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The Darkness Kicks Off North American Leg of ‘Easter Is Cancelled’ Tour on April 13

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Multi-platinum selling UK rock band The Darkness – frontman Justin Hawkins, guitarist Dan Hawkins, bassist Frankie Poullain and drummer Rufus Taylor – released Easter Is Cancelled, their first ever concept album, in October via Cooking Vinyl. The band will spread their Easter Is Cancelled message across North America on their headlining Easter Is Cancelled Tour kicking off on April 13th in Edmonton, Alberta at Union Hall and wrapping on May 23rd in Chicago at Park West. The Darkness will play Easter Is Cancelled in full, followed by a set of their greatest hits and fan favorites. The shows promise to reflect the grand scope and vision of the new album alongside the band’s spectacular canon.

Justin Hawkins shares, “North America! We come to you again, humble in our mission but resolute in our purpose. Join with us in the benediction of ROCK, as we bring our Easter is Cancelled World Tour to your spume-flecked shores. We cancelled Easter and now we are going to cancel your souls – let’s reboot together in the epiphany that only 150% pure adrenalin can bring. You are me, I am you, and music is the river that will carry us to our destiny. P.S. concert tickets available at extremely reasonable prices from all usual outlets.”

Easter Is Cancelled became The Darkness’ fourth Top 10 Album in the UK, it topped the iTunes Rock Chart, debuted at #4 on the Billboard Current Hard Rock chart and #39 on the Billboard Top Current Albums chart, and has garnered wide critical acclaim. Kerrang! declares, “For those who like their rock adventurous, Easter may be cancelled, but Christmas has come early.” Classic Rock Magazine raves, “Every track here is whip-smart and shout-it-out hooky.“ The Telegraph calls it “A record of ballsy energetic rock,” Clash Magazine gushes it’s “A lavish, complex, ambitious record,” and The Music announces, “Easter Is Cancelled is a high energy salute to everything rock.” Metal Insider effuses, “From first listen, you’re hoisted into sing-along power pop melodies and foot-stomping rock riffs that easily suck you in. You can feel these songs in your soul and they feel good.” Smells Like Infinite Sadness praises, “Rock and Roll will never die as long as The Darkness are standing. They are the heroes we need, yet don’t deserve. Easter is Cancelled is a welcome reminder of their peerless musical powers.”

Easter Is Cancelled is a mini-rock opera examining the role of the musician in the barbarous culture of the world today. At the core of the tale is love, loss and heartbreak, where redemption is ultimately found in the brotherhood of band friendship and the power of the guitar. The album boasts new single and the video for “In Another Life” that portrays Justin Hawkins banished to hell only to be redeemed by the power of rock pulsating through his guardian angel bandmates and a beautiful archangel. “Rock And Roll Deserves To Die” sees the band hailing the death of rock and roll in an epic five-minute masterpiece featuring monumental riffs, thunderous bass and almighty drums, “Heart Explodes” is a rock aria that finds The Darkness baring all in a multitude of emotions reflecting the hardships, struggles and changing relationships of life. “How Can I Lose Your Love” is a huge rock anthem steeped in emotion, featuring space-age synths, a gigantic chorus with beautiful hands-in-the-air moments, and almighty guitar solos, while title track “Easter Is Cancelled” encapsulates the explosive majesty of the record.

Easter Is Cancelled Tour – North American Dates:
4/13 Edmonton, AB @Union Hall
4/14 Calgary, AB @The Palace Theater
4/15 Vancouver, BC @Vogue Theatre
4/17 Portland, OR @Wonder Ballroom
4/18 Seattle, WA @Showbox
4/21 San Francisco, CA @Regency Ballroom
4/22 Los Angeles, CA @The Novo
4/24 San Diego, CA @The Observatory – North Park
4/25 Tempe, AZ @Marquee Theatre
4/28 Houston, TX @The Studio at Warehouse Live
4/29 Dallas, TX @Granada Theater
5/1 Concord, SC @Epicenter Festival*
5/2 Atlanta, GA @Shaky Knees Festival*
5/3 Birmingham, AL @Saturn
5/5 Nashville, TN @Cannery Ballroom
5/6 New Orleans, LA @Republic NOLA
5/8 Fort Lauderdale, FL @Culture Room
5/9 Daytona Beach, FL @Welcome To Rockville*
5/11 Boston, MA @Royale
5/12 Philadelphia, PA @Union Transfer
5/13 New York, NY @Webster Hall
5/15 Pittsburgh, PA @Rex Theater
5/16 Columbus, OH @Sonic Temple Art & Music Festival*
5/17 Detroit, MI @Majestic Theater
5/19 Minneapolis, MN @Skyway Theatre
5/20 Kansas City, MO @Truman
5/22 St. Louis, MO @The Ready Room
5/23 Chicago, IL @Park West
*Festival dates, not headlining shows

Jonathan Wilson Announces Tour and Releases New Music Ahead of New Album DIXIE BLUR

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Acclaimed artist/producer Jonathan Wilson has announced select spring tour dates in support of his upcoming new album Dixie Blur (BMG/Bella Union). The highly anticipated new collection will be released on March 6th and features Wilson’s most personal and fully realized work to date. See full list of dates below.

