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Two New 33 1/3s Books Out In September – Beat Happening And The Black Album

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In September, the 33 1/3 series will be publishing two brand new books Bryan C. Parker’s book on Beat Happening and David Masciotra’s book on Metallica (The Black Album)! September is so far away, but console yourselves with a look at these two beautiful covers. What will it be in the ultimate battle of K Records v. Elektra?

Just kidding. You’re all obviously reading both.

beat

This is the album that sent a shockwave of empowerment through the nation’s cultural underground. In 1985, Olympia, Washington band Beat Happening released their eponymous debut of lo-fi pop songs on K Records and challenged every conception held about music. At the center of the group was the enigmatic Calvin Johnson and his revolutionary vision of artistic creation. His foresight and industriousness allowed him to recruit to the K Records roster other free-spirited artists like Beck, Modest Mouse, and Built to Spill long before they gained widespread acclaim.

This book, structured as an alphabet book, breaks down the fundamental components that defined Beat Happening’s self-titled album. Organized in a light-hearted yet incisive format, each of the book’s chapters details a particular facet of the record-band members, historic shows, recording sessions, songs, and ideologies-parts reflecting the album as a whole. These alphabetic ingredients constitute a recipe book for feeding your creative spirit.
Here is the story of a band that popularized do-it-yourself projects and home recording with four-track tape machines decades before the digital revolution would extend an open hand to garage bands everywhere. This is the story of musical pioneers. This is Beat Happening.

metal

In 1991, Metallica released their fifth studio album that would become known and beloved around the world as “The Black Album.” Since its release, it has sold 30 million copies, and become a towering monument in the pantheon of rock’s greatest records. With this book, readers will get unprecedented insight into the story behind an iconic album from one of the world’s most iconic bands. With direct and personal access to all members of Metallica and Bob Rock, the producer of The Black Album, David Masciotra is able to relay the results of his conversations with James Hetfield, Lars Ulrich, Kirk Hammett, Jason Newsted, and Rock.

Masciotra takes readers into the recording studio, giving them Metallica’s account of how their most successful and famous record was born and learned to walk into every radio station and stadium stage around the world. Masciotra not only talks to the band about the making of the album, but also the stories that inspired the songs. Readers will not only learn about “The Black Album,” but they will gain greater knowledge and familiarity with the men who created it.
This is a must read for any Metallica fan, and a compelling read for anyone interested in provocative musical criticism and journalism. With direct access to the band, Masciotra offers a fascinating and inspiring account of the creation of one of music’s best and best selling albums.

How A Simple Ask Invented FACTOR And The Star System In Canada

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I love this story, especially because I’ve been telling people for years that in order to get anything done, it all starts with an ask, an action that is hard to do, but worthwhile. You let people help. You let people do what they do in order to both feel great, or achieve something you both wouldn’t be able to do on your own.

FYI Music has long wondered just how CIRPA managed to con-vince Canada’s broadcasters to fund FACTOR given the acrimony that came with the content regulations. Former Attic Records’ partner Tom Williams was central to the story and yesterday they reached out and asked him how it all came to be. The following is his response.

