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Asha Bhosle, the Voice of Bollywood and the Most Recorded Artist in Music History, Has Died at 92

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Asha Bhosle died Sunday in Mumbai at the age of 92, following hospitalization for a pulmonary chest infection and exhaustion. Her son Anand confirmed her passing. She leaves behind a career spanning more than eight decades, over 12,000 recorded songs in more than 20 languages, and a voice that defined the sound of Indian cinema for generations. The Guinness Book of World Records recognized her in 2011 as the most recorded artist in music history.

Born Ashalata Dinanath Mangeshkar on September 8, 1933 in Goar, Maharashtra, Bhosle began singing at nine years old after the death of her father, classical singer and actor Deenanath Mangeshkar. She recorded her first film song for the Marathi film Majha Bal in 1943, at age ten. Where her older sister Lata Mangeshkar became synonymous with classical grace and virtuous heroines, Bhosle carved her own lane entirely, bringing bold, dynamic energy, sensuality, and remarkable range to characters and songs that no one else could touch. She worked fiercely to build a sound and style that stood apart, and she succeeded completely.

Her partnership with composer R.D. Burman, whom she married in 1980, stands as one of the most transformative creative relationships in Bollywood history. Together they produced decades of landmark recordings across cabaret, rock, ghazal, disco, and classical styles. “It is only Pancham who has uncovered my range as a singer,” she said of Burman in 2023. Their collaboration lasted until his death in 1994. She also worked with O.P. Nayyar, Sachin Dev Burman, Khayyam, and A.R. Rahman, among many others, earning two National Film Awards, seven Filmfare Awards for Best Female Playback Singer, the Dadasaheb Phalke Award in 2000, and the Padma Vibhushan in 2008.

Bhosle’s reach extended well beyond Bollywood. She collaborated with Boy George, recorded with R.E.M.’s Michael Stipe, teamed with the Kronos Quartet on a Grammy-nominated album of R.D. Burman compositions, and inspired Cornershop’s 1997 international hit “Brimful of Asha.” Her final recording, “The Shadowy Light” with Gorillaz, released earlier this year on their album ‘The Mountain,’ paired her voice with imagery of a soul crossing into the afterlife. In an Instagram message posted by the band, she reflected on what awaited her: “I shall become one of those sounds, which shall eventually become a musical note in a beautiful song which shall be heard by several generations for thousands of years.”

She performed live at Dubai’s Coca-Cola Arena on her 90th birthday, singing and dancing for three hours. At a press conference before the show, she declared: “Mein iss film industry ki aakhri Mughal hoon.” I am the last Mughal of the film industry. She was right.

Limberlost Reimagine Fan Favourite “Give It to Me” With a Harder-Hitting Redux

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Limberlost have form when it comes to making noise, and “Give It to Me (Redux)” is the clearest statement yet of where this band is headed. A reimagined version of their 2023 European fan favourite, the new recording layers high-energy guitar riffs, thunderous drums, and the kind of dual vocal firepower that stops you mid-scroll. It’s bigger, sharper, and considerably harder hitting than its predecessor.

The band’s twin lead vocalists, Brittany Lauren and Sammie Gorham, are both classically trained opera singers, and that foundation gives Limberlost something most rock acts simply don’t have: genuine vocal range married to genuine rock grit. On “Give It to Me (Redux)” that combination does real work, cutting through a production that’s simultaneously cinematic and raw, bridging classic rock intensity with a contemporary alternative edge.

The lineup has grown considerably stronger with recent additions. Metal Hall of Fame bassist Steve Unger, known for his work with Metal Church and Autograph, brings veteran technical depth to the recordings and the live show. His son Devon Unger handles lead guitar, and the pair add a new dimension to what was already a formidable unit rounded out by Anthony Ciarochi on keys and founding drummer Mike Burt.

The band is managed by Paul Crosby, drummer of multi-platinum rock act Saliva, and the strategic backing shows. ‘Beautiful Scars’, their acclaimed album, produced three SMR Top 50 singles and two award-winning videos with over a million views each. A new EP, ‘Villain’, is due later this year.

Soulive Make a Long-Awaited Return With ‘Flowers’, Their First Album in 15 Years

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Fifteen years is a long time between records. Soulive have spent that stretch doing other things, building other projects, living other musical lives, and ‘Flowers’ arrives with the relaxed confidence of a band that never doubted it had another album in it. Recorded at Flóki Studios in northern Iceland under executive producer Chad Pike, it’s the sound of Eric Krasno, Alan Evans, and Neal Evans picking up exactly where they left off, and then going somewhere new.

