WhenĀ Berry Oakley, Butch Trucks, Dickey Betts, Duane Allman, Jaimoe,Ā andĀ Gregg AllmanĀ finally coalesced in 1969 asĀ TheĀ Allman Brothers Band, after stints in other bands and musical endeavours ā some alone, some with each other ā the groupās very first informal jam together was the stompingĀ Muddy WatersĀ song, āTrouble No Moreā. Almost immediately the six musicians knew they were on to something special. Shortly after, it also became the very first song they officially demoed together for their eponymous debut record, an album that would begin their legendary, unparalleled, and often times, turbulent journey as one of the best American rock bands to ever exist.
The bandās original 1969 demo of āTrouble No Moreā, which has remained unreleased for more than half a century, fittingly opens the new, aptly-titled Allman Brothers Band career retrospective,Ā Trouble No More: 50thĀ Anniversary Collection,Ā releasing February 28 via Island Mercury/Ume/Universal Music Canada, the countryās leading music company, to pay tribute to the 50thĀ anniversary of the pioneering Southern rock legends and their incredible body of work. Available as a 10LP or 5CD box set or digitally,Ā Trouble No Moreāproduced by Allman Brothers Band historians and aficionados Bill Levenson, John Lynskey and Kirk West āoffers a massive selection of 61 Allman Brothers Band classics, live performances and rarities from across their 45-year career, and includes seven previously unreleased tracks that take you from the very beginning until the very end. The collection is bookended with a live performance of āTrouble No Moreā from the Allman Brothers Bandās final show at New Yorkās Beacon Theatre that brought the bandās legend to a close and which brings this retrospective full circle.
Trouble No More:Ā 50thĀ Anniversary CollectionĀ is available for preorder now. Ahead of the release, the previously unreleased demo recording of āTrouble No Moreā is available for streaming now and for immediate download with digital album preorder. Preorder/listenĀ HERE.
The deluxe vinyl box set ofĀ Trouble No More: 50thĀ Anniversary CollectionĀ beautifully presents the Allman Brothers Bandās legacy across 10 LPs packaged in five gatefold jackets housed in a wood veneer wrapped slipcase with gold graphics, accompanied by a 56-page book. The vinyl set will also be released as a limited edition colour vinyl collection via the online music retailerĀ uDiscoverĀ with each LP pressed on orange and red splatter coloured vinyl evoking the insides of a peach. The 5CD edition will be packaged in a 12-panel softpack with a visually distinctive slipcase and includes an 88-page booklet. Both physical editions feature an insightful nearly 9000 word essay on the 50-year history of the band by John Lynskey, unreleased band photos along with newly shot photos of memorabilia from the Big House Museum in the bandās adopted hometown Macon, GA and a recap of the 13 incarnations of the band lineup. The digital version of the album will mirror the 5CD edition and be available for streaming and download, including Apple Digital Master. All recordings have been newly mastered by Jason NeSmith at Chase Park Transduction in Athens, Ga. and sound better than ever.
Arranged chronologically and thematically and representing all 13 lineups the band had,Ā Trouble No More: 50thĀ Anniversary CollectionĀ is grouped into five distinct eras representing the various stages of the bandās recording and performance history, divided by the group’s stints on the Capricorn, Arista and Epic labels, as well as the band’s own Peach imprint. Starting withĀ The Capricorn Years 1969 ā 1979 Part I,Ā the collection kicks off at the beginning of the Allman Brothers Bandās story with their first-ever recording, the previously unreleased 1969 demo version of āTrouble No Moreā, and includes highlights from their self-titled debut like the swaggering one-two punch of āDonāt Want You No Moreā and āItās Not My Cross To Bearā, the musical maelstrom āWhipping Postā; standouts from their second album,Ā Idlewild South,Ā such as the classic āMidnight Riderā; Dickeyās first songwriting effort for the band, āRevivalā; and āDonāt Keep Me Wonderingā, with Duaneās slide guitar work centre stage. The original lineupās legacy album, the legendary liveĀ At Filmore East, recorded in March 1971 at promoter Bill Grahamās East Village theatre, is represented here with the blues-rock shuffle of āStatesboro Bluesā, a sultry take on āStormy Mondayā and the dazzling 13-minute instrumental odyssey, āIn Memory Of Elizabeth Reedā, where every member is in perfect harmony. As Lynskey writes in the comprehensive liners, āThere is no question, however, that The Allman Brothers Band was at their best up on a stage, playing live music for an audience. The group played with unbridled energy, and without constraints. While their set list did not vary all that much from night to night in the early days, the bandās desire to explore, create and improvise guaranteed that each show would be a different listening experience⦠Their marathon concerts became the stuff of legend, and that spirit was captured onĀ At Fillmore East, the live set by which all others are measured.ā
The Capricorn Years 1969 -1979, Part IIĀ collects together songs from the Allman Brothers Bandās double album,Ā Eat A Peach, made with tracks recorded in 1971 with Duane before he tragically died in a motorcycle accident. Released in February 1972, the cuts featured on the set include āBlue Skyā, written and sung by Dickey; āMelissaā, Greggās tribute to his lost brother and āOne Way Outā, recorded live in June ā71, on the closing night of the Fillmore East. āHot āLantaā and āYou Donāt Love Meā from a live performance at New Yorkās A&R Studios broadcast on WPLJ radio and āAināt Wastinā Time No Moreā, recorded at Puerto Ricoās āMar Y Sol Festivalā, in April 1972, showcase the band in a variety of live settings. Songs from their #1 selling album,Ā Brothers and Sisters,Ā include Dickeyās country-infused hit single, āRamblin Manā and āWasted Wordsā, which were the last two songs to feature bassist Berry Oakley who also tragically died in a motorcycle accident at the same age as Duane, 24.Ā Part IIĀ concludes with a previously unreleased outtake of āEarly Morning Bluesā, a standard blues number that eventually morphed into āJelly Jellyā.