Check out the recently released single “In Heaven Making Love” below.

Wilson says of the song, “I wanted to write a song about a perfect evening, something worth remembering. A song about carrying letters of rock & roll freedom all over the world.” He adds, “SO happy to share this new music with Cousin Kenny Vaughn taking that sweet guitar break and the legend Mark O’ Connor playing that fiddle solo. I remember the moment clear as a bell.”

For Dixie Blur, the North Carolina-bred, Los Angeles-based Wilson chose to go to Nashville and work with co-producer Pat Sansone of Wilco at Cowboy Jack Clement’s legendary Sound Emporium Studio. He recorded live in the studio with a personal wish list of players that included Mark O’Connor (fiddle), Kenny Vaughan (guitar) Dennis Crouch (bass), Russ Pahl (pedal steel), Jim Hoke (harmonica, woodwinds), Jon Radford (drums), and Drew Erickson (keyboards).

The results are incredible. Just listen to the tracks “So Alive” and “Korean Tea” to get a feel for Wilson’s vision, Watch the video for “69 Corvette”, featuring in-studio footage and home movies from Wilson’s youth that feed the longing for home narrative that runs throughout Dixie Blur.

While Jonathan Wilson may not be a name immediately recognized in mainstream pop culture, chances are that the multi-talented artist’s work has crossed your path. As a producer, Wilson has worked with artists that include Father John Misty, Conor Oberst, Laura Marling and Dawes. As a musician, he has appeared on albums by artists ranging from Jackson Browne to Karen Elson to Roger Waters. Wilson was also musical director, guitarist and vocalist on Waters’ epic US+THEM tour. As a solo artist, Wilson has released Gentle Spirit (2011), Fanfare (2013) and Rare Birds (2018), where he played nearly every instrument. On top of all of that, he is even a gifted luthier. There seems to be no limitation to what this modern renaissance artist is capable of.

JONATHAN WILSON SPRING TOUR DATES
March 6 – Los Angeles, CA – Masonic Lodge at Hollywood Forever
March 7 – Los Angeles, CA – Masonic Lodge at Hollywood Forever
March 10 – Toronto, ON – The Great Hall
March 12 – Brooklyn, NY – Brooklyn Bowl
March 13 – Philadelphia, PA – XPN Free at Noon
March 15 – Charleston, WV – Mountain Stage
March 17 – Nashville, TN – Mercy Lounge
March 18 – Denver, CO – Bluebird

Legendary Canadian Guitarist & Songwriter Myles Goodwyn Performs at Lakeland’s Annual Snowbird Extravaganza

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Legendary Canadian guitarist, bandleader and songwriter Myles Goodwyn is returning to his first love – the blues – with the second recording of Myles Goodwyn and Friends Of The Blues, the follow-up to his JUNO nominated and East Coast Music Award winning blues debut.

He’ll also be performing at the annual Snowbird Extravaganza, an active-lifestyle event geared toward winter visitors, taking place at the RP Funding Center, 701 W. Lime St., Lakeland, on Jan. 28-29.

Friends Of The Blues 2 has 13 original songs written by Goodwyn and a cover of “All Over Now” by Bobby Womack. As with Friends Of The Blues 1, the album features a supporting cast of the “who’s who” on the Canadian blues music scene, including Jack de Keyzer, Kenny “Blues Boss” Wayne, Warren Robert, Ross Billard, Bruce Dixon, JR Smith, Matt Andersen, Mike “Shrimp Daddy” Reid, Jack Semple, Sherman “Tank” Doucette, Joe Murphy, Bill Stevenson, Will Van Hansolo, Steve Segal and more. A real feature on Blues 2 is a stunning duet with six-time winner of Female Vocalist of the Year at the Maple Blues Awards, Angel Forrest.

Myles Goodwyn, singer, guitarist, writer, producer and leader of the multi-platinum selling rock band April Wine, has shaped and directed the group from its earliest beginnings. April Wine has sold over 20 million recordings worldwide.

Goodwyn grew up poor and is the classic “small-town kid makes good” success story. As a young teenager Goodwyn honed his skills playing in cover bands and began writing original material as soon as he could play the guitar. One of April Wine`s biggest hits, “You Won’t Dance With Me”, was written when he was a teenager.

Myles Goodwyn’s voice is as distinctive and immediately recognizable as his songwriting skills are prolific. Myles and the other members of April Wine were inducted into the Canadian Music Hall Of Fame in 2010. Goodwyn received the prestigious East Coast Music Lifetime Achievement Award in 2008 and the SOCAN National Achievement Award in 2002. In 2016 he released his memoir named, Just Between You and Me, which became an instant seller on the Globe and Mail`s Non-Fiction List. His second book, Elvis and Tiger – this time fiction was published in 2018 and was well received.

