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Ottawa Composer Huguette Lavigne Soars with Stunning New “On Cloud 9” Single

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Music, at its very best, is a transportive experience. A bright, happy sounding melody can send our spirits soaring and, conversely, a sad, contemplative song can move us to tears. On that note, Canadian contemporary instrumental composer Huguette Lavigne is on a musical mission to lift us all into the happiest of places with this, her latest release, “On Cloud 9” — available now.

“In this piece, it’s a natural high,” says the Ottawa-based pianist. “You’re floating on air, happy, uplifted by the clouds and all is well with the world.

“The blue of the sky is also a constant and calming influence.”

It’s true. We all tend to look skyward at times for inspiration and comfort, and Lavigne’s joyous, ascending piano melody in “On Cloud 9” steadily rises up into the blue to give us a soft, fluffy landing.

Lavigne also knows that everyone’s ‘Cloud 9’ is decorated a little differently, and the routes taken to get there are not all the same. “Believe it or not, there are over 300 words and phrases to describe the phrase ‘On Cloud 9’,” notes Lavigne. “Take what you will from this!”

“On Cloud 9” is the opening track from Lavigne’s second album, Yin and Yang — originally released in 2018. Her debut album, Black Tie Affair, came out in 2015; she has also released Free and Easy in 2019, as well as her latest collection, Five O’Clock Somewhere, during the early months of the pandemic in 2020.

As we approach two years of living with COVID, reaching back to highlight “On Cloud 9” — a piece with the power to buoy the heart and soul — seems paramount.

“There is a certain earnestness or intensity felt in the playing, reflecting the forces of nature, strong and powerful but at times serene, with moments of tranquility — a dichotomy at play,” describes Lavigne.

A composer of over 40 piano pieces released on five albums over just five years, Lavigne’s approach and influences are as diverse as how listeners will relate to her songs. Her composition style is spontaneous, stream-of-consciousness magic. She forgoes the tradition of meticulously notating her compositions in favour of relying on a shorthand of her own to facilitate recall for future performances. Her final compositions are eventually stored entirely in her head and fingers. Once they’re recorded she moves on to the next piece.

“There is something about breaking the rules that can be terribly satisfying,” she notes. “My fingers sometimes go where they want to on the keyboard and, at times, I sort of have to take them back home or rein them in.”

An exciting and intriguing variety of styles thread their way through Lavigne’s compositions, considering her varied background and influences. She was raised in a milieu of three Canadian cultures, Franco Ontarian, Quebecois and English Canadian, and studied composition at McGill University and piano at l’université de Montréal. As such, a mélange of influences from Neo-Classicism and Neo-Romanticism to jazz, folk and Indian classical music have found their way into her songs.

Still, no matter what the influences, a happy sounding song that inspires joy is always a welcome addition to anyone’s day and Huguette Lavigne’s new release is a prime candidate for that from first note to last.

“A feeling of contentment carries us to the end, to reach the highest note of ‘On Cloud 9.’”

“On Cloud 9” is available now!

Folk-Rocker Howard Gladstone Releases “The World’s Become A Warmer Place” from Concord Sessions Album

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A hybrid folk album that holds a disarming mirror up to human nature, Toronto-based contemporary folk-rocker Howard Gladstone has released his new album, Concord Sessions, and singles “Building A Fence” and “The World’s Become A Warmer Place” — available now.

In the age of environmental and humanitarian crisis, and a future we have limited time to shape, the songs on Concord Sessions focus on the broader picture of where we humans are at — collectively, as a species.

Looking in the mirror reveals many sides of our human nature, our strengths, weaknesses, even foibles. “These are songs to help heal the planet,” the singer/songwriter shares.

There are themes such as activism and protest, the environmental crisis, human nature, history, forced migration, and the plight of refugees, as well as a constant theme of finding strength and resolve in facing difficulty, all to help heal the broken world and ourselves.

As the album’s opener, “Building A Fence” lands as a seemingly light and upbeat bluesy kind of tune before intricately layered lyrics reveal themes of division, privilege, separation, and impending crises. “These ideas are touched on throughout the song and album, sometimes just below the surface — like an underground river,” Gladstone explains.

