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Alt-Electro Rockers RAMSHACKLE RODEO Go Full ‘Dystopian Crescendo’ & More in Sophomore EP, Mad Dog 2020 — Available Now

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The electro-rock swagger of Irish duo Ramshackle Rodeo is back with some classic, heavyweight riffs and howling harmonics courtesy of this, their sophomore EP, Mad Dog 2020 — available now!

A driving follow-up to 2019’s breakthrough debut, Back from the East, the alt-indie electro-rock duo that is Stephen Cassidy and producer Nial O’Doherty once again showcase their inimitable sonic soundscape within Mad Dog 2020’s stellar tracks.

Where to start, but for the top with the smouldering, groove-laden album opener that is “City Strut.”

“Here we revel in classic sounds with a contemporary ear,” O’Doherty says of the track that wields scorched riffs and blistered drums.

Title track “Mad Dog 2020” uses flaming harmonics to fill the jet streams left by overdriven guitar, while “Lockdown Jam” showcases the Ireland-based duo’s loose and dangerously cool electro-rock prowess.

Deft keys and subtle brushes tip toe over each other in “Imperfect,” a remastered and outro-outdo-less version of “Imperfect Bliss” first heard on Back from the East. “Halfway to Nowhere” sees the band go full ‘Saturday night’ as the moody floor-filler beguiles with shoe gaze gone wild.

“It’s like a dystopian crescendo,” Cassidy says. “Just like 2020.”

Saint John, NB’s Alt.Folkster KYLIE FOX Pens Letter to a Friend Journeying into Motherhood in New Single, “Avocado”

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Alt-folk Canadiana artist Kylie Fox celebrates the launch of her newest single “Avocado,” a heartfelt, tongue-in-cheek letter-in-song to her friend (and first time mothers everywhere) — available now!

“There is a trend in millennial pregnancies where the process is tracked through an app that describes the mother’s weekly progress,” Fox explains of the song’s context and inspiration. “Usually the videos make an effort to compare the size of the fetus to that of a fruit or vegetable.

“I was lucky enough to catch the screening of the 16-week video which told us that my friend’s child was about the size of an avocado,” she continues. “This song is a letter to a mom-to-be facing the uncertainties and excitements of expecting a first child.”

That “Avocado” would become a personal ode to her friend and those who can relate is par for the course for the New Brunswick-based artist; this year’s earlier release, “Cool Feet” was initially penned as a wedding gift to friends.

“I wanted to write a song for my friend’s wedding,” Fox shares of the track’s origins. “I didn’t want to write ‘just another’ love song, I wanted to write their love song.

“I called the groom and gave him an interview,” she continues. “I was seeking some strange, obscure sentimentality in his answers, and I got it: he’s a fisherman, so I asked ‘when you are tired and uncomfortable at work, what do you miss about my friend?’

“He said ‘her cold feet.’

“So… I set out to write a song about my friend’s feet, but changed his answer to ‘cool’ because,” she laughs, quite rightly pointing out, “you shouldn’t sing about ‘cold feet’ at a wedding.”

These two anecdotes — her friend’s wedding and another’s journey into new motherhood — succinctly sum up Fox’s unique brand of song-based storytelling; “Cool Feet” and “Avocado” are a fitting examples of her sentimental soft-spot effortless intertwining with quick wit, signature sarcasm, and inherent empathy. In addition, the video for “Avocado” is Fox’s first foray into stop motion and uses sentimental items near and dear to her and her family. “I had no previous experience with even cameras, and I made this video in two weeks using items my mom saved from my growing up,” she says. “I also borrowed toys from my nephew and other ‘avocados’ in my community.”

The third available off her forthcoming LP, Green — available September 18th — “Avocado” sets the tone for what’s to come following her 2017 breakout EP, BalconyEP. The results teem with unmistakable genuineness and endearing charm, traits that have earned Fox an attentive audience coast to coast, and features on CBC, charting on earshot!, festival stage spots, and more.

“I recorded with Dale in his remote Nova Scotian farm house,” Fox recalls of laying Green with East Coast Music Award-winning producer Dale Murray. “I would drive over from Saint John and stay for a night or two at a time throughout the summer to work on it.

