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Watch “Everything Is A Remix” In All Its Glory

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In the five years since the series launched, Everything is a Remix has been viewed over two million times and produced a popular TED Talk. Amazingly, Remix continues to change the way people think about creativity, originality, and copyright. Remixing is a folk art but the techniques are the same ones used at any level of creation: copy, transform, and combine. You could even say that everything is a remix.

To celebrate the five year anniversary, producer and writer Kirby Ferguson polished up the original four parts and merged them into a single video. For the first time now, the whole series is available as a single video with proper transitions all the way through, unified styling, and remixed and remastered audio. Part One has been entirely rebuilt in HD.

Emerson, Lake & Palmer’s First Three Classic Albums Scheduled For Re-Release In July

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Emerson, Lake & Palmer’s First Three Classic Albums Scheduled For Re-Release In July

Emerson, Lake & Palmer were one of the most successful, innovative and ground breaking British groups of the golden age of progressive rock. As well as creating spectacular ‘live’ shows that incorporated advanced technology and showmanship, they also recorded a cascade of powerful albums that sold in millions around the world. During 2016 and 2017 the band’s musical legacy will be celebrated by BMG with an important and comprehensive re-issue programme that will put the spotlight on ELP’s nine studio albums as well as their ‘live’ recordings and compilations. The trio’s remarkable style, combining original compositions with rock, jazz, folk and classical influences, was performed with passion and integrity by the founder members:

All these albums now serve as a fitting memorial to Keith Emerson, who died aged 71 on March 10th, 2016. When speaking about ELP’s career and achievements for the re-issue project he said: “Emerson, Lake and Palmer are very proud to have brought this great music to a new generation of musicians and fans.”

Their phenomenal mix of melodic songs, dynamic arrangements, brilliant musicianship and electrifying sound broadened the audience for progressive rock and guaranteed ELP massive international appeal, as they headlined stadium tours throughout the 1970s and 1990s and achieved sales of over 40 million albums. ELP also enjoyed two major hit singles with “Lucky Man” and “Fanfare For The Common Man”, and their 21 minute epic track “Tarkus” is hailed as a milestone in prog rock history.

New and old generations of fans will now be able to enjoy ELP’s music afresh, as their albums are released in a range of different formats, from CD and freshly cut vinyl LP to digital download, high definition digital and mastered for iTunes. Vinyl connoisseurs will be pleased that following a special request from Greg Lake, the LPs will be presented on 140 gm vinyl to ensure a superior high quality sound. LP inner bag features an explanation of this by Greg.

The group’s first three albums are scheduled for re-release on Friday, July, 29th.

All the CD version booklets will feature authoritative liner notes and interviews conducted in 2016 with Keith Emerson and Greg Lake, by legendary rock journalist Chris Welch.

The band’s debut album, Emerson, Lake & Palmer (1970) will be available as a 2 CD set with CD1 comprising the original album in its 2012 remastered edition. CD2 offers an Alternate Album in a 2012 Steven Wilson stereo mix, with bonus tracks. The LP version will be the original album, newly cut for the first time from 24 Bit/HD 2012 remasters. The Standard Digital Download will comprise the remastered 1970 album and an Alternate Album (2012 Stereo remix) with bonus tracks. The same contents will be available on MFiT and HD digital formats, all taken from the 2012 remasters.

Emerson, Lake & Palmer was first released after the group’s critically acclaimed debut show at the 1970 Isle of Wight Festival, when they performed to 600,000 people. Its dynamic original compositions and classical adaptations are brimful of Keith Emerson’s superb piano and Moog synthesizer work, Greg Lake’s magnificent vocals, bass and acoustic guitar playing and Carl Palmer’s lightning fast drumming.

Bartok’s “The Barbarian”, together with originals “Take A Pebble”, “Knife Edge”, and the three part suite “The Three Fates” are followed by “Tank” and Greg Lake’s ballad “Lucky Man” which was the band’s debut single and a huge UK and US hit. The Alternate album has 12 tracks peppered with bonus items notable an informal “Rave Up”, a Carl Palmer ‘Drum Solo,’ and alternate versions of “Take A Pebble”, “Knife Edge” and “Lucky Man”.

