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Paul McCartney’s ‘Beautiful Night’ EP Set To Be Featured On The Forthcoming ‘Flaming Pie;’ Archive Collection Out July 31

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Paul McCartney today releases the Beautiful Night EP as part of the forthcoming re-release of his acclaimed 1997 album, Flaming Pie. Due for release on July 31st, Flaming Pie marks the thirteenth installment in Paul’s GRAMMY Award-winning Archive Collection.

The EP recreates the original 1997 ‘Beautiful Night’ maxi single, featuring the remastered Flaming Pie single, ‘Beautiful Night’, a 1995 demo of the song, an alternate ‘Run Through’ recording, and ‘Oobu Joobu Part 5’ – a medley of Beautiful Night-themed chat, alternate mixes and interview recordings of Paul and Ringo Starr speaking about the song.

A newly remastered music video for Beautiful Night, originally filmed in 1997, is also released today.

Beautiful Night marks one of the first collaborations between Paul and Ringo Starr since The Beatles. Speaking of his memories of that time, Paul said:

“I’d been saying to Ringo for years that it’d be great to do something, because we’d never really done that much work together outside The Beatles. One night Jeff Lynne suggested, “why don’t you get Ringo in?” and I said, “OK!” It just sort of happened.

I had this song Beautiful Night which I’d written quite a few years ago. I’d always liked it but I felt I didn’t quite have the right version of it.

So I got this song out for when Ringo was coming in, and right away it was just like the old days.”

Originally released May 5, 1997, Flaming Pie ended a four-year gap between McCartney studio albums. Recorded largely in the wake of Paul’s involvement in the curation and release of The Beatles Anthology series, Flaming Pie was shaped and inspired by that experience, with Paul remarking at the time “(The Beatles Anthology) reminded me of The Beatles’ standards and the standards that we reached with the songs. So in a way it was a refresher course that set the framework for this album.”

Produced by Paul, Jeff Lynne and George Martin and featuring a supporting cast of family and friends including Ringo Starr, Steve Miller, Linda McCartney and son James, Flaming Pie is equal parts a masterclass in songcraft and a sustained burst of joyful spontaneity. With highlights ranging from the uplifting and inspirational opener ‘The Song We Were Singing’ to the raucous title track (named for a quote from an early John Lennon interview on the origin of The Beatles’ name: “It came in a vision – a man appeared on a flaming pie and said unto them, ‘from this day on you are Beatles with an A.’”) to the pensive ‘Calico Skies,’ and featuring singles ‘Young Boy,’ ‘The World Tonight’ and ‘Beautiful Night,’ Flaming Pie would represent yet another pinnacle in Paul’s solo catalogue: Released to rapturous reviews, the album would be Paul’s most commercially successful release of the ‘90s, achieving his highest chart positions since the ‘80s and would receive gold certifications in the US, UK, Japan and more.

Paul’s critically acclaimed and universally beloved tenth solo album Flaming Pie will be the latest to receive the Archive Collection treatment, released on formats including a 5CD/2DVD/4LP Collector’s Edition, a 5CD/2DVD Deluxe Edition, plus 3LP, 2LP and 2CD editions.

Pre-order the Flaming Pie collection HERE

Beautiful Night – EP Tracklisting

  1. Beautiful Night (Main Album – Remastered)
  2. Beautiful Night (1995 Demo)
  3. Beautiful Night (Run Through)
  4. Oobu Joobu Part 5:
    1. And Now (Jingle)
    2. Oobu Joobu Main Theme
    3. Beautiful Night Chat
    4. Paul McCartney and Ringo Starr Chat About ‘Beautiful Night’
    5. Ringo Starr Chat
    6. Beautiful Night (Flaming Pie Mix)
    7. Beautiful Night (Original Version)
    8. Goodbyes
    9. Oobu Joobu Main Theme

Keith Urban Flies Towards Upcoming Album Release With “Superman,” New Single And Video Out Now

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“It wasn’t like I set out to write a song called ‘Superman’,” said four-time GRAMMY© Award winner Keith Urban.  But he did, and WARNING: have a neck brace handy and wear comfortable shoes.  It’s as infectious a song as Urban has ever released, brimming with energy and swagger.  “Superman” marks the third in a series of monthly releases leading into his forthcoming September 18th album release, THE SPEED OF NOW Part 1, and as the song becomes available on all streaming platforms, today also marks the release of its accompanying music video where Urban is seen in rare form –– as a hand-drawn, animated, flipbook character.

