Bitchin’: The Sound and Fury of Rick James is an intimate yet propulsive look at Rick James, one of rock, funk and R&B’s most legendary and often under-appreciated figures. Remember, kids, he once played in a band with Neil Young. Watch the premiere on September 3 on SHOWTIME.
Steely Dan’s ‘Northeast Corridor’ And Donald Fagen’s ‘The Nightfly Live’ Both Available September 24
teely Dan’s Northeast Corridor: Steely Dan Live! and a live version of the acclaimed solo album by Donald Fagen – THE NIGHTFLY LIVE – will both be released on September 24, 2021. Both albums will be available on 180g-vinyl on October 1, 2021. The first live Steely Dan album in more than 25 years, Northeast Corridor: Steely Dan Live!, was recorded across tour dates at New York City’s Beacon Theatre, The Met Philadelphia, & more, and showcases selections from Steely Dan’s extraordinary catalog of slinky grooves, sleek subversive lyrics, and infectious hits. Donald Fagen’s The Nightfly Live was performed live by The Steely Dan Band. A full track listing can be found below.
Both albums by the legendary jazz-rock icons are available for pre-order today. Fans who pre-order Northeast Corridor: Steely Dan Live! will instantly receive a digital download of “Reeling In The Years” and those who pre-order The Nightfly Live will instantly receive a digital download of “I.G.Y.”
STEELY DAN helped define the soundtrack of the ’70s with hits such as “Reeling in the Years”, “Rikki Don’t Lose That Number,” “Peg,” “Deacon Blues,” “Babylon Sisters,” and “Hey Nineteen,” culled from their seven platinum albums issued between 1972 and 1980 (including 1977’s groundbreaking Aja). Both their sound and their notoriety survived the ’80s despite Becker and Fagen’s only occasional surfacing for a solo project. They reunited as Steely Dan in the early ’90s, touring successfully throughout the decade and releasing a live album in 1995 (Alive In America). In 2000 they released their multi-GRAMMY winner, Two Against Nature, and were inducted into the Rock and Roll Hall of Fame in 2001.
Steely Dan – Northeast Corridor: Steely Dan Live!
CD/Digital:
Black Cow
Kid Charlemagne
Rikki Don’t Lose That Number
Hey Nineteen
Any Major Dude Will Tell You
Glamour Profession
Things I Miss the Most
Aja
Peg
Bodhisattva
Reelin’ in the Years
A Man Ain’t Supposed to Cry
2LP:
LP 1, Side A:
Black Cow
Kid Charlemagne
Rikki Don’t Lose That Number
LP 1, Side B:
Hey Nineteen
Any Major Dude Will Tell You
Glamour Profession
LP 2, Side A:
Things I Miss the Most
Aja
Peg
LP 2, Side B:
Bodhisattva
Reelin’ in the Years
A Man Ain’t Supposed to Cry
Donald Fagen – The Nightfly Live
CD/Digital:
G.Y
Green Flower Street
Ruby Baby
Maxine
New Frontier
The Nightfly
The Goodbye Look
Walk Between the Raindrops
1LP
Side A:
G.Y
Green Flower Street
Ruby Baby
Maxine
Side B:
New Frontier
The Nightfly
The Goodbye Look
Walk Between the Raindrops
John Mellencamp Announces The Pre-Order Of ‘The Good Samaritan Tour 2000’ Live Album
John Mellencamp launches the pre-order for the live album to accompany the upcoming documentary The Good Samaritan Tour 2000 out on August 27th. Pre-order The Good Samaritan Tour 2000 live album HERE.
The Good Samaritan Tour 2000 will also be streamed on Turner Classic Movie’s (TCM) YouTube channel August 27th with Mellencamp appearing as a guest programmer on the network in September. The documentary, which is narrated by Academy® Award winner Matthew McConaughey, chronicles Mellencamp’s historic tour in 2000 when he performed for free in public parks and common spaces across the country. The film was executive produced by Federal Films, produced by John Mellencamp and Randy Hoffman, directed by Shan Dan Horan, mixed by Andy York and has special contributions by Nora Guthrie.
