Curated by respected blues historian and long-time host of CBC Radio’s Saturday Night Blues, Holger Petersen and Linus Entertainment today announced the acquisition of the Stony Plain music publishing catalog.
“It’s been just over two years since Linus Entertainment acquired the Stony Plain Records catalog, things have gone so smoothly and they have done such a good job with the recordings it felt like the right home for the publishing catalog as well,” commented Holger Petersen, who started Stony Plain publishing 49 years ago from his home base in Edmonton, Alberta with long-time partner Alvin Jahns.
The catalog includes songs by Maria Muldaur, Ronnie Earl, Colin Linden, Amos Garrett, Kevin Breit, Doug Sahm, Sonny Rhodes, Harry Manx, Paul Reddick, Sue Foley, Big Dave Maclean, Tim Hus, Charlie Angus, Jay McShann, Rita Chiarelli, Walter ‘Shakey’ Horton, Kenny “Blues Boss” Wayne, and Cindy Church, and songs recorded by Bonnie Raitt, Taj Mahal, Jeff Healey, Long John Baldry, Downchild, Dutch Mason, MonkeyJunk, and Jr Gone Wild.
“These songs are part of the history of North American roots music, written by Grammy, Juno, and Blues Music Award winners, and we couldn’t be prouder to be their music publisher,” stated Linus Entertainment CEO Geoff Kulawick.
You might remember your childhood when your parents brought an Atari console. This was the best moment for you. Your dad helped in setting it up and then a time frame was designated for its daily use. You were asked to follow the schedule for gameplay. If you were to neglect the time frame then the game would be taken away from you and you would never be able to play it again. Of course, you did not want that to happen so you adhered. As time passed, your love for the game increased. According to your perception, this time was about love for games and even more so about a lovely time with siblings. You would wait all day for the designated time for your video games. Oh, what lovely days those were. Life was beautiful with simplicity and games.
Nowadays, the world has become very tough and complicated and the games have turned into a very entertaining form of art. By playing these games, one enters into a virtual world of wonder. In the past, video games were very simple. They consisted of a console along with some cassettes for a video game. The console was hooked up to a television to play these cassette games. It usually consisted of two controllers that were attached to the console. We were more than two siblings so we had to wait for our turn. Only two people could play at one time and it was too difficult to sit there waiting for your turn.
Modern Video Games
Now the story is different. The new version of video games is the online realm and it has become much more entertaining now. Games are available for every age. A variety has been introduced in modern gaming so preferences are available in this case now. Modern games have been designed by skill-set. These games range from candy crush to call of duty (COD). These games are played through the internet and there is no restriction on how many players can play at one time. The players may be from different countries. They can play at a single time at their own locations.
However, there are some requirements for every modification. Video game evolution has taken games from Atari console to online video games. It means that there is a need for an internet connection to your PC. And we’re not saying just any internet connection, you have to ensure that it is an internet connection that offers at least 100 Mbps download speed and a stable network. You can check out AT&T internet plans in this regard as they fulfill the requirements and offer much more. After an internet connection, you would be able to play games. However, some basic requirements need to be fulfilled for playing games at your place.
Gaming Device
It is clear now that a device is a basic requirement for playing modern games. As there was a console in the past, now games are played on laptops and smartphones. There is a variety of games now but first-person shooter games are all the rage. They are played on laptops or PCs while Candy Crush and other games of the sort are played on smartphones. Whichever type of game you are playing you will need a fast internet connection. Data is used up by these games while playing and downloading them. There is a popular belief that games use up a lot of data. But it’s not the reality. After downloading, minimal data is used by these games.
Internet Connection
When you have decided on your gameplay device, then there is a need for a good supply of internet connection. A 1 Gig fiber-optic connection is not required for shooting your enemies in your game. There is only a need for a stable internet connection that can provide good download speed and low ping. Any Internet service provider (ISPs) that fulfills the requirements can be subscribed to. As discussed earlier, AT&T internet is a good match for gamers. However, whichever provider you choose just to ensure that they offer you good downloading speed and unlimited data at a reasonable cost.
