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Elton John’s Greatest Songs

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Elton John’s Greatest Songs

 

Elton John is a musical legend, with a recording career spanning over a whopping 50 years. He is remembered fondly for making plenty of music in genres ranging from soft blues to all kinds of rock.

Some of Elton John songs are etched forever in musical history and are still a part of the cultural canvas that we inhabit today.

Here are a few of Elton John’s most iconic songs in no particular order.

Mona Lisas And Mad Hatters: Honky Château (1972)

This song is from Elton John’s first record album to top the charts in the United States. The song is a lyric that impresses with its directness as well as the soul touching lyrics. The words echo with a feeling about the idea of dreams being nothing more than an illusion, and a reality that must be faced soon.

When Elton John starts the song singing “Now I know Spanish Harlem aren’t just pretty words to say”, he is talking about how he felt when he realized that New York is different from what it is romanticized to be.

Sorry Seems To Be The Hardest Word: Blue Moves (1976)

Elton John made this song one of the most painfully felt love songs when he first sang it in 1976. According to Bernie Taupin who collaborated with Elton John multiple times across the years, this song was the result of Elton John’s casual experimentation with his piano.

The song itself is one of the most powerful expressions in this age especially when it talks about that relatable feeling where one tries to save something despite knowing that it is already long gone. Modern lovers of music continue to listen and be moved by the beautifully expressed pathos in this song.

Don’t Go Breaking My Heart: Single (1976)

This fun song shot up to fame due to its catchy lyrics and a tune that people found that they couldn’t get out of their heads! Its success is marked by the fact that it made its way to the top charts in the United Kingdom and managed to hold that position for a month and a half.

Aside from its unique sound, this song has a fun history. It was written by John Elton and Bernie Taupin under clever pseudonyms made by Elton himself. The song itself was sung as a duet starring Elton John and Kiki Dee.

Bennie And The Jets: Goodbye Yellow Brick Road (1973)

This song is characterized as a ‘loose rock and roll’ featuring a heavy variety of R;B traits. ‘Bennie and the Jets’ thus allowed Elton John to successfully tap into a different pool of audience.

Thematically, this song is a mixture of science fiction about a futuristic band of ‘rock and roll’ automatons. Being original and intriguing it is not hard to see why this particular song became one of Elton John’s greatest hits.

Candle In The Wind: Live In Australia (1974)

Elton John moved hearts of the masses with this enchanting song, initially written to celebrate the legacy of Marilyn Monroe. After the shocking death of Princess Diana in 1997, this song was rewritten to serve as an incredibly powerful tribute to the late personage.

I’m Still Standing: Too Low For Zero (1983)

This song was an icon of the age, written and performed in the maturity of Elton John’s career. This song has long since served as a mantra for getting back up after being hurt and refusing to give up. The themes are still largely relevant to this day and age, and have been featured in many forms of media ever since.

Conclusion

I hope you enjoyed this round-up of Elton John’s most iconic hits, as much as we enjoyed putting it together.  Elton John’s songs truly stand apart in terms of originality and artistic merit, and one can’t do anything but listen to them over and over again!

 

Video: When Alice Cooper met Salvador Dali in 1973

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In 1973, Alice Cooper was invited to New York City by Salvador Dali so that he could make a piece centered around him.

Video: Musician Invents 72 Homemade Instruments

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Here’s a virtual tour of the exhibition Instruments de Nulle Part by Musiques de Nulle invented and created by musician and inventor Nicolas Bras.

BAHAMAS announces new album, Sad Hunk out October 9

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The award-winning songwriter and musician Bahamas (Afie Jurvanen), returns with his fifth full-length, Sad Hunk, on October 9, 2020.

