people who are responding to your music in real time. Reply to them. Make videos responding to specific comments. The algorithm loves this kind of engagement and your audience loves feeling seen. Both of those things matter enormously.

Cross-promotion is your friend, but don’t just dump your TikTok content on Instagram and call it a strategy. Tailor your content for each platform. What works on TikTok often needs to be reformatted for Reels, and what works on Reels doesn’t always translate back. Think of each platform as its own ecosystem with its own culture. Respect that and it’ll respect you back.

Posting time matters less than posting consistency, but if you’re looking for a starting point, early mornings and early evenings in your target time zone tend to perform well. Aim for at least three to five posts a week when you’re building momentum. It sounds like a lot, but once you start thinking of your creative process as content, you’ll find the material is already there. You just need to start capturing it.

Finally, and this is the most important thing, don’t wait until your music is finished to start showing up. The journey is the content. The rough demo, the lyric that isn’t working yet, the moment you figure out the bridge, all of it is worth sharing. TikTok rewards creators who bring their audience along for the ride. Musicians who do this well don’t just gain followers. They build communities, and communities are what sustain a career long after any single viral moment has faded.

Your music deserves to be heard. TikTok is one of the best tools ever built for making that happen. Now go use it.

Happy 100th Birthday, Sir David Attenborough: 100 Facts About the Man Who Showed Us the World

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Today, May 8, 2026, Sir David Attenborough turns 100 years old. The broadcaster, naturalist, conservationist, and narrator whose semi-whispered voice has guided generations through the wonders of the natural world has spent a full century on this planet and most of it trying to make sure we treat it better. To mark the occasion, here are 100 facts about the man, the legend, and the reason millions of people suddenly care very deeply about meerkats.