The Myles Goodwyn and Friends Of The Blues recording earned him international acclaim and Juno Nomination for Blues Recording of the Year 2019. The recording won the East Coast Music Award for Blues Recording of the Year in 2019.

Not a bad start to a blues career and his first blues recording effort at age 70 or at any age.
Goodwyn was committed to making his follow up recording, Myles Goodwyn and Friends Of The Blues 2, using the same logic as his blues debut release; “I wanted to write some good blues tunes and sing these tunes as best that I could. I really appreciate great blues material because it is timeless, it is vital and its passionate, even heartbreakingly so”, says Goodwyn. His decision to use only “real blues players” was again, deliberate; “I wanted the real deal when it came to the performances.”

The result of these collaborations is testament to the care that went into Myles Goodwyn and Friends Of The Blues 2 will surely show, yet again, that Myles Goodwyn is not only a gifted blues singer/songwriter and musician, but also a real blues man at heart.

mylesgoodwyn.com | linusentertainment.com

Myles Goodwyn and Friends Of The Blues 2 Track List

01 – Hip Hip
02 – Like A Dog Ain’t Had Its Day
03 – Over Now
04 – You Got It Bad
05 – Fish Tank Blues
06 – Speedo (Revisited)
07 – Daddy Needs New Shoes
08 – Being Good
09 – I Love My Guitar
10 – Help Me Baby
11 – When Your Ship Came In (I Was At The Airport Drinking)
12 – Sick And Tired (Of Being Sick And Tired Over You)
13 – I Saw Someone That Wasn’t There (And It Was You)
14 – (Bonus Track) Even Singing Cowboys Get The Blues

Steve Jordan, Founder Of The Polaris Music Prize Steps Down As Executive Director – Takes Position As Senior Director Of CBC Music

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Steve Jordan, Founder of the Polaris Music Prize, will be leaving his position as Executive Director. Starting March 2, he will be the Senior Director of CBC Music.

Steve founded The Prize in 2006. Its winners and Long and Short List nominees have benefited from both a major cash prize, and with boosts to record streams, media attention, and live audience both domestically and internationally.

Steve released this statement today:

“I’ve been really struggling to articulate the mixed emotions I have leaving something I started and have devoted myself to for the last 15 years. I’m sad to leave the day-to-day, but feel a lot of joy that Polaris, culturally and financially, is in the strongest position it’s ever been. I have every confidence that the stewardship of the jury, our team, and our stakeholders will ensure Polaris continues with the integrity and vitality that people expect of it. It also feels good that so many of our sponsors and suppliers have been with us since the beginning and continue to support our mission of amplifying the musical excellence in this country. The various hands that touch Polaris throughout the year are all good hands to be leaving it in.”

Polaris Music Prize Board Chair, Miro Oballa adds, “On behalf of the Polaris Music Prize’s board of directors, we’d like to thank Steve for the vision and passion he’s brought to The Prize since its inception and we wish him all the best in his new role at the CBC. Polaris events manager Claire Dagenais will take on an expanded role within Polaris while Steve will continue to provide guidance for the Prize in his new role as a Polaris board member. We look forward to an exciting new chapter at Polaris.”

The Polaris Music Prize is a not-for-profit organization that annually honours and rewards artists who produce Canadian music albums of distinction. A select panel of music critics judge and award the Prize without regard to musical genre or commercial popularity.

Kesha on the changes the music business needs to make: “There are sides of it you don’t see coming, especially when you’re young”

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“From my personal experience, I don’t think the human mind knows what to do sometimes when you reach a goal and, especially with fame and traveling so much, it being just such a strange way of life,” Kesha told Music Week. “The mental health aspect of it is really real. A lot of musicians I know don’t necessarily have the answers to how to do this; we just kind of figure it out along the way. If the head of a label is reading this, I would say: we’re human beings, we’re not robots. I know I’m the luckiest person in the world for getting to achieve my dreams and my goals, but there are also sides of it that you don’t see coming, especially when you’re young – 15, 16, 17 years old – and you’re dreaming up this thing. It’s a really intense, insane ride. Again, I’m so grateful, and I’m very lucky to have put out music and people listen to it. But [people should] just remember, we are human beings and we have emotion. I think a lot has changed, but there’s still a lot of changing to be done in terms of the industry.”

Via

In this brand new long form series, Gibson sits down with Bob Rock

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In this brand new long form series, Gibson sits down with some of the most iconic artists, producers and music business pioneers the industry has ever known.

In this episode, Gibson speaks with producer Bob Rock and learns about his early years in Canada, the love of guitar and his musical journey that has spanned over 40 years.

Bon Jovi Kicks Off 2020 With New Album And Tour with Bryan Adams

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Rock and Roll Hall of Fame band BON JOVI has broken every touring record imaginable, topped every chart, and received every accolade, and now has their sights set on kicking off 2020 with new music and touring. The Grammy Award winning band announced the Bon Jovi 2020 Tour today, presented by Live Nation, will start in the U.S. this June and play arenas across America.

