Page 2975 – That Eric Alper

Glen Hansard’s new album ‘Didn’t He Ramble’ out Sept. 18th

Music

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Jun 30, 2015

Glen Hansard’s new album ‘Didn’t He Ramble’ out Sept. 18th

Didn’t He Ramble, the second solo outing from acclaimed singer songwriter Glen Hansard, will be released September 18 via Anti- Records. The new album is his first in over three years and follows 2012’s solo debut Rhythm & Repose, which Billboard hailed as “Hansard at his most engaging,” while The Wall Street Journal furthered, “Hansard’s distinguishing trait as a songwriter is a heavy-handed earnestness.”

As a special preview, the video for the album’s single “Winning Streak” is premiering now as an NPR Music First Watch here.

Of the video, director Braden King explains, “Glen and I talked a lot about the way in which every life is a fight, a struggle. No matter who you are. No matter what you do. They’re all different and they all never end. For me, the song is about that struggle we all face in our own ways and about who has your back along the way. There is no end to it. We may get momentary rests along the way but they are fleeting. We all have to get up again and get back into the ring. And you know, sometimes, those who are the hardest on us are the ones who get us through. The way this turned out, the song kind of became the spirit of this place, the blood running through all these boxers veins. And I love the way in which Glen haunts and inspires it all.”

Didn’t He Ramble was produced by Thomas Bartlett (The National, Sufjan Stevens), a frequent collaborator of Hansard’s, and Grammy winner and former Frames band-mate David Odlum (Paloma Faith, Tinariwen). The album, which was recorded in New York, Dublin, Chicago and France, is Hansard’s most intimate and elegant record since his work in Once and features guest appearances by John Sheahan (Dubliners), Sam Beam (Iron and Wine) and Sam Amidon.

While the journey to finishing the record was a long one, the reward of finally arriving at the end line was well worth it. Hansard explains, “I feel I’ve really dug deep for these songs, and I’ve been chasing specific ideas asking myself ‘what is it I’m trying to say with this line or idea?’ One would hope that through all of this that you find your voice. And, amazingly, you might find it in the smallest gesture of a song.”

Glen Hansard is the celebrated principal songwriter and vocalist/guitarist for the influential Irish group The Frames. Whether busking the streets of Dublin, where he got his start, or headlining a gig, Hansard has garnered a reputation as an unparalleled frontman.

Hansard is also one half of the acclaimed duo The Swell Season. In 2007, he and Czech songstress Markéta Irglová took home the Academy Award for Best Original Song for “Falling Slowly” off the Once soundtrack. In 2013, the Broadway adaptation, Once, The Musical, won eight Tony Awards including the top musical prize itself.

As a solo artist he has sold-out shows worldwide and performed on “Late Night with Jimmy Fallon,” “The Tonight Show with Jay Leno,” “Late Show with David Letterman,” “Tavis Smiley,” and has been featured on the Emmy Award-winning program “CBS Sunday Morning.”

TRACKLISTING
1. Grace Beneath the Pines
2. Wedding Ring
3. Winning Streak
4. Her Mercy
5. McCormack’s Wall
6. Lowly Deserter
7. Paying My Way
8. My Little Ruin
9. Just to Be the One
10. Stay the Road

Glastonbury audiences left HOW MANY sleeping bags and tents behind?

Music

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Jun 29, 2015

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Glastonbury audiences left HOW MANY sleeping bags and tents behind?

Highlights of Glastonbury, the musical extravaganza included Kanye West, Florence + the Machine and The Who, while Lionel Richie headlined the Pyramid Stage last night to a crowd of over 100,000 revellers.

A litter picking crew of around 800 people have begun to clear the huge site of rubbish, and have already picked up an assortment of stray wellies, abandoned tents and discarded nitrous oxide canisters and balloons which had been used to inhale ‘hippy crack’, also known as laughing gas.

An estimated 11 tonnes of clothes and camping gear are believed to have been abandoned, including 6,500 sleeping bags, 5,500 tents, 3,500 airbeds, 2,200 chairs, 950 rolled mats and 400 gazebos.

