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Canada’s Walk of Fame Announces 3 More Inductees: Barbara Frum, The Tragically Hip and Director X

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Canada’s Walk of Fame adds three new Inductees to the distinguished ranks, each trailblazers in their respective fields who have profoundly impacted their careers. Today’s announcement includes broadcasting legend BARBARA FRUM, iconic rock band and humanitarians THE TRAGICALLY HIP, and prolific music video mastermind, DIRECTOR X.

These exceptional Canadians join a distinguished lineup of previously announced 2022 Inductees, including multidisciplinary sports hero Lionel Conacher, chart-topping R&B songstress Deborah Cox, the Canadian comedy institution that has been the Canadian launchpad for the biggest international comics, Just For Laughs and one of the Top 50 businesswomen in the world, Heather Reisman. Also previously announced 2022 Canada’s Walk of Fame Honourees Arkells are recipients of this year’s Allan Slaight Music Impact Honour.

Additional Inductees and Honourees to round out the Class of 2022 will be announced in the coming weeks representing the organization’s five pillars of recognition: Arts and Entertainment; Entrepreneurship and Philanthropy; Humanitarianism; Science, Technology and Innovation; Sports and Athletics.

Canada’s Walk of Fame Gala returns on December 3, 2022, set to take place at Beanfield Centre in Toronto, featuring star-studded red carpet arrivals, memorable performances and tributes from Canada’s brightest stars and Canada’s Walk of Fame alumni. A special broadcast will air at a later date on CTV.

Barbara Frum (Arts and Entertainment – Legend) – The Most Influential Woman in Canadian Broadcasting
Barbara Frum was one of the most recognized voices in Canada. As a journalist for CBC Radio’s “As It Happens” and subsequently for CBC TV’s “The Journal,” Frum was known for her direct style and hard-hitting questions, having interviewed more than 2600 people, including politicians, change-makers, celebrities and cult leaders. As a woman who rose to the top of her profession during the 1970s and ’80s, Frum is cited by many as an inspirational icon, the first one to shatter many barriers for women in her field. During her lifetime Frum’s achievements were recognized with a wide variety of accolades and awards including multiple honorary degrees, the National Press Club of Canada Award for Outstanding Journalism (1975), the Canadian Press Woman of the Year Award in the literature, arts, and education section (1976), and the Order of Canada (1979) and four Alliance of Canadian Cinema, Television and Radio Artists (ACTRA) Awards. Frum’s newsmagazine program “The Journal” was so popular with Canadians that when she died prematurely, at the age of 54, in 1992, the national grief over her loss was described by Maclean’s Magazine as “a death in the family.”

For more than three decades, The Tragically Hip’s tireless activism and philanthropic pursuits have raised millions of dollars for multiple social and environmental causes, such as Camp Trillium, the Canadian Cancer Society, the Sunnybrook Foundation, WAR Child, the Special Olympics and the Unison Benevolent Fund. A quintessential band whose music captures the essence of being Canadian, they used their enormous megaphone in 2016 to shine a spotlight on the country’s systemic mistreatment of indigenous peoples. The legacy of the band’s frontman, the late Gord Downie, continues with The Gord Downie and Chanie Wenjack Fund, which aims to build cultural understanding and create a path toward reconciliation between Indigenous and non-Indigenous peoples. Social media: Twitter, Instagram, Facebook.

Julien Christian Lutz, professionally known as (pka) Director X, is one of the most iconic music video directors of our time. The protégé of iconic director Hype Williams, Lutz is known for his trailblazing videos for some of the biggest music superstars in the world, such as Drake, Rihanna, Rosalia, Kendrick Lamar, and Kanye West, to name a few. A creative force, Julien’s credits also include the feature film, Superfly for Sony Studios produced by the legendary Joel Silver, art installations for Toronto’s Nuit Blanche, and the upcoming modern-day reimagining of the classic tale, Robyn Hood , featuring a fearless heroine as ‘Robyn’ that will air on Global. In addition, using his platform for social change, Julien founded Operation Prefrontal Cortex, an initiative to reduce Toronto’s gun violence through mindfulness and meditation. Social media: Instagram.