Recently named by Pollstar as one of the top touring bands of all time with nearly 10 million tickets sold in just the last decade alone, the magazine said: “One can count on one hand the number of rock bands that broke out in the 1980s that are still successfully touring today, but doing so with fresh, new music that retains the authenticity that is at the heart of the best in rock ‘n’ roll.”

Jon Bon Jovi has spoken in recent interviews of the depth and breadth of a forthcoming album, set for release later this year from Island Records. Fans will get exclusive access to that album; every ticket sold includes one CD copy of Bon Jovi 2020.

TOUR ITINERARY
Wednesday, June10 Tacoma, WA Tacoma Dome **
Thursday, June 11 Portland, OR Moda Center **
Saturday, June 13 Sacramento, CA Golden 1 Center **
Tuesday, June 16 San Jose, CA SAP Center at San Jose **
Thursday, June 18 Los Angeles, CA The Forum **
Saturday, June 20 Las Vegas, NV T-Mobile Arena
Tuesday, June 23 San Antonio, TX AT&T Center **
Thursday, June 25 Dallas, TX American Airlines Center **
Friday, June 26 Tulsa, OK BOK Center **
Friday, July 10 Toronto, ON Scotiabank Arena
Tuesday, July 14 Newark, NJ Prudential Center **
Thursday, July 16 Boston, MA TD Garden **
Sunday, July 19 Detroit, MI Little Caesars Arena **
Tuesday, July 21 Chicago, IL United Center **
Thursday, July 23 St. Louis, MO Enterprise Center **
Saturday, July 25 Washington, DC Capital One Arena **
Monday, July 27 New York, NY Madison Square Garden **
Tuesday, July 28 New York, NY Madison Square Garden **
** with Bryan Adams.

Steely Dan With Steve Winwood Announce “Earth After Hours” Summer Tour

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Today legendary band Steely Dan announced their Earth After Hours summer tour with Steve Winwood, playing amphitheaters across North America. Fans can expect to hear all the hits from both iconic acts. The outing will visit outdoor venues including Seattle, Toronto, Los Angeles, and more.

Steely Dan was formed nearly five decades ago and has captivated millions of fans for years with a unique fusion of jazz-rock. The Grammy award-winning group became renowned for their multifaceted, one-of-a-kind horn and guitar arrangements on singles like “Reelin’ In The Years,” “Rikki Don’t Lose That Number,” “Dirty Work,” “Do It Again,” and a slew of others.

Grammy award-winning singer-songwriter Steve Winwood began his prominent career over 50 years ago and has sold over 50 million records. A primary figure in Rock ‘n’ Roll, Winwood has helped create some of the genre’s most celebrated achievements. He is beloved for a countless number of hits like “Gimme Some Lovin’,” “Back In The High Life Again,” “Arc Of A Diver,” “Higher Love,” and so many more.

STEELY DAN WITH STEVE WINWOOD TOUR DATES:
Date City Venue
Tuesday, June 02, 2020 Portland, OR Veterans Memorial Coliseum
Thursday, June 04, 2020 Auburn, WA White River Amphitheatre
Saturday, June 06, 2020 Concord, CA Concord Pavilion
Monday, June 08, 2020 Los Angeles, CA Hollywood Bowl
Tuesday, June 09, 2020 Chula Vista, CA North Island Credit Union Amphitheatre
Thursday, June 11, 2020 Phoenix, AZ Ak-Chin Pavilion
Saturday, June 13, 2020 Fort Worth, TX Dickies Arena
Sunday, June 14, 2020 Woodlands, TX The Cynthia Woods Mitchell Pavilion presented by Huntsman
Wednesday, June 17, 2020 Rogers, AR Walmart AMP
Friday, June 19, 2020 Atlanta, GA Cadence Bank Amphitheatre at Chastain Park
Saturday, June 20, 2020 Memphis, TN TBA
Tuesday, June 23, 2020 Toronto, ON Budweiser Stage
Wednesday, June 24, 2020 Clarkston, MI DTE Energy Music Theatre
Friday, June 26, 2020 Tinley Park, IL Hollywood Casino Amphitheatre – Chicago, IL
Sunday, June 28, 2020 Cincinnati, OH Riverbend Music Center
Tuesday, June 30, 2020 Saratoga Springs, NY Saratoga Performing Arts Center
Wednesday, July 01, 2020 Mansfield, MA Xfinity Center
Friday, July 03, 2020 Syracuse, NY St. Joseph’s Health Amphitheater at Lakeview
Sunday, July 05, 2020 Wantagh, NY Northwell Health at Jones Beach Theater
Tuesday, July 07, 2020 Vienna, VA Wolf Trap*
Wednesday, July 08, 2020 Vienna, VA Wolf Trap*
Friday, July 10, 2020 Holmdel, NJ PNC Bank Arts Center
Saturday, July 11, 2020 Bethel, NY Bethel Woods Center for the Arts