It is thought that the festival organisers will spend around £780,000 collecting the rubbish from across the site, while volunteers will sift through around nine tonnes of glass, 54 tonnes of cans and plastic bottles, 41 tonnes of cardboard and 66 tonnes of scrap metal.

Nearly 200 tonnes of composted organic waste was removed from the site throughout the five day festival. The fields of Worthy Farm will then be returned to grazing dairy cows.

Via The Daily Mail

Lego To Invest $1 Billion Looking For Sustainable Materials

Music

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Jun 29, 2015

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Lego To Invest $1 Billion Looking For Sustainable Materials

Today, the LEGO Group announces a significant investment of DKK 1 billion dedicated to research, development and implementation of new, sustainable, raw materials to manufacture LEGO elements as well as packaging materials.

Jørgen Vig Knudstorp, CEO and President of the LEGO Group, says “This is a major step for the LEGO Group on our way towards achieving our 2030 ambition on sustainable materials. We have already taken important steps to reduce our carbon footprint and leave a positive impact on the planet by reducing the packaging size, by introducing FSC certified packaging and through our investment in an offshore wind farm. Now we are accelerating our focus on materials.”

The investment will result in the establishment of the LEGO Sustainable Materials Centre. The centre will be based at the LEGO Group’s headquarters in Billund, Denmark, and include all current functions and employees working to find alternative materials. In addition, the LEGO Group expects to recruit more than 100 specialists within the materials field during the coming years to work on this challenging ambition.

The LEGO Sustainable Materials Centre organisation will be established during 2015 and 2016, and it is expected that it will include satellite functions located in relevant locations around the globe. In addition, the centre will collaborate and develop partnerships with relevant external stakeholders and experts.

LEGO Group owner Kjeld Kirk Kristiansen comments on the announcement, “Our mission is to inspire and develop the builders of tomorrow. We believe that our main contribution to this is through the creative play experiences we provide to children. The investment announced is a testament to our continued ambition to leave a positive impact on the planet, which future generations will inherit. It is certainly in line with the mission of the LEGO Group and in line with the motto of my grandfather and founder of the LEGO Group, Ole Kirk Kristiansen: Only the best is good enough”.

The decision to significantly boost the search for sustainable materials was taken at the recent General Assembly of the LEGO Group in May 2015.

In 2012, the LEGO Group first shared its ambition to find and implement sustainable alternatives to the current raw materials used to manufacture LEGO products by 2030. The ambition is part of the LEGO Group’s work to reduce its environmental footprint and leave a positive impact on the planet our children will inherit. As an example, in 2014 more than 60 billion LEGO elements were made – and finding alternatives to the materials used to make these bricks would significantly reduce the LEGO Group’s impact on the planet.

“The testing and research we have already done has given us greater visibility of the challenges we face to succeed on this agenda and we respond by adding significant resources in order to be ready to move into the next phase of finding and implementing the sustainable materials. I am truly excited by the full commitment of the Board of Directors and our owner family to significantly boost the work to ensure a lasting positive impact,” says Jørgen Vig Knudstorp.

When the LEGO Group is ready to introduce new materials it is vital that it does not compromise the quality or safety standards set by the LEGO Group and expected by parents. Consequently, the LEGO Group will continue to seek extensive research and robust data to ensure that all aspects of safety and quality are considered.

“This is paramount to us as it enables us to provide children with a unique play experience that inspires and develops them and enables them to build a better tomorrow. This is ultimately the reason for our continued efforts to always do better,” says Jørgen Vig Knudstorp.

The LEGO Group will not be able to solve the task of finding and implementing new materials alone. In recent years, the Group has collaborated with companies and experts on the task and these relationships will continue with existing as well as new partners with expertise in the field.

An example is the Climate Savers partnership between the LEGO Group and WWF signed in 2013, which has targets on developing a sustainable materials strategy. A new collaboration with WWF was agreed in spring 2015 and focuses on better assessing the overall sustainability and environmental impact of new bio-based materials for LEGO elements and packaging.

