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Avery Gives Back to Schools With Michael “Pinball” Clemons and Hannah Alper

Music

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Jul 25, 2016

Avery Gives Back to Schools With Michael “Pinball” Clemons and Hannah Alper

Avery Products Canada has dedicated their resources to students across Canada through their #AveryGivesBack campaign launching this school season. 7,500 kits filled with Avery stationary supplies were packaged at Avery Canada’s head office in Whitby, ON by dedicated employee volunteers with the support of The Michael “Pinball” Clemons Foundation (MPCF) and young change maker Hannah Alper.

“Avery Products Canada is pleased to be working with MPCF and Hannah Alper on this great program to give back to local schools and communities. At Avery we truly believe in caring and supporting each other so this program is a natural extension of what we do every day,” says Lynn Livesey, General Manager of Avery Canada.

Deliveries were made between June 6^th – June 29^th to students across Canada including schools within MPCF networks. Aligned with MPCF founding principle of empowering youth and inspiring dreams, Avery Product Canada’s #AveryGivesBack campaign is aiming to prepare students for the upcoming school year with the tools they need such as binders, dividers, highlights and tabs.

To celebrate these contributions, Michael “Pinball” Clemons and Hannah Alper captured their contribution of kitting and delivery of these kits through video to spread awareness of giving back to your communities through social media during the back to school season in hopes to inspire others. To further give back, Avery will be donating $1 for every video “share” up to $5,000 to the Michael “Pinball” Clemons Foundation.

Join the give back movement with Avery Products Canada at #AveryGivesBack. The videos will be available to view through Avery Products Canada’s social channels and on July 25^th.

Steve Harvey explains country music’s appeal

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Jul 25, 2016

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Steve Harvey explains country music’s appeal

Steve Harvey has a surprising answer for a black woman who is sick of her white husband’s music taste.

David Bowie box set to include unreleased album The Gouster

Music

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Jul 25, 2016

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David Bowie box set to include unreleased album The Gouster

Parlophone Records are proud to announce DAVID BOWIE ‘WHO CAN I BE NOW? (1974 – 1976)’ the second in a series of box sets spanning his career from 1969.

The follow up to the awarding winning and critically acclaimed DAVID BOWIE ‘FIVE YEARS (1969 – 1973)’ will be released on 23rd September and will contain the previously unreleased album from 1974 called ‘THE GOUSTER’.

The twelve CD box, thirteen-piece vinyl set and digital download features the material officially released by Bowie during the so-called ‘American’ phase of his career from 1974 to 1976.

The box set, which is named after a track recorded in 1974 but not officially released until the 1990’s, includes ‘DIAMOND DOGS’, ‘DAVID LIVE’ (in original and 2005 mixes), ‘YOUNG AMERICANS’ and ‘STATION TO STATION’ (in original and 2010 mixes) as well as ‘THE GOUSTER’, ‘LIVE NASSAU COLISEUM 76’ and a new compilation ‘RE:CALL 2’ a collection of single versions and non-album b-sides.

All of the formats include tracks that have never before appeared on CD/vinyl/digitally as well as new remasters.

Exclusive to each of the box sets is the previously unreleased as a complete album ‘THE GOUSTER’ that was recorded at Sigma Sound, Philadelphia in 1974 and produced by Tony Visconti. The album was mixed and mastered before David decamped to New York to work with John Lennon and Harry Maslin on what became the ‘YOUNG AMERICANS’ album. ‘THE GOUSTER’ contains three previously unreleased mixes of ‘Right’, ‘Can You Hear Me’ and ‘Somebody Up There Likes Me’.

For the 2016 release, Tony Visconti has overseen the mastering from the original tapes and photos taken by Eric Stephen Jacobs have been put together for the sleeve based around one of David’s original concepts for the album.

Also exclusive to the CD, vinyl, standard digital and MFiT box sets will be the remastered ‘DAVID LIVE (original mix)’, the 2010 Harry Maslin mix of ‘STATION TO STATION’ (previously only available on an audio only DVD in 5.1 and stereo as part of the ‘STATION TO STATION’ Deluxe box set in 2010) and ‘RE:CALL 2’.

This new compilation features the original single mix of ‘Rebel Rebel’, which has only featured on a 40th anniversary picture disc in 2014 since its original release on single in 1974, and a previously unreleased on CD Australian single edit of ‘Diamond Dogs’, the only place in the world that this edit was issued. Also appearing on CD for the first time is the single edit of the live version of ‘Rock ‘n’ Roll With Me’, which was issued to radio stations in the U.S. to help promote the ‘DAVID LIVE’ album.