The 2020 Rock and Roll Hall of Fame inductees are…

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Congratulations to the newest Inductees into the Rock & Roll Hall of Fame. In the Performer Category:

  • Depeche Mode
  • The Doobie Brothers
  • Whitney Houston
  • Nine Inch Nails
  • The Notorious B.I.G.
  • T. Rex

Ahmet Ertegun Award:

  • Jon Landau
  • Irving Azoff

The 35th Annual Rock & Roll Hall of Fame Induction Ceremony, presented by Klipsch Audio, will take place on Saturday, May 2, 2020 at Public Auditorium in Cleveland, Ohio. The Ceremony will be broadcast live for the first time on HBO on May 2nd at 8 p.m. ET. Performances and special guests and Induction Week programs will be announced later.

Tickets go on sale to Rock Hall members on February 25th and to the public on February 27th at 10 a.m. ET at ticketmaster.com or by calling 800-745-3000.

The Allman Brothers Band’s 50th Anniversary Celebrated With Massive Career-Spanning Retrospective, Trouble No More: 50th Anniversary Collection

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When Berry Oakley, Butch Trucks, Dickey Betts, Duane Allman, Jaimoe, and Gregg Allman finally coalesced in 1969 as The Allman Brothers Band, after stints in other bands and musical endeavours – some alone, some with each other – the group’s very first informal jam together was the stomping Muddy Waters song, “Trouble No More”. Almost immediately the six musicians knew they were on to something special. Shortly after, it also became the very first song they officially demoed together for their eponymous debut record, an album that would begin their legendary, unparalleled, and often times, turbulent journey as one of the best American rock bands to ever exist.

The band’s original 1969 demo of “Trouble No More”, which has remained unreleased for more than half a century, fittingly opens the new, aptly-titled Allman Brothers Band career retrospective, Trouble No More: 50th Anniversary Collection, releasing February 28 via Island Mercury/Ume/Universal Music Canada, the country’s leading music company, to pay tribute to the 50th anniversary of the pioneering Southern rock legends and their incredible body of work. Available as a 10LP or 5CD box set or digitally, Trouble No More—produced by Allman Brothers Band historians and aficionados Bill Levenson, John Lynskey and Kirk West —offers a massive selection of 61 Allman Brothers Band classics, live performances and rarities from across their 45-year career, and includes seven previously unreleased tracks that take you from the very beginning until the very end. The collection is bookended with a live performance of “Trouble No More” from the Allman Brothers Band’s final show at New York’s Beacon Theatre that brought the band’s legend to a close and which brings this retrospective full circle.

Trouble No More50th Anniversary Collection is available for preorder now. Ahead of the release, the previously unreleased demo recording of “Trouble No More” is available for streaming now and for immediate download with digital album preorder. Preorder/listen HERE.

The deluxe vinyl box set of Trouble No More: 50th Anniversary Collection beautifully presents the Allman Brothers Band’s legacy across 10 LPs packaged in five gatefold jackets housed in a wood veneer wrapped slipcase with gold graphics, accompanied by a 56-page book. The vinyl set will also be released as a limited edition colour vinyl collection via the online music retailer uDiscover with each LP pressed on orange and red splatter coloured vinyl evoking the insides of a peach. The 5CD edition will be packaged in a 12-panel softpack with a visually distinctive slipcase and includes an 88-page booklet. Both physical editions feature an insightful nearly 9000 word essay on the 50-year history of the band by John Lynskey, unreleased band photos along with newly shot photos of memorabilia from the Big House Museum in the band’s adopted hometown Macon, GA and a recap of the 13 incarnations of the band lineup. The digital version of the album will mirror the 5CD edition and be available for streaming and download, including Apple Digital Master. All recordings have been newly mastered by Jason NeSmith at Chase Park Transduction in Athens, Ga. and sound better than ever.

Arranged chronologically and thematically and representing all 13 lineups the band had, Trouble No More: 50th Anniversary Collection is grouped into five distinct eras representing the various stages of the band’s recording and performance history, divided by the group’s stints on the Capricorn, Arista and Epic labels, as well as the band’s own Peach imprint. Starting with The Capricorn Years 1969 – 1979 Part I, the collection kicks off at the beginning of the Allman Brothers Band’s story with their first-ever recording, the previously unreleased 1969 demo version of “Trouble No More”, and includes highlights from their self-titled debut like the swaggering one-two punch of “Don’t Want You No More” and “It’s Not My Cross To Bear”, the musical maelstrom “Whipping Post”; standouts from their second album, Idlewild South, such as the classic “Midnight Rider”; Dickey’s first songwriting effort for the band, “Revival”; and “Don’t Keep Me Wondering”, with Duane’s slide guitar work centre stage. The original lineup’s legacy album, the legendary live At Filmore East, recorded in March 1971 at promoter Bill Graham’s East Village theatre, is represented here with the blues-rock shuffle of “Statesboro Blues”, a sultry take on “Stormy Monday” and the dazzling 13-minute instrumental odyssey, “In Memory Of Elizabeth Reed”, where every member is in perfect harmony. As Lynskey writes in the comprehensive liners, “There is no question, however, that The Allman Brothers Band was at their best up on a stage, playing live music for an audience. The group played with unbridled energy, and without constraints. While their set list did not vary all that much from night to night in the early days, the band’s desire to explore, create and improvise guaranteed that each show would be a different listening experience… Their marathon concerts became the stuff of legend, and that spirit was captured on At Fillmore East, the live set by which all others are measured.”