When we were chatting today on the phone, you asked me how a guy from an indie Canadian label convinced broadcasters to dip their hands in their back pocket to fund FACTOR, I flippantly replied, “It was easy.”
In fact, it was. I wasn’t just from Attic, I was president of CIRPA, which was giving the broadcasters a lot of grief at the time.
J Robert Wood at CHUM had been complaining for months that there weren’t enough Canadian records to choose from (I totally disagreed, of course).
I saw a story in the paper that CHUM was giving $50,000 that year to a stage band festival. I was only vaguely aware of the CRTC commitment that stations had to make so I took a closer look.
I made an appointment with “J. Bob” and went to see him. It is possible that Earl Rosen came with me, but I don’t remember for sure.
In any case, I essentially told him to take CHUM’s commitment money and put it into a recording fund, which would give him a lot of brownie points with the CRTC, provide him with more recordings, and provide our members and others with a source of funding.
My recollection is that he didn’t ask for time to think about it, but agreed to it in principal if I could get some other broadcasters involved.
I was going on a trip to Western Canada the following week, and phoned Moffat PD Chuck McCoy in Vancouver and outlined my idea and asked him to set up a meeting with a decision maker. Moffat’s head office was in Winnipeg, and Chuck set up a meeting with Jim McLaughlin, who was in charge. All three of us met in Jim’s office and, like Bob, he agreed right away.
This was pretty amazing that the two arch rivals decided to do something together.
When I got back to Toronto, I can’t remember if CHUM suggested I try to get Rogers involved or whether I did it on my own. The thinking was if we got the two biggest chains, why not go from broke.
I met with Jim Sward at CFTR and, like the others, he immediately agreed.
All broadcasters at that time hated giving that money away to projects, which did them little good so, in a way, this was a godsend to them.
An implied benefit at that time was that maybe CIRPA would back off a bit over license renewals. Implied only.
Once everyone had agreed, we set up a meeting of all three in the CHUM boardroom. No one from Rogers or Moffat had ever been inside the CHUM building before, and it was quite an event in Canadian Broadcasting and Music History.
I remember having some input into the structure of FACTOR, but the nuts and bolts were hammered out elsewhere by an appointed committee.
I sat on the board of FACTOR for several years, until I retired from Attic Records.
FACTOR, of course, has become much more than that little recording fund we had initially envisioned. I am not totally sure that has been healthy for the industry, but that is another discussion.

Tom

Pavement Announce ‘The Secret History Vol. 1’ Set For Release August 11

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On August 11, Matador Records will release The Secret History Vol. 1, the first of five compilations in a new series of Pavement rarities. The 30 tracks, 25 of which will be available on vinyl for the first time ever, include b-sides, unreleased session tracks, John Peel sessions, and a 1992 live concert from the Slanted and Enchanted era (1990-1992). The deluxe double LP contains essays by Stephen Malkmus and Spiral Stairs, plus essays from Matador Records, Billions Corporation, and Drag City bosses, and a gorgeous gatefold designed by Rob Carmichael (Animal Collective, Dirty Projectors).
The strangest thing about Pavement? Not that there were ever many non-strange things about Pavement? Even though they made their era’s finest rock albums, the albums only told half their story. Pavement also made some of the Nineties’ best albums that never happened. Until now.

Every proper Pavement album, from the out-of-nowhere debut Slanted and Enchanted to the summer-upper Terror Twilight, was accompanied by a flurry of slay tracks and stray slack—songs that got scattered on B-sides, EPs, compilations, radio sessions. But Pavement were too busy writing and recording great songs to worry about where to stash them, and they moved too fast to leave a tidy trail. So they left these songs off their albums. Some never got released at all.

Pavement made five proper album-as-albums: Slanted and Enchanted (1992), Crooked Rain, Crooked Rain (1994), Wowee Zowee (1995), Brighten The Corners (1997) and Terror Twilight (1999). Each has its own sound. Each has its own legend. But each of their official albums has a shadow album—and it’s usually as strong as the album that actually did come out. It’s time for the world to hear the albums Pavement could have made, if they’d been a little less ambitious about music and a little more ambitious about the music business. If they’d been the kind of band to sweat the legacy. But if they were that kind of band, would they have written so many great songs? Much less these great songs? No.

Matador is finally releasing a series of these shadow albums. The first, naturally, is The Secret History, Vol. 1, collecting the songs that got away during the era of Slanted and Enchanted, which Stephen Malkmus, Scott Kannberg and Gary Young recorded on the cheaper-than-cheap in January 1991. The Secret History, Vol. 1 collects gems from Peel Sessions (“Kentucky Cocktail,” “Circa 1762”) and seven-inches (“Baptist Blacktick”) as well as live slop from the first European tours, with Mark Ibold and Bob Nastanovich in the fold. Some are outtakes from Slanted—imagine leaving these tunes off your first album, when as far as you know or imagine, it’s your only album. These tracks (some of which had never been rumored among Pavement freaks) came out on the 2002 Slanted and Enchanted: Luxe & Reduxe double CD reissue. But they’ve never been separately available as an album in their own right, and many of them have never been on vinyl before.