Photo Gallery: Goo Goo Dolls with Blue October at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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My Next Read: “Pride, Pop and Politics” by Darryl W Bullock

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Fifty years on from Britain’s first Pride march, the long road to LGBT equality continues. Through protest songs and gay club nights, street theatre activism and fundraising concerts, the performing arts have played an influential role in each great stride made. With new interviews with musicians and DJs, performers and activists, including Andy Bell, Jayne County, John Grant, Horse McDonald and Peter Tachell, Pride, Pop and Politics hears from those whose art has been influenced by the campaign for LGBT rights – and helped push it forward. This informative, eye-opening book is the first to focus on the relationship between gay nightlife and political activism in Britain.

Photo Gallery: Santana with Earth Wind and Fire at Toronto’s Budweiser Stage

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

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Award-Winning Songwriter, Producer & Director BROOKE BURGESS Cheekily Embraces His “DADBOD”

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Brooke Burgess is fully embracing his “DADBOD” with the release of a humour-laden anthem around self-acceptance and transformation.

Serving as both the title track and grand-finale release from his recent album, DADBOD, the award-winning artist, writer, producer, and director strings together an upbeat, rock-infused, and family-friendly flex about the aging process.

“I got a kid, and I got a Dadbod!” he chants across the track and its newly-minted video — a visual autograph indicative of his return to directing since his acclaimed animated comic series Broken Saints (2003-2008) took top nods at Sundance, telefilm, and won him CNMA Producer of the Year.

Currently the Narrative Director for a ground-breaking wellness technology firm based in the Netherlands, Burgess is a 25-year vet of the industry who found himself locked down in Southeast Asia during the peak of 2020’s pandemic.

“We were stuck on a tiny isle in southern Thailand,” he recalls. “The world was in lockdown; work was drying up… And thoughts of ‘mortality’ and ‘legacy’ were staring me straight in my increasingly wrinkled mug.”

But there was one saving grace, he grins.

“Three years earlier, I had become a Dad — and it was the best… thing… ever.”

In what Burgess calls “the legend of an incredible boy, the man transformed by his love, and the kind of bond that comes around once in a thousand lifetimes,” his 20-song-strong LP — complete with videos to match — arrived.

Drawing from his vast experience in writing, directing, and producing video games, animation, and interactive narrative and audio projects, Burgess let his imagination — and his son — guide the way. The album twists and turns across a variety of genres, and stories, marrying sights and sounds that come from an eclectic journey in the arts and media, and is the culmination of three years of inspired songwriting, creative collaboration, and remote production alchemy.

“Working with acclaimed Canadian talents including composer Tobias Tinker (various), Chrystal Leigh (Sons of Daughters), and many, many more from every continent without a pole, these songs and videos pull a Voltron to form a sword-swinging, head-bopping, genre-busting epic that’s an undeniable testament to creative passion, and parenting, and (at least on one track) paleontology,” Burgess explains.

Since its release last year, the album has stacked nearly 500,000+ streams across platforms, including YouTube, where what Burgess calls “saving the best for last” — the newly unveiled video for “DADBOD” — is on full dad-display.

And much like its comrades across the rest of the album, “DADBOD” is a truth-spilling thrill ride, set to delight and entertain.

“Thanks to my amazing media team at DEPHION,” Burgess says of the wellness tech firm he currently serves as Narrative Director for, “I was able to harness their talents and in-house facilities to produce and direct this final video for the series.

“We shot over the course of three days at the office in Geleen, and the video shows the father-and-son duo that we are sneaking into a top-secret facility to wreak havoc!”

Treats? They eat them all. Games? They play ‘em! “We even get 3D-scanned and have epic green-screen adventures,” Burgess hints before the final plot twist is revealed…

Spoiler alert: “When we’re finally cornered by office security, we stand tall and reveal our true superpower — the ‘DADBOD!’”