The album moves through jazz, funk, R&B, and blues with the ease of a group that has spent 25-plus years internalizing all of it. Opener “XI” sets the mood immediately, a deep, haunting groove with Krasno’s reverb-drenched guitar oozing swagger over the Evans brothers’ locked-in rhythm. “Baby Jupiter” gets the body moving, “3 Kings” pays tribute to B.B., Freddie, and Albert King with the kind of blues fluency that only Krasno can deliver, and “Basher”, a nod to Don Cheadle’s Ocean’s Eleven character, showcases the trio’s stop-start telepathy at its most playful.

The sole vocal appearance comes from Grammy-winning soul artist Van Hunt on “Flowers at Your Feet”, a Parliament-influenced centrepiece that broadens the album’s palette without disrupting its flow. The closing stretch, from “Pikes Place” through the symphonic warmth of “Window Weather”, lands like the payoff of a well-earned journey. This is an outfit still operating with borderline telepathy, and ‘Flowers’ captures that bond in full.

Soulive have two dates at Ardmore Music Hall outside Philadelphia on April 24 and 25. Limited opportunities to hear this material live, so the window is tight.

‘Flowers’ is out now.

Upcoming Dates:

April 24, Philadelphia Area, PA, Ardmore Music Hall

April 25, Philadelphia Area, PA, Ardmore Music Hall

Beach Boys Legend Brian Wilson Gets a Rare Live Collection Out for Record Store Day

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The Brian Wilson estate has been doing right by the legend’s catalog, and ‘On Tour 1999-2007’ is the latest proof. Released by Oglio Entertainment as a Record Store Day exclusive on April 18, the live album draws from eight years of Wilson touring with his celebrated backing band, capturing a period that reminded an entire generation exactly what made him one of the great figures in American music.

Only 2,000 copies are being pressed, which tells you everything you need to know about how quickly this one will move. The backing band assembled across these recordings is remarkable in its own right: Darian Sahanaja on keyboards and musical direction, Jeff Foskett on guitar and vocals, Probyn Gregory handling trumpet, French horn, and keyboards, Paul Mertens on woodwinds, and orchestral contributions from The Stockholm Strings ‘n’ Horns. These were not casual live shows.

The tracklist pulls from deep in Wilson’s catalog, touching ‘Friends’ and “Meant For You”, “Busy Doin’ Nothin'”, “Desert Drive”, and a version of “She’s Leaving Home” that carries real weight in this context. The selection reflects the kind of setlist curation that made Wilson’s late-career touring so affecting for audiences who saw it firsthand.

Oglio Entertainment recently released a revamped 25th anniversary edition of ‘Live at the Roxy Theatre’, originally from 2000, making this the second significant archival release from the Wilson vaults in short order. ‘On Tour 1999-2007’ is available at independent record stores worldwide on April 18, in strictly limited quantities.

‘On Tour 1999-2007’ Tracklist:

Side A:

This Could Be The Night

Our Prayer/Gee/Heroes & Villains

Melt Away

The Night Was So Young

Desert Drive

Busy Doin’ Nothin’

Side B:

Drive In

Marcella

Good Timin’

Forever

Meant For You

Friends

Johnny B Goode

She’s Leaving Home

Theatrical Rock Duo HeyBobby! Announce Debut Rock Opera ‘The Unclouding of Otilla Vanilla’

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HeyBobby! arrive fully formed. Gina Del Vecchio and Bobby Peek’s debut album, ‘The Unclouding of Otilla Vanilla’, is a 12-track rock opera that introduces a project with a clear vision, a complete narrative world, and the craft to back it up. It’s out now, and it demands to be heard as a whole.

The story follows Otilla Vanilla, a young singer drawn into the orbit of industry power broker Vivienne St. Clair, also known as “Big Shooter.” What begins as opportunity curdles into something more complicated, and the central question the album keeps asking is a sharp one: what will she sacrifice to be seen? It’s a story as old as rock ‘n’ roll and told here with real urgency and cinematic weight.

Each of the 12 tracks pairs with a corresponding visual episode, combining AI-driven imagery with traditional artistic design to extend the narrative beyond sound. HeyBobby! are clear that the music itself is built on real instruments, real voices, and real emotion. The technology serves the storytelling, not the other way around. Broken 8 called it “a seamless collision of traditional rock craftsmanship and cutting-edge visual storytelling,” and that reads accurately.

The Further described it as “a complete multimedia universe where rock and theater converge.” That’s the ambition, and ‘The Unclouding of Otilla Vanilla’ earns it. This is rock narrative pushed into genuinely new territory, episodic, immersive, and fully realized from the first track to the last.