As The Allman Brothers Band experienced one blow after another,Ā Brothers and SistersĀ tore up the charts and so they soldiered on through the pain and grief and did what they did best ā play.Ā The Capricorn Years, 1969-1979, Part III/The Arista Years, 1980-1981Ā launches with two live performances from their historic āSummer Jamā show in July ā73 with the Grateful Dead at Watkins Glen, NY which drew more than half a million fans to the grounds of the famed raceway. āCome and Go Bluesā, released on the live album,Ā Wipe the Windows, Check The Oil, Dollar Gas, is an especially grooving number of Greggsā while āMountain Jamā is a previously unreleased breathtaking version that grew out of a line from Donovanās happy folk song āFirst There Is A Mountainā into a 12-minute jam. The bandās recordĀ Win, Lose Or Draw, recorded in 1975 after a couple years apart following the release and subsequent tours for Gregg and Dickeyās debut solo albums and is highlighted here with the moving title track, their inspired rendition of Muddy Watersā āCanāt Lose What You Never Hadā and the rollicking instrumental, āHigh Fallsā. As a result of fractures in the band, they disbanded after the albumās tour and remained apart for four years. Eventually overtures were made and after an impromptu performance together made them yearn to be together again, the original members ā Butch, Ā Dickey, Jaimoe and Gregg ā decamped to the studio and recorded 1979āsĀ Enlightened Rogues. Included here are standouts āCrazy Loveā, āCanāt Take It With Youā, āPegasusā and a live version of Greggās autobiographical āJust Aināt Easyā. The end of the decade would also mark the end of their time with Capricorn, as a result of the label going bankrupt, and a new label home with Clive Davisā Arista Records, which they signed to in 1980. āHell and High Waterā, and āAngelineā from the resulting album,Ā Reach For The Sky, released in August 1980, had glossier production and synthesizers. Sadly, Jaimoe and the group would part ways after this. āNever Knew How Muchā, a gorgeous ballad that originated during the sessions for Greggās solo album,Ā Laid Back, and āLeavināā a song that may have foreshadowed what was to come from their album,Ā Brothers Of The Road, released in August 1981, round out the chapter.
In 1989, after years apart and several solo albums, the original members of the band were approached about doing a reunion tour to promote an upcoming career box set, and Butch, Dickey, Jaimoe and Gregg all agreed. For the tour, they recruited Warren Haynes, a guitarist that Dickey had been playing with, and went out as a seven-piece. The chemistry was palpable and the shows so well received that the band, now signed to Epic, recordedĀ Seven Turns, their first album together in nearly a decade.Ā The Epic Years, 1989-2000Ā includes the albumās title track, considered one of Dickeyās best songs and āGood Clean Funā, which received solid airplay on MTV. The album was a resounding statement that The Allman Brothers Band were back. Not wanting to waste time, they quickly set to work on 1991āsĀ Shades Of Two WorldsĀ which saw Dickey take a dominant role as a songwriter, as heard on āNobody Knowsā, and Warren emerge as an influential member of the group, co-writing five songs with either Dickey or Gregg, including āEnd Of The Lineā, which sounded like vintage Allman Brothers. Some of the many other highlights from this era include āLow Dirty Meanā, from the 1992 live album,Ā Play All Night: Live At The Beacon Theatre, a rare live performance of Robert Johnsonās āCome On Into My Kitchenā, and songs from 1994āsĀ Where It All Begins, including the stellar title track and the live fan favourite āSoulshineā, which displayed Warrenās singer/songwriter talents. It concludes with the unreleased āIām Not Cryingā, a composition written by Jack Pearson who replaced Warren after he left to focus on his band Govāt Mule.