Download Speed
In online gameplay, download speed is a very essential requirement. The remote servers often set system and internet requirements for you to be allowed to play. If the speed is good, you will receive access, otherwise, you may be removed from the game. Being a pro gamer, the download speed of 100 Mbps is enough for you. If the latency is low as well then a download speed of fewer than 100 Mbps is also enough.
Latency
The speed at which the information about the game is transmitted between two remote devices is called the latency of that internet connection. The faster the latency, the more instant will be transmission. The unit of Ping is milliseconds (ms). When ping is less than 100 ms, there would be no significant problem.
Data Allowance
We have heard from many people that a good game to be played online requires much data. But in reality, you don’t need to worry about it. Because new games are evolving and have fewer data requirements. You can play games with limited data, as long as you choose games according to your data availability. Like a social media platform, these online video games also require minimal data. But if you are watching videos or movies for hours then obviously more data will be used. You need enough data for downloading a video game. Large video game files require a huge chunk of your data, so you can download these games only when you have enough supply of data like at the start of the month.
Here is some information about popular games and their data requirements.
Sr.
Online Game
Data Used (Per Hour)
1
Call of Duty (Black Ops IV)
80MB
2
Call of Duty (WW II)
40MB
3
Team Fortress II
80MB
4
Counter-Strike (Global Offensive)
250MB
5
Dota II
120MB
6
Fortnite
100MB
7
Destiny II
300MB
8
Minecraft
Up to 200MB
9
Overwatch
135MB
10
Diablo III
Up to 26MB
11
League of Legends
45MB
12
World of Warcraft
40MB
13
Grand Theft Auto V Online
60MB
Conclusion
While playing online games, you would use less data than that used by your family watching a movie or a cat video. However, it is good sense to keep a check on your data allowance if it is limited, to ensure you do not run out before the end of the month.
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Takeaway
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Since its beginnings in Jamaica in 1959, the story of the pioneering Island Records label has been inextricably linked to the story of its founder, Chris Blackwell. Now, Blackwell has curated a series of compilation LPs, featuring his hand-picked tracks that correspond with his and Island’s legendary history.
On February 26, Island Records will release Volume One of The Vinyl Series, a 14-track album covering the years 1962 to 1969. Volumes Two and Three will follow later this year and explore Island’s history in the decades that followed.
“When I moved Island Records’ base from Kingston to London in 1962, all I wanted to do at first was just release the really great music that was coming out of Jamaica,” writes Blackwell in the collection’s liner notes. “But then I got caught up in all the music that I was hearing in London, much of it from America.”
The first volume of The Vinyl Series includes such groundbreaking hits as Millie Small’s “My Boy Lollipop” and “Israelites” by Desmond Dekker and the Aces—songs which introduced much of the world to the sound of Jamaican music. Several early singles set the context for these singles by Toots and the Maytals and “Forward March” by a teenage Derrick Morgan, the “first star of ska.”
The set also points to the expansive musical directions that Island would soon pursue, especially after the 1966 smash “Gimme Some Lovin’ ” by the Spencer Davis Group, whose lead singer, Steve Winwood, would later further influence the label’s direction. Also included are some of the immortal R&B singles that Island released in the UK through its Sue Records subsidiary, like “Mockingbird” by Charlie and Inez Foxx and “Harlem Shuffle” by Bob and Earl. In track-by-track essays by noted author and longtime Island Records chronicler Chis Salewicz, the album package features reminiscences that offer Rock and Roll Hall of Famer Blackwell’s own perspective.
The future volumes of The Vinyl Series will illustrate the visionary role that Island played in the folk, hard rock, singer-songwriter, glam, and progressive movements—and, of course, the records by Bob Marley and the Wailers and Jimmy Cliff, among others, that defined reggae around the world.