Holly Humberstone Announces “The Walls Are Way Too Thin” EP Set For Release On November 5
Today, breakthrough artist of 2021 and the Ivor Novello Rising Star nominee Holly Humberstone announces her highly anticipated second EP The Walls Are Way Too Thin, set to be released on 5 November on Polydor/Darkroom/Interscope/Universal Music Canada, the country’s leading music company. Featuring the landmark A-List title track and the immaculately beautiful ‘Haunted House’, the six-track EP includes brand new song ‘Please Don’t Leave Just Yet’, a collaboration with Matty Healy, frontman of one of Holly’s favourite bands The 1975. When Holly Humberstone entered the studio with Matty, it was mid-pandemic and the 21-year-old felt a yearning for human connection. She pictured drifting out to sea with the city lights behind her, feeling lost and rudderless. Matty, Holly and longtime collaborator Rob Milton, put these universal feelings into the song, another example of Holly’s exquisite ability to connect with our deepest, darkest emotions.
In Holly’s own words: “The song is about wanting someone to stay so badly, even if only for five more minutes, because you know how much it’ll hurt when they leave. I think the desperation in the words really sums up how I was feeling at the time and how so many people must’ve been feeling last year when we were all completely starved of human connection! I often write songs with a bit of a visual in my head, and I kept picturing solitary places, like drifting far out to sea, so far that you can’t find a way back, or old deserted cargo shipping yards with all the lights at the edge of the city.
Holly’s second EP The Walls Are Way Too Thin follows her critically acclaimed debut Falling Asleep At The Wheel, which marked the first chapter in the story of a new global talent. Having just been announced as the Ivor Novello Rising Star Nominee, to being named the BBC Sound of 2021, Apple’s Up Next Artist, VEVO DSCVR’s Artists To Watch 2021, and internationally heralded by the likes of Jimmy Kimmel, James Corden, Triple J, The Sunday Times, NME (5*), The Guardian, i-D, ELLE, and Billboard, it is Holly’s remarkable storytelling that has captured the hearts and minds of fans globally. Holly wants her lyrics to be the ones people could tattoo on themselves and her songs embrace and translate some of life’s most intense feelings in a way that typical conversations all too often fail to capture, from mental health struggles to the dizzying feelings of displacement as you grow out of adolescence.
“This EP represents a feeling of being lost. It’s the kind of lost that makes you question who you are and where you belong. So lost that someone might need to find you again because you can’t find yourself. That’s how it felt to move to Liverpool, then London, and be in transit between cities and never settling” – says Holly.
The news comes after the long awaited return of live music, with Holly playing to her fans for the first time ever, stating “I’ve never seen physical proof my fans actually exist” (Metro). The 21-year old became the breakthrough artist of an unprecedented year – whilst her streaming numbers rocketed to over 150M global streams and her story grew from her crumbling house in Grantham – Holly was unable to play for her growing fanbase. Now, having set festival stages alight at Latitude, Standon Calling and Tramlines, Holly prepares for her first sold out London headlines, with four shows at Omeara next week.
Creating a visionary world within her music, Holly has also set up the Fifth Sister Swap initiative, as a way for her and her fans to swap clothes without relying on fast fashion. It’s an idea that stemmed from her three sisters constantly borrowing from and swapping their own wardrobes, and growing up in a house of women has made Holly passionate about issues affecting women. The artist recently filmed a session for Splendour In The Grass Festival in the Mind Charity shop in Camden, with the focus being on the incredible work Mind do in the UK for mental health, an issue close to her heart. Wanting to bring her initiatives directly to her fans, Holly will be launching the first IRL Fifth Sister Swap at her sold-out Omeara headlines.