“Dale’s wife (and fellow ECMA-winning artist) Christina Martin is an insane cook. I would relish in the opportunity to ask them about bizarre touring stories and professional advice while we shared meals and a bottle of wine at the end of a work day. Christina even bought fireworks for the session drummer’s birthday…

“The process was a dream.”

“Avocado” is available now. Green is available September 18, 2020.

Macon, Georgia Rapper & Producer MIDAS WRIGHT Captures Life Best Lived in New Track, “Otherside”

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“If you’re listening to this, there’s only one thing I want you to do: I want you to believe in yourself,” rapper and producer Midas Wright insists in reference to his new single, “Otherside” — available now.

“Be yourself, man. Nobody can do that better than you,” he continues.“You have the power in your hands to be the absolute best you can be, and live your life the way you want to. Nobody can stop you, except you!”

Wright’s stunning and enormously inspirational insistence that people make the most of every moment in life comes by him in the most personal way possible; the call to create “Otherside” was drawn from a brush with near-death he experienced eight years ago at the age of 19. “I’m now loving life at the ripe old age of 27,” he smiles. “Don’t pass me any white lighters.”

His perspective on the value of a life best lived goes even further; soon after moving from rural Georgia to attend college in Macon, Midas Wright founded the rap group Fresh Valley Kings in 2015, has performed with Riff Raff at the Cox (now Hargray) Capitol Theater, and released two 8-track EPs, The Psychotic Erotic and Satellites, to name a few accomplishments. Wrangling the deaths of close personal friends and coping with depression, however, he took a three-year hiatus before re-releasing and re-mastering his prior EPs — as well as 14 previously unreleased tracks — in 2020 as the Lost Tapes series.

While all eras of his performances are united by an intense honesty to the lyrics, even when coping with potentially edgy or dark subject matter, “Otherside” reflects the enlightenment of perspective granted by the time off, and showcases an insightful rapper and producer who is here to stay. Composed, produced, recorded, mixed and mastered by Wright and his partner Sarah — artistically known as Ourglass — in the basement studio of their home, the two knew they were onto something thanks to their biggest, and furriest, fan. “Our dog Dany chilled in the studio with us for the entire process of cutting ‘Otherside.’ Sarah always knows when a song is going to turn out extra good because the dog gets excited during the recording. Sometimes when we’re recording something that’s maybe not as great, the dog whines to be let out!

“Some listeners have interpreted the lyrics to be about the rejection of an afterlife. While that is one valid interpretation of the song, the main idea I was focused on while I recorded ‘Otherside’ was the concept that, whether there’s an afterlife or not, we are never given a second chance at this moment, the one right now, that we are living.”

There’s other inspiration layered within the song’s folds, including the struggle with addiction that has deeply affected Wright’s life. “My mother is presently in a rehabilitation facility in South Florida receiving treatment,” he shares. “And in the lyrics, I use the line ‘I got sober’ but the truth is, I’ve partied since recording this song.

“I think the important thing in life is to find a balance that you can accept and that you’re comfortable with. Nobody is perfect, and if you’re struggling or you know someone who is, total or a period of total sobriety may save your or their life. Don’t be afraid to reach out to someone you trust if you need help.

“The track shares a title with several of my favourite songs, namely Macklemore’s ‘Otherside,’ which shares similar themes, as well as tracks by the Red Hot Chili Peppers and Post Malone. These songs helped me get through the dark times, and inspired me to want to do the same thing for someone else.”

That said, there was an alternate cut of this track recorded, he says, and one with a very different message. “Rather than focusing on being uplifting and getting through the struggle, the alternate cut describes giving into despair and letting your demons win, so-to-speak.

“Ultimately, positivity and light won our hearts. We decided the happier cut would do more good in the world today.”

That essence radiates through even the album’s artwork. “I made the artwork myself, and it includes lots of circles, bridges, and rainbows. These are all images that inspire hope in me, and remind me that there’s always a way and something to look forward to. Even when suffering repeats itself, we always have a way forward into the light.