The Capricorn Years 1969 -1979, Part II collects together songs from the Allman Brothers Band’s double album, Eat A Peach, made with tracks recorded in 1971 with Duane before he tragically died in a motorcycle accident. Released in February 1972, the cuts featured on the set include “Blue Sky”, written and sung by Dickey; “Melissa”, Gregg’s tribute to his lost brother and “One Way Out”, recorded live in June ‘71, on the closing night of the Fillmore East. “Hot ‘Lanta” and “You Don’t Love Me” from a live performance at New York’s A&R Studios broadcast on WPLJ radio and “Ain’t Wastin’ Time No More”, recorded at Puerto Rico’s “Mar Y Sol Festival”, in April 1972, showcase the band in a variety of live settings. Songs from their #1 selling album, Brothers and Sistersinclude Dickey’s country-infused hit single, “Ramblin Man” and “Wasted Words”, which were the last two songs to feature bassist Berry Oakley who also tragically died in a motorcycle accident at the same age as Duane, 24. Part II concludes with a previously unreleased outtake of “Early Morning Blues”, a standard blues number that eventually morphed into “Jelly Jelly”.

As The Allman Brothers Band experienced one blow after another, Brothers and Sisters tore up the charts and so they soldiered on through the pain and grief and did what they did best – play. The Capricorn Years, 1969-1979, Part III/The Arista Years, 1980-1981 launches with two live performances from their historic “Summer Jam” show in July ’73 with the Grateful Dead at Watkins Glen, NY which drew more than half a million fans to the grounds of the famed raceway. “Come and Go Blues”, released on the live album, Wipe the Windows, Check The Oil, Dollar Gas, is an especially grooving number of Greggs’ while “Mountain Jam” is a previously unreleased breathtaking version that grew out of a line from Donovan’s happy folk song “First There Is A Mountain” into a 12-minute jam. The band’s record Win, Lose Or Draw, recorded in 1975 after a couple years apart following the release and subsequent tours for Gregg and Dickey’s debut solo albums and is highlighted here with the moving title track, their inspired rendition of Muddy Waters’ “Can’t Lose What You Never Had” and the rollicking instrumental, “High Falls”. As a result of fractures in the band, they disbanded after the album’s tour and remained apart for four years. Eventually overtures were made and after an impromptu performance together made them yearn to be together again, the original members – Butch,  Dickey, Jaimoe and Gregg – decamped to the studio and recorded 1979’s Enlightened Rogues. Included here are standouts “Crazy Love”, “Can’t Take It With You”, “Pegasus” and a live version of Gregg’s autobiographical “Just Ain’t Easy”. The end of the decade would also mark the end of their time with Capricorn, as a result of the label going bankrupt, and a new label home with Clive Davis’ Arista Records, which they signed to in 1980. “Hell and High Water”, and “Angeline” from the resulting album, Reach For The Sky, released in August 1980, had glossier production and synthesizers. Sadly, Jaimoe and the group would part ways after this. “Never Knew How Much”, a gorgeous ballad that originated during the sessions for Gregg’s solo album, Laid Back, and “Leavin’” a song that may have foreshadowed what was to come from their album, Brothers Of The Road, released in August 1981, round out the chapter.

In 1989, after years apart and several solo albums, the original members of the band were approached about doing a reunion tour to promote an upcoming career box set, and Butch, Dickey, Jaimoe and Gregg all agreed. For the tour, they recruited Warren Haynes, a guitarist that Dickey had been playing with, and went out as a seven-piece. The chemistry was palpable and the shows so well received that the band, now signed to Epic, recorded Seven Turns, their first album together in nearly a decade. The Epic Years, 1989-2000 includes the album’s title track, considered one of Dickey’s best songs and “Good Clean Fun”, which received solid airplay on MTV. The album was a resounding statement that The Allman Brothers Band were back. Not wanting to waste time, they quickly set to work on 1991’s Shades Of Two Worlds which saw Dickey take a dominant role as a songwriter, as heard on “Nobody Knows”, and Warren emerge as an influential member of the group, co-writing five songs with either Dickey or Gregg, including “End Of The Line”, which sounded like vintage Allman Brothers. Some of the many other highlights from this era include “Low Dirty Mean”, from the 1992 live album, Play All Night: Live At The Beacon Theatre, a rare live performance of Robert Johnson’s “Come On Into My Kitchen”, and songs from 1994’s Where It All Begins, including the stellar title track and the live fan favourite “Soulshine”, which displayed Warren’s singer/songwriter talents. It concludes with the unreleased “I’m Not Crying”, a composition written by Jack Pearson who replaced Warren after he left to focus on his band Gov’t Mule.