  1. David Frederick Attenborough was born on May 8, 1926, in Isleworth, Middlesex, England.
  2. He grew up on the campus of University College, Leicester, where his father Frederick was principal.
  3. As a child, he collected fossils, stones, and natural specimens.
  4. Aged around 11, he supplied newts to the university zoology department at 3d each. He never revealed where he got them. It was a pond next to the department.
  5. His older brother Richard Attenborough became one of Britain’s most celebrated actors and directors.
  6. His younger brother John was an executive at Alfa Romeo.
  7. During World War II, his parents fostered two Jewish refugee girls from Germany through the Refugee Children’s Movement.
  8. In 1936, he and Richard attended a lecture by conservation advocate Grey Owl at De Montfort Hall in Leicester. It shaped David’s worldview permanently.
  9. He won a scholarship to Clare College, Cambridge, to study geology and zoology.
  10. He served two years in the Royal Navy stationed in North Wales and the Firth of Forth.
  11. His first job after the navy was editing children’s science textbooks. He hated it.
  12. He applied to the BBC for a radio job in 1950 and was rejected.
  13. He was initially discouraged from appearing on camera because a producer thought his teeth were too big.
  14. His first major project was Zoo Quest, which launched in 1954 and made him a star.
  15. He only became Zoo Quest’s presenter because the original host Jack Lester fell ill.
  16. He formed his own BBC department, the Travel and Exploration Unit, because he didn’t want to move his family to Bristol.
  17. He became Controller of BBC Two in March 1965.
  18. One of his first acts as Controller was abolishing BBC Two’s quirky kangaroo mascot.
  19. He commissioned Monty Python’s Flying Circus for BBC Two.
  20. He also commissioned The Old Grey Whistle Test, Chronicle, and Man Alive.
  21. He brought snooker to BBC Two specifically to show off colour television. The show, Pot Black, is credited with the sport’s boom into the 1980s.
  22. He commissioned Civilisation, the landmark 1969 art history series with Kenneth Clark, which became the blueprint for authored documentary television.
  23. He also commissioned Jacob Bronowski’s The Ascent of Man.
  24. He turned down Terry Wogan’s job application to BBC Two because they already had an Irish announcer.
  25. He was offered the position of Director-General of the BBC in 1972 and phoned his brother Richard to say he had absolutely no appetite for it.
  26. He left BBC management to write and present Life on Earth, which launched in 1979.
  27. Life on Earth took years to make and required a co-production deal with Turner Broadcasting to fund it.
  28. The series established many of the hallmarks of the BBC’s natural history output.
  29. He has presented nine documentary series as part of The Life Collection.
  30. The Living Planet followed in 1984, focusing on ecology and adaptation.
  31. The Trials of Life completed the original Life trilogy in 1990.
  32. Life in the Freezer (1993) was the first television series to survey the natural history of Antarctica.
  33. The Private Life of Plants (1995) used time-lapse photography to show plants as dynamic organisms. It won a Peabody Award.
  34. The Life of Birds (1998) won a second Peabody Award.
  35. For The Life of Mammals (2002), low-light and infrared cameras were used to reveal nocturnal behaviour.
  36. Life in the Undergrowth (2005) introduced audiences to the world of invertebrates using advances in macro photography.
  37. Life in Cold Blood (2008) completed his survey of all major groups of terrestrial animals and plants.
  38. He has narrated every episode of Wildlife on One, which ran for 253 episodes between 1977 and 2005.
  39. The 1987 Wildlife on One episode “Meerkats United” was voted the best wildlife documentary of all time by BBC viewers.
  40. The Blue Planet (2001) was the BBC Natural History Unit’s first comprehensive series on marine life.
  41. Planet Earth (2006) was the biggest nature documentary ever made for television and the first BBC wildlife series shot in high definition.
  42. Blue Planet II (2017) drew the highest UK viewing figure of that year: 14.1 million.
  43. Blue Planet II is widely credited with triggering a lasting increase in public and political attention to plastic pollution.
  44. Planet Earth II (2016) featured main theme music composed by Hans Zimmer.
  45. He is the only person to have won BAFTA Awards for programmes in black and white, colour, high-definition, 3D, and 4K resolution.
  46. He received the BAFTA Fellowship in 1980.
  47. He has won three Primetime Emmy Awards for Outstanding Narrator and one Daytime Emmy Award for Outstanding Daytime Personality.
  48. At 98, he became the oldest Daytime Emmy winner for Secret Lives of Orangutans.
  49. He has more than 32 honorary degrees from British universities, more than any other person as of 2013.
  50. He has been named the most trusted celebrity in the UK in a Reader’s Digest poll.
  51. He was knighted in 1985.
  52. In 2020 he received a second knighthood: Knight Grand Cross of the Order of St Michael and St George.
  53. He is a Member of the Order of Merit and Member of the Order of the Companions of Honour.
  54. He was named a Champion of the Earth by the United Nations Environment Programme in 2022.