“The main recording ‘Otherside’ is a single-take freestyle I laid down the fourth time or so after I listened to the beat. The lyrics just sort of spilled out onto the track, and later my notebook! I started writing poetry at a very early age, long before I ever discovered music; I won an award for a poem I wrote once at Fernbank Museum. So in that, I prefer to freestyle all of my songs, it usually takes way longer to do it that way, normally.

“I think ‘Otherside’ came together in just a few takes because the message is so close to my heart. So if you took the time to listen to ‘Otherside,’ I deeply appreciate it.”

“Otherside” is available now.

Step aside! Let 4-Decade RnB Stars CRACK OF DAWN Show You How To Groove in New Single “Tiempo” Featuring Melba Moore

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Canadian funk legends Crack of Dawn note the meaning of ‘time’ with “Tiempo,” their latest single featuring the incomparable Melba Moore — available now.

Featuring the same signature velvet-funk tones that have made them Canada’s most celebrated soul act for 40 years and running, Crack of Dawn refresh and reimagine a song written years ago by lead singer Michael Dunston and Dennis Nieves.

“It’s about lovers needing time to find themselves again after a tumultuous breakup,” the band says about the track. “Fast forward to 2020, and things happened in Michael’s life where the meaning of the lyrics really hit home; his wife was battling a few serious medical issues.”

It’s under these renewed circumstances — along with the addition of Tony Award-winning, four-time GRAMMY nominee, TV star, first black actress to play ‘Fantine’ in Les Misérables on Broadway, and 11-time Billboard Top 10 charting artist, Melba Moore — that takes “Tiempo” to an unprecedented, out-of-this-world level. “It’s filled with an emotional interpretation that’s difficult to explain with words alone.”

Crack of Dawn were the first black band to be signed to a major label, CBS, after being discovered by Otis Redding’s producer. Their most recent album, Spotlight, features a breathtaking combination of grindingly feel funk a la “Booby Ruby,” guitar and horn-led sunshine soul thanks to the eponymous “Crack of Dawn,” the wah-wah drenched glory of “Somebody’s Watching You,” and their hugely popular and Internationally critically acclaimed single, “Ol’ Skool.”

“Tiempo” is available now.

Canadian / British alt-rock popsters DEAD ROMANTIC are “All Talk” in Breakthrough Debut Single

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Canadian / British alt-rock popsters Dead Romantic serve up their hook-heavy slab of modern sonic goodness with the release of their newly minted single, “All Talk”.

Nothing short of well-seasoned with the same powerful riffs, crushing grooves, and anthemic vocals the breakthrough crew are quickly growing known for, the single just entered rotation on Kerrang! Radio, and lands ahead of Dead Romantic’s debut album release City of Thieves — set for release early 2021.

The trio consists of Toronto-born/raised producer and lead guitarist Mike Krompass — formerly of or have worked with Nelly Furtado, Natasha Beddingfield, Steven Tyler, Theory of a Deadman, and co-wrote and produced the recent Honeymoon Suite record — plus Benjamin Owen on lead vocals and guitar, Scott Westervelt on keyboards, and features drummer Eddy Thrower (Lower Than Atlantis).

“We wrote this track and this record with absolutely no filter,” Owen sets down. “We wrote with just the pure experience of playing music around the world.”

“The single came really easily,” Krompass adds. “The three of us were sat in a room with my great friend and co-writer, award winning songwriter Steve Diamond. It felt like the song pretty much wrote itself. The melody came quickly, the lyrics flowed and the title just popped. The chemistry was amazing.

“We met through rock n’ roll, and that is the language we’re projecting in this project,” he continues. “Lyrically, we hope to inspire those in doubt and join those who reap.

“It’s a new world… A new fight.”