The final chapter, The Peach Years, 2000-2014, spans a variety of lineup changes, most notably the departure of original member Dickey Betts and the introduction of guitarist Derek Trucks, the nephew of Butch Trucks. The younger Trucks delivers an emotionally-charged solo alongside Dickey’s recent replacement, Jimmy Herring, on the previously unreleased, somber-and raw, “Loan Me A Dime”, recorded on August 26, 2000, the day bassist Allen Woody passed away. Gregg sounds especially emotional on the powerful performance. Woody’s death shook the band but it was out of this tragedy that Warren would make his way back to his brothers. Included here is a spectacular, never-released live performance from the band’s 2001 Beacon run of “Desdemona”, a new song that Warren and Gregg wrote together. The tune, along with the shimmering “The High Cost Of Low Living” and the poignant “Old Before My Time”, would be featured on The Allman Brothers Band’s final album, Hittin’ The Note, released in 2003, some of their best work in years. Two unreleased gems from the band’s 2005 annual stand at the Beacon Theatre include an extremely rare version of “Blue Sky” with Gregg handling the lead vocals and Derek’s and Warren’s solos augmented by lively piano work from longtime former bandmate Chuck Leavell, who was sitting in for the March 21 show; and Warren and Derek’s wonderful interpretation of Duane’s instrumental, “Little Martha”, from that same night. Appropriately the collection culminates with a live version of “Trouble No More,” the first song The Allman Brothers Band ever played together and the last song of their career. As Lynskey writes, “In those four minutes, 45 years came pouring out of the speakers; 45 years of superior blues/rock music, created by incomparable musicians. The final notes echoed through the theatre early in the morning of October 29, 43 years to the day that Duane Allman died.”

Trouble No More: 50th Anniversary Collection eloquently demonstrates how The Allman Brothers Band weathered extreme adversity to pursue its singular musical mission and singlehandedly spawned the Southern rock genre while continually managing to reinvent themselves in the face of loss and tragedy and sell millions of records along the way. This new collection is a compelling summary of the Rock and Roll Hall Of Famer’s timelessly brilliant and influential contributions to American music.

On March 10, for one night only at Madison Square Garden in New York City, The Brothers – Jaimoe, Warren Haynes, Derek Trucks, Oteil Burbridge, Marc Quinones-joined by Duane Trucks, Reese Wynans and special guest Chuck Leavell will celebrate 50 years of the music of The Allman Brothers Band. This one-time concert event, produced by Live Nation, will be a celebration of The Allman Brothers Band’s illustrious career. It notably marks the first time in more than five years that these legendary players will be together on stage to perform their iconic hits, and the first time since the passing of founding members Gregg Allman and Butch Trucks. It will undoubtedly be emotionally charged, and an unforgettable night not to be missed. The show sold out immediately upon going on sale.

TROUBLE NO MORE: 50TH ANNIVERSARY COLLECTION

 

10LP TRACK LIST

The Capricorn Years 1969 – 1979 Part I
Disc 1
1. Trouble No More (Demo)* (Side A)
2. Don’t Want You No More (Side A)
3. It’ Not My Cross To Bear (Side A)
4. Dreams (Side A)
5. Whipping Post (Side B)
6. I’m Gonna Move To The Outskirts Of Town (Live at Ludlow Garage) (Side B)
7. Midnight Rider (Side B)
8. Revival (Side B)

Disc 2
1. Don’t Keep Me Wonderin’ (Side A)
2. Hoochie Coochie Man (Side A)
3. Please Call Home (Side A)
4. Statesboro Blues (Live at Fillmore East) (Side A)
5. Stormy Monday (Live at Fillmore East) (Side B)
6. In Memory Of Elizabeth Reed (Live at Fillmore East) (Side B)

The Capricorn Years 1969 – 1979 Part II
Disc 3
1. One Way Out (Live at Fillmore East) (Side A)
2. You Don’t Love Me / Soul Serenade (Live at A&R Studios) (Side A)
3. Hot ‘Lanta (Live at A&R Studios) (Side B)
4. Stand Back (Side B)
5. Melissa (Side B)
6. Blue Sky (Side B)

Disc 4
1. Ain’t Wastin’ Time No More (Live at Mar y Sol) (Side A)
2. Wasted Words (Side A)
3. Ramblin’ Man (Side A)
4. Southbound (Side A)
5. Jessica (Side B)
6. Early Morning Blues (Outtake) (Side B)

The Capricorn Years 1969 – 1979 Part III / The Arista Years 1980 – 1981
Disc 5
1. Come And Go Blues (Live at Watkins Glen) (Side A)
2. Mountain Jam (Live at Watkins Glen)* (Side A)
3. Can’t Lose What You Never Had (Side A)
4. Win, Lose Or Draw (Side B)
5. High Falls (Side B)