The final chapter,Ā The Peach Years, 2000-2014, spans a variety of lineup changes, most notably the departure of original member Dickey Betts and the introduction of guitarist Derek Trucks, the nephew of Butch Trucks. The younger Trucks delivers an emotionally-charged solo alongside Dickeyās recent replacement, Jimmy Herring, on the previously unreleased, somber-and raw, āLoan Me A Dimeā, recorded on August 26, 2000, the day bassist Allen Woody passed away. Gregg sounds especially emotional on the powerful performance. Woodyās death shook the band but it was out of this tragedy that Warren would make his way back to his brothers. Included here is a spectacular, never-released live performance from the bandās 2001 Beacon run of āDesdemonaā, a new song that Warren and Gregg wrote together. The tune, along with the shimmering āThe High Cost Of Low Livingā and the poignant āOld Before My Timeā, would be featured on The Allman Brothers Bandās final album,Ā Hittinā The Note, released in 2003, some of their best work in years. Two unreleased gems from the bandās 2005 annual stand at the Beacon Theatre include an extremely rare version of āBlue Skyā with Gregg handling the lead vocals and Derekās and Warrenās solos augmented by lively piano work from longtime former bandmate Chuck Leavell, who was sitting in for the March 21 show; and Warren and Derekās wonderful interpretation of Duaneās instrumental, āLittle Marthaā, from that same night. Appropriately the collection culminates with a live version of āTrouble No More,ā the first song The Allman Brothers Band ever played together and the last song of their career. As Lynskey writes, āIn those four minutes, 45 years came pouring out of the speakers; 45 years of superior blues/rock music, created by incomparable musicians. The final notes echoed through the theatre early in the morning of October 29, 43 years to the day that Duane Allman died.ā
Trouble No More: 50thĀ Anniversary CollectionĀ eloquently demonstrates how The Allman Brothers Band weathered extreme adversity to pursue its singular musical mission and singlehandedly spawned the Southern rock genre while continually managing to reinvent themselves in the face of loss and tragedy and sell millions of records along the way. This new collection is a compelling summary of the Rock and Roll Hall Of Famerās timelessly brilliant and influential contributions to American music.
On March 10, for one night only at Madison Square Garden in New York City, The Brothers – Jaimoe, Warren Haynes, Derek Trucks, Oteil Burbridge, Marc Quinones-joined by Duane Trucks, Reese Wynans and special guest Chuck Leavell will celebrate 50 years of the music of The Allman Brothers Band. This one-time concert event, produced by Live Nation, will be a celebration of The Allman Brothers Band’s illustrious career. It notably marks the first time in more than five years that these legendary players will be together on stage to perform their iconic hits, and the first time since the passing of founding members Gregg Allman and Butch Trucks. It will undoubtedly be emotionally charged, and an unforgettable night not to be missed. The show sold out immediately upon going on sale.
TROUBLE NO MORE: 50THĀ ANNIVERSARY COLLECTION
10LP TRACK LIST
The Capricorn Years 1969 ā 1979 Part I
Disc 1
1. Trouble No More (Demo)* (Side A)
2. Donāt Want You No More (Side A)
3. Itā Not My Cross To Bear (Side A)
4. Dreams (Side A)
5. Whipping Post (Side B)
6. Iām Gonna Move To The Outskirts Of Town (Live at Ludlow Garage) (Side B)
7. Midnight Rider (Side B)
8. Revival (Side B)
Disc 2
1. Donāt Keep Me Wonderinā (Side A)
2. Hoochie Coochie Man (Side A)
3. Please Call Home (Side A)
4. Statesboro Blues (Live at Fillmore East) (Side A)
5. Stormy Monday (Live at Fillmore East) (Side B)
6. In Memory Of Elizabeth Reed (Live at Fillmore East) (Side B)
The Capricorn Years 1969 ā 1979 Part II
Disc 3
1. One Way Out (Live at Fillmore East) (Side A)
2. You Don’t Love Me / Soul Serenade (Live at A&R Studios) (Side A)
