That song’s Canadian? Canadian Songwriters Hall of Fame honour global hits with Covered Classics
Jimmy Fallon, The Roots, and Music Superstars Sing “We Are The Champions”
In honor of the Super Bowl, Jimmy Fallon and the Roots join Carrie Underwood, Sam Smith, Ariana Grande, Blake Shelton, Usher, Meghan Trainor, One Direction and Christina Aguilera for an a cappella version of “We Are The Champions.”
http://youtu.be/KHHqPTQDIlo
Counting Crows Take ‘Somewhere Under Wonderland’ Tour To Canada
Counting Crows are following up their critically-acclaimed seventh album, Somewhere Under Wonderland, with a 2015 worldwide tour, including 15 dates across Canada. This is the band’s first tour across Canada in over 15 years, and will begin in Vancouver on April 28, continuing on through Calgary, Toronto, Montreal, and others, wrapping in St. Johns, NL on May 23.
Pre-sale and VIP tickets for the band’s Canadian dates go on sale Wednesday, February 4, and tickets will be available to the general public starting Friday, February 6. Counting Crows will also be touring across Australia, Europe, and North America this year. For more information, visit countingcrows.com.
Known as one of the most dynamic live bands performing today, they will be performing songs from the 2014 Top 10 album, which critics have been claiming as the “band’s best”, as well as their extensive catalog. USA Today called Somewhere Under Wonderland “one of their stronger works,” with Consequence of Sound comparing it to “a colorful and emotionally rich palette of sounds that combines past recording styles, flavors from covers album Underwater Sunshine, and the spontaneous spirit of their live performances.”
“It’s about time we’re getting back to Canada. After requesting it for years, we are finally getting a legit chance to play across the country. I can’t wait,” said Adam Duritz.
Counting Crows – Adam Duritz (vocals), Jim Bogios (drums), David Bryson (guitar), Charlie Gillingham (keyboards), David Immergluck (guitar), Millard Powers (bass) and Dan Vickrey (guitar) – have sold more than 20 million albums worldwide after exploding onto the music scene with their multiplatinum breakout album August and Everything After in 1993. The band released their seventh studio album Somewhere Under Wonderland in September 2014. Known for creating unique and innovative concerts and consistently ranked as one of the top live bands performing today, Counting Crows will continue their world tour throughout 2015.
Counting Crows also released the video for their second single off Somewhere Under Wonderland, “Earthquake Driver,” on Tuesday, January 27. Watch the video here.
Joining as the tour’s supporting act will be Twin Forks, the folk rock band started in 2011 by Chris Carrabba (Dashboard Confessional, Further Seems Forever). They released their self-titled debut studio album in February 2014.
Somewhere Under Wonderland Canadian Dates
Apr 28 Vancouver, BC Orpheum
Apr 29 Kelowna, BC Prospera Place
May 1 Cold Lake, AB Imperial Oil Place
May 3 Calgary, AB Southern Alberta Jubilee Auditorium
May 4 Edmonton, AB Northern Alberta Jubilee Auditorium
May 6 Saskatoon, SK TCU Place
May 7 Moose Jaw, SK Mosaic Place
May 12 Hamilton, ON Hamilton Place Theatre
May 14 Toronto, ON Massey Hall
May 15 Montreal, QC Metropolis
May 17 Ottawa, ON National Arts Centre, Southam Hall
May 18 Quebec City, QC Le Capitole
May 20 Moncton, NB Casino New Brunswick
May 21 Halifax, NS Halifax Scotiabank Centre
May 23 St. John’s, NL Mile One Centre
From 1969: The Beatles Remixed Beyond Recognition
Barbara London’s essay “Looking at Music” described it in the volume Rewind, Play, Fast Forward: The Past, Present and Future of the Music Video,
In October 1965, Nam June Paik screened his first videotapes as part of a series of “happening nights” at the Greenwich Village nightclub Cafe au Go Go—a venue that included Lenny Bruce and the Grateful Dead among its roster of performers. … Beatles Electroniques, 1966-69, made with the experimental filmmaker Jud Yalkut, is nothing less than an early black-and-white music video. Paik grabbed bits from the mock documentary A Hard Day’s Night (directed by Richard Lester in 1964), refilming and further distorting the footage through his video synthesizer (developed with engineer Shuya Abe). Snippets of the Beatles’ faces are caught in a loop of warped abstraction. To accompany the endlessly folding imagery, Paik created a sound track with Kenneth Lerner, which featured fragmented Beatles songs recited again and again. Whereas the original film is an upbeat paean to Beatlemania, Paik’s strategies of appropriation and repetition are conceptually closer to Andy Warhol’s silk-screened paintings of celebrities such as Marilyn Monroe, 1962, and Steve Reich’s phasing of spoken words from a publicized racial incident in his sound composition Come Out (1966). Like these works, Beatles Electroniquesbrought seriality into the realm of sensory overload.