Disc 6
1. Crazy Love (Side A)
2. Can’t Take It With You (Side A)
3. Pegasus (Side A)
4. Just Ain’t Easy (Live at Merriweather Post Pavilion) (Side B)
5. Hell & High Water (Side B)
6. Angeline (Side B)
7. Leavin’ (Side B)
8. Never Knew How Much (I Needed You) (Side B)

The Epic Years 1990 – 2000
Disc 7
1. Good Clean Fun (Side A)
2. Seven Turns (Side A)
3. Gamblers Roll (Side A)
4. End Of The Line (Side A)
5. Nobody Knows (Side B)
6. Low Down Dirty Mean (Live at the Beacon Theatre) (Side B)

Disc 8
1. Come On Into My Kitchen (Live at Radio & Records Convention) (Side A)
2. Sailin’ ‘Cross The Devil’s Sea (Side A)
3. Back Where It All Begins (Side A)
4. Soulshine (Side B)
5. No One To Run With (Side B)
6. I’m Not Crying (Live at the Beacon Theatre)* (Side B)

The Peach Years 2000 – 2014
Disc 9
1. Loan Me A Dime (Live at the New World Music Theatre)* (Side A)
2. Desdemona (Live at the Beacon Theatre)* (Side A)
3. High Cost Of Low Living (Side B)
4. Old Before My Time (Side B)

Disc 10
1. Blue Sky (Live at the Beacon Theatre)* (Side A)
2. Little Martha (Live at the Beacon Theatre)* (Side A)
3. Black Hearted Woman (Live at the Beacon Theatre) (Side A)
4. The Sky Is Crying (Live at the Beacon Theatre) (Side B)
5. “Farewell” speeches (Live at the Beacon Theatre) (Side B)
6. Trouble No More (Live at the Beacon Theatre) (Side B)

5CD/DIGITAL TRACK LIST

The Capricorn Years 1969 – 1979 Part I / CD1

  1. Trouble No More (Demo)*
  2. Don’t Want You No More
  3. It’ Not My Cross To Bear
  4. Dreams
  5. Whipping Post
  6. I’m Gonna Move To The Outskirts Of Town (Live at Ludlow Garage)
  7. Midnight Rider
  8. Revival
  9. Don’t Keep Me Wonderin’
  10. Hoochie Coochie Man
  11. Please Call Home
  12. Statesboro Blues (Live at Fillmore East)
  13. Stormy Monday (Live at Fillmore East)
  14. In Memory Of Elizabeth Reed (Live at Fillmore East)

The Capricorn Years 1969 – 1979 Part II / CD2

  1. One Way Out (Live at Fillmore East)
  2. You Don’t Love Me / Soul Serenade (Live at A&R Studios)
  3. Hot ‘Lanta (Live at A&R Studios)
  4. Stand Back
  5. Melissa
  6. Blue Sky
  7. Ain’t Wastin’ Time No More (Live at Mar y Sol)
  8. Wasted Words
  9. Ramblin’ Man
  10. Southbound
  11. Jessica
  12. Early Morning Blues (Outtake)

The Capricorn Years 1969 – 1979 Part III / The Arista Years 1980 – 1981 / CD3

  1. Come And Go Blues (Live at Watkins Glen)
  2. Mountain Jam (Live at Watkins Glen)*
  3. Can’t Lose What You Never Had
  4. Win, Lose Or Draw
  5. High Falls
  6. Crazy Love
  7. Can’t Take It With You
  8. Pegasus
  9. Just Ain’t Easy (Live at Merriweather Post Pavilion)
  10. Hell & High Water
  11. Angeline
  12. Leavin’
  13. Never Knew How Much (I Needed You)

The Epic Years 1990 – 2000 / CD4

  1. Good Clean Fun
  2. Seven Turns
  3. Gambler’s Roll
  4. End Of The Line
  5. Nobody Knows
  6. Low Down Dirty Mean (Live at the Beacon Theatre)
  7. Come On Into My Kitchen (Live at Radio & Records Convention)
  8. Sailin’ ‘Cross The Devil’s Sea
  9. Back Where It All Begins
  10. Soulshine
  11. No One To Run With
  12. I’m Not Crying (Live at the Beacon Theatre)*

The Peach Years 2000 – 2014 / CD5

  1. Loan Me A Dime (Live at World Music Theatre)*
  2. Desdemona (Live at the Beacon Theatre)*
  3. High Cost Of Low Living
  4. Old Before My Time
  5. Blue Sky (Live at the Beacon Theatre)*
  6. Little Martha (Live at the Beacon Theatre)*
  7. Black Hearted Woman (Live at the Beacon Theatre)
  8. The Sky Is Crying (Live at the Beacon Theatre)
  9. “Farewell” speeches (Live at the Beacon Theatre)
  10. Trouble No More (Live at the Beacon Theatre)

* Previously unreleased