Home Blog Page 2199

Barack Obama Released His Summer Reading List

0

Barack Obama wants you to get away from the TV for a few hours and do some serious thinking this summer. For his annual list of the best books to read this season, Obama has selected five books worthy of your attention – including one by Michael Ondaatje, the Sri Lanka-born Canadian poet, writer, essayist, novelist, editor and filmmaker.

One of my favorite parts of summer is deciding what to read when things slow down just a bit, whether it’s on a vacation with family or just a quiet afternoon. This summer I’ve been absorbed by new novels, revisited an old classic, and reaffirmed my faith in our ability to move forward together when we seek the truth. Here’s what I’ve been reading:

Tara Westover’s Educated is a remarkable memoir of a young woman raised in a survivalist family in Idaho who strives for education while still showing great understanding and love for the world she leaves behind.

Set after WWII, Warlight by Michael Ondaatje is a meditation on the lingering effects of war on family.

With the recent passing of V.S. Naipaul, I reread A House for Mr Biswas, the Nobel Prize winner’s first great novel about growing up in Trinidad and the challenge of post-colonial identity.

An American Marriage by Tayari Jones is a moving portrayal of the effects of a wrongful conviction on a young African-American couple.

Factfulness by Hans Rosling, an outstanding international public health expert, is a hopeful book about the potential for human progress when we work off facts rather than our inherent biases.

THE Book For Bassists Is Here: The Bass Space – Profiles of Classic Electric Basses

0

The long-awaited, definitive book for lovers of the low-end. Willie G. Moseley, Senior Writer for Vintage Guitar Magazine, profiles more than 100 historic and unique electric bass models from such makers as Alembic, Danelectro, Fender, Gibson, Gretsch, Guild, Hamer, Kramer, Rickenbacker, and many others. Rare and legendary instruments, from the earliest attempts at amplified basses in the mid-1930s to the cutting-edge instruments of today, are presented in more than 250 color and period photos. The main feature of this book is the exclusive coverage of historic and one-of-a-kind basses owned and played by such famed musicians as: Bill Black (Elvis Presley), Tim Bogert (Vanilla Fudge), Mark Egan (Pat Metheny Group), John Entwistle (The Who), Paul Goddard (Atlanta Rhythm Section), Bruce Hall (REO Speedwagon), Greg Lake (Emerson, Lake & Palmer), Benjamin Orr (The Cars), Tom Petersson (Cheap Trick), Carl Radle (Derek and the Dominos), Gene Simmons (Kiss), Steve Wariner, and others.

You can get it here.

That Time Dave Grohl Visited Lemmy From Motorhead At His Home

0

“I was flipping out. Once you get to the building, it’s like that weird ‘Pulp Fiction’ scene, I don’t know, fuck dude. So I’m walking in like, ‘Am I about to get assassinated right now?’ Then I look up on the balcony and there’s a guy who works for him [saying], ‘Up here!’ So I go up and I walk into the apartment, it was just like a hoarder maze of porn, magazines, fucking Nazi stuff all over the place. God bless him, he wasn’t a Nazi, but he collected that shit. I come around the corner and he’s sitting there on the couch in his fucking g-string underwear that I’ll never forget, it had a black widow right on the dick. It was black, his black widow, and fucking nothing else on; he’d just dyed his hair black. He’s on the phone doing a [phone interview], and there’s a fucking video game on pause on the TV. He’s [mumbling], I sit down on the couch like, ‘What is going on right now?’ He goes, ‘Want a drink?’ I’m like, ‘Yeah.’ The way he did it was so cool, this dude in the kitchen had the ice and Coke, but Lemmy kept the bottle right next to him. There’s a 1/3 of an inch left for Coke. I walk into the bathroom, and I think he had just dyed his hair, because it looked like someone had just blown their head off in the fucking sink. I’m peeing and I go to wash my hands, and I’m like, ‘Oh shit, where’s the towel?’ I’m like no no no, there’s dirty robes hanging on this thing, and I’m like fuck! I go to barely touch one, and they all fall to the ground. There’s cologne everywhere, it was the greatest day of my entire life.” – Dave Grohl, on visiting Lemmy at his home.

Celine Dion, age 16, singing “O Canada” at a Montreal Expos game in 1984

0

In 1984, Celine Dion released Mélanie, reaching Gold in Canada with the help of two top ten Quebec singles in “Une colombe” and “Mon rêve de toujours”, which peaked at number two and four, respectively. Around the time of the release in August, she performed the Canadian anthem at a Montreal Expo game.

https://youtu.be/We2awoQPqmQ

1960s Motown-Style Remake of Justin Bieber’s ‘Baby’

0

For the latest edition of pianist Scott Bradlee’s “Postmodern Jukebox” music series, the Postmodern Jukebox band and recording artist Melinda Doolittle perform a Diana Ross-Inspired 1960s Motown soul rendition of Justin Bieber’s 2010 hit, Baby.

