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MasterClass Announces Oscar-Nominated and Emmy Award-Winning Composer Danny Elfman To Teach Music Out of Chaos

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Today, on Halloween, MasterClass, the platform that makes it possible for anyone to learn from the best, announced that four-time Oscar-nominated film composer, Danny Elfman, will teach a class on the process of making music out of chaos. The class will let members completely into Danny’s world, offering an intimate and uncensored look at the composer’s film scoring process and how to elevate a story through sound. Now available exclusively at MasterClass.com, students can subscribe for unlimited access to all new and existing classes of 65+ instructors through the All-Access Pass. MasterClass categories include business, culinary arts, film & television, music & entertainment, photography, sports and more.

“Danny’s compositions – from ‘The Simpsons’ to ‘Good Will Hunting’ – are a huge part of pop culture and have been for over 30 years,” said David Rogier, co-founder and CEO of MasterClass. “It’s so rare and we are excited to have Danny give us a raw and uncensored look at his creative process.”

With a career spanning more than 100 scores over 30+ years, Elfman is one of the most decorated and versatile composers in Hollywood. His music compositions have been recognized with the industry’s highest honors including winning one Grammy and two Emmy Awards, as well as nominations for two Golden Globes and four Academy Awards. Beyond his own accolades, Elfman’s common collaborators are many of the industry’s most beloved and celebrated directors. Elfman started in the industry after catching Tim Burton’s attention in 1985, while playing in a new wave band he founded called Oingo Boingo. Burton tasked Elfman with creating the score for “Pee-wee’s Big Adventure,” and since then, has collaborated with Elfman on nearly all of his films including “The Nightmare Before Christmas,” “Batman,” “Edward Scissorhands” and “Beetlejuice.” In addition to his film work, Elfman also created the iconic television theme songs for “Desperate Housewives” and “The Simpsons.”

“I won the lottery with film scoring,” said Danny Elfman. “I taught myself what I needed to know and I struggled. Because of that, I know it’s important to get the training. To study. And, to develop all the tools necessary to succeed. I hope my MasterClass can be one of those tools and inspire the growing generation of film composers.”

Elfman’s MasterClass is designed for everyone from the casual film lover to the advanced film composerWeaving a wide range of lessons together, Elfman will help students understand the process by which he was able to create some of his most notable works, featuring case studies of “The Nightmare Before Christmas” and “Milk.” Elfman also provides members unprecedented access to his private studio – which he has never shared publicly before – offering a look at his software and effects, and the big board that keeps track of his output and time management. For introductory composers, the class dives into lessons on classical music composition and the history of music in film through the unique lens of Elfman’s experience. As the lessons become more advanced, he hones in on the process-oriented elements of composition, from identifying instrumentation to creating consistent themes and motifs. The class also includes a range of helpful industry-focused lessons, such as engaging with directors, maintaining creative inspiration throughout your work and how to handle ego and insecurity.

Elfman’s MasterClass joins the 65+ classes taught by world-renowned instructors on cooking, photography, writing, performance, and much more. With video lessons that fit into any part of your day, each MasterClass has cinematic visuals with close-up, hands-on demonstrations that make you feel one-on-one with the instructor. The All-Access Pass gives you access to every MasterClass and new ones as they launch. Learn on the go with mobile apps or in your home theater with Apple TV. Subscribe to greatness at MasterClass.com.

Multi-Platinum Recording Artist And Activist Natalie Merchant To Receive The ASCAP Foundation Champion Award

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The ASCAP Foundation announces that multi-platinum recording artist, songwriter and social justice activist Natalie Merchant will be recognized with The ASCAP Foundation Champion Award and composer, conductor, artistic director and founder of the Young People’s Chorus of New York City (YPC) Francisco Núñez will accept The ASCAP Foundation Life in Music Award at The ASCAP Foundation Honors on Wednesday, December 11 in New York City.

