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Registration Now Open for CIMA and Indie Week’s Online Live Mentorship Program

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CIMA and Indie Week have partnered to present an online live mentorship program in October which will run for four weeks with a focus on becoming “Export and Business Ready”.

Over a total of 8 sessions participants will get the opportunity to:

• Learn how to pitch their company and artists to international delegates

• Learn how to compile all the appropriate assets

• Learn about and how to access different markets

• Understanding Metadata in markets

• Tune Up your Social Media

Each week participants will be given a tasks to complete and at the end of these sessions will be evaluated and will receive feedback.

***This opportunity is available to 40 CIMA members (20 artist-entrepreneurs and 20 companies) as well as 20 non-CIMA members (10 artist-entrepreneurs and 10 companies). CIMA Member fee will be $50, non-members, $75.

Attendees will also receive a free full conference pass to Indie Week Canada online 2020 in which they can participate in all of Indie Week’s programming as well as a Digital Swag Bag with a value of over $100.

Register here.

From Zappa To ZZ Top: Does The “Z” Have To Do With The Beards?

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Put Frank Zappa and ZZ Top in one picture. What you will have is a lot of beards in one picture. These artists made a name for themselves with their craft and their facial hair. But was there a time that these beards influenced their music? 

A Little About Frank Zappa

Not many artists can keep up with the workaholic Frank Zappa in delivering his craft. Frank had a 30-year music career and in that period, he released 60 albums. 

Frank Zappa’s road to success was not an easy one. It was filled with setbacks and years of little or no rewards. Before his breakthrough into the limelight, Frank Zappa had to leave his boyhood band, The Blackouts, to join The Soul Giants. After Frank joined his latest band, the name mutated into The Mothers on Mother’s Day. There, he recorded some measure of success, but it was still nothing to be compared with the success he enjoyed later in his career. Even then, it took the inclusion of Herb Cohen, who already had a remarkable history in music, to revamp the band.

Their first release was a double album, Freak Out, in 1966. It was this album that influenced The Beatles’ hit song, Sgt. Pepper Lonely Hearts Club Band. After this double album, the group grew in popularity until 1971 when it experienced some major setbacks, one of which affected Frank Zappa’s health. He fell from the stage during one of his performances and sustained serious injuries. And no. He was not high on drugs or anything. In fact, his resistance to drugs was one reason he left the band. But the injuries he had from the fall doomed him to a lifetime of back pain and left him with a crushed larynx.

Beard Influence In His Songs

One thing Frank Zappa had was what we can call one of the most outstanding beards of all time. You could never have this kind of beard and mix in with the crowd. Frank kept a thick moustache that framed his upper lips in a neatly trimmed fashion. His lower lip was not to be without support in the form of beards as the musician kept a thick rectangular patch of hair right under his lower lip.

His unique facial hairstyle lived on long after the artist died in 1993. You could even argue that his signature look outlived his songs. Today, there are still a lot of people who sport the Frank Zappa beard.

A Little About ZZ Top

ZZ Top was a band that comprised three artists, Billy Gibbons, Dusty Hill, and Frank Beard. Billy handled the guitar, Dusty did the bass, and Frank was the man on the drums. And with those three instruments, the trio ruled the worlds of rock-and-roll and blues throughout their time in the limelight, which lasted from the 70s to the mid-80s.

One thing the band was known for was its creativity in the way it delivered its songs and its videos. Its songs always stood out from the songs of other bands, and you could say that was what its fans loved about it. They never knew what was coming, but they were sure that whatever it was would blow their minds.

ZZ Top released its first album in 1970 and that was when they turned the ears of listeners towards themselves. However, what established the band was the hit single, La Grange in 1973. The song made its way to the top 20 on Billboard singles chart. Since then, ZZ Top went ahead to be a household name.

The year 1983 came, and the band released another album, Eliminator. This album was one of the most successful albums from ZZ Top, going ahead to sell 10 million copies all over the world. The band may not be as popular as it used to be, but it established its legacy in 2004 when it made it into the Rock-and-roll Hall of Fame.