Further along, “The World’s Become A Warmer Place” is an exploration in song around climate emergency and those displaced; the song and video take a global and historical journey through the more problematic sides of human nature, such as hubris.

Other highlights: “Occupy” pays tribute to idealistic activists who animate social justice movements with optimism and hope; “Love In The First Degree” is a sweet duet performed with Laura Fernandez; “Tear Down These Walls” and “When Lightning Strikes” are powerful new versions of previously recorded songs.

His seventh album release, the LP’s title pays tribute to the live off the floor techniques used at E-Room Studios on Toronto’s Concord Avenue with Peter J. Moore at the recording, engineering, mixing, and mastering helm. “What you hear is basically how it went down and sounded in the studio over the two-day recording period,” Gladstone says of the process that included features from Tony Quarrington, George Koller, Bob Scott, and Laura Fernandez. “There are no overdubs; the only thing that was added were background vocals.

“It’s recorded in high resolution audio, too, so every nuance and wrinkle is audible.”

Concord Sessions Track Listing:
Building A Fence
Occupy
Love In The First Degree – feat. Laura Fernandez
It All Falls Down
Tear Down These Walls (in God’s Garden)
When Lightning Strikes
The World’s Become A Warmer Place
Regret

JukeBox County Speak Volumes About Communication With Inner Space/Outer Space Album & “Words” Single

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Seldom do you get to sit back and enjoy pop-rock in its rawest, most sentimental form, but Canadian band JukeBox County — and their new album Inner Space/Outer Space — can give you just that.

Produced by Hugh Christopher Brown through Wolfe Island Records, the 10-track release marked the official rollout of Kingston-based artist Rich Tyo’s creative identity. It’s new song, “Words,” draws inspiration from his day-to-day experiences working as a mental health crisis worker.

A warm and heartfelt song about adventure, travel, and new love, the song also touches on the difficulty of communication and vulnerability in relationships and with ourselves, Tyo shares.

“The song ‘Words’ delves into the most intimate and challenging aspects of human connection and communication, and the limitations (and necessity), of words and the power of human closeness and physical touch.”

Upon first listen, “Words” doesn’t necessarily come across as a song laden with such a salient message. However, when you watch its music video, you really get a feel for the overall imagery JukeBox County is trying to create.

Featuring themes of comradery, and the intimate overtones that come with being vulnerable and having deep human connections, the video was conceptualized, filmed, edited, directed by JUNO-winning director and film-maker Sean Michael Turrell (Hawksley Workman’s ‘Jealous of your Cigarette’ video).

With a sound that already hints of Bob Dylan and Neil Young, with a splash of The Rolling Stones for good measure, it’s a release ready to whisk audiences down a bumpy, half-paved backcountry road at its first opportunity.

And that, it does.

“Making the video, we got dressed up and performed the song on the back of a big pick up truck,” Rich Tyo recalls. “We rode along the main strip of Marysville, Wolfe Island…

“There is an homage to Bob Dylan’s video ‘Subterranean Homesick Blues’ in the selective lyrics on sheets of paper, too,” he continues. “Some of these ended up being subliminal poetic messages…”

While Rich Tyo took the bull by the horns when it comes to production of “Words,” it’s worth mentioning the band mates responsible for the comfortable and twangy feel that “Words” instills in the listener. Focusing on lead vocals and acoustic guitar, Rich Tyo recruited Hugh Christopher Brown to play keys while working on tracking the album.

From there, “Words” features Jason Mercer on the bass guitar, Greg Beresford on the drums, Teddy Kumpel on electric guitar, and Teilhard Frost on percussion. Hugh Christopher Brown makes another appearance in the background vocals, as well as Sarah McDermott. What an all-star cast making up JukeBox County!

“Words” is available off of the Inner Space/Outer Space album now.