“There is no common definition of a sustainable material. Several factors influence the environmental sustainability of a material – the composition of the material, how it is sourced and what happens when the product reaches the end of its life. When we search for new materials all of these factors must be considered,” says Jørgen Vig Knudstorp, adding:

“What we announce today is a long-term investment and a dedication to ensuring the continued research and development of new materials that will enable us to continue to deliver great, high quality creative play experiences in the future, while caring for the environment and future generations. It is a daunting and exciting challenge.”

What Happens When You Leave Your Phone On During The Ant-Man Press Conference

Music

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Jun 29, 2015

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What Happens When You Leave Your Phone On During The Ant-Man Press Conference

A reporter left their phone on the conference desk to record audio during the Ant-Man press conference, but didn’t put their phone in airplane mode. An untimely call had a hilarious result!

Video: This microtonal guitar could change music forever

Music

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Jun 29, 2015

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Video: This microtonal guitar could change music forever

The Adjustable Microtonal Guitar was designed by Tolgahan Çoğulu in 2008. It was accepted and funded as a scientific research project at Istanbul Technical University Dr. Erol Uçer Center for Advanced Studies in Music under the supervision of Prof. Şehvar Beşiroğlu. The first prototype was made by Ekrem Özkarpat. The new versions have been made by Briken Aliu since 2014.

In designing Adjustable Microtonal Guitar, Tolgahan Çoğulu was inspired by René Lacote’s and Walter Vogt’s guitars. In the Adjustable Microtonal Guitar, all the frets on the fretboard are movable in the channels under each string. Besides, any number of frets can be inserted into or removed from the fretboard.

In the equal temperament system used in Western classical music, the octave is divided into 12 half tones. On conventional guitar fretboards, the frets are half tone apart. Similarly, piano keys are also a half step apart. In Western classical music theory, the term microtone is used for an interval less than a half tone. Microtonal Music refers to pieces that use microtones in contemporary Western classical music repertoire. For example, Mexican composer Julian Carrillo divided the octave into 96 tones orAlois Haba into 24 pieces.

In addition to this, the term Microtonal Music also encompasses music that use intervals other than the equally-tempered 12 notes of an octave. For example, pieces written in Pythagorean, just intonation ormeantone temperament are also categorized under microtonal music.

In Ottoman/Turkish music theory, which is based on maqams, microtones are referred to as koma. In this system, a whole-tone is divided into 9 equal parts, and each part is called a koma according to Arel-Ezgi theory. For an alternative theory, you can read Ozan Yarman’s PhD.

Mind-Blowing Video: DJ Jazzy Jeff Mixes Run DMC’s “Peter Piper”

Music

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Jun 29, 2015

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Mind-Blowing Video: DJ Jazzy Jeff Mixes Run DMC’s “Peter Piper”

DJ Jazzy Jeff made his way to Serato’s home town Auckland, New Zealand recently where he showed off a special Run DMC – Peter Piper Routine that he put together with Serato DJ, the Rane Sixty-Two mixer, the new Pioneer PLX-1000 turntables, and DDJ-SP1 controller.

Watch as he goes to work on the track, cutting with razor sharp precision – trademark DJ Jazzy Jeff, stuff filmed in front of the iconic Rangitoto Island.

Chart: The average age of headline acts at Music Festival has gradually risen

Music

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Jun 29, 2015

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Chart: The average age of headline acts at Music Festival has gradually risen

As the demand for festivals becomes ever greater, a potential supply-side problem has started to become apparent. It hints at how the music industry has changed rapidly over the past ten years, and how it may need to adapt.

Over the past decade sales of recorded music fell sharply. According to the BPI, an industry body, income from recorded music fell from £1.2 billion in 2004 to just under £700m in 2014. The fall has slowed in recent years, partly because of the increase in online streaming, which accounted for £115m in 2014. But other revenue streams have become far more important—particularly the live music industry. In 2011 it was worth £1.6 billion, according to PRS for Music, which collects royalties on behalf of writers and publishers.

Artists bag only 10% of the net profit from recorded music, but can command up to 90% of gross ticket receipts. And promoters can make money from large, captive audiences by charging eye-watering prices for food, merchandise and parking.