Alt-Pop Powerhouse Charlotte Sands Delivers ‘Satellite’, a Fully Independent Sophomore Statement

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Charlotte Sands has been building toward this moment since her 2018 debut, and ‘Satellite’, her sophomore album, is out now. The LA-based alt-pop force has done it entirely on her own terms, fully independent, over 300 million global streams deep, and with a sound that keeps expanding in every direction she points it.

Latest single “back to you” is a strong closer to the album’s pre-release run, opening as a slow, introspective burn before cracking open into a cathartic, emotionally charged chorus. Sands describes the track plainly: “It’s the loop you fall into when you ignore your intuition and mistake warning signs for butterflies.” That kind of self-aware lyrical precision has defined her writing, and it lands hard here. The song sits comfortably alongside recent singles “Afterlife”, “neckdeep”, “HUSH”, and “one eye open”, all of which appear on the album.

‘Satellite’ pushes her genre-blurring instincts further than anything she’s released before. The record feels personal and arena-sized at the same time, a combination that’s genuinely difficult to pull off and that Sands makes sound natural. She’s charted in the US Top 40 for more than 15 weeks and took home Best Breakthrough Album at the Heavy Music Awards. Those aren’t small numbers for an independent artist working without a major label behind her.

The live game has always been a core part of how Sands operates. She’s shared stages with My Chemical Romance, 5 Seconds of Summer, and YUNGBLUD, and headlined her own global run in 2024 behind ‘can we start over?’. In 2026, she joins Simple Plan’s European tour, a significant step in her international reach.

Joe Jackson Drops New Single “Fabulous People” Ahead of ‘Hope And Fury’

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Joe Jackson has never been an artist who stays still, and ‘Hope And Fury’, his first studio album since 2019’s ‘Fool’, makes that abundantly clear from the opening notes. New single “Fabulous People” is out now, and it leans into the rhythmic, radio-forward side of Jackson’s range, built around a tight dance groove and the kind of melodic wit that’s been his calling card for nearly five decades.

The album was shaped across two cities and two studios. Jackson laid the groundwork at Michael Tibes’ Fuzz Factory studio in Berlin before heading to New York’s Reservoir Studios with co-producer Patrick Dillett. His core band came with him: bassist Graham Maby, guitarist Teddy Kumpel, drummer Doug Yowell, and Peruvian percussionist Paulo Stagnaro, whose Latin textures add a new dimension to the record. The result draws from across Jackson’s catalog, landing somewhere between ‘Fool’, ‘Laughter and Lust’ (1991), and ‘Night and Day’ (1982).

The first single, “Welcome to Burning-By-Sea”, sketched a fictional English seaside town, part Brighton, part Portsmouth, as a sharp-eyed microcosm of modern Britain. “Fabulous People” shifts the mood without losing the sharpness. Together, the two tracks map out an album with real range and something genuine to say.

‘Hope And Fury’ is out now on earMUSIC, available on digisleeve CD and 180g gatefold vinyl. To support it, Jackson and his band are heading out on a massive world tour covering 80 shows across 14 countries, starting in North America in May and moving into Europe in September through December.

This is a serious touring commitment from an artist who clearly has no interest in coasting, and the setlists across a catalog this deep will be worth the ticket price alone.

North America Tour Dates:

