In August 2025, RAYE took the stage at Lowlands Festival in Biddinghuizen, Netherlands, and delivered exactly the kind of performance that turns festival crowds into converts. The half-hour set drew on the emotional depth and R&B-pop power of ‘My 21st Century Blues,’ her six-Grammy-winning 2023 album, with vocals that hit hard and stage presence that filled every corner of the grounds. Lowlands, running since 1993 and drawing over 60,000 attendees annually to the Walibi Holland site, gave RAYE the perfect stage, and she made every moment count.
Josh Groban Takes On “Skyfall” as New Album ‘Cinematic’ Prepares for Liftoff
Josh Groban just dropped his rendition of “Skyfall,” the iconic title track from the James Bond film, and it’s exactly the kind of bold, cinematic swing you’d expect from an artist who’s built a career on making big songs feel even bigger. It’s the third release from his upcoming album ‘Cinematic,’ arriving May 8th via Reprise Records, and it lands with real weight.
‘Cinematic’ is a 10-track collection dedicated to the music of the silver screen. Produced by Greg Wells (credits include ‘Wicked,’ ‘The Greatest Showman,’ and records with Adele and Dua Lipa), the album was recorded in both Los Angeles and London. The tracklist pulls from decades of film history, drawing on songs from The Godfather, Casablanca, The Lion King, Stand By Me, Breakfast at Tiffany’s, and more.
The album’s highlights are genuinely compelling. Groban delivers a Sicilian-language rendition of “Brucia La Terra” from The Godfather, performs a duet of “Unchained Melody” with Jennifer Hudson, and brings his father Jack Groban in for the trumpet solo on “Moon River.” These aren’t gimmicks. They’re thoughtful choices that give the project real emotional range.
Earlier singles have already set the tone. “Can You Feel the Love Tonight,” featuring the Gay Men’s Chorus of Los Angeles, arrived first, followed by a sweeping take on “As Time Goes By” from Casablanca. Now “Skyfall” completes the pre-album rollout.
Groban’s GEMS World Tour wrapped last week after a run that spanned Hawaii, Asia, Australia, Ireland, the UK, and continental Europe. He heads back out in June for a North American run with Jennifer Hudson as special guest, hitting major rooms from Montreal to Salt Lake City. This fall, he returns to The Colosseum at Caesars Palace for GEMS The Las Vegas Residency. Tickets and information are at joshgroban.com.
Off the road, Groban’s Find Your Light Foundation recently announced over $1.5 million awarded to 257 nonprofit organizations across 40 states in its most recent grant cycle, supporting arts education access for more than 600,000 K-12 students. In 20 years, the foundation has contributed over $7.5 million to more than 500 arts education organizations across the U.S.
‘Cinematic’ Tracklist:
- As Time Goes By (Casablanca)
- Skyfall (James Bond’s Skyfall)
- Brucia La Terra (The Godfather)
- Can You Feel the Love Tonight (The Lion King) featuring the Gay Men’s Chorus of Los Angeles
- When You Wish Upon a Star (Pinocchio)
- Unchained Melody (Ghost) with Jennifer Hudson
- Remember Me (Coco)
- Moon River (Breakfast at Tiffany’s) featuring Jack Groban
- Against All Odds (Against All Odds)
- Stand By Me (Stand By Me)
North American Tour with Special Guest Jennifer Hudson:
June 2 – Montreal, QC – Place Bell
June 4 – Toronto, ON – Scotiabank Arena
June 6 – Boston, MA – TD Garden
June 7 – Philadelphia, PA – Xfinity Mobile Arena
June 10 – Hershey, PA – Giant Center
June 12 – New York, NY – Madison Square Garden
June 16 – Nashville, TN – Bridgestone Arena
June 17 – Atlanta, GA – Gas South Arena
June 19 – Tampa, FL – Benchmark International Arena
June 20 – Hollywood, FL – Hard Rock Live at Seminole Hard Rock Hotel & Casino Hollywood
June 24 – Columbus, OH – Schottenstein Center
June 25 – Detroit, MI – Little Caesars Arena
June 27 – Chicago, IL – Allstate Arena
June 28 – St Paul, MN – Grand Casino Arena
July 1 – Denver, CO – Ball Arena
July 3 – Salt Lake City, UT – Maverik Center
Josh Groban: GEMS The Las Vegas Residency:
October 2 – Las Vegas, NV – The Colosseum at Caesars Palace
October 3 – Las Vegas, NV – The Colosseum at Caesars Palace
October 7 – Las Vegas, NV – The Colosseum at Caesars Palace
October 9 – Las Vegas, NV – The Colosseum at Caesars Palace
Foo Fighters Deliver High Intensity Festival Masterpiece At Paris Rock En Seine
Foo Fighters turned the Domaine de Saint-Cloud into a massive high-voltage circuit during this definitive 2005 performance. Captured at the peak of the ‘In Your Honor’ tour, the set captures a group operating with a level of sonic density that few of their peers could match. Dave Grohl’s vocal intensity serves as the anchor, but it’s the rhythmic interplay between Taylor Hawkins’ percussive power and Pat Smear’s guitar work that pushes the show into the red. They move through staples like “Best of You” and “Everlong” with a professional grit, proving exactly why they transitioned from post-grunge contenders to permanent stadium fixtures. This recording stands as a visceral document of the band’s ability to command a crowd of thirty thousand through sheer melodic weight and relentless momentum.