Toronto R&B Singer/Songwriter PLAZA Debuts First Studio Album, Nocturnes & Emotionally Charged “Still Alive” Single

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With a blend of dark piano, synth hits and spacious vocals, PLAZA instills a feeling of cruising down empty boulevards late at night, pining for lost love, and “Still Alive,” off of the Canadian R&B artist’s debut album, Nocturnes, drives home the harrowing emptiness that comes with leaving old lovers behind — for better or worse.

With remnants of a solid Weeknd or Drake production sprinkled throughout the entirety of “Still Alive,” it is sure to resonate with PLAZA’s ever-growing cult following. And at tens of millions of views and streams across platforms, PLAZA’s previous signing with OVO Sound is sure to help bolster this talented independent R&B artist to the top of billboards across the country, and internationally, alike.

PLAZA’s creative process is very meticulous, and one spin of Nocturnes and “Still Alive” bestows the audience with multiple portraits of sonic imagery — all shaped around recovering and leaving behind toxic love.

As the name suggests, Nocturnes is an album made for the night. It summons memories of past love and heartbreak, of betrayal, and of the hellish depths one can fall to while trying to avenge a shattered ego.

‘Taking inspiration from the ghostly compositions of Chopin, PLAZA looked to convey a similarly evocative and eerie mood while writing his own nocturnes.’

“The album represents a rebirth after a long hiatus, and chronicles a desperate attempt to win back a former lover,” he reveals.

With a press-shy attitude and mysterious persona, however, the question remains: “who is PLAZA?” When you find talent of this caliber, it’s almost impossible not to seek more of it.

PLAZA is a Toronto-based R&B artist whose passion for music blossomed in highschool. Emerging from the rock scene after fronting local bands Decades and Lobby, PLAZA embarked on a solo career.

Mixing downtempo, ambient soundscapes with floating melodies, his first EP, ONE, quickly accumulated millions of streams, and attracted the attention of Toronto’s own Drake and his OVO Sound label. After signing with Warner/OVO, PLAZA released his second EP, Shadow, followed by a string of singles — including the standout track “All Mine,” which has 22+ million streams on Spotify alone.

“Still Alive” and Nocturnes are available now.

Canadian Blues Master DAVID VEST Doubles Down to Deliver ‘Live at Hermann’s’ and ‘Live in Calgary’ Concert Albums

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While we take tentative steps back into the electric atmosphere of our favourite live music venues, multi-award winning Canadian blues singer-songwriter and performer David Vest is here to deliver a double dose of the next best thing: not just one, but two live concert albums landing at the same time! Live at Hermann’s and Live in Calgary are both available now.

More than 18 months of pandemic lockdown has us all longing for that undeniably kinetic live music experience, and Vest is giving us a twin taste of what we’ve been missing. Live at Hermann’s and Live in Calgary feature two uniquely different performances, sets of songs and tones from the multi-talented and honoured vocalist and keyboard player recorded pre-pandemic in Calgary and in Vest’s hometown of Victoria, B.C.

However different, the two albums are unified by one distinctive theme: David Vest is truly a master of his craft.

Vest’s masterful manipulation of the black and whites is perhaps no better on display than with the featured single release from Live at Hermann’s, “Mr. Pine Top Boogie”. The jaw dropping dexterity of his fingers running up and down the keys on this grin-worthy, boogie-woogie jam have a seemingly effortless flow.

He’s been rockin’ and shoutin’ the blues since 1957 and Live in Calgary highlights Vest’s wild side, showing us what it must have been like during the early years of this genre. In contrast, Live at Hermann’s showcases the savvy showman who has sold out Hermann’s Jazz Club in Victoria over 50 times with intimate, captivating shows drawing from jazz, blues, rock and gospel, crafting a genre mix that renders each song a wholly unique and spellbinding experience.

Vest lives on the Canadian west coast paradise of Vancouver Island now, but the winner of five Maple Blues Awards including 2017 Piano or Keyboard Player of the Year started his life and art steeped in Southern boogie-woogie. Growing up in Birmingham, Alabama near Tuxedo Junction put him in the right proximity with the right talent to jam with the likes of Ace Cannon, Bill Black’s Combo, the Jimmy Dorsey Band, Big Joe Turner and to open for the legendary Roy Orbison on New Year’s Day in 1962.