“Clearly, the culture was moving in a new direction,” writes Chris Blackwell in the introduction to this revelatory collection, “and I wanted Island Records to mirror that shift and be in this new world.”
The Vinyl Series Volume One – Various Artists
SIDE A 1 Long Shot Kick De Bucket – The Pioneers 2 Six and Seven Books of Moses – Toots & The Maytals 3 Rivers of Babylon – The Melodians 4 Forward March – Derrick Morgan 5 Liquidator – Harry J. All Stars 6 Israelites – Desmond Dekker & The Aces 7 007 (Shanty Town) – Desmond Dekker and The Aces
SIDE B 1 My Boy Lollipop – Millie Small 2 54-46 Was My Number – Toots & The Maytals 3 Keep On Running – The Spencer Davis Group 4 Gimme Some Lovin’ – The Spencer Davis Group 5 Mockingbird – Charlie & Inez Foxx 6 Harlem Shuffle – Bob & Earl 7 I Can’t Stand It – The Soul Sisters
Named among the 100 Alternative Power Music List for 2020, multi-award winning jazz musician, editor-in-chief and journalist Fiona Ross is inviting people to help support her brand-new, female-empowering organization: Women in Jazz Media.
The rapidly-growing digital network is described as a place to explore, discuss and collaborate with women who work in jazz media, whether that be journalists, photographers, publishers, editors, musicians and beyond. In alliance with her mission statement, Ross says all are welcome; they’ve currently shared the work of more than 100 women, and their team has grown to a roster of 10, based all over the world, and have garnered support from the likes of Jazzwise, The Jazz Times, Jazz in Europe, Citizen Jazz, Kind of Jazz, Jazz Quarterly, JazzViews, the F-List, EZH, Indie Music Women, Jazz Tribes, Music Tribes Unite, and more.
Ultimately, the purposes of Women in Jazz Media are to promote and celebrate the hardworking women in jazz Media, encourage and support a more diverse, global jazz community, create a healthy and supportive environment for the women involved,’ and encourage collaborative thinking and mutual support within the ever-expanding community.
Co-designer of the Music Tribes Unite platform Pia Sonne-Schmidt calls Women in Jazz Media a “new light in 2021” and has praised it for “illuminating a pathway to unify, respect and honour equality and diversity for all women in jazz.”
Currently, Women in Jazz Media has an official website, as well as a rapidly-growing Facebook page and a foothold across all other social platforms. In response to all the positive feedback and support she’s been receiving, Ross says she has “been really blown away.”
“This shows that people feel there is a need for something like this,” the musician said in a statement. “I have received emails from people across the world wanting to be involved and loving the idea of a platform such as this.”
Ross also revealed that the Women in Jazz Media team will soon be launching a monthly podcast/webinar series. “I have also just started to plan a mentoring scheme to support and encourage new writers and I have a few people signed up for that too already,” she added.
Before kickstarting her own musical career, Ross attended London’s prestigious Arts Educational School, where stars like Julie Andrews, Catherine Zeta Jones and Will Young — just to name a few — trained before her. Since then, she has worked as not only a musical director, session musician, composer, choreographer, director, dancer and actor, but as a model too.
Other than writing and performing music and giving her fellow female jazz-heads a platform to uplift one another, Ross’ passion is as a musical educator. For almost a decade, she was the headmistress of the British Academy of New Music in London. While she was there, she trained the likes of Jess Glynne, Rita Ora and even Ed Sheeran.
Fiona Ross’s latest and award-winning musical effort, The Live Session Video Album, is now available.
PDF format is a widely used format for files like Image files, files in rich text format, text files, and more. But files that are in PDF format can be complicated to understand and are hard to manage, but with the use of appropriate tools, managing and even improving your PDF files can be effortless and life-saving.
There are many tools for doing tasks involving PDF files, but there is one that can do almost everything in just one place. PDFBear is an online-based platform capable of accomplishing nearly all of your PDF needs without any hassle. With that said, here are some of the things you can do to your PDF Files using PDFBear.