It’s next to impossible to name any of the actual Beatles’ songs used, so take your guess, and be ready for a mind (or ear) blown.
http://youtu.be/Q5hHX6mN9Hc
Stevie Wonder” ‘I never thought of being blind and black as a disadvantage’
“…It’s funny but I never thought of being blind as a disadvantage, and I never thought of being black as a disadvantage. I am what I am. I love me! And I don’t mean that egotistically – I love that God has allowed me to take whatever it was that I had and to make something out of it. I was just blessed to have ideas. The genius in me is God – it’s the God in me coming out.” – Stevie Wonder, The Guardian
The 1966 Art Film Funded By The Canadian Government With Music From Leonard Cohen
This is a film about a young man, a girl and a dog, in which the visuals are overexposed or, more technically, given a high contrast. The girl tries to fly with wings more symbolic than practical; the young man and the dog make similar attempts. Music by poet Leonard Cohen, played by The Stormy Clovers (one of Cohen’s early musical projects.)
The film received Honourable Mention at the International Annual Film Festival, a Chris Certificate Award in the Graphic Arts Category at the International Film and Video Festival, First Prize in the Arts and Experimental category at the Genie Awards and Special Mention at the Festival of Canadian Films.
Angel from National Film Board of Canada on Vimeo.
Ron Sexsmith Announces “Carousel One” Release Date
Canadian singer-songwriter Ron Sexsmith has today announced that his new studio album, Carousel One is set to be released in North America on Tuesday, March 31, 2015. The album will be released in his home country by Warner Music Canada.
Carousel One was produced by Jim Scott and features an incredible cast of studio musicians helping to bring Ron’s songs to life including bass player Bob Glaub, whose previous clients include John Lennon, Lucinda Williams, Jackson Browne, Warren Zevon, Dolly Parton, Graham Nash and hundreds of others; guitarist Jon Graboff (John Lee Hooker, Dr John); drummer Don Heffington (Bob Dylan, Emmylou Harris, Lone Justice); and keyboard player John McGinty (Dixie Chicks, Whiskeytown, Neal Casal, Matthew Sweet). The album takes its name from the luggage retrieval belt at Los Angeles airport where bags off Toronto inbound flights are delivered.
2014 was an incredible year for Ron Sexsmith. In March, his 2013 album Forever Endeavour won the Juno Award as Best Adult Alternative Album marking the third Juno win in Ron’s career. In April, Sir Peter Blake (the man who created the cover for Sgt. Pepper’s Lonely Hearts Club Band) unveiled a mural he was commissioned to do for the Royal Albert Hall in London featuring people who have played there. Ron’s image is included alongside those of Roger Daltrey, James Brown and Janet Jackson. In May, Sexsmith was named Honorary Fellow of The Royal Conservatory in Toronto. On June 3 he received an honorary doctorate degree from Brock University in his hometown of St. Catharines, Ontario. It’s no wonder that in July of 2014 he was in a particularly good mood entering the studio to record Carousel One.
“I didn’t realize until we were putting the songs together for Carousel One that this would be more outgoing, there’s a lot more humour,” says Ron. “I mean, there’s even a smiling picture on the cover, which I’ve never had before. I just hope it doesn’t scare the children.”
Carousel One features 14 new Sexsmith compositions including the first single, “Saint Bernard,” a tribute to an anonymous family dog from a photograph picked up in a second-hand shop by his wife Colleen. The CD and digital versions of the album include two bonus tracks.
“They’ve always been my favourite type of dog,” says Ron, recalling the genesis of the song. “I was sitting in the kitchen one day playing guitar, I had this melody but no lyrics, so I looked up at the picture and just started singing the opening lines. I guess the album is kind of a travelogue of music that I like which was mostly a happy accident.”
Carousel One tracklisting:
Sure As The Sky
Saint Bernard
Loving You
Before The Night Is Gone
Lucky Penny
Getaway Car
Nothing Feels The Same Anymore
Sun’s Coming Out
Lord Knows
All Our Tomorrows
No One
Can’t Get My Act Together
Tumbling Sky
Many Times
Bonus tracks on CD and digital album only:
The Other Side (Bonus Track)
Is Anyone Going To San Antone (Bonus Track)
Video: Mark Mothersbaugh’s Synth Collection
The bright green, circular building of Mutato Muzika in Los Angeles is easy to spot when cruising down Sunset Boulevard. But most people might not realize it contains the creative hub of Mark Mothersbaugh, a founding member of DEVO turned award-winning Hollywood composer. Famous for his use of the synthesizer, Mothersbaugh has accumulated a vast collection over the years. Cool Hunting had the chance to check out a small selection of Mothersbaugh synths and spent some time talking about the future of music with the prolific artist.
Cool Hunting Video: Mark Mothersbaugh's Synth Collection from Cool Hunting on Vimeo.
Shawn Mendes’ Journey Gets Animated
Leave it up to the fans of an artist to create something so unique, so heartfelt, no marketing team at a record label could have done this.
Created by two girls, Maria and Alexis, this short animated film shows the rise of Shawn Mendes, the committed, deeply personal and really quite amazing artist. I’ve had the pleasure to meet Shawn on the We Day tour, and he’s as passionate about music, family and his fans as any other I’ve seen.
Shawn is up for the Breakthrough Artist of the Year at this year’s JUNO Awards, and is my bet to win. With the backing of such cool fans, how can he not?