3. Hot āLanta (Live at A&R Studios) (Side B)
4. Stand Back (Side B)
5. Melissa (Side B)
6. Blue Sky (Side B)
Disc 4
1. Aināt Wastinā Time No More (Live at Mar y Sol) (Side A)
2. Wasted Words (Side A)
3. Ramblinā Man (Side A)
4. Southbound (Side A)
5. Jessica (Side B)
6. Early Morning Blues (Outtake) (Side B)
The Capricorn Years 1969 ā 1979 Part III / The Arista Years 1980 ā 1981
Disc 5
1. Come And Go Blues (Live at Watkins Glen) (Side A)
2. Mountain Jam (Live at Watkins Glen)* (Side A)
3. Canāt Lose What You Never Had (Side A)
4. Win, Lose Or Draw (Side B)
5. High Falls (Side B)
Disc 6
1. Crazy Love (Side A)
2. Canāt Take It With You (Side A)
3. Pegasus (Side A)
4. Just Aināt Easy (Live at Merriweather Post Pavilion) (Side B)
5. Hell & High Water (Side B)
6. Angeline (Side B)
7. Leavinā (Side B)
8. Never Knew How Much (I Needed You) (Side B)
The Epic Years 1990 ā 2000
Disc 7
1. Good Clean Fun (Side A)
2. Seven Turns (Side A)
3. Gamblers Roll (Side A)
4. End Of The Line (Side A)
5. Nobody Knows (Side B)
6. Low Down Dirty Mean (Live at the Beacon Theatre) (Side B)
Disc 8
1. Come On Into My Kitchen (Live at Radio & Records Convention) (Side A)
2. Sailinā āCross The Devilās Sea (Side A)
3. Back Where It All Begins (Side A)
4. Soulshine (Side B)
5. No One To Run With (Side B)
6. Iām Not Crying (Live at the Beacon Theatre)* (Side B)
The Peach Years 2000 ā 2014
Disc 9
1. Loan Me A Dime (Live at the New World Music Theatre)* (Side A)
2. Desdemona (Live at the Beacon Theatre)* (Side A)
3. High Cost Of Low Living (Side B)
4. Old Before My Time (Side B)
Disc 10
1. Blue Sky (Live at the Beacon Theatre)* (Side A)
2. Little Martha (Live at the Beacon Theatre)* (Side A)
3. Black Hearted Woman (Live at the Beacon Theatre) (Side A)
4. The Sky Is Crying (Live at the Beacon Theatre) (Side B)
5. āFarewellā speeches (Live at the Beacon Theatre) (Side B)
6. Trouble No More (Live at the Beacon Theatre) (Side B)
5CD/DIGITAL TRACK LIST
The Capricorn Years 1969 ā 1979 Part I /Ā CD1
- Trouble No More (Demo)*
- Donāt Want You No More
- Itā Not My Cross To Bear
- Dreams
- Whipping Post
- Iām Gonna Move To The Outskirts Of Town (Live at Ludlow Garage)
- Midnight Rider
- Revival
- Donāt Keep Me Wonderinā
- Hoochie Coochie Man
- Please Call Home
- Statesboro Blues (Live at Fillmore East)
- Stormy Monday (Live at Fillmore East)
- In Memory Of Elizabeth Reed (Live at Fillmore East)
The Capricorn Years 1969 ā 1979 Part II / CD2
- One Way Out (Live at Fillmore East)
- You Donāt Love Me / Soul Serenade (Live at A&R Studios)
- Hot āLanta (Live at A&R Studios)
- Stand Back
- Melissa
- Blue Sky
- Aināt Wastinā Time No More (Live at Mar y Sol)
- Wasted Words
- Ramblinā Man
- Southbound
- Jessica
- Early Morning Blues (Outtake)
The Capricorn Years 1969 ā 1979 Part III / The Arista Years 1980 ā 1981 / CD3
- Come And Go Blues (Live at Watkins Glen)
- Mountain Jam (Live at Watkins Glen)*
- Canāt Lose What You Never Had
- Win, Lose Or Draw
- High Falls
- Crazy Love
- Canāt Take It With You
- Pegasus
- Just Aināt Easy (Live at Merriweather Post Pavilion)
- Hell & High Water
- Angeline
- Leavinā
- Never Knew How Much (I Needed You)
The Epic Years 1990 ā 2000 / CD4
- Good Clean Fun
- Seven Turns
- Gamblerās Roll
- End Of The Line
- Nobody Knows
- Low Down Dirty Mean (Live at the Beacon Theatre)
- Come On Into My Kitchen (Live at Radio & Records Convention)
- Sailinā āCross The Devilās Sea
- Back Where It All Begins
- Soulshine
- No One To Run With
- Iām Not Crying (Live at the Beacon Theatre)*
The Peach Years 2000 ā 2014 / CD5
- Loan Me A Dime (Live at World Music Theatre)*
- Desdemona (Live at the Beacon Theatre)*
- High Cost Of Low Living
- Old Before My Time
- Blue Sky (Live at the Beacon Theatre)*
- Little Martha (Live at the Beacon Theatre)*
- Black Hearted Woman (Live at the Beacon Theatre)
- The Sky Is Crying (Live at the Beacon Theatre)
- āFarewellā speeches (Live at the Beacon Theatre)
- Trouble No More (Live at the Beacon Theatre)
* Previously unreleased