Of “Superman” Urban says that it’s a song specifically written with a bunch of places in mind, but it’s written metaphorically.   “I like when listeners can put heir own story, their own faces and their own characters into the song, and this one to me, is definitely one of those songs.”

Urban has consistently used his artistry and musical curiosity to fuse together that which might not seem to go together and “Superman” is no exception.  While most wouldn’t envision a dance/electronic/pop songwriting, production and mixing trio (Captain Cuts), one of Nashville’s most sought after country music writers (Craig Wiseman) and a YouTube flipbook phenomenon (Andymation) all involved in the creation of a song Urban does, and it works to perfection.  It’s the key ingredient that when combined with his driving musical inquisitiveness, helps to understand why Urban is one of the most well-respected artists in the world.

Alessia Cara Releases Her New EP, This Summer: Live Off The Floor, Along With 8 Live In-Studio Performance Videos

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Grammy Award®-winning singer-songwriter Alessia Cara gives fans around the world an intimate look into her creative process and the live evolution of her deeply personal songs with the release of her new EP, THIS SUMMER: LIVE OFF THE FLOOR, today available on all platforms via Def Jam Recordings/Universal Music Canada, the country’s leading music company. Alessia will be donating her share of net royalties to Save the Children for the next 21 years. She explained her decision further on this Instagram post:

“I put out an EP last September and shortly after recorded a live off the floor version, which was set to come out this summer. Then the world flipped upside down, so I decided to donate all my proceeds from this EP for the next 21 years to ‘Save the Children’, a global organization that saves and improves the lives of children who have been denied their rights by ensuring they have shelter, food, protection, healthcare, and education. This includes the 12 million kids currently suffering in Yemen, Indigenous children in Canada, children of colour in vulnerable communities, and anyone who needs help across 117 countries.

Recent events have made it even more evident that we need to uplift and care for the youth as much as possible. There are so many kind, colourful, intelligent, and driven kids who don’t have access to the resources they need in order to become the best future leaders or simply live a life they deserve. We won’t see a better world unless the ones who can one day change it are equipped to fulfill their true potential. Thanks to my team for getting on board, and to the wonderful musicians who played on this record. Hope this will be a bit of light in a (for lack of a descriptive enough term) weird time.

THIS SUMMER: LIVE OFF OFF THE FLOOR, out July 17th.

Love, Alessia”

THIS SUMMER: LIVE OFF THE FLOOR presents newly recorded live performance versions of all six songs from the original This Summer EP. Recorded in a live floor studio session with a group of masterful players, including lush string arrangements, LIVE OFF THE FLOOR includes bonus live versions of Alessia’s landmark global hits “Here,” her triple platinum debut single, and “Scars To Your Beautiful,” her double platinum hit, as well as her original song “I Choose” from the #1 Netflix film The Willoughbys in which she made her acting debut as the lead character.

Last month, Alessia Cara led the nominations at the 2020 JUNO Awards and had the most wins of the night with three JUNO Awards: Album of the Year, Pop Album of the Year, and Songwriter of the Year. Cara also presented the International Album of the Year Award and performed the live in-studio version of “Rooting For You” within the virtual celebration broadcast.

April 22nd marked the premiere of the #1 Netflix animated featured The Willoughbys, in which Alessia (in her first voice-over acting role) joined an all-star cast including Will Forte, Maya Rudolph, Terry Crews, Martin Short, Jane Krakowski, Sean Cullen, and Ricky Gervais.

The Prince Estate Releases Previously Unheard Track “I Could Never Take The Place Of Your Man (1979 Version)”

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Today, The Prince Estate in partnership with Warner Records, releases “I Could Never Take The Place Of Your Man (1979 Version),” a previously unheard recording from Prince’s legendary vault that will be featured on the expanded reissue of Prince’s iconic Sign O’ The Times out September 25.

“I Could Never Take The Place Of Your Man (1979 Version)” was recorded at Hollywood Sound Recorders, Studio A on May 23, 1979, and engineered by Bob Mockler. It is the oldest recording in the Super Deluxe Edition collection, dating back to sessions for Prince’s self-titled 1979 album. Its basic elements are minimal: live drums and claps, bass, guitar, synth, and nine layers of Prince’s voice.