Natalie Merchant has lent her name and voice to the causes of environmental protection, domestic violence, racism, arts education and more, and Francisco Núñez has enriched the lives of thousands of children of every cultural and economic background with innovative music education,” said The ASCAP Foundation President Paul Williams. “Their passion and commitment to philanthropy are sterling examples of how the creative community can step forward to improve the human condition. They ‘walk the walk’ and are inspirations for all of us.”

The Champion Award was established by The ASCAP Foundation to celebrate ASCAP members whose contributions extend beyond music to significant charitable and humanitarian efforts. Previous members who have received the award include Tony BennettDee Dee BridgewaterJudy CollinsArlo GuthrieBilly JoelRichard MarxJohn MellencampJason Mraz and Ne-Yo.

Known for her solo career and as the lead vocalist and lyricist of the band 10,000 Maniacs, Natalie Merchant has supported a variety of non-profit organizations both financially and by raising public awareness. They include Scenic Hudson, Riverkeeper, The Center for Constitutional Rights, Doctors Without Borders, Tibet House, Greenpeace, The Southern Center for Human Rights and Planned Parenthood. In 2007, she was appointed to serve a five-year term on the prestigious New York State Council on the Arts (NYSCA) and in 2013, spearheaded an effort to stop the advance of hydraulic fracturing in New York State with a concert film, Dear Governor Cuomo. That same year she again used the format of concert film to address the domestic violence crisis in the Hudson Valley with Shelter. Merchant is currently an artist in residence with the Hudson Valley charity Commission on Economic Opportunity, where she is developing a music, poetry and dance curriculum for their Head Start program.

Over her 30-year music career, Merchant has earned a place among America’s most respected recording artists as an accomplished songwriter and captivating stage performer. She released two platinum and four gold records with 10,000 Maniacs between 1981 and 1993 and as a solo artist, her 1995 debut Tigerlily sold over 5 million copies. In the years since, she has continued to release solo material including a 2010 double album, Leave Your Sleep (Nonesuch Records), a musical adaptation of 26 classic and contemporary poems on childhood by such poets as Robert Louis Stevenson, e.e. cummings and Mother Goose which later received the New York Public Library’s prestigious Library Lion Award. Most recently, Nonesuch released a 10-CD box set of her complete solo work with the addition of a new album entitled Butterfly (2017).

The Life in Music Award is presented by The ASCAP Foundation to an ASCAP writer member for his or her outstanding accomplishments as a composer, songwriter, performer, arranger or vocalist in any genre. Previous award winners include Johnny Cash and June Carter Cash, groundbreaking jazz composer and bandleader Maria Schneider, acclaimed choral music composer Morten Lauridsen, songwriter, musician and activist Jesse Winchester and jazz pianist, composer and arranger Horace Silver.

Francisco Núñez is a composer, conductor and visionary – a leading figure in music education and the artistic director/founder of the Young People’s Chorus of New York City (YPC). Since founding YPC in 1988, Núñez has created an awareness of the ability of children to rise to unforeseen artistic heights and has been praised by The New York Times for “raising the bar [for children’s choruses] by commissioning a steady stream of works from composers who usually write for adults.”

As a composer, Núñez creates countless works and arrangements in all musical formats and styles for choirs, orchestras and solo instruments and is currently composing a song cycle commissioned by The ASCAP Foundation. He also leads the University Glee Club of New York City, its fifth conductor since the all-men’s chorus was established in 1894. Núñez is sought after nationwide as a guest conductor by professional orchestras and choirs and as a keynote speaker on the role of music in achieving equality and diversity among children in today’s society. Among his many awards and honors are a MacArthur Fellowship, Musical America’s 2018 Educator of the Year award, and ASCAP’s Victor Herbert Award. He also holds honorary Doctor of Music degrees from both Ithaca College and Gettysburg College.