Michael Stipe Confirms Debut Solo Album After Performing New Track “The Rest Of Ever” On The Late Show
Michael Stipe just shattered a fifteen-year silence with a single television appearance. Sitting across from Stephen Colbert, the legendary frontman confirmed his first-ever solo album arrives late this year. It’s a seismic shift for a voice that defined the alternative rock landscape for three decades. He didn’t just talk, though. He brought a brand new song to the stage, giving us the first real glimpse into his private creative world. This isn’t a nostalgia trip. It’s the beginning of a completely new chapter.
The transition from frontman to solo identity has been a long time coming. Since R.E.M. dissolved in 2011, we’ve only seen fragments of Stipe’s musical output. He spent years working in photography and visual art, but the pull of the studio finally took hold. He admits the pressure of his previous catalog created a high bar for this project. That tension has resulted in something far more idiosyncratic than anything we heard on ‘Collapse Into Now’. The record is officially on the calendar for late 2026.
Stipe is leaning heavily into experimental textures and found sounds. He described a process where he recorded a tree in his Georgia backyard and fed it through MIDI. The result apparently sounds like Daft Punk (nature hearing itself for the first time). It’s a surreal feedback loop that replaces traditional guitar frameworks with digital manipulation and organic field recordings. This approach highlights his current interest in the intersection of biology and electronic music. It’s a bold departure from the jangle-pop of his Athens roots.
There’s a certain playfulness in the new material as well. He revealed that a sea shanty motif based on “Drunken Sailor” made its way onto the record. During the interview, he shared misheard lyrics involving duct tape and donkey ears. It’s clear he’s having fun with the structural constraints of songwriting. He even joked about Billie Eilish playing a younger version of him in a biopic. That humor translates into a tracklist that feels both experimental and human.
The live debut of “The Rest Of Ever” landed with immediate melodic weight and a sophisticated rhythmic pulse. Performed with Louis Cato and The Great Big Joy Machine, the track showcased Stipe’s evolving spoken-sung phrasing. It’s an early indicator that the album will focus on texture and atmosphere rather than radio-ready singles. The collaboration with Colbert’s house band provided a lush, live anchor for his abstract compositions. The performance felt urgent, confident, and entirely necessary.
Despite the solo focus, the bond with his former bandmates remains a cornerstone of his life. He emphasized that the members of R.E.M. are still best friends who talk constantly. Their 2024 Songwriters Hall of Fame induction was a rare moment of public unity, but this new work is a solitary path. Stipe is authoring this world on his own terms without the democratic requirements of a group. It’s the sound of a legacy artist finding a new frequency.
Swedish Melodic Rock Force The Devil Wears Nada Drop “Elephant In The Room”
The Scandinavian rock resurgence found its new champions in the heart of Falköping. The Devil Wears Nada are pushing the boundaries of melodic hard rock with a cinematic vision that prioritizes massive hooks and theatrical flair. It’s a sound that bridges the gap between the neon-soaked 1980s and the high-fidelity production of the modern era. They aren’t interested in simple revivalism; they’re building something far more atmospheric and enduring.
The latest transmission from the group arrives in the form of a grand, hook-driven power ballad titled “Elephant In The Room” on April 24. Co-written with Eurovision winner Sampsa Astala, the track leans into the cinematic grandeur of the 80s dancefloor. It’s a deliberate pivot toward a more expansive, emotionally charged sound that feels both nostalgic and vital. The collaboration brings a sense of scale that’s often missing in contemporary rock releases.
Working with a veteran like Astala has clearly sharpened the songwriting edge of these Swedish rockers. They’re drawing inspiration from the likes of Roxette while maintaining the macabre, dramatic energy that defined their debut. Guitarist Henrik Westergren describes the sound as a mix of raw pulse and a fascination for the bizarre. It’s an intoxicating combination that works because it refuses to compromise on melody or muscle.