The track was retrieved from the vault in June 1986 and re-recorded, with Prince adding a solo and updating the sound, and that new version was given a prominent place on the unreleased Dream Factory and Crystal Ball collections before finally being released on Sign O’ The Times.

Check out @prince on Instagram and Twitter for never-before-seen handwritten lyrics for “I Could Never Take The Place Of Your Man”.

The new Sign O’ The Times expanded reissue will be available this fall via all physical, digital and streaming partners, with the classic album remastered for the very first time. The Super Deluxe edition features 63 previously unreleased tracks, as well as a previously unreleased 2+ hour video concert performance from the vault.

Pre-order here.

In June, the first unreleased track from Sign O’ The Times Super Deluxe edition reissue was shared. “Witness 4 The Prosecution (Version 1)” is now available on all digital download and streaming platforms. The track was recorded on March 14, 1986, at Prince’s Galpin Blvd. home studio in Chanhassen, Minnesota, and was originally intended for inclusion on the halted Dream Factory album.

Portugal The Man Launches PTM Foundation

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GRAMMY Award-winning alternative rock band, Portugal The Man announced the official launch of PTM FoundationPTM Foundation will serve as the band’s primary vehicle to engage, advocate for, and reinvest in the communities they grew up in and currently belong to and care for. PTM Foundation’s work is focused on universal issues related to human rights, community health and the environment, with an emphasis on causes directly impacting Indigenous Peoples.

Utilizing activism, community engagement, advocacy and philanthropy, the band hopes to build community resilience, empathy and awareness through the power of music, stories, art, education and connectivity. What sets the organization’s work apart, however, is a focus on a very unique and often disenfranchised group of communities that is of particular concern for the band: Indigenous Peoples. With underrepresentation in government, erasure and invisibility, these Native Communities face inequities in funding, lack of compassion and disconnection from heritage that results in a range of trauma. Through PTM Foundation, the band is making a global commitment to uplift the sacred voices of Indigenous Peoples, who are often the most informed, yet silenced, among us. (Additional information on partners, grants and funding, can be found attached/below)

“We know Indigenous Peoples face persistent and enduring challenges to their communities, their lands, and their basic human rights, with extremely limited support from the government as well as the broad spectrum of philanthropic institutions,” said John Gourley of Portugal The Man. “This is wrong, and our band has decided to do something about it.”

Today’s announcement unveils the website for PTM Foundation, home to more information about the organization’s partners and additional resources and educational tools. The website also includes a short film created in partnership with Filmmakers Josué Rivas and Aaron Brown. A core tenet of the Foundation’s mission is to provide easily accessible information, education, and training opportunities.

In conjunction with today’s official launch, PTM Foundation also announces Get Out The Native Vote, a nonpartisan grant program designed to promote resources that encourage voter registration amongst Indigenous Peoples and increased engagement in the civic process. This is the second official grant program started by PTM Foundation, joining the COVID-19 Native Community Relief grant program introduced in May, which provided funding to 20 organizations that support Native communities with COVID-19 relief. The foundation has plans for future grant programs, to be announced in the coming months.

Having long been vocal in the fight against police brutality and systemic racism, the band recently utilized their Foundation arm to raise money for the Minnesota Freedom Fund via the sale of exclusive t-shirts – designed by artists Wooden Cyclops and Austin Sellers – with all profits directly benefitting the organization.

To learn more about PTM Foundation, including ways to get involved, visit www.PTMFoundation.org and follow PTM Foundation on FacebookTwitterInstagramLinkedIn and YouTube.

 

ABOUT PORTUGAL THE MAN

Grammy Award-winners Portugal The Man began their career in their home state of Alaska and have gone on to become one of the most successful and recognized rock bands of the last decade, touring the globe and selling millions of records, along the way. In addition to their impressive list of music industry accolades and achievements, the band recently received the Legend Award at the Native American Music Awards, as well as the Public Sector Leadership Award by the National Congress of American Indians. For more information on Portugal The Man, please visit www.portugaltheman.com.

Launched quietly in May 2019, PTM Foundation has already reached more than 1MM individuals through their advocacy on tour and provided grants to and built partnerships with more than a dozen organizations across the United States, including The Skatepark Project, The Ally Coalition, United Confederation of Taino People and many more.