In addition to celebrating music creators who have excelled at their craft, The ASCAP Foundation Honors showcases the contributions the Foundation makes to nurturing new talent by recognizing its 2019 high school and college scholarship and award recipients. The evening will also feature performances by rising talent in various musical genres.

Phish to Perform Exclusive Concert for SiriusXM and Pandora Listeners

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SiriusXM announced today that Phish will perform an exclusive concert for SiriusXM and Pandora listeners on Tuesday, December 3, at The Met in Philadelphia, PA.

The live performance will mark the smallest venue the band has played in nearly 20 years and will be broadcast live on Tuesday, December 3 at 7:30 p.m. ET, with the pre-show beginning at 6 p.m. ET, on SiriusXM’s Phish Radio (ch. 29). In advance of the show, Trey Anastasio will unveil his own Pandora Story, offering up commentary to a playlist of meaningful tracks from throughout the band’s career.

“It’s been fun firin’ up our own satellite channel!” said Phish’s Mike Gordon. “And what better way to celebrate Phish Radio than putting on a live show?”

“After launching Phish Radio earlier this year, we knew we had to deliver something extra special to devoted listeners of their SiriusXM channel,” says Steve Blatter, Senior Vice President and General Manager for Music Programming, SiriusXM.  “We’re thrilled this exclusive performance will bring the Phish community even closer to their beloved band.”

SiriusXM subscribers will have numerous opportunities to win a pair of tickets to this exclusive show, including on-air on Phish Radio, online at SiriusXM.com/Phish (To enter, see Official Rules for complete details at siriusxm.com/Phish), via e-mail invitation sent to qualified subscribers who have consented to e-mail marketing from SiriusXM and who have registered their music interests with us at siriusxm.com/perks and more to be announced!

Phish Radio (ch. 29) plays music from the band’s extensive career, including their vast catalog of live songs, studio tracks, and musical influences.  Listeners also hear recurring shows hosted by the band members, live broadcasts from their 2019 tour, as well as exclusive interviews and commentary from each band member.

SiriusXM subscribers are able to listen to Phish Radio, as well as this special performance on SiriusXM radios, and those with streaming access can listen online, on-the-go with the SiriusXM mobile app and at home on a wide variety of connected devices including smart TVs, Amazon Alexa devices, Apple TV, PlayStation, Roku, Sonos speakers and more.  Go to www.SiriusXM.com/streaming to learn more.

One of the most celebrated genre-transcending, improvisational groups of all time, Phish, has been touring for almost four decades—accumulating a massive and loyal fan-base along the way. With over eight million albums and live DVDs sold, Phish is a testament to the staying power of pure showmanship, organic support, and word-of-mouth-propelled success. Co-founded by guitarist Trey Anastasio, drummer Jon Fishman and bassist Mike Gordon at the University of Vermont in Burlington in the fall of 1983, Page McConnell joined the band as its keyboardist in 1985 and the lineup has remained unchanged for over 30 years. In addition to their iconic live shows, Phish has recorded over 14 studio albums for Elektra Records and their own label, JEMP Records.  In the summer of 2017, the band performed a milestone 13-show run at Madison Square Garden titled The Baker’s Dozen, playing 26 unique sets and a total of 237 songs without any repeats. Phish returns to the Garden again for four nights this December for their traditional year-end run, bringing the total number of shows at MSG to 64.

If James Brown Came From Japan…

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Zainichi Funk’s 2011 song Bakudan Kowai (“Scary Bomb”) showcases what James Brown might sound like if James Brown came from Japan.

Eric Alper Public Relations and the artists and labels I work with earn 27 nominations at the Maple Blues Awards

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Talented blues artists from coast-to-coast will gather in Toronto on February 3rd, 2019 to celebrate the 23rd annual Maple Blues Awards. Eric Alper Public Relations and the fab artists and labels I work with earned a total of 27 nominations.