fff

TRACKLISTING:
1. Sue Me Jack
2. So Stark (You’re A Skyscraper)
3. Summer Babe (7” Version)
4. Mercy Snack: The Laundromat
5. Baptiss Blacktick
6. My First Mine
7. Nothing Ever Happens
8. Here (Alternate Mix)
9. Greenlander
10. Circa 1762 (Peel Session 1)
11. Kentucky Cocktail (Peel Session 1)
12. Secret Knowledge Of Backroads (Peel Session 1)
13. Here (Peel Session 1)
14. Rain Ammunition (Peel Session 2)
15. Drunks With Guns (Peel Session 2)
16. Ed Ames (Peel Session 2)
17. The List Of Dorms (Peel Session 2)
18. Conduit For Sale [Live Brixton 1992]
19. Fame Throwa [Live Brixton 1992]
20. Home [Live Brixton 1992]
21. Perfume V [Live Brixton 1992]
22. Summer Babe [Live Brixton 1992]
23. Frontwards [Live Brixton 1992]
24. Angel Carver Blues Mellow Jazz Docent [Live Brixton 1992]
25. Two States [Live Brixton 1992]
26. No Life Singed Her [Live Brixton 1992]
27. So Stark (You’re A Skyscraper) [Live Brixton 1992]
28. Box Elder [Live Brixton 1992]
29. Baby Yeah [Live Brixton 1992]
30. In The Mouth Of A Desert [Live Brixton 1992]

Frank Sinatra’s ‘social bible’ sells for $8,960

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Frank Sinatra’s little black book spanning the 1970s until the 1990s has sold at auction for $8,960 (£5,767.57).

Described by Man of the World magazine as an “oxblood leather social bible that reads like a who’s who of the jet set’s gilded age,” the diary reportedly comprises of personal information regarding his many A-list associates.

Said to be “bulging with annotated contacts,” the front cover of the book features an image of a fortune cookie message that reads: “Beware of friends who are false and deceitful.” Inside, its pages consist of information regarding the likes of John Wayne, Sidney Poitier, US Ambassador to the United Kingdom under Ronald Reagan, Charles H Price II, Elvis Presley’s promoter Jerry Weintraub and songwriter Jimmy Webb.

Via The Guardian

Infographic: What Apple Music Means to Artists and Fans

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Streaming is changing the way the music industry operates, and this week it’s in the news again. Tech giant Apple announced that they will be offering a new music streaming service, Apple Music, at the end of this month. TakeLessons.com has revealed what their service will offer, and what fans and artists can expect…

Apple Music Streaming Service Infographic

 

Ed Sheeran Performs Fetty Wap’s “Trap Queen” With The Roots On The Tonight Show.

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Ed Sheeran performs an acoustic version of Fetty Wap’s “Trap Queen” with The Roots while backstage in the Tonight Show music room.

Bach’s “Crab Canon” is played backwards and forward. Mind Blown.

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The enigmatic Canon 1 à 2 from J. S. Bachs Musical Offering’s manuscript from 1747 depicts a single musical sequence that is to be played front to back and back to front. Mind blown.

Young Woman Talks About Effective Altruism At TEDx

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Beth Barnes is a student at Exeter College, and won a competition to speak at TEDxExeter 2015. She describes a system that allows us to direct our resources to what we think will do the most good.

Beth became involved in the Effective Altruism movement last year, and took the Giving What We Can pledge. This year she started Exeter Effective Altruism Society. Next year she hopes to go on to study Biological Natural Sciences at Cambridge, and is currently considering pathways to making a difference and careers such as research into biosecurity, working to combat neglected tropical diseases, or biological software engineering.

World Record-Holding Limbo Dancer Glides Underneath A Car. A CAR, PEOPLE!

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A WORLD record holding limbo queen thinks she has become the first person to shimmy under a car. Shemika Charles amazed herself and onlookers when she bent over backwards to get underneath the SUV earlier this week. The supple 22-year-old entered the record books in 2010 when she limboed down to an incredible eight and a half inches – the height of a beer bottle. She trains for up to six hours a day to keep her body in peak condition and now travels around America performing with her family. However, regular performances put an incredible strain on her body and she sees a chiropractor once a week to have her hips realigned. Her mother was also a successful limbo dancer in her home country of Trinidad and Tobago but had to give up due to injury.

Video: All The Walt Disney Pictures Intro Logos

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This video shows us the logos in front of 39 Disney films, and how they mesh with their subject matter in the later movies.

https://youtu.be/noHhkzBmhRE