He’s aptly described by veteran Canadian broadcaster, producer and Stony Plain Records founder Holger Petersen as a “huge blues and boogie talent” but, David Vest also refers to himself with more than a little tongue-in-cheek as “the world’s oldest living, promising young pianist”.

That kind of deep, rich and varied musical experience certainly deserves a first and second helping for fans to enjoy at the same time.

Live at Hermann’s and Live in Calgary are both available now.

My Next Read: “Seeing Sideways: A Memoir of Music and Motherhood” By Kristin Hersh

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Doony, Ryder, Wyatt, Bodhi. The names of Kristin Hersh’s sons are the only ones included in her new memoir, Seeing Sideways. As the book unfolds and her sons’ voices rise from its pages, it becomes clear why: these names tell the story of her life. This story begins in 1990, when Hersh is the leader of the indie rock group Throwing Muses, touring steadily, and the mother of a young son, Doony. The chapters that follow reveal a woman and mother whose life and career grow and change with each of her sons: the story of a custody battle for Doony is told alongside that of Hersh’s struggles with her record company and the resulting PTSD; the tale of breaking free from her record label stands in counterpoint to her recounting of her pregnancy with Ryder; a period of writer’s block coincides with the development of Wyatt as an artist and the family’s loss of their home; and finally, soon after Bodhi’s arrival, Hersh and her boys face crises from which only strange angels can save them. Punctuated with her own song lyrics, Seeing Sideways is a memoir about a life strange enough to be fiction, but so raw and moving that it can only be real.

That Time The Rolling Stones Performed On A Flat-Bed Truck In NYC In 1975

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The Rolling Stones’ Tour of the Americas ’75 was a 1975 concert tour originally intended to reach both North and South America. The plans for concerts in Central and South America never solidified, however, and the tour covered only the United States and Canada.

The announcement of the tour became famous in itself. On 1 May, reporters were gathered inside the Fifth Avenue Hotel on 9th Street in New York City’s Greenwich Village to attend a press conference where the Stones were scheduled to appear. But the Stones never went into the hotel. Improvisational comedian “Professor” Irwin Corey gave a typically long-winded, nonsensical performance for journalists waiting for the Stones. The press was still listening to Corey ramble on when they finally noticed that the Stones were playing “Brown Sugar” on a flatbed truck driving down Fifth Avenue.

The handful of curiosity seekers standing outside the hotel – who’d heard a rumor of the press conference and who were hoping to catch a glimpse of the Stones entering the hotel – were instead treated to the sight of a flatbed truck rolling down Fifth Avenue carrying the Stones, their instruments and a wall of amps. The truck stopped in front of the hotel entrance and the band played an extended version of “Brown Sugar”. Charlie Watts had suggested this adaptation of a promotional gimmick often used by New Orleans jazz musicians; the idea was later emulated by groups like AC/DC and U2. After the Stones finished the song, the flatbed truck rolled down Fifth Avenue another block and the band jumped into limousines. They never attended the press conference.

Via

Green Day To Officially Release The BBC Sessions Live Album On December 10

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Opening up the vault and revisiting a series of historic UK broadcast performances, five-time GRAMMY Award-winning band Green Day proudly present The BBC Sessions live album out on December 10, 2021. The 16-track collection features four seminal performances recorded at BBC’s legendary Maida Vale Studios from 1994, 1996, 1998, and 2001 together on one album, marking the first time these recordings have been mastered for official release.

Four months after dropping Dookie upon an unsuspecting world, Green Day entered the hallowed halls of BBC’s Maida Vale Studios on June 8, 1994 and ripped through a raucous and raw four-song set: “She,” “When I Come Around,” “Basket Case,” and “2000 Light Years.” It captured the band on the precipice of their worldwide explosion. That day, they even took advantage of the free studio time—much like forbearers in the seventies and eighties—and even discovered the title of Insomniac’s eventual opener in the loo, “Armatage Shanks.” They returned to the BBC during 1996 in support of that album, turning up with “Brain stew/Jaded”and “Walking Contradictions.” Two years later, they snuck an F-bomb into a hyper-charged “Nice Guys Finish Last” in the midst of the Nimrod era. Finally, they capped off summer 2001 with four Warning anthems such as “Church On Sunday.” It’s all on The BBC Sessions.