‘RE:CALL 2’ features newly originated artwork with 1975 in-studio images from the ‘STATION TO STATION’ recording sessions by David’s friend and backing vocalist Geoff MacCormack aka Warren Peace.

The alternative cover for the 2010 mix of ‘STATION TO STATION’ by Harry Maslin, features the originally intended colour sleeve for the album that never got further than a few colour proofs and was replaced by the more familiar black and white image.

The vinyl box set has the same content as the CD set and is pressed on audiophile quality 180g vinyl.

The box set’s accompanying book, 128 pages in the CD box and 84 in the vinyl set, will feature rarely seen and previously unpublished photos by photographers including Eric Stephen Jacobs, Tom Kelley, Geoff MacCormack, Terry O’Neill, Steve Schapiro, and many others as well as historical press reviews and technical notes about the albums from producers Tony Visconti and Harry Maslin.

The CD box set will include faithfully reproduced mini-vinyl versions of the original albums and the CDs will be gold coloured rather than the usual silver.

DAVID BOWIE ‘WHO CAN I BE NOW? (1974-1976)’

LP Box Set:
84 Page hardback book
Diamond Dogs (remastered) (1 LP)
David Live (original mix) (remastered) (2 LP) *
David Live (2005 mix) (remastered) (3 LP)
The Gouster (previously unreleased as an album) (1 LP) *
Young Americans (remastered) (1 LP)
Station To Station (remastered) (1 LP)
Station To Station (Harry Maslin 2010 mix) (1 LP) *
Live Nassau Coliseum ’76 (2 LP)
Re:Call 2 (Single versions and non-album B-sides) (remastered) (1 LP) *

* Exclusive to ‘Who Can I Be Now? (1974 – 1976)’

CD Box Set:
128 Page hardback book
Diamond Dogs (remastered) (1 CD)
David Live (original mix) (remastered) (2 CD) *
David Live (2005 mix) (remastered) (2 CD)
The Gouster (previously unreleased as an album) (1 CD) *
Young Americans (remastered) (1 CD)
Station To Station (remastered) (1 CD)
Station To Station (Harry Maslin 2010 mix) (1 CD) *
Live Nassau Coliseum ’76 (2 CD)
Re:Call 2 (Single versions and non album B-sides) (remastered) (1 CD) *

* Exclusive to ‘Who Can I Be Now? (1974 – 1976)’

Digital download 192kHz/24bit box set:
Diamond Dogs (remastered)
David Live (original mix) (remastered) *
The Gouster *
Young Americans (remastered)
Station To Station (remastered)

* Exclusive to ‘Who Can I Be Now? (1974 – 1976)’

Digital download 96kHz/24bit box set:
Diamond Dogs (remastered)
David Live (original mix) (remastered) *
The Gouster *
Young Americans (remastered)
Station To Station (remastered)

* Exclusive to ‘Who Can I Be Now? (1974 – 1976)’

Digital download standard/MFiT box set:
Diamond Dogs (remastered)
David Live (original mix) (remastered) *
David Live (2005 mix) (remastered)
The Gouster (previously unreleased as an album) *
Young Americans (remastered) (1 CD)
Station To Station (remastered) (1 CD)
Station To Station (Harry Maslin 2010 mix) *
Live Nassau Coliseum ’76 (non MFiT)
Re:Call 2 (Single versions and non album B-sides) (remastered) (non MFiT) *

* Exclusive to ‘Who Can I Be Now? (1974 – 1976)

‘WHO CAN I BE NOW? (1974-1976)’ CD & Vinyl Tracklistings (showing Vinyl side breaks)

DIAMOND DOGS
Released on RCA APLI 0576 (U.K.) / CPLI 0576 (U.S.) on 31st May, 1974.

Side 1.
1. Future Legend
2. Diamond Dogs
3. Sweet Thing
4. Candidate
5. Sweet Thing (Reprise)
6. Rebel Rebel

Side 2.
1. Rock ‘n’ Roll With Me
2. We Are The Dead
3. 1984
4. Big Brother
5. Chant Of The Ever Circling Skeletal Family

DAVID LIVE (ORIGINAL MIX)
Released on RCA APL2 0771 (U.K.) / CPL2-0771 (U.S.) on 29th October, 1974.

David Live was culled from performances on the 8th, 9th, 10th, 11th and 12th of July, 1974 at the Tower Theater, Philadelphia.