The band’s second album, Tarkus (1971) saw ELP take a new direction with yet more complex keyboard sounds. The title track took up the whole of side one of the original LP, and defined the band’s exultant, bombastic approach. “Jeremy Bender”, “Bitches Crystal”, “The Only Way (Hymn)”, “Infinite Space (Conclusion)”, “A Time And A Place”, and the rocking “Are You Ready Eddy?” complete this #1 UK album that also shot to #9 in the US charts.

CD1 comprises the 1971 album remastered in 2012 by renowned rock remastering engineer Andy Pearce. CD2 is the Steven Wilson Stereo Mix of the 2012 remaster, with bonus tracks taken from the original recording sessions. They are “Oh My Father”, “Unknown Ballad” and an alternate take of “Mass” from the extended piece Tarkus. The LP version is newly cut from the 2012 remaster, with original gatefold sleeve and artwork faithfully reproduced. The three Digital versions are also taken from the 2012 remasters.

ELP’S third album, Pictures At An Exhibition (1971) has been credited with inspiring many young musicians to embrace and study classical music. Based on the group’s enthusiastic interpretation of the famous work by Russian composer Modest Mussorgsky, it was a major hit and reached #3 in the UK and #10 in the US album charts. Pictures was recorded on March 21st, 1971 at Newcastle City Hall, where Emerson made use of the hall’s thunderous pipe organ.

The LP and Disc 1 of the CD comprises an excellent new remaster of the Pictures album from the original master tapes. On the 2CD set, tracks on CD1 include “Promenade”, “The Gnome”, “Promenade”, “The Sage”, “The Old Castle”, “Blues Variations”, another reprise of “Promenade”, “The Hut of Baba Yaga”, “The Curse of Baba Yaga”, “The Hut of Baba Yaga”, “The Great Gates of Kiev” and encore number “Nut Rocker” a hit by B.Bumble & The Stingers. Bonus tracks are a medley of ‘Pictures’ recorded ‘live’ at the Mar Y Sol Festival, Puerto Rico, on December 4th, 1972. Disc 2 has another live performance of the extended work, recorded at the Lyceum Ballroom, London, on December 9th, 1970, complemented by live performances of ELP favourites “The Barbarian”, “Knife Edge”, “Rondo” and “Nut Rocker”.

Accompanying these three albums is a special 3 CD and Download release Emerson, Lake & Palmer – The Anthology. Produced by Greg Lake, this superb, career-spanning set has 39 tracks from the years 1970 to 1998, the choice of material approved by all three band members. It is presented in special ‘casebound’ book packaging with detailed, informative sleeve notes by Chris Welch, illustrated with rare band photographs.

The songs are selected from the albums Emerson, Lake & Palmer, Tarkus, Pictures At An Exhibition, Trilogy, Brain Salad Surgery, Welcome Back My Friends To the Show That Never Ends, ‘orks Volume 1, Works Volume 2, Works Live, Love Beach, Live At Nassau Coliseum ‘78, Black Moon, In The Hot Seat, Live At The Royal Albert Hall 1993 and Then & Now.

Among the highlights are the band’s performance of Copland’s “Hoedown”, and their version of “Jerusalem” by William Blake and Hubert Parry. CD3 includes the stirring “Fanfare For The Common Man”, Keith Emerson’s hit rendition of the famed “Honky Tonk Train Blues”, Greg Lake’s 1975 solo hit “I Believe In Father Christmas” and the group’s menacing interpretation of the TV theme Peter Gunn. “Tiger In A Spotlight” is another live track, recorded at the group’s comeback show at the Royal Albert Hall.

Subsequent batches of important original ELP albums will be released by BMG later in 2016. They are Trilogy, (1972), Brain Salad Surgery (1973) and the unique triple live album Welcome Back My Friends To The Show That Never Ends (1974).