  55. In 2024 he received the Stephen Hawking Medal for Science Communication from the Starmus Festival. Brian May accepted it on his behalf.
  56. He has been described by NPR as roaming “the globe and shared his discoveries and enthusiasms with his patented semi-whisper way of narrating.”
  57. He was voted the UK’s Favourite TV Presenter of All Time in a 2023 Perspectus Global poll.
  58. He is recognised by Guinness World Records as having the longest career as a natural historian and presenter in television history.
  59. He narrated Our Planet for Netflix in 2019, a series that more explicitly addressed human destruction of the environment throughout rather than only in closing segments.
  60. His 2020 documentary A Life on Our Planet acts as his witness statement on climate change.
  61. He gave a speech at the opening ceremony of COP26 in 2021.
  62. He has advocated for restoring planetary biodiversity, limiting population growth, switching to renewable energy, mitigating climate change, reducing meat consumption, and setting aside more areas for natural preservation.
  63. He was initially sceptical about human-caused climate change. A 2004 lecture finally convinced him.
  64. He urged people to adopt a vegetarian diet or reduce meat consumption, stating “the planet can’t support billions of meat-eaters.”
  65. He is a patron of Population Matters, a UK charity advocating for family planning and sustainable population.
  66. He helped launch ARKive in 2003, a global project to gather natural history media into a digital library.
  67. He supported a BirdLife International project to stop the killing of albatross by longline fishing boats.
  68. He backed a WWF campaign to have 220,000 square kilometres of Borneo’s rainforest designated a protected area.
  69. He is vice-president of Fauna and Flora International and The Conservation Volunteers.
  70. He is president of Butterfly Conservation.
  71. He appeared in 14 episodes of the music quiz show Face the Music between 1975 and 1983.
  72. He was one of 200 public figures who signed a letter expressing hope that Scotland would vote to remain part of the UK in the 2014 referendum.
  73. In 2013 he joined Brian May and Slash in opposing the British government’s badger cull by participating in a song dedicated to badgers.
  74. In 1998 he described himself as “a standard, boring left-wing liberal.”
  75. He has said “anyone who thinks that you can have infinite growth in a finite environment is either a madman or an economist.”
  76. He considers himself agnostic.
  77. He often responds to questions about faith with a story about a parasitic worm that blinds children in West Africa, asking whether a merciful God would design such a thing.
  78. He has stated “It never really occurred to me to believe in God.”
  79. He strongly opposes creationism and intelligent design.
  80. He joined Richard Dawkins and other scientists in signing a campaign statement calling for creationism to be banned from the school science curriculum.
  81. A British polar research ship was named RRS Sir David Attenborough in his honour. An internet poll had voted for the name Boaty McBoatface.
  82. One of the ship’s research sub-sea vehicles was named Boaty in recognition of the public vote.
  83. At least 20 species and genera, both living and extinct, have been named after him.
  84. Plants named after him include a carnivorous plant (Nepenthes attenboroughii), one of the world’s largest-pitchered, and a genus of flowering plants (Sirdavidia).
  85. Arthropods named after him include a butterfly, a dragonfly, a goblin spider, a Caribbean smiley-faced spider, an Indonesian flightless weevil, a Madagascan ghost shrimp, and a soil snail.
  86. A fossilised armoured fish discovered in Western Australia was named Materpiscis attenboroughi, believed to be the earliest organism capable of internal fertilisation.
  87. A miniature marsupial lion, Microleo attenboroughi, was named in his honour in 2016.
  88. A 430-million-year-old crustacean, Cascolus ravitis, was named after him. Cascolus is a Latin translation of the root meaning of “Attenborough.”
  89. To mark his 100th birthday, a genus of ichneumon wasps, Attenboroughnculus, was named after him.
  90. He had a pacemaker fitted in June 2013 and a double knee replacement in 2015.
  91. In September 2013, on the prospect of retirement, he said: “If I was earning my money by hewing coal I would be very glad indeed to stop. But I’m not. I’m swanning round the world looking at the most fabulously interesting things.”
  92. His wife Jane died in 1997. They had been married since 1950.
  93. His son Robert is a senior lecturer in bioanthropology at the Australian National University.
  94. His daughter Susan is a former primary school headmistress.
  95. He lives in South West London, near Richmond Park.
  96. He is a patron of the Friends of Richmond Park.
  97. He was named among the 100 Greatest Britons in a 2002 BBC poll.
  98. He appeared in a new version of Peter Blake’s Sgt. Pepper’s Lonely Hearts Club Band album cover artwork in 2012, celebrating British cultural figures.
  99. The Natural History Museum in London opened the Attenborough Studio as part of its Darwin Centre development in 2009.
  100. His broadcasting career, which began in 1951, is still active at 100. Not bad for a boy who started by selling newts.