This single serves as the first major entry point for the upcoming sophomore album ‘In Lust We Thrust’. Arriving July 3 on Eonian Records, the project promises to raise the creative bar for the quartet. It follows the global success of ‘Postalgia’, a record that quickly became a coveted collector’s item for melodic rock purists. They’ve captured a specific kind of lightning here, blending polished harmonies with arena-sized ambition.
The Devil Wears Nada aren’t just looking back at the golden era of glam and AOR. They’re reawakening it for a new generation of listeners who demand professional-grade arrangements and high-impact energy. The track lands with a staggering melodic weight that positions them as a formidable force in the European rock circuit. It’s a bold statement from a group that’s just getting started.
‘In Lust We Thrust’ Track Listing:
96.2 FM Postalgia Radio
Brat With a Baseball Bat
Last Forever
Misery Is You
In Lust We Thrust
Elephant In the Room
Victoria (Featuring Evan Stanley)
Dead & Breakfast
Shotgun Wedding
Wednesday
Ms. Black Widow
Kehlani Drop Massive Self Titled Album Featuring High Profile Collaborations Today
The evolution of modern R&B reaches a definitive peak today as Kehlani celebrates their birthday with the release of the fifth studio album, ‘KEHLANI’. This project isn’t just another addition to a discography; it’s a self-titled manifesto that strips away the industry gloss to reveal an artist in total command of their narrative. After a run of singles that dominated the charts and the awards circuit, the full body of work has finally arrived to anchor the cultural conversation. Listen here.
The momentum behind this release is undeniable, fueled by the staggering success of the double Grammy-winning anthem “Folded”. That track alone has moved the needle with over 800 million global streams and a persistent presence at the top of the Rhythmic and Urban radio charts. It set a high bar for the rest of the album, establishing a sonic palette that balances sophisticated vulnerability with the kind of heavy, infectious grooves that define the current era.
The collaborative spirit on ‘KEHLANI’ is exceptional, bringing together a roster of icons and innovators that read like a hall of fame ballot. From the rhythmic interplay with Missy Elliott on “Back and Forth” to contributions from legends like Usher, Lil Wayne, and Brandy, the album feels like a curated celebration of the genre. These aren’t just features for the sake of names; each guest adds a specific texture to Kehlani’s expansive vocal arrangements and sharp songwriting.
Beyond the digital landscape, the connection to the fans remains grounded in real-world community. In Toronto, the local favorite Pho Ngoc Yen on Adelaide St W is hosting a unique activation today between 12-6pm. Fans dropping by for a meal have the opportunity to secure signed vinyl, exclusive apparel, and posters. It’s a smart, grassroots nod to a city that has long championed the artist’s work.
This release follows a year of significant accolades, including the Alchemist Award at the Femme It Forward Gala and a forthcoming Impact Award at Billboard Women in Music. With over 5 billion global streams already in the books, the arrival of ‘KEHLANI’ isn’t just a release date, it’s a victory lap. The music hits with a profound emotional weight and a polished, world-class execution that justifies every bit of the anticipation.
‘KEHLANI’ Tracklist:
- Intro
- Anotha Luva (feat. Lil Wayne)
- No Such Thing (feat. Clipse)
- Folded
- I Need You (feat. Brandy)
- Oooh
- Back and Forth (feat. Missy Elliott)
- Shoulda Never (feat. Usher)
- You Got It
- Out The Window
- Still
- Call Me Back (feat. T-Pain & Lil Jon)
- Pocket (feat. Cardi B)
- Lights On (feat. Big Sean)
- Sweet Nuthins (feat. Leon Thomas)
- Cruise Control
- Unlearn
Top Gun Returns to the Big Screen for Its 40th Anniversary, and This Time It’s in IMAX
Top Gun turns 40 this year, and Paramount Pictures is sending it back to theatres the right way. Starting May 13th, the 1986 original returns for a one-week-only theatrical event in 4DX, ScreenX, Premium Large Formats and IMAX, marking the first time the film has ever been presented in any of those formats. Tickets are on sale now.
The re-release pairs the original with Top Gun: Maverick, the 2022 sequel that earned over $1.5 billion at the worldwide box office, landed as the number one film of that year and became the highest-grossing film in Paramount Pictures’ history. Two films, one big screen event, back to back.
Tony Scott’s original still holds. Tom Cruise as Pete “Maverick” Mitchell, Val Kilmer as Iceman, the F-14s, the volleyball scene, the Giorgio Moroder soundtrack, all of it lands differently at scale. Seeing it in IMAX for the first time is a legitimate reason to go.
May 13th is also Top Gun Day, with a limited-edition collectible print available at participating theatres while supplies last. Showtimes and listings are at topgunmovie.com.