Beard Influence In Their Songs

Music was not the only thing that made ZZ Top stand out in its time. Whenever you looked at the images of the trio, one thing that always stood out was the enormous beards hanging down the faces of two of the artists, Gibbons and Dusty. Ironically, Frank Beard was the only one of the three who didn’t have any beards. He, however, made up for the slack of beards with a well-trimmed moustache. 

The beards were so iconic that they could have been worth a million dollars if only the group had agreed to cut it off. Gillette, a renowned manufacturer of shaver products offered the bearded men that enormous amount of money if they would agree to shave it off for an advert. They refused. 

“No dice,” Gibbons disclosed in an interview with Bravewords.com. “Even adjusted for inflation, this isn’t going to fly. The prospect of seeing oneself in the mirror clean-shaven is too close to a Vincent Price film…a prospect not to be contemplated, no matter the compensation.”

If the beards were worth that much, you may then begin to wonder about the story behind them. The men revealed the secret when they described that they had both grown the beards coincidentally without planning it. After a long break in which the artists had limited contact with one another, the group returned to continue its music.

Tom Vickers, a music journalist, wrote that “[The manager] called a band meeting, and when the three members arrived, they noticed something had changed during their time apart. They had always had some form of facial hair, with Frank usually sporting a moustache, while Billy and Dusty had scruffy little beards no more than an inch or two long.”

“I walk into the room, and I’m lookin’ at a guy I think I know,” Gibbons said after the group re-converged. “My beard has grown to doormat proportions. And I realize that Dusty had done the same thing.”

“Z” for Beards?

Nope. While there aren’t many pictures of a time when Frank Zappa was without his trademark beards, ZZ Top already formed the band name long before the beards came. So, it wasn’t the beards that influenced the names or the arts of the artists. However, it makes a lot of sense to say that the beards of these artists formed important parts of their brands. I mean, these beards were celebrities living on the faces of celebrities!

 

Indie Weekly Free Online Panel: The Power of Online Radio – The ‘How To’ Session for Media, Radio and More

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Learn how to increase your online fanbase, followers, streams, and other opportunities through online radio! There are thousands of fans tuning in and listening from around the world – and they could be YOUR FANS!

Cashbox Radio has assembled a diverse panel from Sweden, Spain, Colombia and Canada with backgrounds in online radio, magazine, network TV, and artist management!
Industry Professionals discuss the new importance and value of online radio and media exposure on a global level.

Speakers are the fab Sandy Graham (Cashbox Radio / Cashbox Magazine), Peter Astedt (Cashbox Radio / Future Echoes), Grace Puluczek (Cashbox Radio / Three Notes Management), and Hector Mora (Colombian National TV & Radio Public Network).

Register for free here.

The smoothest guitar switch ever!

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When Stevie Ray Vaughan’s guitar tech used to change tires at NASCAR.

https://youtu.be/JIFdMbhCa94

Mood Mix With Senator Kamala Harris

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From a song that she needs to hear at a cookout to the track that reminds her of her college days at Howard, this Senator Kamala Harris’ Mood Mix.

My Next Read: How to Write One Song: Loving the Things We Create and How They Love Us Back by Jeff Tweedy

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There are few creative acts more mysterious and magical than writing a song. But what if the goal wasn’t so mysterious and was actually achievable for anyone who wants to experience more magic and creativity in their life? That’s something that anyone will be inspired to do after reading Jeff Tweedy’s How to Write One Song, out October 13.

Why one song? Because the difference between one song and many songs isn’t a cute semantic trick—it’s an important distinction that can simplify a notoriously confusing art form. The idea of becoming a capital-S songwriter can seem daunting, but approached as a focused, self-contained event, the mystery and fear subsides, and songwriting becomes an exciting pursuit.

And then there is the energizing, nourishing creativity that can open up. How to Write One Song brings readers into the intimate process of writing one song—lyrics, music, and putting it all together—and accesses the deep sense of wonder that remains at the heart of this curious, yet incredibly fulfilling, artistic act. But it’s equally about the importance of making creativity part of your life every day, and of experiencing the hope, inspiration, and joy available to anyone who’s willing to get started.