May 11, Poughkeepsie, NY, Bardavon 1869 Opera House

May 13, Montreal, QC, Place Des Arts, Théâtre Maisonneuve

May 14, Toronto, ON, Danforth Music Hall

May 16, Rochester, NY, Kodak Theatre

May 17, Detroit, MI, Masonic Cathedral

May 19-20, Chicago, IL, Park West

May 22, Madison, WI, Orpheum Theatre

May 23, Minneapolis, MN, Pantages Theatre

May 27, Vancouver, BC, Vogue

May 28, Seattle, WA, Moore Theatre

May 30, San Francisco, CA, Curran Theatre

May 31, San Diego, CA, Balboa Theatre

June 2, Los Angeles, CA, Orpheum Theatre

June 3, Tucson, AZ, Fox Theatre

June 5, Albuquerque, NM, Kimo Theatre

June 6, Boulder, CO, Chautauqua Auditorium

June 9, Kansas City, MO, Uptown Theater

June 10, St. Louis, MO, The Pageant

June 12, Omaha, NE, Admiral

June 14, Austin, TX, The Paramount Theatre

June 16, Houston, TX, Heights Theatre

June 17, Dallas, TX, Majestic Theatre

June 19, San Antonio, TX, Empire Theatre

June 21, New Orleans, LA, The Joy Theatre

June 24, Nashville, TN, Ryman Auditorium

June 26, Atlanta, GA, Center Stage

June 27, Charlotte, NC, Knight Theatre

June 29, Orlando, FL, Steinmetz Hall @ Dr. Phillips Center

July 1, Ft. Lauderdale, FL, The Parker

July 2, Clearwater, FL, Capitol Theatre

July 7, Washington, DC, Lincoln Theatre

July 8, New Brunswick, NJ, State Theatre

July 10, Providence, RI, Uptown Theater

July 11, Portland, ME, State Theatre

July 14, Medford, MA, Chevalier Theatre

July 15, Stamford, CT, Palace Theatre

July 17, Philadelphia, PA, The Lansdowne Theater

July 18, New York, NY, Beacon Theatre

Europe Tour Dates:

September 24, Cork, Ireland, Cork City Hall

September 27, Dublin, Ireland, 3Olympia Theatre

September 29, Bristol, UK, Beacon

October 1, Cambridge, UK, Corn Exchange

October 2, Bournemouth, UK, Pavilion Theatre

October 4, London, UK, Palladium

October 5, Liverpool, UK, Philharmonic Hall

October 7, York, UK, Barbican

October 9, Glasgow, UK, Saint Luke’s

October 12, Paris, France, L’Olympia

October 13, Lyon, France, Le Radiant-Bellevue

October 14, Toulouse, France, Theatre du Casino Barriere

October 17, Porto, Portugal, Casa da Musica

October 18, Lisbon, Portugal, Aula Magna

October 20, Madrid, Spain, Teatro La Latina

October 21, Valencia, Spain, Teatro La Rambleta

October 23, Barcelona, Spain, Paral·lel 62

October 25, Bordeaux, France, Theatre Femina

October 27, Lille, France, Theatre Sebastopol

October 28, Stuttgart, Germany, Liederhalle/Hegelsaal

October 31, Bremen, Germany, Metropol Theater

November 1, Munich, Germany, Circus Krone

November 2, Berlin, Germany, Admiralspalast

November 4, Essen, Germany, Lichtburg

November 5, Hamburg, Germany, Fabrik

November 7, Darmstadt, Germany, Staatstheater

November 9, Zurich, Switzerland, Kaufleuten

November 11, Bologna, Italy, Teatro Duse

November 12, Rome, Italy, Auditorium Parco Della Musica (Sala Sinopoli)

November 14, Milan, Italy, Teatro Lirico

November 16, Vienna, Austria, Globe

November 17, Cologne, Germany, Gloria

November 18, Luxembourg, den Atelier

November 20, Antwerp, Belgium, De Roma

November 21, Brussels, Belgium, Ancienne Belgique

November 24, Ghent, Belgium, Vooruit

November 26, Rotterdam, Netherlands, Nieuwe Luxor

November 28, Eindhoven, Netherlands, Muziekgebouw

November 29, Groningen, Netherlands, De Oosterport

December 1, Amsterdam, Netherlands, Royal Theatre Carré

Manchester Orchestra Strip It All Back on Live Album ‘Union Chapel, London, England’

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Manchester Orchestra have spent over two decades building one of the most emotionally demanding catalogs in rock, and ‘Union Chapel, London, England’ finds them doing something genuinely unexpected with it. The 21-track live album, out now via Loma Vista Recordings, was recorded during a sold-out three-night residency at London’s historic Union Chapel in fall 2023, and it reframes the band’s music entirely, stripping the songs back to voice, strings, and the resonance of gothic chapel walls.

What Andy Hull and Robert McDowell have created here is liturgical in the truest sense. Hull’s vocals, always the band’s most powerful instrument, have nowhere to hide in this setting, and he doesn’t try. The rendition of “The Grocery” alone, pulled from 2017’s ‘A Black Mile To The Surface’, is a breathtaking piece of work, a vocal performance Pitchfork-praised material reborn in a completely new context. Paste got it right: “Manchester Orchestra’s dynamism is made for echoing concert halls.”

Hull reflects on London’s place in the band’s history with real feeling: “The town has become a kind of canon in our lives. A way to compare past with present.” The residency drew from across their entire catalog, touching ‘Mean Everything to Nothing’ (2009), ‘The Million Masks of God’ (2021), and ‘The Valley of Vision’ (2023). The result is a rare document of a band in genuine dialogue with their own past.

The album is available on 2LP vinyl in translucent Sea Blue (retail) or opaque Silver (artist store and tour), and in 2xCD format with an 8-page roll-fold booklet. Hull took the material on a solo US tour this spring, with multiple dates selling out, including both Chicago nights at Old Town School of Folk Music, New York’s Le Poisson Rouge, and Boston’s City Winery.