The Walls Are Way Too Thin Tracklist
Haunted House
The Walls Are Way Too Thin
Please Don’t Leave Just Yet
Thursday
Scarlett
Friendly Fire
TOUR AND FESTIVAL DATES
06 Aug Wilderness (Chipping Norton)
13 Aug Boardmasters (Festival Newquay)
15 Aug Omeara (London) SOLD OUT
16 Aug Omeara (London) SOLD OUT
17 Aug Omeara (London) SOLD OUT
18 Aug Omeara (London) SOLD OUT
27 Aug Reading & Leeds
29 Aug Reading & Leeds
30 Aug All Points East (London)
10 Sept TRNSMT Festival (Glasgow)
17 Sep This Is Tomorrow Festival (Newcastle)
07 Oct The Troubadour (Los Angeles, USA)
09 Oct Austin City Limits (Austin, USA)
12 Oct Bowery Ballroom (New York)
26 Oct The Cluny (Newcastle Upon Tyne)
27 Oct Brudenell Social Club (Leeds) SOLD OUT
28 Oct Yes (The Pink Room) (Manchester) SOLD OUT
30 Oct Whelan’s (Dublin)
31 Oct Oh Yeah Music Centre (Belfast)
02 Nov King Tut’s Wah Wah Hut (Glasgow) SOLD OUT
03 Nov O2 Institute 3 Birmingham SOLD OUT
04 Nov Clwb Ifor Bach Cardiff SOLD OUT
08 Nov O2 Shepherd’s Bush Empire (London)
10 Nov Rescue Rooms Nottingham SOLD OUT
02 June Primavera Sound (Barcelona)
18 June Hurricane Festival (Germany)
19 June Southside Festival (Germany)
Adia Victoria Announces New Album ‘A Southern Gothic’ Out September 17
Adia Victoria has announced the forthcoming release of her new album, A Southern Gothic. The LP is out September 17 via Canvasback Records. The record was executive produced by T Bone Burnett, and features guest contributions from Jason Isbell, Margo Price, and Matt Berninger. Today Adia reveals the first single off A Southern Gothic, “Magnolia Blues.” She notes:
“In an unpublished manuscript in 1933, William Faulkner spoke on the Southerner’s ‘need to talk, to tell, since oratory is our heritage.’
After a year spent in my room in Nashville, I wondered what stories I had to tell. Often the only view of the South beyond my window was the magnolia tree in my backyard. It blocked the rest of the world from my sight. I limited my gaze to its limbs, its leaves and the obscene bloom of its iconic white flower.
The magnolia has stood as an integral symbol of Southern myth making, romanticism, the Lost Cause of the Confederates and the white washing of Southern memory. ‘Magnolia Blues’ is a reclaiming of the magnolia – an unburdening if its limbs of the lies it has stood for. This song centers the narrative of a Black Southern woman’s furious quest to find her way back home to the South under the shade of her Magnolia.
‘Magnolia Blues’ is an ode to Southern Black folk—too often hemmed out of what we mean when we say ‘Southerner’ – and it is also an ode to the South itself. To rescue it from – in the words of William Faulkner – ‘a make believe region of swords and magnolias and mockingbirds which perhaps never existed.’
With A Southern Gothic Adia continues her journey through the conflicts of the American South and the troubling resonance of its past. Sonically, the album is full of frequent juxtaposition. It is equal parts historical montage and modern prophesy, dark and light, love and loathing. The 14 tracks are the musical embodiment of the relationship that so many people, especially Black women, have with the South.
During the writing process, Adia listened to Alan Lomax’s old field recordings and the sounds became the heartbeat of her new music, upon which she and creative partner Mason Hickman later layered other parts. And in many ways, the story of working with Hickman to write and produce A Southern Gothic is as critical to the project as the stories Victoria tells across the album. Recording for A Southern Gothic began in Paris in 2019/early 2020, and it was while in France that Victoria discovered a sense of clarity about her home that she didn’t always have when she was writing from her home. “I would say that the philosophy behind this record is, ‘Necessity is the mother of invention,’” Victoria says. “It’s also, ‘When you don’t have excess, when that’s all stripped away, what you gon’ do with that?’ What art can you make from walking through your mother’s garden?”
Without excess or access—to musicians, producers, studio—Victoria and Hickman became a two-man band of sorts, connecting over Victoria’s collection of Southern tales as they tried to keep the pandemic from killing them. Hickman taught himself mandolin and banjo while Victoria cut drum and piano parts. And later, even when the world began to re-open, vaccines became available, and Victoria was able to get in the studio with T-Bone Burnett, the recordings that Victoria and Hickman had done on their own remained.