However, the popularity of festivals poses a problem. As they have grown in Britain so too have they blossomed in America, Asia and Europe. But the pool of artists who appeal to large, diverse crowds and have enough music to play for an hour or more has not increased at the same rate. This means that there are not enough big headliners to go around. Analysis by Will Page, the director of economics at Spotify, a streaming service, shows that the average age of headline acts at nine festivals in Britain has gradually risen (see chart). In the 1990s, bands in their mid-twenties, such as Radiohead, headlined at Glastonbury, points out Mr Page. Although exceptions exist—this year, the 28-year-old Florence Welch was drafted in at the last minute to headline the Friday slot—it appears to be getting rarer, he says.

Part of the reason for this may be that punters themselves are ageing: according to Festival Insights, an industry publication, in 2014 the average age of a festival-goer was 33. Promoters may be reacting to this by putting on older acts. But it also reflects a supply-side constraint in the market, says Chris Carey, a music consultant. Fewer small clubs and pubs exist for new young bands to start out, he says, and older bands are still keen to perform live in order to boost their coffers. This means that fledgling artists find it both harder to start a career and to muscle in to a headline slot once they have gained momentum.

Via The Economist

Infographic: Apple Aims to Shake Up the Crowded Streaming Market

Music

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Jun 29, 2015

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Tomorrow at 11 AM ET, Apple will begin its quest to shake up the music industry with the launch of its highly-anticipated streaming service Apple Music. The service will complement features similar to those of competing services such as Spotify and Tidal with elements of human curation and a 24/7 global radio station named Beats 1.
Apple enters a market that is already highly competitive and where there is little room for differentiation. However, it is also a market in which no player has managed to build a subscriber base that is too large for Apple to challenge. If Apple manages to convince only a fraction of the hundreds of millions of Apple device users to give its new service a try, Apple Music will be in contention for the market lead.

Today’s chart shows which music streaming services people in the United States currently use. It is based on a survey conducted by Edison Research earlier in 2015 (before the launch of Tidal).

This chart illustrates the adoption of music streaming services in the United States.

You will find more statistics at Statista

Reason #54,653 Why Taylor Swift Is Awesome. She Responds With This Heart-Felt Note To A Fan

Music

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Jun 29, 2015

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Taylor Swift wrote another open letter this week on Tumblr, and no it wasn’t to Apple, but it was a heart-felt response to a fan having some trouble through a series of medical problems stemming from a congenital heart defect.

shakesitsoff:

hey tay! i’m not usually one for posts like this, but i have something i need to share with you.

you’ve seen a few of my posts before, but this is something that i’ve never shared with you… or anybody for the most part. i want to let you know that i was born with a congenital heart defect, and as a result i’ve had holes and leaks in two of the valves in my heart. i’ve had surgery twice and because of this my heart is mainly ((hence the word “mainly”)) hole free! however, ever since i actually could comprehend that there was something wrong with me, i never truly understood why i deserved to have a severe and life threatening condition anyway

in light of all my confusion, i’ve found someone whose made all of these blurry lines become clear and i want to thank you for that.. taylor, you’ve made each and every long hospital visit, echo, ekg, iv, etc., easier, and i am so so incredibly grateful for that. you allowed me to be accepting towards the condition that i have and i’m so unbelievably thankful for that… love you always, emily.

and Taylor Swift responded.

Hey Emily,
This was beautiful. I can’t imagine what it must have been like to have to undergo huge surgeries like that, and the fear and stress that came along with them. Then you heal and have to live in constant fear that something might happen or you might work your heart too hard… I think it’s amazing that you’re so honest about how it’s affected you. It’s impossible to be positive all the time about something that completely terrifies and confuses you, and I’m glad you’re not putting that kind of weird pressure on yourself. Thanks for listening to my music to escape from your fears and to confront them. I really appreciate you writing this. Sending you the biggest hug from my hotel room, where I’ve just raided the snack bar and eaten everything in the style of a raccoon rummaging through a trash can.