Side 1
1. 1984
2. Rebel Rebel
3. Moonage Daydream
4. Sweet Thing/Candidate/Sweet Thing (reprise)

Side 2
1. Changes
2. Suffragette City
3. Aladdin Sane
4. All The Young Dudes
5. Cracked Actor

Side 3
1. Rock ‘n’ Roll With Me
2. Watch That Man
3. Knock On Wood
4. Diamond Dogs

Side 4
1. Big Brother
2. The Width Of A Circle
3. The Jean Genie
4. Rock ‘n’ Roll Suicide

DAVID LIVE (2005 MIX)

David Live was culled from performances on the 8th, 9th, 10th, 11th and 12th of July, 1974 at the Tower Theater, Philadelphia.

Released on EMI 874 3042 on CD and also in 5.1 on the DVD-Audio EMI 874 3049 on 14th November, 2005.

Side 1
1. 1984
2. Rebel Rebel
3. Moonage Daydream
4. Sweet Thing/Candidate/Sweet Thing (reprise)

Side 2
1. Changes
2. Suffragette City
3. Aladdin Sane
4. All The Young Dudes

Side 3
1. Cracked Actor
2. Rock ‘n’ Roll With Me
3. Watch That Man
4. Knock On Wood

Side 4
1. Here Today, Gone Tomorrow
2. Space Oddity
3. Diamond Dogs

Side 5
1. Panic In Detroit
2. Big Brother
3. Time

Side 6
1. The Width Of A Circle
2. The Jean Genie
3. Rock ‘n’ Roll Suicide

THE GOUSTER

Previously unreleased as a complete album.

Side 1
1. John, I’m Only Dancing (Again) – not on ‘Young Americans’, first released as a single in 1979.
2. Somebody Up There Likes Me – alternative early previously unreleased mix
3. It’s Gonna Be Me – not on ‘Young Americans’, first released as a bonus track on the EMI/Ryko edition of ‘Young Americans’ in 1990. An alternative mix with strings was released on the 2007 EMI edition of ‘Young Americans’.

Side 2
1. Who Can I Be Now? – not on ‘Young Americans’, first released as a bonus track on the EMI/Ryko edition of ‘Young Americans’ in 1990.
2. Can You Hear Me – alternative early previously unreleased version.
3. Young Americans – same version that ended up on ‘Young Americans’.
4. Right – alternative early previously unreleased version.

YOUNG AMERICANS

Released on RCA RS 1006 (U.K.) / AQL1-0998 (U.S.) on 7th March, 1975.

Side 1
1. Young Americans
2. Win
3. Fascination
4. Right

Side 2
1. Somebody Up There Likes Me
2. Across The Universe
3. Can You Hear Me
4. Fame

STATION TO STATION

Released on RCA APL1 1327 on 23rd January, 1976.

STATION TO STATION (2010 HARRY MASLIN MIX)

First released on EMI BOWSTSD 2010 in 5.1 and in stereo at 48kHz/24bit on the DVD format within the Station To Station deluxe set on 20th September, 2010.

Side 1
1. Station To Station
2. Golden Years
3. Word On A Wing

Side 2
1. TVC 15
2. Stay
3. Wild Is The Wind

LIVE NASSAU COLISEUM ’76

Recorded live at the Nassau Coliseum Uniondale, NY, U.S.A., 23rd March, 1976. Released on EMI BOWSTSD 2010 within the Station To Station deluxe set on 20th September, 2010.

Side 1
1. Station To Station
2. Suffragette City
3. Fame
4. Word On A Wing

Side 2
1. Stay
2. Waiting For The Man
3. Queen Bitch

Side 3
1. Life On Mars?
2. Five Years
3. Panic In Detroit
4. Changes
5. TVC 15

Side 4
1. Diamond Dogs
2. Rebel Rebel
3. The Jean Genie

RE:CALL 2

Non Album Singles, Single Versions and B-Sides.

Side 1:
1. Rebel Rebel (original single mix)
2. Diamond Dogs (Australian single edit)
3. Rebel Rebel (U.S. single version)
4. Rock ‘n’ Roll With Me (live – promotional single edit)
5. Panic In Detroit (live)
6. Young Americans (original single edit)

Side 2:
1. Fame (original single edit)
2. Golden Years (original single version)
3. Station To Station (original single edit)
4. TVC 15 (original single edit)
5. Stay (original single edit)
6. Word On A Wing (original single edit)
7. John, I’m Only Dancing (Again) (1975) (single version)

That Sony Walkman TV Commercial From 1981 Is Pure Gold

Music

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Jul 24, 2016

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That Sony Walkman TV Commercial From 1981 Is Pure Gold

Invented in Japan in 1979, and first released in Britain as the “Sony Stowaway” in 1980 (also its American release year), the personal stereo was first patented here under its original name, “Sony Walkman”, in 1981.

https://youtu.be/xDuwAsONNQw

The greatest Craiglist ad for a band you’ll ever see

Music

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Jul 24, 2016

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The greatest Craiglist ad for a band you’ll ever see

Reach for the stars, I suppose. You never know who should be lucky enough to work with this Nashville-based band already with “fenominal” songs. If you have a “Metro gnome click” and access to weed, I’d go for it. That studio better start counting their money now.