Leading the way for nominations is Sue Foley who has been nominated for Entertainer of the Year, Electric Act of the Year, Songwriter of the Year, Guitarist of the Year and Drummer of the Year for Tom Bona. A first-time nominee, Miss Emily has been nominated for Entertainer of the Year and New Artist of the Year.

Nominees for the 23rd Annual Maple Blues Awards

Entertainer of the Year
Downchild Blues Band
Miss Emily
Sue Foley

Electric Act of the Year
Colin James
Sue Foley

Acoustic Act of the Year
Manx Marriner Mainline
Matt Andersen
Michael Jerome Browne

Male Vocalist of the Year
Matt Andersen
Steve Marriner

Female Vocalist of the Year
Miss Emily

New Artist of the Year
Durham County Poets
Miss Emily

Recording/Producer of the Year
Colin Linden Luther Dickinson – Amour / Stony Plain (Colin Linden)
Matt Andersen – Halfway Home By Morning / True North (Steve Dawson)

Songwriter of the Year
Big Dave McLean
Colin Linden
Sue Foley

Blues with a Feeling Award (Lifetime Achievement Award)
Michael Jerome Browne

Guitarist of the Year
Sue Foley

Harmonica Player of the Year
Steve Marriner

Piano/Keyboard of the Year
Kenny “Blues Boss” Wayne

Drummer of the Year
Gary Craig (Colin Linden, Steve Dawson)
Tom Bona (Sue Foley)

Bassist of the Year
Gary Kendall

Registration and voting for the 23rd Annual Maple Blues Awards will be open to the Canadian public from November 1st, 2019 at 12:01 am Newfoundland Daylight Time, through December 1st, 2019 at 11:59 pm Pacific Standard Time. Register at www.mapleblues.ca.

Photo Gallery: Fleetwood Mac at Toronto’s Scotiabank Arena

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All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com

Fleetwood Mac
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The Sheepdogs Announce Movember Partnership

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Canadian rockers The Sheepdogs are about to be a lot less shaggy.  In the past year and a half, the band has been personally affected by cancer, with the group’s drummer Sam Corbett being diagnosed with testicular cancer and the loss of Ryan Gullen’s dad to cancer.  With that on their mind, the band has chosen to partner with Movember to help raise money and raise awareness around early cancer detection and men’s health.  Sam will kick things off with an interview tonight on ET Canada, where he will speak about his own battle with cancer.  Meanwhile, Shamus Currie will be shaving down at Movember Canada’s official Toronto kick-off at stackt MARKET with several other high-profile participants.  Sam and Shamus will be raising funds to grow their moustaches for the month of November, and if the band is able to raise $10,000 bassist Ryan Gullen will shave his beard into a moustache. Gullen has not shaved his face since 2006.  Fans of the band can donate to the effort at http://bit.ly/SheepdogsMOVEMBER.

Of the importance of early detection, Sam says “I really like how Movember’s focus for testicular and prostate cancer is on early detection and prevention. I feel lucky to have caught my testicular cancer early, but if I had been doing regular checks, I probably would have got it even earlier, and maybe I could have caught it before it spread to my lymph nodes”

Gullen adds, “”In the past year, losing my dad to cancer and seeing my friend and bandmate successfully beat cancer really opened my eyes to how important it is for us to be conscious of our health and how important early detection is.  As much as we learn, there still is a stigma that is associated with checking yourself or going and seeing the doctor.  Because we were so closely impacted by that we really wanted to be part of such a great cause to do what we can with the band to help get the message out there and raise money for Movember”

Movember is the leading global men’s health charity working to change the face of men’s health. The charity raises funds to deliver innovative, breakthrough research and support programs that enable men to live happier, healthier and longer lives. Committed to disrupting the status quo, millions have joined the movement, helping fund over 1,250 projects focusing on prostate cancer, testicular cancer and suicide prevention. In addition to tackling key health issues faced by men, Movember is working to encourage men to stay healthy in all areas of their life, with a focus on men staying socially connected and becoming more open to discussing their health and significant moments in their lives. The charity’s vision is to have an everlasting impact on the face of men’s health. To donate or learn more, please visit Movember.com.