SXSW Now Accepting Speaking Proposals through July 24

Music

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Jun 29, 2015

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SXSW Now Accepting Speaking Proposals through July 24

South by Southwest (SXSW) Conferences and Festivals are now accepting programming proposals for the 2016 event with the launch of the popular PanelPicker. The PanelPicker interface is an online tool that allows the SXSW community to have a significant voice in programming Music, Film and Interactive conference activities through an open proposal and voting process. SXSW 2016 takes place March 11 – 20, 2016 in Austin, Texas.

PanelPicker is a two-step online system. Step One encourages the community to submit proposals for daytime conference programming at SXSW at http://panelpicker.sxsw.com beginning Monday, June 29, 2015 through Friday, July 24, 2015. Each individual account holder is permitted to submit one idea per Conference. Step Two allows the community to browse all of these ideas and rate which of these proposals they think are the best fit for the March events. Community voting begins Monday, August 10, 2015 and will continue through Friday, September 4, 2015. Votes from the community, along with feedback from SXSW Advisory Boards and the SXSW staff, will help determine programming for the 2016 event. Additional information including themes, presentation formats, and the user-generated tags feature built in to PanelPicker can be found at http://panelpicker.sxsw.com/faq. The first round of confirmed programming for all three conferences will be released in October 2015.

SXSW Music (March 15-20, 2016) is interested in the future of the music industry: insight on innovations, trends, well-researched predictions, and thoughtful advice and guidance to further careers. Attendees want to know about expanding the market for musical performance and recordings on an individual and collective level. The best ideas are based on speakers’ direct experience, and showcase their specialties. Proposals for specifically-focused panels or solo/dual presentations are welcome.

SXSW Film (March 11-19, 2016) is interested in focused case studies as well as developments in distribution, production, and audience building. Nuts and bolts educational workshops along with engaging Meet Ups for networking are also welcome. Entries for the Digital Domain program which addresses advancements in storytelling via multiple platforms, and creativity in digital environments are also encouraged. Like SXSW Interactive and Music Festivals, SXSW Film champions diversity and welcomes both specifically-focused panels or solo/dual presentations.

SXSW Interactive (March 11-15, 2016) is seeking advanced-level, thought provoking and creative ideas that will help push industries to innovate for the future.We will also continue our trend of increasing the number of solo, dual and instructional workshop programming that we accept, in lieu of panel sessions. We are excited to expand our programming to include more topics on health, government and policy, privacy and security, as well as specialty tracks including fashion, food and sports. SXSW Interactive is positioned at the forefront of creativity, so the more inventive the idea, the better. SXSW Interactive celebrates diversity in all its forms, which means diversity of opinions, genders, ethnicities, etc.

Some of the most unique elements of SXSW lie within the Convergent areas of our events, where programming topics organically envelop more than one featured industry. Convergence programming is accessible to more than one type of badge, as a bonus learning and networking opportunity. To submit proposals for convergence programming, ideas should be entered into the Film PanelPicker, Interactive PanelPicker, or Music PanelPicker.

In addition to submitting proposals for SXSW Conferences via PanelPicker, there are many ways to participate in SXSW 2016.

SXSW Music Festival will accept Artist Applications through Sonicbids starting June 29 thru October 24, 2015. Apply early for a discounted rate. For more information visit sxsw.com/music/festival/apply.

SXSW Film Festival will accept Feature Film, Short Film & Music Video Submissions from June 29 – November 3, 2015. Submit early for the early bird rate, and for more information visit sxsw.com/film/festival/submit.

Also starting August 3, SXSW Interactive will accept entries for the best digital creative work for the SXSW Interactive Innovation Awards, video game projects for the SXSW Gaming Awards and innovative startups for the SXSW Accelerator competition. The final deadline for all is November 6, 2015. Details can be found at sxsw.com/interactive/awards.

The South by Southwest® (SXSW®) Conferences & Festivals offer the unique industry convergence of music, film, and emerging technologies. Fostering creative and professional growth, SXSW is the premier destination for discovery. The event is a launch pad for innovative content with new media presentations, music showcases and film screenings providing exposure for creators and compelling entertainment for attendees. Registration and hotel reservations for the 2016 event will open on August 3, 2016. For more information, please visit http://sxsw.com.