We have an exceptional band and all of us are extremely talented. We are probably some of the best musicians you’ve ever heard. Our band is ready to go places. We have written several fenominal songs that we know are going to be big hits. And they sound even better when you are high. We just need help getting them in front of people. Unfortunately, we don’t have much money. We are hoping to find a recording studio that is willing to record us for free. (See below for details) We know we will be selling a lot of CD’s and downloads once people get hooked on our great songs. We’re looking for a studio who hungry for success because Our project could put your studio on the map.

We are going to ask a lot from you but we are going to faithfully promote your studio at every turn and we won’t even charge you much for an extra-large ad on our CD.

Do you want to risk passing up this opportunity and forever regret it? If it helps we can pay you from the sales of our CD’s and downloads. We promise you’ll make more this way anyhow.

What we can do for you:

1. We will give you 1% of the profits. This may not sound like a lot until you do the math. We figure there’s about 300 million people in the USA (not counting other countries). We figure that a minimum market of 1% is 3 million sales at $1.00 a song you have 3 million dollars. At 1% is $30,000. These numbers are fairly conservative since this doesn’t included people buying more than one songs. So we’re sure this is far more than you normally get to record a CD. Remember we have to leave room for the record label when we get signed,

2. Everyone will know you as the studio that recorded the “Golden Boys”. Let’s face reality hear in Nashville there are many studios that need to set themselves apart to stay in business. You should be happy we are willing to work with you. (Email us for an application to be considered) This is the opportunity of a lifetime for one lucky studio. When you see the big picture hopefully you can see how much we are helping you by letting you record us.

3. We are willing sell you an ad for your studio on our CD at a reduced price as well.

4. Having us in your portfoliage will get you a lot more business.

5. We will let you take photos of us at your studio for no extra charge. We’ll even autograph a few for you.

Studio Requirements:

1. Your studio has to be a real professional studio (No home studio pretenders)
2. You have to be able to record live drums (and Amps) and have a great kit with professional level cymbels.
3. We only want to use top of the line gear so you must have great equipment. We’ve heard about Newman and Tellerfunker mics and those would be acceptable to us.
4. Studio must be able to put sublimnal messages into the songs for us. (We know this will help sell the music.)
4. We want Flexible hours because we sometimes like to work until after midnight.
5. We’re hoping you will be able to have lots of food on hand as we don’t work as well on empty stomaches. (Some beer would also be nice.)
6. We need a studio that is 420 friendly and maybe even willing to supply some to help give our creativity a boost. (It will shorten the amount of studio time needed so it’s a good investment for you.)
7. We don’t want reporters their without prior notice. We will allow one day for the press to be present.

We have 12 songs but it won’t take us long to record them because we are great musicians which will lower your investment. Once your ready to go we can probably nail them one time through like most profeshional recording artists. We are willing to use a metro gnome click if it helps you but we don’t need one because our drummer keeps perfect time already. We know all the time is spent on the mixing and we are willing to help you with that. We can give you advice on how everything should sound. We do need you to make us loud! Also, Our guitar player would like to be in charge of mixing the songs to make sure you do it right. He says you need to compress everything a lot to get it real loud and need to totally remove 500 hurtz from everything. He says mixing is so easy anyone can do it as long as you run everything through the magnimizer with the “dither” and “tube” settings on. I just know I want a lot of echo reverb and that cool ultratune effect on my voice.

We don’t mind asking for these things because we know you will eventually be paid very well. Plus we will keep coming back to you no matter how famous we get.

When we go platinum and win a Grammy you’ll be happy you recorded us. You’ll have more business than you can handle.

Please email us to apply for your chance to record us.

See it here.

Listen to Gilles Peterson’s Brazilian vinyl-only Carnival mix

Music

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Jul 24, 2016

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Listen to Gilles Peterson’s Brazilian vinyl-only Carnival mix

Gilles Peterson was recently in Brazil to play at Boiler Room with the Sonzeira Reconstructed project, as well as working on the sophomore Sonzeira album. Whilst he was in Recife and Rio, Gilles found time to do some record shopping, and here are some of the highlights!