This launch also signals the opening of three national grant programs today for organizations that focus on the same goals to build community resilience, empathy, and awareness and utilize music, stories, art, education and connectivity to do so. The three grant programs include:

  1. COVID-19 Native Community Relief: 20 organizations have been identified to receive funding to support Native communities with Covid-19 relief.
  2. Get Out The Native Vote: a nonpartisan grant program designed to promote strategies that will get Indigenous Peoples registered to vote and engaged in the civic process.
  3. Land Acknowledgement Activism: In partnership with the City of Portland, this pilot project is designed to implement Land Acknowledgements at all City of Portland events. During their most recent North American tour, the band asked Native Tribal leaders to open each show with a blessing, as a reminder that most of us are immigrants and that the land we call home was once native land. The band also released a coinciding “land acknowledgement” video to honor indigenous people.

land acknowledgement is a formal statement that recognizes and respects indigenous peoples as traditional stewards of the land and enduring relationships that exist between Native Peoples and their traditional territories. This is a very tangible example of the Foundation and band’s distinct work focused on Indigenous Peoples.

“We are thrilled to partner with Portugal The Man who has demonstrated a shared commitment to honoring Native People and bringing attention to their historic and present-day experiences,” added Portland City Commissioner Amanda Fritz, “We are thankful to the band and the foundation for the precious resources and energy they are investing into the project.”

PTM Foundation is supported by the newly developed PTM Fund, administered through the Oregon Community Foundation, to help support, grow, and sustain this work for years to come. The work is funded entirely by donations from Portugal The Man and their growing community of support. All organizational overhead expenses are paid out of pocket by the band and management team. This means that 100% of money raised into PTM Fund goes directly to support the communities they hold so dear.

“Oregon communities and those communities in need around the world will benefit from the generosity, community spirit and civic engagement demonstrated by Portugal The Man.” Max Williams, President and CEO of Oregon Community Foundation continued, “We celebrate this partnership as an opportunity to engage more Oregonians in the power of philanthropy to lift fresh voices and bring people together across our state and have the power of the band’s global reach to make an even broader impact.”

PTM Foundation Community Advisory Board
Sachem Hawkstorm, Chief of Schaghticoke First Nations Tribe – Strategic Advisor
Roberto Borrero, Chief of the United Confederation of Taino People – Community Engagement Coordinator
Josué Rivas, Mexica/Otomi – Storytelling Advisor
April Holder, Sac and Fox Nation – Community Advisor
Aaron Brown – Creative Advisor
Brian Trautman – Community Advisor

PTM Foundation Board of Directors
John Gourley – PTM Foundation Board Vice Co-Chair
Zachary Carothers – PTM Foundation Board Vice Co-Chair
Rich Holtzman – PTM Foundation Board Chair
Ashley Sisino – PTM Foundation Board Secretary
Dave Stein – PTM Foundation Legal
Eric Howk – PTM Foundation Board Member
Zoe Manville – PTM Foundation Board Member
Kyle O’Quin – PTM Foundation Board Member
Jason Sechrist – PTM Foundation Board Member

 

PTM Foundation Administrative Team
Logan Lynn – PTM Foundation Director

Serena Ryder Releases New Single “Candy”

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Six-time Juno Award winner Serena Ryder has released her new single “Candy” today. The new song is the lead single off Serena Ryder’s upcoming album: The Art of Falling Apart. The 10-track project chronicles Serena’s years of struggle with mental health, and her journey from mental illness to wellness. Serena debuted the track as part of the official Canada Day virtual celebrations, of which she also played co-host. A video for “Candy” featuring Tanya Howard, one of the star dancers of the National Ballet of Canada will follow in the coming weeks. “Candy” is available now on all DSPS here.

Of the new single, Serena says “This song is about being vulnerable and the many layers to being a human on the path to wellness. Candy is an intro to let everyone know that I’m about to show my softer, more vulnerable side with this new record.”

The Art of Falling Apart was written and recorded over just ten days. The track listing allows the listener to follow Serena’s creative process in a truly linear sense. Each song was recorded the day it was written, featuring powerfully raw, unprocessed vocals. “Candy” is the first song on the album, through which Serena begins to open up, unravelling her upbeat, sunny edges to show a softer, more vulnerable side. The album is just a piece of a greater movement for Serena as a leader in mental health and wellness.