CBC Music launches new music series “The Intro” now streaming on CBC Gem

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Today CBC Music launched a new video series called The Intro, a weekly feature bringing essential emerging Canadian talent to the world. Hosted by CBC Music Mornings’ Saroja Coelho, this series showcases talented artists across the country from all genres. Each episode highlights one band or artist and includes two live performances and an enlightening conversation about the music.

The first four episodes featuring Alex Porat, Paul Chin, Loony and Tops are now available to stream on CBC Music and the free CBC Gem streaming service. New episodes will be released on CBC Gem and CBC Music every Wednesday.

National Music Centre Announces Concert, Recording, and Mentorship Series Sponsored by RBC

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The National Music Centre (NMC) is pleased to announce a hybrid live music and virtual concert series sponsored by RBC, which will also include recording and mentorship sessions for four artists affected by COVID-19.

The concert series, RBC Live from the King Eddy, will happen at the historic venue at 8:30 pm every Friday night, from September 18 to October 9. Selected artists will perform safely from inside the Rolling Stone Mobile Studio room, and admission will be free. For those who can’t make it to the show in-person, concerts will be livestreamed via the National Music Centre’s Facebook page.

RBC Live from the King Eddy schedule:

  • September 18—Country act Robert Adam
  • September 25—Alt-pop artist Lucette
  • October 2—Folk songsmith Wyatt C. Louis
  • October 9—Rap/hip hop artist Sinzere

Selected artists will also receive half-day recording sessions inside Studio Bell’s world-class facility, and mentorship from NMC’s in-house producer Graham Lessard (Basia Bulat, Kevin Drew, Reuben and the Dark, Stars, Timber Timbre), whose recordings have earned multiple JUNO Award-nominations, and a nod on the Polaris Music Prize shortlist.

With roots in the soulful simplicity of classic country and lyrics that offer more than surface meaning, Robert Adam will make you nostalgic for a place you may have never known. Among the few queer country artists, he offers an inclusive take on the genre, telling stories of the people left behind in the history of country music, while creating a universally empathetic message to all.

Lucette is the moniker of Edmonton-bred artist Lauren Gillis whose self-described “country infused dream-pop” sound eschews the rootsy clichés of Americana music. Known for her velvet vocals, her writing has evolved over the years from narrative storytelling to an existential exploration and expression of emotions.

Wyatt C. Louis is a Plains Cree folk singer-songwriter based in Moh’kinstsís (Calgary). With songs built from soaring melodies, railroad-like fingerpicking, lyrical phrasing and quiet, haunting vocals, he is making a name for himself in the eclectic city.

A tour-de-force hip hop act, Sinzere started first as a singer, then joined a dance crew, went on to become a DJ and rapper, and then melded all those modes into one multi-faceted music identity. There is no single musical box that the Calgary-based artist can be put into. For her, music serves as a vessel to inspire people through her cutting-edge lyrics, and deep cinematic sound.

RBC Live from the King Eddy runs September 18 to October 9. Admission is free and all shows will also be streamed on NMC’s Facebook page.

Tangerine Dream Announces 10CD Box Set Pilots Of Purple Twilight – The Virgin Recordings 1980 – 1983

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Tangerine Dream are one of the true pioneers of electronic and ambient music, and the albums they recorded for Virgin Records between 1980 and 1983 remain classics of the genre.

Off the back of the success of In Search of Hades, the group has announced the release of Pilots of Purple Twilight – The Virgin recordings 1980 – 1983, a 10 x CD box set, released October 30, showcasing the next chapter in this period of Tangerine Dream’s history.

The box set features newly re-mastered versions of the albums Tangram, Thief, Exit, White Eagle, Logos Live, Hyperborea along with the previously unreleased soundtrack for The Keep from the 1983 movie directed by Michael Mann, something of a holy grail for Tangerine Dream fans. All audio has been drawn from the original master tapes and has been enhanced by new stereo mixes by Ben Wiseman.