“I wanted the album to be a time stamp of where I was in 2020,” Victoria says. “I wanted to pay homage and be honest to what I had to work with. I didn’t feel the need to go back and change it and pretty it up. It was honest and it was true.”
The result is a project that fits perfectly into Victoria’s catalogue and the rich legacy of Black Southern storytelling, even as it stands alone as a freshly innovative work. T Bone Burnett says, “Adia Victoria sings on an arc between Memphis Minnie and Sojourner Truth.”
Adds Victoria: “With this project, I was so anchored in the past and the Black brilliance that came before me that it was kind of a road map. They said, ‘Sweetie, we’re gonna locate you, and we’re gonna allow you to move it forward.’”
A Southern Gothic is Adia’s 3rd album and marks the follow up to 2019’s critically acclaimed Silences, produced by Aaron Dessner. Around its release, The Songwriters Hall of Fame presented Adia with the Holly Prize which recognizes and supports a new “all-in songwriter.” She toured the U.S. and Europe on the “Dope Queen Tour” which included a performance on Live From Here with Chris Thile and at Brooklyn’s Prospect Park, the Newport Folk Festival, and a performance at Mass MOCA and Boston Calling. She has also appeared on The Late Show With Stephen Colbert. Last year saw Adia participate in a panel discussion, “Black Equity in Americana: A Conversation, hosted by the Americana Music Association and moderated by Marcus K. Downling.
A Southern Gothic tracklisting
- Magnolia Blues
- Mean-Hearted Woman
- You Was Born To Die (ft. Kyshona Armstrong, Margo Price & Jason Isbell)
- Whole World Knows
- Troubled Mind
- Far From Dixie
- Please Come Down
- My oh My (ft. Stone Jack Jones)
- Deep Water Blues
- Carolina Bound
- South For The Winter (ft. Matt Berninger)
Sonic Reducers: Rihanna Is A BILLIONAIRE
Sonic Reducers. One topic. Two music nerds. Five minutes.
Join us as we celebrate Rihanna’s newfound status as a billionaire, debate whether that’s despite or due to the fact that she hasn’t made music for years, and ponder where the hell we went wrong.
Sonic Reducers: The Official Led Zeppelin Doc Is Coming
Sonic Reducers. One topic. Two music nerds. Five minutes.
Join us as we discuss the upcoming Led Zeppelin documentary Becoming Led Zeppelin, ponder the pros and cons of authorized documentaries, and wonder whether the mudshark story will make the cut.
70s-esque Indie-Pop Easy-Rock Duo RED DIRT SKINNERS Look to “Brighter Days Ahead”
Belleville, ON-based, award-winning Red Dirt Skinners’ latest single release “Brighter Days Ahead” signifies the duo’s foray into 70s-esque indie-pop easy-rock loud and clear.
Available now, the new song lands ahead of the Belleville-based band’s forthcoming album release, Bear With Us — coming this Fall.
Rooted in a time when the Skinners — Rob and Sarah — were on tour in Scotland and noticed, amongst the rain clouds, the shadows always pointed towards a rainbow. It seemed to be an observation that could be applied to life in general too, and from that idea, “Brighter Days Ahead” was born.
“We are living in strange and confusing times,” Sarah says. “‘Brighter Days Ahead’ is intended to give the listener hope.
“It’s a positive summer anthem for 2021!”
With previous releases — including Under Utopian Skies (2018), Behind the Wheel (2016), Live at the Blue Lamp (2014), Sinking the Mary Rose (2013), and Home Sweet Home (2012) — garnering the pair poll-topping and award-winning nods such as Alternative Album of the Year, Folk/Roots Album of the Year, Instrumentalist of the Year, and more, the band’s upcoming full-length, Bear With Us, is set to arrive October 22, 2021.
A collection of ten original songs, the new albums draws on hard hitting subject matters, such as dementia, homelessness and narcissistic abuse — all whilst still managing to produce soaring choruses, catchy lyrics, and the ever present award-winning sound of Sarah’s saxophone solos.
Bear With Us is an extremely full sounding album from two highly skilled multi-instrumentalists, and straddles multiple genres. The album is a triumph to positive thinking, and a further development of the band’s signature sound.