While the 2018 release Earthtones saw Bahamas joining forces with bassist Pino Palladino and drummer James Gadson (the rhythm section behind D’ Angelo’s Black Messiah), Sad Hunk was created with past collaborators Christine Bougie (guitar), Don Kerr (drums), Mike O’Brien (bass), Felicity Williams (vocals) and recorded by longtime producer and multi-Grammy nominee Robbie Lackritz (Feist, Jack Johnson, Robbie Robertson). It also features the graceful guitar work of Sam Weber, a musician whom Jurvanen discovered on YouTube. Sad Hunk is the next step in Afie’s virtuosic signature style of restraint as a guitarist.
“Something like ten years ago, I did a photoshoot, and in all the pictures they sent back, I was lit half in shadow, looking all brooding and mysterious,” says Jurvanen. “When my wife saw the photos, the first thing she said was, “Whoa, sad hunk,” and after that, it became sort of a joke among our friends.” It’s a fitting backstory for an album that embodies an undaunted self-awareness, each track graced with Bahamas’ wry wit and unabashed heart.

In sketching Sad Hunk’s delicately composed batch of songs, Jurvanen drew much inspiration from his home life and all the joy and struggle that comes with building a family together. Having recently moved to the coast of Nova Scotia with his wife and two daughters (ages three and five), the Ontario native inevitably imbued the album with the sleepy idyll of his surroundings, even while committing to a sometimes-painful sincerity in his lyrics.

“I definitely use music to work things out for myself,” says Jurvanen. “It’s possible I’m too open sometimes, but I really don’t know any better way to be. If I tried to just go write fun songs about hot dogs or something, I’d probably fail.”

A globally successful touring artist, Bahamas averages over 2.5 million regular monthly listens on Spotify with more than 450 million streams to date. “Lost In The Light,” from 2012’s Barchords, is nearing 100 million streams, while “All The Time,” the lead single from third album Bahamas Is Afie, recently passed 70 million. Nominated for Best Engineered Album, Non-Classical at the 2019 Grammy Awards, Earthtones won Adult Alternative Album Of The Year at the 2019 JUNO Awards. Jurvanen also received this accolade for Bahamas Is Afie in 2015, when he was also named Songwriter Of The Year.

1-minute tip for artists: Music Conferences.

Travel the world’s music industry, without leaving your home.

Icelandic Artist Kahnin Releases Timelier than Ever New Single, “DuckTape”

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With 30,000 streams and rising, Icelandic singer/songwriter Kahnin — Gudmundur Jens Gudmundsson — muses on mistaken identity and answering to authorities in the release of his new single, “DuckTape” — available now!

“‘DuckTape’ is a song that can take on many meanings,” Kahnin shares. “For example, it can easily be associated with all the craziness that is going on in the world today, but mostly, it’s a song about being in the wrong place at the wrong time — kids having fun, sort of thing — mistaken identity, and being interrogated by the authorities in an unethically harsh manner.

“The song’s main mechanics started after I had been watching some CIA conspiracy documentary. I imagined how horrible it would be to be mistaken for some counterspy, and if it would ever be possible to get out of a situation like that.

“But with that said, the song still has a very fun/feel good atmosphere about it!” Kahnin insists. “And the reason behind the spelling of this song ‘Duck’ instead of ‘duct’ is simple: being that English is my second language, I always believed this is how it was spelled. I never really thought, ‘why in the hell would it be named after a duck?!”

Produced by, and featured on accompanying guitar is Arthur Pingrey (Sia, Sting, Norah Jones), with Dylan Wissing (Alicia Keys, Eminem, Drake, Jay Z) on drums and Gudmundsson/Kahnin on vocals and guitar.

“‘DuckTape’ strays away from my previous songs whilst still staying true to my sound,” Kahnin says. “‘DuckTape’ carries a harder pop/rock edge to it and a heavier tempo which differs from my previous songs.

“My philosophy on music is to always try and step away from what is comfortable and experiment with the colours of the music.

“‘DuckTape’ does that for me.”

With Jazz Versions of Nirvana + Feist, Calgary’s AIMEE-JO BENOIT Reinvents The Classics With New LP, BORJONER

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Calgary, AB’s jazz artist Aimee-Jo Benoit continues to celebrate this year’s release of BORJONER, her stunning new 10-track LP with Trio Velocity exploring songs from her personal journey — available now.

“BORJONER was born in a coffee shop,” Benoit recalls of the album’s earliest days. “I was thinking about the process of growth as an artist, a person, and a mother. The idea of burgeoning soil was all I could think about as I was trying to piece together a project that had been 15 years in the making.