Tame Impala Announces Highly Anticipated 4th Studio Album, The Slow Rush, Out February 14

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Tame Impala (Kevin Parker) has officially announced his fourth studio album, The Slow Rush out February 14th. Today, Parker also releases an additional album track, “It Might Be Time”, which follows the previously released album track, “Borderline”. Parker also released a single, “Patience,” earlier this year. The Slow Rush was recorded between Los Angeles and Parker’s studio in his hometown of Fremantle, Australia. The twelve tracks were recorded, produced and mixed by Parker. Fans can pre-order The Slow Rush here and all major retailers, or with a ticket purchase for 2020 North American tour dates. Sign up to the mailing list for touring news. Digital pre-orders will receive the two album tracks instantly. The Slow Rush will also be printed in 4 heavyweight double disc formats – standard black, forest green (Limited Edition – all retailers), red/blue (indie retail exclusive) and swirl (Tame Impala webstore exclusive).

“It Might Be Time” is your paranoid shadow snapping at your Achilles heel. It’s the horrifying idea that your mojo’s gone out for a walk and it may not be coming back. It’s second guessing yourself, wondering “have I still got it? Did I ever??” Your paranoid inner observer taunting you in your own denial, telling you to wake up and accept your salad days are over. A dynamic, bombastic burst of pungent prog-pop, It Might Be Time pulses on an insistent keyboard groove, punctuated by collisions of overblown drums flaying at the edges, the outward expression of a restless internal funk. A heady psych bomb threatening to implode, “It Might Be Time” is potent Tame Impala 2020.

The Slow Rush is Parker’s deep dive into the oceans of time, conjuring the feeling of a lifetime in a lightning bolt, of major milestones whizzing by while you’re looking at your phone, it’s a paean to creation and destruction and the unending cycle of life. Parker told the New York Times earlier this year, “A lot of the songs carry this idea of time passing, of seeing your life flash before your eyes, being able to see clearly your life from this point onwards. I’m being swept by this notion of time passing. There’s something really intoxicating about it.” The album cover was created in collaboration with photographer Neil Krug and features a symbol of humanity all but swallowed whole by the surrounding environment, as though in the blink of an eye.

In the last six months Tame Impala have headlined multiple major festivals including Coachella, Primavera, Lollapalooza, ACL and more. He performed two songs on Saturday Night Live, including the debut performance of The Slow Rush track, “Borderline”, and sold out arenas around the world including two nights at New York City’s Madison Square Garden.

Tame Impala is Kevin Parker. His last album Currents was released in 2015 earning him a BRIT Award for Best International Group, a second GRAMMY nomination and went platinum in Australia, Gold in the USA, Canada, UK, France, Netherlands and Belgium, and enjoyed word-wide critical acclaim. The New York Times labeled it a “a tour de force” and Pitchfork said, “nearly every proper song on ‘Currents’ is a revelatory statement of Parker’s range and increasing expertise as a producer, arranger, songwriter, and vocalist while maintaining the essence of Tame Impala.” NPR noted, “[Parker] advocates for constant reinvention… That commitment to evolution helps make Tame Impala an unlikely but worthy candidate for major stardom.”

He first toured the U.S. in 2010, playing small clubs for crowds of 200. A handful of trips to the U.S. later and thanks to the ravenous demand of fans for a transcendent live performance, Tame Impala has gone on to headline festivals and theaters around the world and released three full length albums – Innerspeaker, Lonerism and Currents. As a writer and producer Parker has collaborated with Travis Scott, SZA, Lady Gaga, Mark Ronson, Kanye West, Kali Uchis, Theophilus London, Miguel, A$AP Rocky and more.