Saskatoon Rockers AUTOPILOT Unleash Their Take on The Cure’s “In Between Days” with New Release

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Set it, and let it ride on Autopilot. Their latest rock offering “In Between Days” — available now — shatters the speakers and lauds itself in a tale of love lost packed with an indie punch, written and made famous by the incomparable 80s new-wave gurus, The Cure.

Forced to see through the pandemic through the making of their album, the Canadian three-piece have set their sights on conquering 2022 — back on the road with fury and furor, taking their rock sound live to the fans.

A group notably recognized for their debut release Afterglow (2018), Autopilot have acquired fans and critical success through their appearances at Canadian Music Week (CMW), Indie Week, AYE Fest, Fairfield Revival, and more. Additionally, the band earned the Best Rock/Pop Artist nod at the 2019 Saskatchewan Music Awards.

Dubbed “one of the hardest working bands in the country”, Autopilot has earned Earshot’s Top 50, the Top 200 for NACC North American College Charts, and specialty radio throughout North America. The band can be found in heavy rotation, reception, and placement on The Verge, Sirius XM’s Iceberg Radio, CBC, podcasts, and licensing placements throughout Canada and the US.

Now armed with “In Between Days,” the band with the low-fi, fuzzed-out 90s throwback soundscape are prepared to take the music to the masses. Their take on The Cure’s classic is a welcome back for a group forced to pause during 2020.

“Everything we’ve learned is on the table for 2022 and beyond,” the band says, preparing for the release of their forthcoming album. “We’re casting our net wider, and going all in. We’re never content to sit still or play it safe.”

And while the tracks may hit in your steady rotation and playlists, Autopilot ups the ante with their electrifying, well-crafted live show. If you see them for the first time at a festival, you’re guaranteed to go home in a sonic soundscape that will leave you lying in a musical coma, content with the next generation of indie alt-rock.

Though their pandemic-induced hiatus as a touring band may have felt like years, it’s only been days since they rocked your world with their music. In fact, Autopilot has The Cure while you’re feeling “In Between Days” of catching them live.

Could Gowan see a Stranger Things Moment For “(You’re A) Strange Animal” from Jordan Peele’s ‘Nope’?

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No spoilers here. But Jordan Peele has always used music as dramatic irony, using Gowan’s ’80s hit “(You’re a) Strange Animal,” a song where the singer walks the tightrope between anthropology, infatuation, and obsession: “Well they say I should approach you with caution / But not to let you be aware of my fear. … / You’re a strange animal, I’ve got to follow…” fits perfectly in the film.

Jordan Peele, with over 4 million followers across Twitter & Instagram, also shared an ‘easter egg’ sequence for Gordy’s Home on social media, using the second single from Gowan’s Multi-Platinum selling album, Strange Animal; a song that was a top-twenty staple in Canada, Top 10 on MuchMusic, the nation’s music station, and has reached classic status. “(You’re A) Strange Animal” is undoubtedly bringing back the song into people’s memories and streams, with over 7 million views of Peele’s video on Twiter, Instagram and TikTok.

Like Kate Bush and Metallica, both artists who have seen massive rise in their streams thanks to TV series placements, Gowan is now reaching much wider and younger fans – although he’s no stranger to classic rock music fans as he’s currently performing to sell out crowds in amphitheatres all over North America as a member of Styx. This high-energy song is just another powerful and innovative way to bring much-loved classics to new fans everywhere.

Check out Jordan Peele’s tweet below:

Gowan’s “(You’re A) Strange Animal” can be found on Spotify below:

Humanity… you’re a strange animal.

Toronto’s Legendary GROSSMAN’S TAVERN Announces Return of Annual Amy Louie / Grossman’s Music Scholarship & Fundraising Event

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Following a two-year hiatus on account of the pandemic, Toronto’s legendary Grossman’s Tavern has announced its annual Amy Louie / Grossman’s Music Scholarship and fundraiser event will return for 2022. Details are here.