Pilots of Purple Twilight also features previously unreleased material across 4 discs, including the full concert at The Dominion Theatre, London (November 1982). In addition, it includes 4 tracks from White Eagle and Daydream – Moorland that are released for the first time on CD and digitally. Thief includes “Dr. Destructo” (extended version), previously only used for promotional use only.

The Tangerine Dream tracks featured on the Virgin soundtrack LP for the movie Risky Business are also included in the box set, including the band’s biggest streamer, “Love on a Real Train” and from the Virgin archive, the unreleased songs from the soundtrack to the 1982 movie The Soldier, which was scored, composed and performed by the band.

The Pilots of Purple Twilight box set includes a hard-back book with a new essay and many rare photographs and memorabilia.

1 x CD versions of Tangram, Thief, Exit, White Eagle, Hyperborea and Logos Live are also set for release with the audio taken from the 2020 remasters and feature bonus tracks from the box set. A D2C edition of the box set will also be available which includes a reproduction of a rare poster.

10CD Box Set Features:

  • 10 x CD, newly remastered versions of the classic albums Tangram, Thief, Exit, White Eagle, HyperboreaLogos Live + the previously unreleased soundtrack for The Keep directed by Michael Mann. All audio taken from the original master tapes and enhanced by new stereo mixes by Ben Wiseman
  • Previously unreleased material across 4 CDs including The Dominion Theatre, London (November 1982) concert, the unreleased soundtrack to the 1982 movie The Soldier + tracks from the Risky Business soundtrack including “Love on a Real Train.”
  • Includes 4 tracks from White Eagle and Daydream – Moorland released for the first time on CD and digitally
  • Thief includes “Dr. Destructo” (extended version), previously used for promotional use only
  • Hard-back book with a new essay and rare photographs and memorabilia

6CD BOX SET TRACKLIST:

6 X 1CD – newly remastered versions of:

  • Tangram
  • Thief
  • Exit
  • White Eagle
  • Hyperborea
  • Logos Live
  • Features bonus tracks from the box set

10CD BOX SET TRACKLIST:

CD1 – Tangram

 Released as Virgin V 2147 in May 1980

  1. Tangram Set 1
  2. Tangram Set 2

CD2 – Thief

 Released as Virgin V 2198 in March 1981

  1. Beach Theme
  2. Destructo
  3. Diamond Diary
  4. Burning Bar
  5. Beach Scene
  6. Scrap Yard
  7. Trap Feeling
  8. Igneous

CD2 – Bonus track:

Dr. Destructo (extended version) (promo only)

CD3 – Exit

Released as Virgin V 2212 in September 1981

  1. Kiew Mission
  2. Pilots of Purple Twilight
  3. Choronzon
  4. Exit
  5. Network 23
  6. Remote Viewing

CD4 – White Eagle

 Released as Virgin V2226 in March 1982

  1. Mojave Plan
  2. Midnight in Tula
  3. Convention of the 24
  4. White Eagle

CD4 – Bonus tracks:

  1. Das Mädchen auf der Treppe
  2. Flock
  3. Katja
  4. Speed

Taken from the 12-inch EP ‘Das Mädchen auf der Treppe’, released in Germany as Virgin 600 651 in May 1982. Previously unreleased on CD.

  1. Daydream
  2. Moorland

A & B-sides of single – Released in Germany as Virgin 105 271 in May 1983.

CD5 – The Soldier soundtrack

Recorded in 1981 / 1982 at Polygon Studio and Amber Studio in West Berlin.