Red Dirt Skinners have won countless awards in the UK, and spanned several genres before capturing the attention of the Canadian music press in 2015. Within just two years of their first-ever tour of Canada, the Skinners were invited by Canadian Immigration to become permanent residents under the “Performers of a World Class Level” category. Rob and Sarah Skinner were thrilled and honoured, and accepted the offer immediately — turning their world upside down in what has turned out to be an extremely positive decision both personally and professionally.
With male and female harmonies blending together as one voice, and Sarah’s trademark soprano saxophone solos, you will be swept along by the refreshingly different sound of the Red Dirt Skinners. If you like songs influenced by Pink Floyd, Supertramp, Queen, and David Bowie — all coupled with some epic storytelling, humour, and heartfelt emotions — you’ll love the Red Dirt Skinners and “Brighter Days Ahead.”
“Brighter Days Ahead” is available now. Bear With Us is available October 2021.
Folk-Rock & World Music Duo HuDost Release Urgent & Gorgeous New Song “Beat The Drum Harder”
Award-winning music duo HuDost are calling on planet conservation with the release of their pressing new single and mesmerizing new music video, “Beat The Drum Harder” — available now.
Led by Montreal, QC artist Moksha Sommer, and Bowling Green, KY artist Jemal Wade Hines, the song is from HuDost’s forthcoming November 2021 album, Anthems of Home.
“The single addresses our disconnection from — and harm of — the planet, and our awakening to the needed return,” the band says. “It is a joyous and celebratory call for us to open our ears and consciousness to the heartbeat of the earth that brings us back to the source.”
For the music video, HuDost was able to partner with esteemed choreographer Rebecca Steinberg and accomplished videographer Sam Boyette. They worked with the WKU Dance Program & WKU Dance Company and involved almost 20 additional dancers.
“The creation process was challenging as all preparations were done within the restraints of Covid,” HuDost recalls. “Rehearsals were conducted via zoom, and all preparation was done separately.
“It was only on the day of filming that everyone came together in-person, freshly vaccinated, and delighted to work. That in-person union was a symbolic mirroring of the greater message of the song and video…
“Even if we are estranged or isolated from our greater source, the return can and will happen.”
Moksha Sommer grew up in the mountains of southern Quebec and, through her entire childhood, her parents fought for the conservation of Mount Pinnacle (land of the Western Abenakis) that they were fortunate enough to call “home.” The land was finally protected, and the struggle and fortune of the process taught Sommer a great deal about what it truly means to respect the land and live in alliance with it.
HuDost have been committed advocates/activists for ONE (non-profit organization) for several years, and have learned a great deal about music as a form of advocacy. “Beat the Drum Harder” reflects that in subtle, but accessible ways.
HuDost’s previous album, of Water + Mercy (2019) received rave reviews and, as an independent release, reached #24 in the BILLBOARD SALES CHARTS for Folk/Americana; it also won the duo the Independent Music Award for Social Action Song.
In the last year, HuDost have also received two Best of Nashville 2020 awards. They have been fortunate to have prestigious performance opportunities throughout the years, and have toured internationally since 2006 — collaborating with wild, accomplished, and respected artists, musicians, dancers, and activists.
“It is through music that the losses and gains, pains and triumphs, and excruciating beauty of life can be given a voice of empathy,” they say.
“Beat the Drum Harder” is available now. Anthems of Home is available November 2021.
Supergrass’ ‘In It For The Money’ Gets A Remastered Expanded Edition Out August 27
Supergrass today announce details of the remastered expanded version of their beloved, classic second album In It For The Money. The 3CD, 2 x 2LP and Digital Formats will be released on August 27, 2021 on BMG, which sees the album available on vinyl for the first time since its original release in 1997. Preorder here. The announcement is accompanied by a previously unreleased early version of ‘It’s Not Me’.