Robyn Hitchcock on the current crazy of pop culture nostalgia

Music

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Jul 24, 2016

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Robyn Hitchcock on the current crazy of pop culture nostalgia

Has the current craze for pop culture nostalgia had any impact on what you do or how you think about what you do? Are you finding that you get called upon to be a “nostalgia” guy more than you used to?

Robyn Hitchcock: As they say, “Nostalgia’s not what it used to be.” Pop culture is now about the same age as I am. I was born in 1953, and rock ’n’ roll seems to have bubbled into being around the same time. Not many people around now actually remember when it started.

People measure their lives out in fashion and in pop culture. They have since World War II, since there’s been no enormous eruption to shatter everything. And everything has been recorded and then re-recorded or adapted to be on a new format, so sound recordings would go from being on a 33 1/3 LP to being on a cassette to being on a CD that came from the quarter-inch tape. But it keeps getting upgraded; you can listen to it on LP again now. It’s just that there’s now so much of it — people’s lives are measured out in, “Oh yeah, do you remember the Specials?” “Oh, right.” “Cyndi Lauper.” “Oh, I lost my virginity to ‘Time After Time’.” I mean, I didn’t personally, but you know, somebody probably did. Or “I had the best hangover of my life after going to see Blur.” You see people feeling about the Stone Roses the same way that I felt about the Jefferson Airplane, and you see those people also getting older. I look around at the punks now, who are a few years younger than me, and they’re all coming up 60. There was a time when punks made me feel old, because I was such a determined Class of ’67 guy and I couldn’t really embrace ’77 fully.

It’s the currency. My parents’ generation had the war, my generation just had drugs, the next generation had irony, and the ones after that have got climate change. [laughs]

I’m not called on to be anything, particularly, in this environment. We’ve all got our period that we get excited about. Mine’s probably from ’64 to ’70. Music you hear as a teenager, or when you’re a young person, just stays with you much more intensely than what you hear afterwards. You’re a much more impressionable organism, and if you want to feel young again you put on a record that you first heard when you were 13. If I want to rush upstairs without running out of breath I’ll listen to Revolver. It’s just how it is.

Is everything swirling around the bowl before it actually disappears? What’s interesting is that there’s been very little change in fashion in the last 20 years. I saw a movie set in 1995 and I didn’t realize it was set in 1995 until I saw people smoking indoors. The things that have changed the most now are people’s cell phones and their laptops. After the eighties, and the big hair and the shoulder pads, fashion seems to have settled down into an all-purpose zone. If you want to be a hipster, you can have a checked shirt and jeans, and you can have a beard or not have a beard, or you can have a leather jacket. There are maybe more beards around than there were 10 years ago, but the result is to make a lot of people look like it’s 1974.

I wonder whether life has accelerated so much between 1950 and 2000 that what we’ve seen this century is people simply trying to catch up. All this music was churned out, all these clothes came out, all these movies came out. If you’re coming up now as a 15-year-old, there’s so much to draw on, assuming you’re even interested in music or movies and don’t just want to play online games. It’s different. There aren’t the generation gaps there used to be. There aren’t the fault lines that say, “You don’t belong here.”

Via

Bono’s Isolated Vocals From U2’s “Every Breaking Wave” In Concert

Isolated Tracks

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Jul 24, 2016

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Bono’s Isolated Vocals From U2’s “Every Breaking Wave” In Concert

U2 isolated tracks are rare so it’s cool to find this Bono-only live vocal from “Every Breaking Wave” recorded at a live acoustic performance. The song was originally released in 2014 on U2’s Songs of Innocence album.

The last company that still makes VCRs is set to stop later this year

Music

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Jul 23, 2016

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The last company that still makes VCRs is set to stop later this year

Even after they’re obsolete, technologies can take a long time to fully die out. It was only in 2011, after all, that the last typewriter factory shutdown. And now, at long last, it appears the videocassette recorder is suffering the same fate: Funai Electric, the last company known to make VCRs, is ceasing production.

Funai has a long history with the VHS format and VCRs. In 1980, it launched the CVC Player, the first ever compact cassette recorder, which attempted to compete with the more popular VHS and Betamax formats. Funai’s website notes that the CVC “attracted a great deal of interest when Japanese television broadcasters used these for a program on climbing Mt. Everest,” but they were no match for the more popular formats. In 1983 Funai started making VCRs of their own, applying technology used in the CVC, and haven’t stopped until the end of this month.

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