Created in memory of the late Amy Louie — a member of the family that has owned Grossman’s Tavern since 1975 — the ALGMS is an artist development bursary that provides two musicians or bands from the Greater Toronto Area $2,000 and $1,000, respectively, to help with career development.

The 2022 Amy Louie / Grossman’s Music Scholarship fundraising event will take place Tuesday, September 27th at Grossman’s Tavern, 379 Spadina Ave, Toronto.

ALGMS applications are officially open and can be received until September 16th, 2022 at 11:59pm EST. Successful candidates will be chosen by a panel of judges that include members of the Louie family, music industry professionals, and individuals with long-standing connections to Grossman’s Tavern.

Previous recipients of the Scholarship include The Big Butter and Egg Men, Mike Nagoda, The Swingin’ Blackjacks, Dan McKinnon, Bad Luck Woman & Her Misfortunes, Chloe Watkinson & Park Eddy, Jerome Godboo, and The Responsables.

As one of the longest-running live music venues and a stalwart within Toronto’s vibrant and dynamic music scene, Grossman’s has long been considered an incubator for an impressive roster of local artists who got their start inside the Tavern, including the late Jeff Healey, the Downchild Blues Band, Rough Trade, and more.

Photo Gallery: The Beaches with The Blue Stones at Toronto’s History

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All photos by Joanna Roselli. You can find Joanna on Instagram, and through her website.

Toronto band The Beaches have won two Juno Awards, had six top 5 singles, opened for the Rolling Stones and Foo Fighters, and count Elton John as a fan. All that and they are still in their mid-20s.

Their next few singles will surprise fans with their distinctly indie-pop direction, and yet within their lyrics is a theme not uncommon to musicians, or anyone in the music industry: perpetual adolescence, or as lead vocalist/bassist Jordan Miller refers to it “arrested development.”

Jordan; her sister, guitarist Kylie Miller; keyboardist/guitarist Leandra Earl; and drummer Eliza Enman-McDaniel are dedicated to this life. Jordan and Kylie started jamming together as kids (6 and 7 years old) in a band they called Done With Dolls; Eliza joined in grade 6, followed by Leandra in high school. They adopted the name The Beaches in 2013 after the neighbourhood in which they lived. They practiced every single day, the way some kids do their homework, and released a self-titled EP that same year, and another, Heights, in 2014.

New songs “Grow Up Tomorrow,” “Orpheus” and “My People” — to be released in this order over the next six months — are filled with humour and cool clever lines, many about arrested development, of course.

“You’re given these momentous life moments but because we’re in a band, those moments aren’t the same for us,” Jordan reflects. “I’m happy we chose the road we did. Maybe I’ll grow up tomorrow and things will happen later for me.” Or not.

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Hill Kourkoutis Named 2022 Industry Leader Award Recipient at Upcoming Oshawa Music Awards

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History-making, award-winning, and multi-talented Canadian music contributor Hill Kourkoutis is set to be named the 2022 Industry Leader Award recipient at this year’s Oshawa Music Awards.

The first woman to ever be nominated for and win a JUNO Award for Recording Engineer of the Year, Kourkoutis is also a renowned producer, songwriter, composer, mixer, multi-instrumentalist, artist, mentor, and teacher. She will be honoured this September 29th at the event’s fifth annual ceremony celebrating music in Durham Region for her contributions in the community — both locally and nationwide.

With production, mixing, and songwriting credits across a broad roster of releases — including Leela Gilday’s JUNO-winning album, North Star Calling, Digging Roots’ Top 30-charting “SKODEN,” Cassie Dasilva’s viral hit “Unsolicited Contact,” SATE’s JUNO- and Polaris Prize-nominated release, The Fool, and more — she also co-wrote and produced the theme song and end-title song for Universal Kids’ Remy and Boo as well as Disney’s Dino Ranch.