Ron Howard’s Beatles Documentary is Coming to Hulu. Watch The Beatles’ ‘Eight Days a Week’ Teaser Traile

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Ron Howard’s Beatles Documentary is Coming to Hulu. Watch The Beatles’ ‘Eight Days a Week’ Teaser Traile

Academy Award-winner Ron Howard’s authorized and highly anticipated documentary feature film about The Beatles’ phenomenal early career The Beatles: Eight Days A Week – The Touring Years has set its US theatrical release date for September 16th, 2016. Featuring rare and exclusive footage, the film is produced with the full cooperation of the two remaining Beatles Paul McCartney, Ringo Starr in addition to both Yoko Ono Lennon and Olivia Harrison. Carefully balancing rare concert footage with an examination of the Beatlemania phenomenon, The Beatles: Eight Days A Week – The Touring Years will cover the Fab Four’s days from The Cavern Club to their final concert at Candlestick Park in August 1966.

The Beatles: Eight Days A Week – The Touring Years is based on the first part of The Beatles’ career (1962-1966) – the period in which they toured and captured the world’s acclaim. Ron Howard’s film will explore how John Lennon, Paul McCartney, George Harrison and Ringo Starr came together to become this extraordinary phenomenon, “The Beatles.” It will explore their inner workings – how they made decisions, created their music and built their collective career together – all the while, exploring The Beatles’ extraordinary and unique musical gifts and their remarkable, complementary personalities. The film will focus on the time period from the early Beatles’ journey in the days of The Cavern Club in Liverpool to their last concert at Candlestick Park in San Francisco in 1966.

hile some will be skeptical when word gets out that there will be ‘never before seen footage’ (you know, like the never before seen World War II footage), a fair amount of the footage will come from super-8 reels taken by fans, which are being digitally restored, and from mixing desk recordings of the band playing live. There will be moments that even the most die-hard of Beatles nuts won’t have seen before. And each segment will seek to put the footage, the music and the mania into the context of the times. Archivists have been working on collecting footage for a couple of years now so there’s no telling what they might have unearthed.

“We are going to be able to take the Super 8 footage that we found, that was all shot silent. We’ll not only be able to digitally repair a lot of that, but we’ve also been finding the original recordings. We can now sync it up and create a concert experience so immersive and so engaging, I believe you’re going to actually feel like you’re somewhere in the Sixties, seeing what it was like to be there, feeling it and hearing it. And as a film director, that’s a fantastic challenge,” said Howard, the Academy Award winner for Best Director of A Beautiful Mind.

“We may have a shot of a boy or a girl very early in their life at a concert, and then we may be able to find them today and talk to them, and talk to their grandchildren and see what their relationship is with the Beatles, and understand how multiple generations find tremendous value and relevance in their music.”

In addition to the September16 U.S. premiere, an all-star world premiere in London will take place on September 15 and will then roll out theatrically worldwide with release dates set in Japan for September 22, Australia and New Zealand on September 16 and the UK, France and Germany on September 15.

Smiths Falls, Ont., funeral business will dissolve you when you’re dead, pour you into town sewers

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Smiths Falls, Ont., funeral business will dissolve you when you’re dead, pour you into town sewers

Waterworks officials in a small town southwest of Ottawa are monitoring a funeral company that has become the first in Ontario to use an alkaline solution to dissolve human remains, and then drain the leftover coffee-coloured effluents into the sewer system.

Aquagreen Dispositions began operating in a rental unit within the former Rideau Regional Centre in Smiths Falls in May 2015 after receiving a licence from the Ontario government. Hilton’s Unforgettable Tails, a parallel business handling the remains of pets, had been using the same process for a couple of years prior to Aquagreen Dispositions, but it took longer to get a licence to handle human remains.

The owner, Dale Hilton, who is from a family of funeral home operators in Smiths Falls, said he watched as the “green wave” swept through the funeral industry, bringing biodegradable caskets and urns.