Add Page Number
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Converter
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Takeaway
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Steven Wilson has released a mind bending video for the track “SELF”, taken from his just released album THE FUTURE BITES. Directed by longtime visual collaborator Miles Skarin, the video uses similar deep fake technology (DeepFaceLab) to that used in Channel 4’s Alternative Queen’s Speech. In the clip, Steven’s face is warped into those of a series of iconic (and occasionally infamous) celebrities including (among others) Donald Trump, Joe Biden, Robert Downey Jr, Chris Hemsworth, Scarlett Johansson, Mark Zuckerberg, Brad Pitt, and David Bowie (to name a few). The effect is equal parts mesmerising and disturbing, questioning the nature of identity in an age where everything is so easy to fake.
Steven Wilson says. “‘SELF’ is about our new age of narcissism and self-obsession, one in which a human race that used to look out with curiosity at the world and the stars now spends much of its time gazing at a little screen to see themselves reflected back in the mirror of social media. In that sense everyone now can take part in the notion of celebrity, and has the potential to share their life with an invisible mass of people they will never meet. The video take things further by exploring the idea that anyone can now project a version or ‘self’ that has no bearing on reality, and by using only well known faces the deception is made transparent.”
Miles Skarin, Director says, “In our early discussions about the ‘SELF’ video, we were talking about the concept of identity in the digital age, how your face is not only your key to a lot of the media you consume, it represents who you are – or who you pretend to be in your online personas. One of the most intriguing new developments in recent years have been the ability to create deepfakes, where a computer runs a machine learning algorithm to predict what one face would look like in another’s pose. Anyone with the right tools and ability can now turn themselves into anyone else, so what does that mean for identity?”
This expanded edition of SAY ANYTHING… has been years in the works, and contains previously unreleased demos and material, including all new liner notes from the filmmakers and never-before-seen photos.
Mondo and Vinyl Films are proud to present the premiere expanded edition of the soundtrack to Cameron Crowe’s essential, genre-defining 1989 debut film SAY ANYTHING…
Containing the original soundtrack album, plus an entire additional disc of music featuring demos written and recorded for the film — previously unreleased in any format — including long lost demo recordings of the “Joe Lies” songs as performed by Heart’s Nancy Wilson for actress Lili Taylor.
Featuring a 16 page booklet containing never-before-seen photos and liner notes from writer/director Cameron Crowe, stars John Cusack, Ione Sky, Lili Taylor, composer Nancy Wilson and more.
SAY ANYTHING… Expanded Motion Picture Soundtrack 2xLP. Various Artists. Pressed on 2x 180 Gram Translucent Red vinyl (also available on 2x 180 Gram Black vinyl). Expected to ship in April 2021. Ships worldwide. $35.
Say Anything… Expanded Motion Picture Soundtrack Tracklist Side One
1. All For Love – Nancy Wilson
2. Cult of Personality (Live) – Living Colour
3. One Big Rush – Joe Satriani
4. You Want It – Cheap Trick
5. Taste The Pain – Red Hot Chili Peppers
Side Two
1. In Your Eyes – Peter Gabriel
2. Stripped (Live) – Depeche Mode
3. Skankin’ To The Beat – Fishbone
4. Within’ Your Reach – The Replacements
5. Keeping The Dream Alive – Freiheit
Side Three – Bonus Tracks
1. Take Five – Dave Brubeck
2. Toy Box – Soundgarden
3. Back In The Saddle – Aerosmith
4. Brandy (You’re A Fine Girl) – Looking Glass
5. Turn The Other Way – Fishbone
Side Four – Bonus Tracks and Demos
1. A Girl Like You (Demo) – The Smithereens
2. Sit Down I think I Love You (Demo) – Nancy Wilson
3. The Joe Lies Demos – Nancy Wilson
i. He Hurts Me
ii. That Will Never Be Me
iii. He Cries
iv. Man Child
4. In Your Eyes (Live) – Peter Gabriel
Thank you, ladies and gentlemen. There are old songs, there are new songs, there are sad songs, and there are true songs. There is song one and there is song two and I am gonna sing “Song 2”
If the equation for a bop = pure fun x a bit of drama, Canadian artist Joshua Sade James and his new single “Closer” — available now — proves he’s a wizard with the formula.