As a musician, Kourkoutis has shared the stage with artists such as The Weeknd, Serena Ryder, Martha and the Muffins, and Tara Slone, and was also the guitarist on stage for CTV’s The Launch’s house band.

“Hill’s accomplishments to date exemplify the essence of the OMAs’ Music Industry Leader Award,” says OMA Director, Tony Sutherland of Kourkoutis’ win. “Her work speaks volumes and no doubt will inspire rising stars in the Durham region, across the country, and around the globe.

“We are thrilled to be recognizing Hill this year and welcome her to this illustrious group.”

“I am deeply honoured to be this year’s recipient of the Music Industry Leader of the Year award,” Kourkoutis shares. “Growing up in Durham provided me with an incredible start to my music career; it is where I took all of my music lessons, wrote my first songs, started my first bands, recorded my first demos, and received the support from my family, teachers, and peers that allowed me to follow my dreams.

“The foundation that was established in the Durham community was integral to my growth as a creator, and I feel much gratitude to the OMAs,” she continues. “Receiving this honour from my peers in my hometown where it all started means the world to me.”

In addition to Kourkoutis, the 2022 OMAs will honour artists across multiple categories — including Songwriter of the Year, Album of the Year, Emerging Artist or Band of the Year, Durham Song of the Year, and Music Teacher of the Year, to name a few. Further, the 2022 Oshawa Music Awards will again distribute Lifetime Achievement Awards marking distinct work within the local community.

Launched in 2018, previous Oshawa Music Award recipients include Shawn Mendes, Crown Lands, Tania Joy, Three Mile Islanders, Zaftig, Skye Wallace, Hollowsage, and Mogens Galberg; returning OMA winners Lindsay Schoolcraft and Gal George Gjurin are also up for 2022 nods.

// 2022 Official Nominees & Recipients

2022 Industry Leader Award

Hill Kourkoutis

Artist or Band of the Year

Excuses Excuses (“Far From Perfect”)

Jadea Kelly (“Driveway”)

Lindsay Schoolcraft (“New World”)

Single of the Year

Excuses Excuses (“Far From Perfect”)

Jadea Kelly (“Happy”)

Valdii (“3 Years (Casino Stereo Remix)”)

Songwriter of the Year

Cameron Tania (“Helium”)

Dead Defined (“Rise and Stall”)

Hunter Sheridan (“Ambrose”)

Music Video of the Year

The Crease Rule w/ Production Haus (“Ed Was Honest”)

Delon Om and BenAnthony Lavoz w/ Delon Om (“Delequente (Delinquinte)”)

BUSM w/ The North Brothers (“Smile”)

Emerging Artist or Band of the Year — Presented by Spark Centre

Anthony Brown (“This is Anthony Brown – EP”)

Cameron Tania (“Helium”)

Delon Om and BenAnthony Lavoz (“Delequente (Delinquinte)”)

Album of the Year

Tania Joy (“I Will Stand”)

Valdii (“The Mirror”)

Wayne Madder (“Unconditional”)

Durham Song of the Year — Presented by Durham Region Economic Development and Tourism 

Cameron Tania (“Helium”)

Gal George Gjurin (“Shine”)

Music Producer of the Year — Presented by 360insights

Dsymphony (“Delequente (Delinquinte)”)

Gal George Gjurin (“Shine”)

Lindsay Schoolcraft (“Stolen Light”)

Music Teacher of the Year — Presented by Durham College 

Amanda de Boer

Durham Girls Choir

Emily Snellings

The public is invited to vote for their favourites across all categories, save for Music Producer of the Year and Music Teacher of the Year. Public voting is officially open via theomas.ca, and set to close August 9th, 2022 11:59 P.M.

The 2022 Oshawa Music Awards will take place Thursday, September 29th, and are proudly presented by Durham Region Economic Development and Tourism, 360insights, Spark Centre, Trent University Durham GTA, and Durham College.