Hilton said he started the alkaline hydrolysis business in the newly named Galipeau Centre as an alternative to the traditional, energy-using flame-based cremation process.

“It brings your body back to its natural state,” Hilton said. “It’s the same way as being buried in the ground, but instead of taking 15, 20 years to disintegrate, it does it in a quicker process. And it’s all environmentally friendly.

“You’re entering yourself back to your natural state as you come into this world. You come in by water, and you leave by water,” said Hilton. “It’s green, all the way around.”

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Are Guitars Today’s Blood Diamonds?

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Are Guitars Today’s Blood Diamonds?

Watching an amazing guitarist deliver a mind-blowing solo might not immediately conjure images of devastated rainforests, endangered species and exploited workers. But guitars made with illegally harvested woods are exacting environmental, economic and human tolls that strike sour notes indeed.

As the summer tour and festival season ramps up, concertgoers may encounter requests to pledge support for a campaign to halt illegal logging of endangered woods and promote sustainable alternatives. Several high-profile artists have joined with REVERB and the Environmental Investigation Agency, the nonprofit organizations behind the No More Blood Wood campaign, to raise awareness about the relationship between wooden instruments and demand-driven logging practices now decimating ancient rainforests.

Maroon 5, Dave Matthews Band, Linkin Park, Sara Bareilles, Michael Franti, Jack Johnson, KT Tunstall, Jason Mraz, Guster, Bonnie Raitt and Bob Weir are among many performers using their voices and influence to encourage fans, legislators and instrument-makers to support the U.S. Lacey Act, which prohibits import of and trade in illegally sourced timber and wood products. They’ve also pledged to verify wood sources before purchasing new instruments. Artists from Mick Jagger, Willie Nelson, Sting and Lenny Kravitz to Lana Del Rey, Lilly Allen and Brandi Carlile have also signed the pledge.

Several musicians have not only signed, but participated in letter-writing campaigns to instrument manufacturers, an educational video (Getting in Tune: Musicians for Legal and Sustainable Wood) or other activities. DMB’s Stefan Lessard and Guster’s Adam Gardner, who cofounded REVERB with his environmentalist wife, Lauren Sullivan, have published newspaper op-ed pieces. Gardner also testified before Congress in protest of 2012 efforts to weaken the Lacey Act.

REVERB began educating concertgoers about the issue with 2013’s Last Summer on Earth tour featuring Barenaked Ladies, Ben Folds Five and Guster; since then, millions of fans have been invited to sign postcards asking their Congressional representatives to support continued enforcement against the illegal timber and wood products trade.

In late 2015, Gardner and Sullivan traveled with Maroon 5’s James Valentine and Jesse Carmichael and members of the Environmental Investigation Agency, a nonprofit advocacy group, to the Guatemalan rainforest to document the effects of illegal logging and success of sustainable alternatives.

Their 20-minute film, Instruments of Change: Lessons from the Rainforest, premiered May 17 at the Grammy Museum in Los Angeles, followed by a Facebook-livestreamed Q&A. The film also premiered in Guatemala City before of policy makers and civil society.

Of course, the message needs to reach even more ears in order to halt the devastating effects of illegal logging on delicate ecosystems, wildlife and biodiversity, as well as local populations who depend on forest resources. Irreversible species loss and human lives sacrificed to corrupt and unethical business practices are just some of the consequences of illegal timber harvests.

According to climate scientists, deforestation and illegal logging result in more greenhouse gas emissions than all the world’s air, road, rail and shipping traffic combined.

“This issue is very similar to blood diamonds,” says Gardner. “It’s about knowing that what you buy has deep impacts far afield from the store you bought it from.”

“It’s the demand for these woods that drives this whole industry,” says Valentine. “I don’t think consumers are aware of the problem, and change could happen if consumers start to ask where their wood is coming from for any wood product, not just instruments.”