Originally released on April 21, 1997 to a hail of critical and commercial acclaim, In It For The Money saw Supergrass reach #2 in Album Charts, passing platinum status in the UK and selling over a million copies worldwide. It was voted in the NME‘s top 10 Albums of 1997 and included in Robert Dimery’s ‘1001 Albums You Must Hear Before You Die’. Shedding their skin as the jolly japey kids we met on archetypal teenage debut I Should Coco, In It For The Money was dark, perverse and bristling with barely-repressed anger. It is the sound of Supergrass creating a world that was at once reassuringly normal and exhilaratingly weird. To crystallize this bold and assured step on from their debut, with In It For The Money the band were now producing themselves, (albeit with the aid of simpatico engineer/ co-producers in the form of John Cornfield and Sam Williams), and had welcomed in Gaz’s keyboard-playing brother Rob as a fully contributing member of the band.
As well as featuring the hit singles ‘Going Out’ (UK #5), the dark, dense and heavy ‘Richard III’ (UK #2), ‘Sun Hits the Sky’ (UK #10) and the lush, languorous longing of ‘Late In The Day’ (UK #18), In It For The Money also spawned a raft of classic videos in its wake.
This brand new expanded edition of In It For The Money features remastered audio from analogue tape on 180g Black and 140g Turquoise Vinyl. The LP also includes 12” single ‘Sun Hits The Sky (Bentley Rhythm Ace Remix)’ / ‘The Animal’ on 140g White Vinyl. The album hasn’t been available on LP since its original release in 1997. The 3CD format includes 43 tracks over two CDs of B- Sides, Rarities, Outtakes & Live Tracks, many of which are previously unreleased, imagery from revered photographer Kevin Westenberg, and sleevenotes from Charles Shaar Murray. The album has been remastered by Supergrass and all formats have been compiled by them.
Reuniting in 2019 after more than a decade apart, Supergrass once again witnessed success with “The Strange Ones 1994-2008” career spanning Deluxe Boxset and a sold out world tour. Formed in Oxford UK in 1993, the Brit, Q, NME and Ivor Novello-winning outfit released their Mercury-nominated No.1 debut album I Should Coco in 1995. Fourth single, ‘Alright’, was a pop masterpiece and became a massive hit, catapulting the band to global success. Supergrass subsequently released another five acclaimed studio albums: In It For The Money (1997), Supergrass (1999), Life On Other Planets (2002), Road To Rouen (2005), Diamond Hoo Ha (2008) as well as top 5 best of, Supergrass Is 10 (2004). Other top 20 singles include: ‘Lenny’, ‘Going Out’, ‘Richard III’, ‘Sun Hits The Sky’, ‘Pumping On Your Stereo’, ‘Moving’ and ‘Grace’. They scored an unbroken run of five Top 10 albums, among them three platinum sellers generating millions of worldwide sales spawning ten Top 20 singles, and scored the biggest-selling debut for Parlophone since The Beatles. Supergrass split in 2010, though the band members went on to lead successful solo careers: Gaz Coombes released solo albums Here Come The Bombs in 2012, Matador in 2015 and World’s Strongest Man in 2018; Mick Quinn has been playing with his own group, DB Band, and been a member of Swervedriver since 2015, Danny Goffey has released solo material including album Schtick in 2018. Ten years to the day since they split, Supergrass appeared on stage at Glastonbury Pilton Party 2019, in a secret special guest slot to announce their return. A string of 5 star reviews greeted their subsequent worldwide reunion tour, culminating in two sold-out nights at London’s Alexandra Palace.