The Rolling Stones – Bridges To Buenos Aires Previously Unreleased Concert Film Released On November 8

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Bridges To Buenos Aires was today announced by The Rolling Stones for release on November 8th. The previously unreleased concert film from their Bridges to Babylon Tour has been completely restored, remixed and remastered. This latest release from the acclaimed Rolling Stones archive series will be available on DVD, Blu-ray, digital, DVD + 2CD, Blu-ray + 2CD, limited edition blue translucent 180gm triple vinyl, black 180gm triple vinyl and digital audio.

Bridges to Buenos Aires captures the complete show from April 5th 1998, the last date of the band’s five-night sell-out residency at the River Plate Stadium in Argentina’s capital city. The legendary Bob Dylan joins the band onstage for a unique performance of “Like A Rolling Stone”.

From the explosive opening salvo of “Satisfaction”, it’s evident that both the band and the crowd mean business. The latter are packed in like sardines at the River Plate Stadium, all of them moving as one. They welcome The Stones back with the warmth of long-lost brothers.

The band then unzipped over two hours of pure, animalistic rock ‘n’ roll exhilaration. Then-new songs from Bridges To Babylon found their natural place in a setlist that included some of the most recognizable anthems of the rock era. “Flip The Switch”, “Saint Of Me” and “Thief In The Night” rub shoulders with a brooding “Gimme Shelter”, Jagger’s acoustic and Ronnie’s slide guitar on “Sister Morphine”, and a whole host of singalong crowd-pleasers.

Then, suddenly, and without introduction, Dylan. The bard had played his own set to the adoring River Plate crowd before ambling on stage to double-date with Jagger on “Like A Rolling Stone”, which the Stones had admirably inhabited on 1995’s Stripped. Bob’s customarily approximate vocal style certainly kept Mick on his toes, but the bonhomie of the moment gave further warmth to a set that was growing evermore fierce.
The Rolling Stones have always preferred to cross bridges rather than to burn them. By the time they said buenas noches to Buenos Aires that night in ’98, they had left Latin America a love letter to be treasured

This concert film has been meticulously restored from the original master tapes, and the audio remixed and remastered from the live multitrack recordings.

Mark Hollis Vinyl Announced For Release On November 8

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November 8th sees the vinyl repress of the only solo album by former Talk Talk frontman Mark Hollis. First issued in January 1998 and despite being released as a solo album by Hollis, the original intention was that it be credited to Talk Talk under the name Mountains of the Moon. This genuine ‘lost classic’ is now available again on heavyweight vinyl, complete with original artwork and printed inner sleeve with lyrics and credits.

A beautiful and haunting work, this album picks up where Hollis left off with Talk Talk’s’ Laughing Stock’ seven years before, re-emerging with a suite of music that encompasses jazz, ambient, and folk.

Hollis’ inspiration came not from ‘pop’ but 20th-century classical music and jazz of the late fifties and sixties (there is a distinct flavour of Miles Davis – ‘In A Silent Way). It must rank amongst one of the quietest and most intimate records ever made, suffused with an exceptional and immersive atmosphere.

A Life (1895 – 1915), which has been referred to as “the album’s epic centrepiece” refers to Roland Leighton (1895–1915), a British soldier and poet who was the fiancé of Vera Brittain at the time of his death in World War I. Hollis has stated about the song…

“That was someone born before the turn of the century…and dying within one year of the First World War at a young age. It was based on Vera Brittain’s boyfriend. It’s the expectation that must have been in existence at the turn of the century, the patriotism that must’ve existed at the start of the war and the disillusionment that must’ve come immediately afterwards. It’s the very severe mood swings that fascinated me”.

The understated artistry and minimalist beauty of tracks like The Colour of Spring and Watershed makes Mark Hollis’a truly unique and indelible listening experience.

Track-listing

Side one
The Colour Of Spring
Watershed
Inside Looking Out
The Gift

Side two
A Life (1895-1915)
Westward Bound
The Daily Planet
A New Jerusalem