“All Talk” is available now.

https://youtu.be/4XjZAUceGMw

Lin-Manuel Miranda Breaks Down His Biggest Songs, from Hamilton to Moana

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What happens when the sounds of Eminem and Jay-Z, ‘The Little Mermaid,’ and Ricky Martin collide in one of the most brilliant musical minds of our generation? You get the incredible output of ‘Hamilton’ lyricist, composer, and star Lin-Manuel Miranda. The multiple Tony and Grammy winner, whose rap-musical phenomenon ‘Hamilton’ lands on Disney+ this July – with a 100% Certified Fresh Tomatometer score – has created some of the most stirring and memorable songs of the last decade, both on stage and screen. Beyond ‘Hamilton’ itself, and his debut musical ‘In the Heights’ before that, Miranda composed the soaring earworm “How Far I’ll Go” for ‘Moana,’ a tune for the cantina scene in J.J. Abrams’ ‘The Force Awakens’ (lyrics in Huttese), and more. With the whole world about to settle into a front-row seat to ‘Hamilton,’ Rotten Tomatoes sat down with Miranda for an extended, in-depth dissection of the influences on his music and breakdown of the complex construction of some of the best songs he’s produced. Want to know what boy band 98 Degrees has to do with ‘In The Heights’ showstopper “96,000”? Or how he constructed “un-f—kwithable,” super-dense couplets for “My Shot”? Miranda goes deep in our exclusive extended interview.

I’m Thinking of Ending Things, a New Film from Charlie Kaufman Is…Strange And A Must-Watch

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From Academy Award winner Charlie Kaufman (Eternal Sunshine of the Spotless Mind) and based on Iain Reid’s acclaimed novel.

Despite second thoughts about their relationship, a young woman (Jessie Buckley) takes a road trip with her new boyfriend (Jesse Plemons) to his family farm. Trapped at the farm during a snowstorm with Jake’s mother (Toni Collette) and father (David Thewlis), the young woman begins to question the nature of everything she knew or understood about her boyfriend, herself, and the world.

2Pac’s Isolated Vocals For “This Ain’t Livin'”

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This Ain’t Livin’ can be found on 2Pac’s Until the End of Time is the seventh studio album, and third posthumous album by him. It follows his previous posthumous albums R U Still Down? (Remember Me) and Still I Rise. The album consists of material recorded while the rapper was on Death Row Records from 1995–1996.

Robert Wyatt Announces His Greatest Misses Compilation – Now Available On Vinyl For The First Time On October 9

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On October 9 via Domino, the singular Robert Wyatt will release His Greatest Misses—a compilation spanning his decades-long career—on vinyl for the first time ever.

His Greatest Misses acknowledges that Wyatt’s career has taken place outside the limited space and definition of commercial pop success, but simultaneously recognizes that Wyatt’s non-careerist career has nevertheless proven both productive and rigorous. The collection, originally released as a Japanese edition, includes selections dating from Rock Bottom (1974) to Cuckooland (2003), although its running order is non-chronological. This makes the subtle point that Wyatt’s recordings are best considered as a non-linear catalog—a world through which the listener can move at any pace in any direction.

The compilation showcases many of Wyatt’s musical abilities, particularly his favored technique of allowing his serpentine keyboard melodies to intertwine with his voice, vividly present in the opening bars of “Sea Song.”

Across the nineteen songs present, His Greatest Misses pays tribute to Wyatt’s much noted gift as an interpreter of other songwriters’ material—most notably, Chic’s “At Last I Am Free,” and Clive Langer and Elvis Costello’s “Shipbuilding.” The latter, along with Wyatt’s cover of Neil Diamond’s “I’m A Believer,” originally made popular by The Monkees, placed him in the Top 40 singles chart.

As well as Wyatt’s celebrated cover versions, His Greatest Misses includes his version of “Arauco,” originally written by the Chilean artist Violeta Parra. Wyatt’s version of this protest song and the eerie and powerful “Foreign Accents” from Cuckooland demonstrate Wyatt’s rare gift for singing in languages other than English. For an artist regularly associated with a certain Englishness, Wyatt has always been an avowed internationalist.

Born in Bristol in 1945, Wyatt was a founding member of the bands Soft Machine and Matching Mole, before embarking on a solo career; his discography is one that flows with the force and intensity of a river in full spate. Each recording on His Greatest Misses is a benchmark in the life and work of a steadfast and true original, providing an opportunity for listeners to enjoy some wild swimming through a powerful, idiosyncratic, and unclassifiable catalog.

The release of His Greatest Misses coincides with the release of Side by Side, a book by Robert Wyatt and his wife Alfie Benge: visual artist, songwriter, and the person who has nurtured and overseen Wyatt’s career for the past 46 years.