Final mixing at Amber Studio, West-Berlin in June 1982

  1. Main titles
  2. Cue #1 – variation on Logos #1
  3. Cue #2 – variation on Horizon #1
  4. Cue #3 – The Soldier #1
  5. Cue #4 – variation on Dolphin Dance
  6. Cue #5 – variation on Tangent #1
  7. Cue #6 – The Soldier #2
  8. Cue #7 – The Soldier #3
  9. Cue #8 – The Soldier #4
  10. Cue #9 – The Soldier #5
  11. Cue #10 – variation on Horizon #2
  12. Cue #11 – The Soldier #6
  13. Cue #12 – The Soldier #7
  14. Cue #13 – variation on Logos #2
  15. Cue #14 – The Soldier #8
  16. Cue #15 – variation on Horizon #3
  17. End Titles

CD6 – The Dominion Theatre Concert

 6th November 1982 (Previously unreleased)

  1. The Dominion Concert Part One

CD7 – The Dominion Theatre Concert

6th November 1982 (Previously unreleased)

  1. The Dominion Concert Part Two
  2. Midnight in Tula
  3. White Eagle
  4. Dominion

CD8 – Logos Live

Released as Virgin V 2257 in December 1982

  1. Logos (Part 1)
  2. Logos (Part 2)
  3. Dominion

CD9 – Hyperborea

Released as Virgin V 2292 in November 1983

  1. No Man’s Land
  2. Hyperborea
  3. Cinnamon Road
  4. Sphinx Lightning

CD9 – Bonus tracks:

  1. The Dream is Always the Same
  2. No Future (Get off the Babysitter)
  3. Guido the Killer Pimp
  4. Lana
  5. Love on a Real Train (Risky Business)

Taken from the soundtrack album: ‘Risky Business’

Released as Virgin V 2302 in 1984

CD10 – The Keep

Soundtrack to the 1983 film directed by Michael Mann (Previously unreleased)

  1. Puer Natus Est Nobis (Gloria) (Thomas Tallis, arr. Edgar Froese)
  2. Arx Allemand (Edgar Froese)
  3. Truth and Fiction (Edgar Froese
  4. The Silver Seal (Edgar Froese / Johannes Schmoelling)
  5. Ancient Powerplant (Edgar Froese)
  6. Supernatural Accomplice (Edgar Froese)
  7. The Challenger’s Arrival (Edgar Froese)
  8. Heritage Survival (Edgar Froese / Christoph Franke / Johannes Schmoelling)
  9. Parallel Words (Edgar Froese / Johannes Schmoelling)
  10. Canzone (Edgar Froese / Johannes Schmoelling)
  11. Voices from a Common Land (Edgar Froese / Christoph Franke / Johannes Schmoelling)
  12. Wardays Sunrise (Edgar Froese)
  13. The Night in Romania (Edgar Froese)

 

Claire Rosinkranz Releases Music Video For Breakout Single “Backyard Boy”

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After quietly taking over TikTok with 2.5 million-plus video recreations and over 20 million streams since the top of summer, Claire Rosinkranz shares the official music video for her breakout single “Backyard Boy” today.

https://clairerosinkranz.lnk.to/BBvideoPR

The visual—which Claire creative directed—quite literally brings her words to life. Under the California sun, she peaks over the fence to scope out the song’s actual “Backyard Boy.” Within moments, she launches into buoyant and bubbly choreography that bounces between the video’s characters with a kinetic energy befitting of the upbeat production. Bringing the clip even closer to home, her friends and family comprise the smiling cast on-screen. It serves as the perfect companion to this bright breaking bop.

The video marks Claire’s first release under her recently minted deal with slowplay and Republic Records. Her debut EP BeVerly Hills BoYfRiEnd is available now.

With a homegrown California brew of alternative, pop, and blues, 16-year-old singer, songwriter, multi-instrumentalist, and ballerina Claire Rosinkranz buzzed to the forefront of the conversation this Summer with the independent release of her debut EP, BeVerly Hills BoYfRiEnd in June 2020. Unbeknownst to her, the song “Backyard Boy” gained unprecedented traction on TikTok, inspiring over 2.5 million video recreations, and sparking a highly competitive signing effort from labels around the world. In addition to generating over 20 million Spotify streams, it captured #1 on the Spotify Global and U.S. Viral 50 Charts, with the EP approaching 30 million global streams. Meanwhile, BuzzFeed and Rolling Stone chronicled her rapid rise. Newly signed to slowplay/Republic Records, Claire Rosinkranz is poised to become one of the year’s most unexpected and significant breakout acts.