Nightly and Fly by Midnight Find Their Perfect Match on a New Featured Version of “1989”

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Nightly’s “1989,” originally released on October 31, 2025 as part of their album ‘The Void’, has been reissued as a featured collaboration with Fly by Midnight, and the pairing feels less like a creative decision and more like an inevitability. Both acts operate in the same dreamy, late-night indie pop space, Nightly with their atmospheric, moody production and Fly by Midnight with a cleaner, melody-driven approach, and the new version lets those instincts complement each other without either voice crowding the other out.

The soft synth layers, quiet percussion, and subtle vocal interplay that defined the original are still intact, but the addition of a second emotional presence deepens the song’s core themes of memory, nostalgia, and looking back at something that still feels close. The original version on ‘The Void’ stands on its own, and this featured version adds a new emotional angle without taking anything away from it.

Both acts have been building toward exactly this kind of collaboration. Nightly established their signature sound through tracks like “The Movies” and “Twenty Something,” while Fly by Midnight carved their place in alt-pop with “Different Lives,” “In The Night,” and “No Choice.” The featured version of “1989” is out now.

Larry David and Barack Obama Team Up for New HBO Max Limited Series ‘Life, Larry and the Pursuit of Unhappiness’

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The teaser is out and the premise delivers immediately: Larry David has somehow made Barack Obama his emergency contact, and the former 44th President of the United States is not prepared for what that means. Life, Larry and the Pursuit of Unhappiness, a new limited comedy series executive produced by David, Jeff Schaffer, and the Obamas’ Higher Ground Productions, premieres June 26 on HBO Max, and if this tease is any indication, it’s going to be one of the more genuinely unexpected pairings television has produced in years.


Ian Curtis: Insight Brings Rare Joy Division Archival Materials to New York City This Summer

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are archival material from Joy Division frontman Ian Curtis is coming to New York City this summer, many of it making its U.S. debut. “Ian Curtis: Insight” opens June 25 at the Voltz Clarke Gallery at 195 Chrystie Street and runs through July 22. Admission is free.

Drawn from the Ian Curtis archive held by The John Rylands Library at the University of Manchester as part of the British Pop Archive, the exhibition includes handwritten lyrics, personal letters, photographs, and ephemera that trace the creative life of one of post-punk’s most enduring figures. Among the items on display is the handwritten lyric sheet for “Love Will Tear Us Apart,” one of the most recognizable songs in British music history.

“Joy Division singer Ian Curtis is a seminal figure in the history of UK popular culture,” said Mat Bancroft, Curator of the British Pop Archive at The John Rylands Library. “A lyricist and performer of great emotion and energy, who for many defined post-punk. Ian Curtis: Insight brings a selection of these materials to public view for the first time.”

The timing carries added weight. Joy Division and New Order are being inducted together into the Rock & Roll Hall of Fame as part of the 2026 class, with the induction ceremony taking place November 14 in Los Angeles. Curtis died in 1980 at age 23. His bandmates went on to form New Order, and the music they made together in both configurations has never stopped resonating.

Exhibition Details:

Ian Curtis: Insight

Voltz Clarke Gallery

195 Chrystie Street, New York, NY 10002

June 25 – July 22, 2026

Admission: Free

Gallery hours: Monday to Friday, 10 a.m. – 6 p.m. / Saturday, 12 p.m. – 5 p.m.

The Avett Brothers and Mike Patton Take “Disappearing” to Jimmy Kimmel Live in a Stunning Television Performance

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Scott and Seth Avett and Faith No More/Mr. Bungle frontman Mike Patton performed “Disappearing” on Jimmy Kimmel Live this week, another compelling live moment from their collaborative project AVTT/PTTN, whose self-titled debut album arrived in November 2025 via Thirty Tigers, Ramseur Records, and Ipecac Recordings. The nine-track record, co-produced by Patton, Scott Avett, and Grammy-winning engineer Dana Nielsen (Metallica, Rihanna), grew out of a connection that began in 2019 when Patton’s management caught wind of Avett’s publicly stated admiration, eventually leading to years of trading demos and sounds until a full album emerged, one that finds three genuinely equal collaborators locked in with each other in a way that feels both surprising and inevitable.