The BBC Sessions will be available on CD, digital, and limited-edition 2LP vinyl configurations, including Sea Blue/Hot Pink vinyl for the band’s official store and Milky Clear Color vinyl for indie retailers. It’s complete with liner notes by Steve Lamacq Host of Radio 1’s legendary Evening Show (who was there at each session!).

The Rock and Roll Hall of Fame band is fresh off of The Hella Mega Tour, their sold-out North American headline stadium run, which brought the band to some of the most renowned stadiums including Dodger Stadium, Wrigley Field, Citi Field, Fenway Park and more. The tour will resume in the UK and Europe next Spring, click here for the full list of dates.

TRACKLISTING
She (Live at the BBC June 8 1994)
When I Come Around (Live at the BBC June 8 1994)
Basket Case (Live at the BBC June 8 1994)
2000 Light Years Away (Live at the BBC June 8 1994)
Geek Stink Breath (Live at the BBC November 3 1996)
Brain Stew/Jaded (Live at the BBC November 3 1996)
Walking Contradiction (Live at the BBC November 3 1996)
Stuck With Me (Live at the BBC November 3 1996)
Hitchin’ A Ride (Live at the BBC February 12 1998)
Nice Guys Finish Last (Live at the BBC February 12 1998)
Prosthetic Head (Live at the BBC February 12 1998)
Redundant (Live at the BBC February 12 1998)
Castaway (Live at the BBC August 28 2001)
Church On Sunday (Live at the BBC August 28 2001)
Minority (Live at the BBC August 28 2001)
Waiting (Live at the BBC August 28 2001)

Berkley-formed, five-time Grammy Award-winning rock band Green Day is one of the world’s best-selling bands of all time, with more than 70 million records sold worldwide and 10 billion cumulative audio/visual streams. Their breakout album Dookie, which sold over 10 million and achieved diamond status, is widely credited with popularizing and reviving mainstream interest in punk rock, catapulting a career-long run of #1 hit singles. Green Day’s release of rock opera American Idiot captured the nation’s attention, selling more than 7 million copies in the U.S. alone, taking home the Grammy Award for Best Rock Album and lead to a critically acclaimed stage adaptation on Broadway. Released on February 7, 2020, Green Day’s thirteenth studio album Father Of All… (Reprise/Warner Records) debuted at #1 on Billboard’s Album Sales Chart and #1 in both the U.K. and Australia. Pitchfork declared, “Green Day’s most fetching and youthful songs in ages. The trio sounds reinvigorated, more like hungry newcomers staking their claim.”

Henry Rollins Announces ‘Good To See You’ 2022 Tour

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Henry Rollins returns with the announcement of his Good To See You 2022 tour.

In describing Henry Rollins, the tendency is to try to squeeze as many labels as possible into a single sentence. “Rollins is many things,” says The Washington Post, “diatribist, confessor, provocateur, humorist, even motivational speaker…his is an enthusiastic and engaging chatter.”

On the Good To See You 2022 tour Henry will faithfully recount the events of his life in the brief pre-COVID period since the last tour and when things got even stranger over the last several months. It’s been an interesting time to say the least and he’s got some great stories to tell.

TOUR DATES:
May 19 – Vancouver – BC – Rio Theatre
May 20 – Nanaimo – BC – Port Theatre
May 21 – Victoria – BC – Alix Goolden Hall
May 24 – Calgary – Bella Concert Hall
May 25 – Edmonton – Shoctor Theatre
May 26 – Saskatoon – Broadway Theatre
May 27 – Winnipeg – Park Theatre
May 30 – Kingston – Grand Theatre
May 31 – Ottawa – Algonquin Commons
June 1 – London – London Music Hall
June 2 – St. Catharines – First Ontario Performing Arts Centre
June 3 – Toronto – Danforth Music Hall