“As a Canadian artist with a French background, I searched for a term that represented the idea of growth and BORJONER was found,” she continues. “It’s an old French term for burgeoning, and it couldn’t be more accurate for how I really do feel. It is as though I am clawing through the soil upwards and downwards, and it’s been a symbol for the entire process of how the album came to be, the recording and subsequent re-recording of it, its release during COVID-19, and its life as its rooted its way into the music community.”

Recorded by Spencer Cheyne at OCL Studios, the album sees Aimee-Jo Benoit and Trio Velocity — Simon Fisk, Robin Tufts, and Sheldon Zandboer — organically lean into songs of importance from the musical journey of the artist, holding space for them to breathe as they morph and are rearranged and reimagined through the connectedness of the quartet.

“We were brought together by the death of a close friend and colleague about four years ago,” she shares. “We held an improvisational performance at his wake, and the energy brought about by our grief exhumed a special connection.

“For each performance of a particular tune, including the recording, we loosely arrange the feel and structure, but listen to each other so intensely that we allow for the song to develop and grow in its own way.”

Among the 10-track LP includes a pull from Nirvana’s catalog in “All Apologies,” a nod to Feist’s “Lonely Lonely,” and a revisit to Snailhouse’s “Repetition” — and so much more.

CBC’s Saturday Night Jazz and JUNO Award-winning artist Laila Biali says, “Aimee-Jo Benoit’s approach to jazz… is heartfelt, whimsical, fresh and creative. She’s an artist whose beautiful humanity and sensitive approach to life cannot be separated from what she brings to the music.”

“I never thought I might be the inspiration for someone,” Benoit muses. “I am so grateful for the weeping and breathing it created…

“The valve release.

“The love that I feel, I want it to be contagious. These are the things that have meaning now… It’s no longer my desire to be respected; now, my only desire is to inspire.”

London, UK’s Alt-Indie Artist MORCHELLA Unearths Human Complexities in Ethereal New Single “Coat of Arms”

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Producer and multi-instrumentalist Morchella has suited up a swirling and lush breakthrough alternative release, “Coat of Arms” and equally stunning and imaginative video — each available now.

Seamlessly blending ethereal and enveloping production values with a tender brand of lyricism, the new single is anchored by haunting vocals as it holds space within its ranging soundscape.

Accompanying “Coat of Arms” is a uniquely crafted stop motion video by award-winning director Isabel Garrett.

“I wanted to take the listener on an atmospheric journey,” Morchella says of the new song. “For me, this track is an expression of the complexities of every individual and just how much ‘lies beneath the surface.”

Born and raised in Ukraine, the London-based artist has long-drawn from her rich and varied musical education and experience: choirs to orchestras, piano to guitar, songwriting to production. Under her previous nom de plume of Threepwood, she wrote, produced and released The Final Piece EP, and has been featured on BBC, The Line of Best Fit, Just Music I Like, and more.

Morchella is currently collaborating with award-winning sound engineer Shuta Shinoda (Jehnny Beth, Hot Chip, Ghostpoet, Daughter, Anna Meredith, Babe) to record at Hackney Road Studios.

From Vancouver to L.A – 54-40’s NEIL OSBORNE and Daughter KANDLE Have The Folk/Blues As THE FAMILY CURSE

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Driven by bluesman Niz and Baby Kiz — aka 54-40’s Neil Osborne and his daughter, singer/songwriter Kandle — modern day blues duo A Family Curse are out with their new self-titled album — available now!

Decidedly different from their respective artistic pursuits, Niz and Kiz’ approach to A Family Curse seizes firm hold of whatever emotional range, found sounds, or random instruments are within reach.

And people: it’s not uncommon to hear Osborne uncles, cousins and other honorary musician ‘adoptees’ chime in on the tracks, from the LP’s kickoff “Cast A Curse” to the release round out “Getaway Car.”

The result is bespoke musical mastery of the best variety — 10 tracks of pure folk-art best listened to, they urge, under the light of the Moon.

David Bowie’s ‘Starman’ As Played On A Harp

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This is all very sweet by Maël Isaac, the seriously accomplished harp player.