The new “Valentine” signature guitar by Ernie Ball Music Man, featuring sustainably harvested wood, won Best in Show at the winter National Association of Music Merchants show, as well as Guitar World magazine’s Platinum Award. It became available for pre-order on June 1.

REVERB and EIA have worked together since 2012 to encourage musicians, fans, instrument manufacturers and lawmakers to support legal and sustainably sourced timber and call for action against those who trade in stolen timber.

During that post-screening Q&A at the Grammy Museum, Gardner was asked why the group felt the need to trek into the heart of the Central American rainforest.

“We thought, ‘How do we more deeply engage artists and the public in this?” he explained. “‘Well, let’s have fans see and learn along with these high profile artists’ eyes.'”

After visiting the Guatemalan rainforest and local communities, the musicians are even more eager to spread the word to their peers and the public in general to ask before they buy in order to create consumer demand for legal and sustainably harvested wood products.

The iconic London Underground tube map repurposed David Bowie songs

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The iconic London Underground tube map repurposed David Bowie songs

The iconic London Underground tube map eated by Nigel French is repurposed to depict the long and multifaceted career of David Bowie, incorporating his different stylistic periods as well as his personal, artistic, and literary influences. You can pick yours up for £90.00.

Only 1 song in UK Radio’s Top 20 songs of 2016 was originally released this year. Wait…what?

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Those who thought streaming would bring about a rapid modernisation of radio playlists, prepare to scratch your head.

According to data from trusted airplay tracking service RadioMonitor, just one song in the Top 20 biggest tracks on UK radio so far this year was originally released in 2016.

Lush Life was originally released in June last year, but was given a spruce-up with a Tinie Tempah remix in February; the version that has proven so popular on UK radio since. A similar embellishment improved the chances of Sia’s Cheap Thrills, which first appeared online in December. A remix of the track featuring Sean Paul – UK radio’s favoured version – was subsequently issued in February this year.

The only track on the Top 20 to be first unveiled to the public this year is Zayn’s PILLOWTALK, which was released on January 29.

That list is for 408 stations of all types across the UK, including local and national – as well as commercial plus public service broadcasters.

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Video: Neil Young and Jimmy Fallon Duet As ‘Two Neil Youngs On A Tree Stump’

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Video: Neil Young and Jimmy Fallon Duet As ‘Two Neil Youngs On A Tree Stump’

Neil Young paid a visit to The Tonight Show Starring Jimmy Fallon last night, adding another great duet to his history with the talk show host. As Young fans and Tonight Show viewers are well aware, Fallon does a pretty good Young impression and this one nails it again.

The Rolling Stones exhibit headed to New York

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The Rolling Stones exhibit headed to New York

After the Rolling Stones‘ career-spanning museum exhibit Exhibitionism closes in London, it’s headed to New York.

The Stones and Exhibitionism curator Ileen Gallagher revealed Tuesday that the exhibit – featuring stage clothing, classic album artwork, vintage gear, photography, stage designs, personal diaries, behind-the-scenes footage, a recreation of the band’s first apartment and more memorabilia – will set up shop at the West Village’s Industria Superstudio, the first stop on what’s being billed as “the largest touring experience of its kind ever to be staged.”

Tickets for New York will go on sale to the general public in September. Register at the Exhibitionism site to be among the first notified of the tickets’ availability.

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‘Ferris Bueller’s Day Off’ soundtrack will finally be released, 30 years later

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‘Ferris Bueller’s Day Off’ soundtrack will finally be released, 30 years later

Believe it or not, there’s never actually been an official soundtrack release for the 1986 John Hughes classic Ferris Bueller’s Day Off. Now, to celebrate the film’s 30th anniversary, an official soundtrack will finally be released later this year (specific date TBA). The surprising reason there never was a soundtrack release: Hughes didn’t think anybody would want one. “I mean,” he said in an interview, “would kids want ‘Danke Schöen’ and ‘Oh Yeah’ on the same record?” We’re about to find out.

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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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