Tracklist:

Intro (Union Chapel, London, England)

I Know How To Speak (Union Chapel, London, England)

The Grocery (Union Chapel, London, England)

The Maze (Union Chapel, London, England)

The Gold (Union Chapel, London, England)

Deer (Union Chapel, London, England)

Angel of Death (Union Chapel, London, England)

I Can Barely Breathe (Union Chapel, London, England)

Capital Karma (Union Chapel, London, England)

The Way (Union Chapel, London, England)

The River (Union Chapel, London, England)

Telepath (Union Chapel, London, England)

Simple Math (Union Chapel, London, England)

I Can Feel A Hot One (Union Chapel, London, England)

Cope (Union Chapel, London, England)

Colly Strings (Union Chapel, London, England)

My Backwards Walk (Union Chapel, London, England)

Interlude (Union Chapel, London, England)

Rear View (Union Chapel, London, England)

Bed Head (Union Chapel, London, England)

The Silence (Union Chapel, London, England)

The Kooks Release Devastating Live Version of Hidden Gem “See Me Now”

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Some songs find their moment years after they’re written. “See Me Now” first appeared on The Kooks’ 2014 album ‘Listen’, spent a decade as a cherished deep cut, and then something shifted. A viral groundswell, a new generation of listeners, and a sold-out O2 Arena show in London turned it into the emotional centerpiece of the band’s biggest-ever UK headline tour. Now the live recording from that night is out, and it’s the version the song always deserved.

The performance is staggering in its quiet weight. Luke Pritchard sat alone at the piano, surrounded by tens of thousands of phone lights, singing to the father he lost when he was three years old. “Would you be proud?” The O2 crowd held that question with him. Pritchard has spoken openly about what unlocked the song’s new meaning: home tapes his mother delivered, footage he’d never seen, his father teaching a three-year-old Luke to use a microphone and pose like a rock star. “It was like a time capsule experience,” he says.

The accompanying music video, directed by Julien Temple (The Filth and the Fury, The Great Rock ‘N’ Roll Swindle), weaves that home footage together with clips from the original 2014 video and the O2 performance. Three stages of Luke’s life, one continuous story. Temple said he was “keen to work with Luke and bring his deeply moving relationship with his father to life.” The result is devastating in the best possible way.

The release lands during a strong stretch for the band. Their seventh album, ‘Never/Know’, released in May 2025, hit number 5 on the UK Albums Chart, their highest position since 2008, with NME calling it “The new era of The Kooks.” A new album is already in progress with producer Tony Berg (Phoebe Bridgers), with Pritchard describing it as leaning toward a “psychedelic rock and roll record.”

The Kooks also have a series of major outdoor summer shows lined up to mark the 20th anniversary of their debut album ‘Inside In/Inside Out’, including Delamere Forest, Scarborough’s Open Air Theatre, Isle of Wight Festival, and The Piece Hall in Halifax.

2026 Summer Shows:

Delamere Forest

Open Air Theatre, Scarborough

Sky Presents the Isle of Wight Festival

The Piece Hall, Halifax

AIR Drop First-Ever Live Album as a Record Store Day Exclusive

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AIR have never released a live album. After more than 25 years, that changes on April 18th, and they’ve chosen Record Store Day to make it happen. ‘Moon Safari, The Athens Concert’ is a limited-edition vinyl exclusive, recorded during the band’s Moon Safari Anniversary tour and pressed for independent record stores worldwide only.

The setting alone makes this release remarkable. Recorded on a warm night in Athens beneath the Acropolis, the duo performed inside one of the world’s oldest and most acoustically distinct theaters. The analog warmth AIR built their reputation on collides with that ancient architecture in ways a studio recording simply can’t replicate. It’s a genuinely rare combination.

The performance moves through the full ‘Moon Safari’ tracklist, from “La Femme d’Argent” to “Le Voyage de Penelope”, with new arrangements woven throughout. This isn’t a straight reproduction of the original album. AIR reimagined the material for the space and the moment, and the recordings capture that in full.

The Moon Safari Anniversary tour ran across 2024 and 2025, bringing the duo’s landmark debut back to stages around the world to a response that confirmed just how deeply that record has held up. ‘Moon Safari, The Athens Concert’ is the document that tour deserved.

It’s available April 18th, 2026, at indie record stores worldwide. Limited quantities. No second pressing has been announced.

‘Moon Safari, The Athens Concert’ Tracklist:

A Side:

La Femme d’Argent

Sexy Boy

All I Need

Kelly Watch The Stars

B Side:

Talisman

Remember

You Make It Easy

Ce Matin-La

New Star in the Sky

Le Voyage de Penelope