3CD & SD DIGITAL DELUXE
DISC 1: ‘In It For The Money’ (Remaster)
1. ‘In It For The Money’ (2021 Remaster)
2. ‘Richard III’ (2021 Remaster)
3. ‘Tonight’ (2021 Remaster)
4. ‘Late In The Day’ (2021 Remaster)
5. ‘G-Song’ (2021 Remaster)
6. ‘Sun Hits The Sky’ (2021 Remaster)
7. ‘Going Out’ (2021 Remaster)
8. ‘It’s Not Me’ (2021 Remaster)
9. ‘Cheapskate’ (2021 Remaster)
10. ‘You Can See Me’ (2021 Remaster)
11. ‘Hollow Little Reign’ (2021 Remaster)
12. ‘Sometimes I Make You Sad’ (2021 Remaster)
DISC 2: ‘Research & Development – Studio Extras & B-Sides’
1. ‘Susan (AKA Going Out)’*
2. ‘Melanie Davis’
3. ‘Can’t Dig It (AKA G-Song)’*
4. ‘Late In The Day’ (Demo)*
5. ‘Get Away (AKA Richard III)’*
6. ‘Charles II’ *
7. ‘Sun Hits the Sky’ (Monitor Mix)*
8. ‘It’s Not Me’ (Original)*
9. ‘Silver Lining’*
10. ‘Cheapskate’ (Monitor Mix)*
11. ‘In It for the Money’ (Monitor Mix)*
12. ‘Hollow Little Reign’ (Güiro Mix)*
13. ‘Tonight’ (Monitor Mix)*
14. ‘You Can See Me’ (Demo)*
15. ‘Sometime We’re Really Sad’ (Edit)*
16. ‘Sometimes I Make You Sad’ (Guide Vox)*
17. ‘Nothing More’s Gonna Get in My Way’
18. ‘We Still Need More (Than Anyone Can Give)’
19. ‘Don’t Be Cruel’
20. ’20ft Halo’
21. ‘The Animal’
CD3: ‘Product Placement – Live Recordings’
1. ‘Going Out’ (Opera House, Toronto, 11 Sep 95)*
2. ‘Melanie Davis’ (Lowlands Festival, Netherlands, 25 Aug 96)*
3. ‘G-Song’ (Rehearsal cassette recording, 18 Jun 95)*
4. ‘Hollow Little Reign’ (O2 Academy Islington, London, 01 Jun 2004)*
5. ‘In It for the Money’ (Rock City, Nottingham, 18 Jan 98)*
6. ‘Cheapskate’ (Rock City, Nottingham, 18 Jan 98)*
7. ‘Mansize Rooster’ (Rock City, Nottingham, 18 Jan 98)*
8. ‘Richard III’ (Rock City, Nottingham, 18 Jan 98)*
9. ‘You Can See Me’ (Rock City, Nottingham, 18 Jan 98)*
10. ‘Late in the Day’ (Rock City, Nottingham, 18 Jan 98)*
11. ‘Alright’ (Rock City, Nottingham, 18 Jan 98)*
12. ‘Just Dropped In’ (To See What Condition My Condition Was In) (Rock City, Nottingham, 18 Jan 98)*
13. ‘Lose It’ (Rock City, Nottingham, 18 Jan 98)*
14. ‘Sun Hits the Sky’ (Rock City, Nottingham, 18 Jan 98)*
15. ‘Going Out’ (aborted) (Rock City, Nottingham, 18 Jan 98)*
16. ‘Caught By the Fuzz’ (Rock City, Nottingham, 18 Jan 98)*
17. ‘Going Out’ (Rock City, Nottingham, 18 Jan 98)*
18. ‘Strange Ones’ (Rock City, Nottingham, 18 Jan 98)*
19. ‘Lenny’ (Rock City, Nottingham, 18 Jan 98)*
20. ‘Sometimes I Make You Sad’ (Paradiso, Amsterdam, 08 Oct 97)*
Supergrass 3CD
1LP BLACK/TURQUOISE/HD DIGITAL
A1. ‘In It For The Money’ (2021 Remaster)
A2. ‘Richard III’ (2021 Remaster)
A3. ‘Tonight’ (2021 Remaster)
A4. ‘Late In The Day’ (2021 Remaster)
A5. ‘G-Song’ (2021 Remaster)
A6. ‘Sun Hits The Sky’ (2021 Remaster)
B1. ‘Going Out’ (2021 Remaster)
B2. ‘It’s Not Me’ (2021 Remaster)
B3. ‘Cheapskate’ (2021 Remaster)
B4. ‘You Can See Me’ (2021 Remaster)
B5. ‘Hollow Little Reign’ (2021 Remaster)
B6. ‘Sometimes I Make You Sad’ (2021 Remaster)
12” 140g WHITE VINYL SINGLE
A1. ‘Sun Hits The Sky (Bentley Rhythm Ace Remix)’
B1. ‘The Animal’