The release of “Candy” also marks the first release by ArtHaus Music under its new distribution agreement with Warner Music Canada. Of the new partnership, President of Warner Music Canada says “We are thrilled to welcome ArtHaus Music to the Warner Music Canada team. I’ve long been an admirer of both Serena Ryder and am thrilled to be working with my longtime friend Sandy Pandya.” Founder of ArtHaus Music Sandy Pandya adds “Steve Kane is a genuine music-man, and we are beyond thrilled to work with him and the team at Warner Music Canada in building and fostering the Arthaus Community.”

A longtime health and wellness advocate, Serena has worked with a variety of initiatives, including Bell Let’s Talk, WE Day, Unison Benevolent Fund, and in 2018 won the Margaret Trudeau Mental Health Advocacy Award. She has presented her keynote speech, also named The Art of Falling Apart to audiences across Canada. Recently, she launched The Art of Wellness — a free mindfulness program for artists and creatives. To learn more about The Art of Wellness, click here.

Serena Ryder is one of Canada’s most successful singer-songwriters. In addition to co-hosting the televised JUNO Awards show, she has won 6 Juno Awards including Songwriter of the Year and two for Adult Alternative Album of the year. Serena has also won a Canadian Screen Award for Achievement in Music – Original Song. She has performed as a feature artist on songs by Simon Ward (The Strumbellas), Shawn Hook, Johnny Reid, The Trews and Melissa Etheridge. Serena Ryder was the first Canadian Artist to reach the #1 spot on the CBC Radio 2 Top 20 chart. She has performed on an incredibly diverse number of stages, including the Luminato Festival, The Tonight Show with Jay Leno, the 2014 NBA All Star Game, the 2015 Pan Am Games Closing Ceremony and the 2018 Canadian Country Music Awards broadcast show.

Ella Fitzgerald speaks about racism in the USA towards African Americans.

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The previously unreleased words of Ella Fitzgerald about racism in the USA towards African Americans.

The Ramones Perform ‘Rock ‘N’ Roll High School’ on a 1979 Episode of ‘Sha Na Na’

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The Ramones performed their new song “Rock ‘n Roll’ High School” on the 1979 episode of Sha Na Na.

1-minute tip for artists: Show us.

How did you do that? Really, how did you do that?

Scripps Agrees To Sell Podcasting Business To Siriusxm For $325 Million

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The E.W. Scripps Company has entered into an agreement with SiriusXM to sell podcast industry leader Stitcher for $325 million, a return of more than double Scripps’ investment in podcasting over the last five years.

The Stitcher company includes three distinct podcast business lines: the Midroll advertising rep firm; owned-and-operated podcast networks including the comedy-focused Earwolf; and the Stitcher podcast listening platform.

Scripps was an early entrant into podcasting, acquiring Midroll in 2015 for $55 million and the Stitcher app in 2016 for $4.5 million. Since then, Stitcher has been a leader in the fast-growing podcast industry, growing revenue at a CAGR of 52% from 2016-19. Stitcher’s 2019 revenue was $72.5 million.

The opportunity for Stitcher and its employees to join a large pure-play audio company ensures it will expand upon its success, Scripps President and CEO Adam Symson said.

“This sale is consistent with Scripps’ track record of growing businesses that capitalize on the evolution of consumers’ media habits and then unlocking shareholder value through spinoffs, exits and continued organic growth,” said Symson. “Over and over, this strategy has proven effective as well as profitable for the company and its shareholders.

“Today’s announcement, and the metrics around this sale, are an affirmation of our investment-for-growth strategy. We are firmly committed to our national businesses and are enthusiastic about the opportunities we see ahead in digital audio, over the top and over the air television.”

Transaction highlights:

  • Sale price of $325 million, with $265 million of cash upfront; earnout of up to $30 million based on 2020 financial results and paid in 2021; earnout of up to $30 million based on 2021 financial results and paid in 2022
  • Full price representing an internal rate of return after taxes in the mid-20% range and cash-on-cash return of more than 2x, which incorporates the purchase prices for Midroll and Stitcher of $59.5 million as well as Scripps’ investments in the business over the last five years
  • Improvement in National Media segment profit and company EBITDA with the elimination of Stitcher annual losses in the high-teens millions of dollars
  • Estimated tax liability of approximately $70 million assuming the full earnout is achieved. Scripps has approximately $190 million of net operating loss carryforwards that would offset about $40 million in 2020 tax liabilities.
  • The move of all Stitcher employees to SiriusXM