Tracklisting:
1. P.L.A.
2. Worship
3. Heaps Of Sheeps
4. Free Will And Testament
5. I’m A Believer
6. Sea Song
7. Little Red Robin Hood Hit The Road
8. Solar Flares
9. At Last I Am Free
10. Arauco
11. The Age Of Self
12. Alien
13. Shipbuilding
14. Memories Of You
15. Muddy Mouse (b)
16. Mister E
17. Foreign Accents

New Thelonious Monk Album, Palo Alto, Announced For Release On September 18

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In the fall of 1968, a sixteen-year old high school student named Danny Scher had a dream to invite legendary jazz pianist and composer Thelonious Monk and his all-star quartet to perform a concert at his local high school in Palo Alto, CA. In a series of twists and turns, against a backdrop of racial tension and political volatility, that concert was recorded by the school’s janitor. Palo Alto is now set for release on September 18 physically on Impulse! Records.

“That performance is the one of the best live recordings I’ve ever heard by Thelonious,” says T.S. Monk, son of the pianist/composer maestro, drummer and founder of the Thelonious Monk Institute. “I wasn’t even aware of my dad playing a high school gig, but he and the band were on it. When I first heard the tape, from the first measure, I knew my father was feeling really good.”

The vibrant 47-minute album spotlights Monk’s steady touring band (tenor saxophonist Charlie Rouse, bassist Larry Gales, drummer Ben Riley) and features his touring repertoire, which were his finest compositions.

1968 was a tumultuous year in America, marked by the shocking assassinations of Martin Luther King, Jr. and Robert F. Kennedy, unsettling revelations about the Vietnam War, and protests and unrest throughout the country. Palo Alto and the primarily African-American neighboring town of East Palo Alto were no different. This was the stage for young high school student Danny Scher, a jazzhead with an idealistic bent and knack for concert promotion (who later on became a well-known promoter who worked with legendary San Francisco rock promoter Bill Graham.)

Looking back, Scher says, “I always looked at music as a way to put issues on hold or up to a mirror, whether they be political or social. On October 27, 1968, there was a truce between Palo Alto and East Palo Alto. And that is what music does.”

In many ways, Thelonious Monk was at the pinnacle of his career in 1968– his quartet was at its best musically, and he was still riding high in the public eye, having sustained his popularity since appearing on the cover of TIME Magazine a couple of years prior. However, behind the scenes finances were strained and his health had deteriorated. When he got a call in the middle of his three-week run at the Jazz Workshop in San Francisco, he listened to the teen on the other end of the receiver. Perhaps he was moved by the young promoter’s gumption.

And so it came to be that on October 27, 1968, Thelonious Monk and his quartet – Charlie Rouse (tenor sax), Larry Gales (bass), and Ben Riley (drums) – climbed out of the Scher family van and walked through a rainy parking lot full of stunned Palo Alto and East Palo Alto residents, into Palo Alto High School’s auditorium and delivered a stellar, energetic and historic 47-minute set.

Included in the mix is Monk’s lyrical love song “Ruby, My Dear” (Rouse boldly blowing the melody with Monk comping in his unique oblique way then taking the lead with a dazzling solo); the dynamic and spirited “Well, You Needn’t” taken for a 13-minute ride with solos by all members; the pianist’s captivating solo reading of “Don’t Blame Me” by Jimmy McHugh; an epic dance through “Blue Monk”; and a playful charge through “Epistrophy.” The show ends with a truncated encore of Monk slowly striding through the 1925 Tin Pan Alley hit tune by Rudy Vallee, “I Love You Sweetheart of All My Dreams” and after a standing ovation saying his goodbye because they had to leave to make their San Francisco date that evening.

The concert was quite impressively recorded by Palo Alto High School’s janitor, and the tape sat in the attic of Scher’s family home for years. Now it will finally be available to the public.

Palo Alto – Thelonious Monk:

Ruby, My Dear
Well, You Needn’t
Don’t Blame Me
Blue Monk
Epistrophy
I Love You Sweetheart of All My Dreams