“I feel like, if Twilight had a pop theme song for Bella’s mood swings between Jacob and Edward… This would be it,” the multi-talented artist explains. “I want people to start jamming out, then catch themselves saying, ‘oh, WAIT. I thought this was a happy song.’
“I wrote this song at the beginning of mine and my partner’s relationship and, over a year later, it rings more true than ever,” James shares of his personal and evolving inspiration behind the track. “Since COVID-19 restrictions shut down the borders, we haven’t seen each other in over nine months, so ‘(pushing) people out of my way to get a little bit closer’ doesn’t sound too far off.
“I bet it’s the same for anyone who’s separated right now.
“I hope that polarizing feeling reaches people, especially those who relate a little too well to this kind of situation, being separated from your loved one… I connect on another level with you right now, if you do. It has not been easy, but I can say: stay strong, stay sane, and stay home. You are worthy, you are loved, and you are perfectly you. We’ll get through this.”
One way Joshua Sade James is getting through is by pouring himself even further into his craft; with streams topping 375,000+ across platforms, he released his previous single and video, “All Fall Down,” in 2020, and has since been applying the finishing touches to his forthcoming EP, JSJ, (Joshua Sade James).
It was also from this itch to escape stagnation that he leapt at the opportunity to create a knockout video for “Closer,” this time with a small-but-mighty crew of creative powerhouses.
“I got lucky with this project,” he offers. “My friends had all been cooped up and quarantined in their homes for almost six months by that point, so I thought ‘okay, let’s do something. Let’s do a minimal music video.’
“First up, I asked my fellow Sheridan alum, choreographer and dancer Alexandra Gratton, to be a part of the project. I knew I’d be challenged — but just enough that I would have fun, and not look terrible while doing it. I remember saying, ‘whatever you choreograph, I gotta be able to do it in platform shoes on grass, so just don’t break me…’
“Once again, I got lucky; Alexandra just so happened to be dating Alex Gayoso — an incredibly talented videographer, cinematographer, and photographer extraordinaire who’s done a lot of work with Neon Dreams, and just did Carl Wolf’s fully animated video. Suddenly, not only was Alexandra wanting to choreograph, but now Alex became interested in the project as well!”
From there, the three masterminds executed on James’ concept underscoring juxtapositions between ‘light’ vs ‘dark,’ bright colours vs black and white, and love vs rage.
“In particular, I wanted to show our emotions that take over our thoughts when faced with conflict,” James explains. “Especially during this lockdown and being long-distance.
“When planning the video, I remember saying I wanted it to be like the ‘Gay Matrix,’” he continues. “I want it to seem like I’m battling my inner thoughts and temptations, jumping back and forth between this colourful, monogamous gay icon, and this gothic vampire slut.”
That these inventive visions for videos accompany James’ songwriting artistry is of little surprise; a Sheridan College alum for Musical Theatre Performance — and winning the Sheridan: Pop Award for Outstanding Performance — James also co-choreographed, co-directed and starred in the College’s PREP Production original, Revue Diva Dynasty.
Hailing from the tri-city Kitchener/Waterloo area — with country artist Jamie Warren for a dad — he’s been featured coast to coast, including Newfoundland to play ‘Pepper’ in Mamma Mia!, The Calgary Stampede’s Talent Search, Ontario’s Western Fair’s Rise2Fame, PEI’s Charlottetown Festival, and more.
In addition to his extensive performing and recording work, Joshua Sade James is an active advocate for mental health rights and proud member of the LGBTQIA+ community.