Rare Footage from Fleetwood Mac’s recording sessions of ‘Tusk’ in 1979

0

Tusk, the twelfth studio album by Fleetwood Mac was released as a celebrated double album on October 12, 1979. It is considered more experimental than their previous albums, partly a consequence of Lindsey Buckingham’s sparser songwriting arrangements and the influence of post-punk. The production costs were estimated to be over $1 million (equivalent to $3.37 million in 2017), making it the most expensive rock album recorded to that date.

Here’s some rare footage of the band showing their recording techniques of the masterpiece.

The Greatest Quote Ever About Aretha Franklin

0

“She can be hiding out in her house in Detroit for years… She can cancel half her gigs and infuriate every producer and promoter in the country. She can sing all kinds of jive-ass songs that are beneath her. She can go into her diva act and turn off the world. But on any given night, when that lady sits down at the piano and gets her body and soul all over some righteous song, she’ll scare the s*** out of you. And you’ll know—you’ll swear—that she’s still the best f***in’ singer this f***ed-up country has ever produced.” 

– Billy Preston, on Aretha Franklin to the New Yorker

RAISE YOUR VOICE: A Collection Of Musical & Spoken-word Pieces By Students In Response To Parkland & Other School Shootings

0

The courage and moral clarity shown by the student survivors of the recent mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida struck an immediate emotional chord with the American public, bringing home the reality of gun violence. The situation is powerfully addressed in audio form in Raise Your Voice, a timely collection of musical and spoken-word pieces written and recorded by students from Parkland and other parts of the country in response to Parkland and other school shootings.

Slated for a timely release by the non-profit Little Village Foundation on October 5, 2018—one month prior to the all-important midterm elections—Raise Your Voice collects a cross-section of impassioned new pieces written and performed by students from across the United States. The material includes the widely heard original composition “Shine,” performed by Marjory Stoneman Douglas students Andrea Peña and Sawyer Garrity, who wrote the song with other members of their drama class. Other tracks for Raise Your Voice were recorded by Little Village Foundation founder Jim Pugh in various locations across the United States.

Pugh was initially inspired to assemble Raise Your Voice after being contacted by Bowling Green State University ethnomusicologist Katherine Meizel. Meizel had helped to assemble an NPR story documenting students’ musical responses in the wake of the Parkland shooting.

Similar to Little Village Foundation’s entire catalogue of releases that give all money raised through CD sales directly to the recording artists, Raise Your Voice‘s proceeds will be donated to a singular non-profit organization: Everytown. Everytown supports a movement of Americans working together to end gun violence and build safer communities.

As Pugh notes, “The courage of these students is amazing. Everyone participating on the album is incredibly talented and their hearts are filled with love for their fellow students. Raise Your Voice is a cross-section of America. It girls standing up in Morro Bay in California to a hip-hop class in New York City, but it’s very focused in its sense of purpose. Raise Your Voice features a wide range of students who want to share their music at such a critical moment in our country. Raise Your Voice gives them an opportunity to have their voices out there, and to encourage other students to rise up. These students just want to keep our schools safe, and we feel this music will have the potential to strike at what’s going on in America.”

Selected performers appearing on Raise Your Voice will perform on October 5 at San Francisco’s renowned Hardly Strictly Bluegrass Festival.

The gospel according to Aretha Franklin

0

Aretha Franklin will always be the Queen of Soul. In the 1960s songs like “Respect” became the symbol for political and social change. It’s likely the reason her music moved so many people wasn’t necessarily the lyrics, but the way she delivered them.

Aretha was raised in the church, and her life and music was rooted in gospel music. You can hear this so clearly in her live performances and covers, where every musical decision she made was in the moment.

Listen to any one of Aretha’s songs and you’ll understand the power of gospel music, but her live performance of “Dr. Feelgood” and her cover of “Son of a preacher man” are a great place to start.

Jess Glynne Shares Brand New Track And Video For ‘All I Am’

0

Grammy award winning Jess Glynne – singer, star and voice of the street – shares a brand-new song and accompanying music video for ‘All I Am’ off her upcoming sophomore album ‘Always In Between’ due for release on October 12.

‘All I Am’ is the brighter, bolder and even more brilliant follow up to the ‘I’ll Be There’ – the history-making first single from ‘Always In Between’ which flew straight to number one making Jess the only British female to have achieved a whopping seven #1 singles. In every way possible, ‘All I Am’ is loaded with pure joy, and from the second it begins it exudes the type of universal positivity that has made Jess so widely popular across the world. ‘All I Am’ is a proclamation of togetherness, a celebration of friendship and ultimately one of the most magnificent pop-songs you’ll hear this year.

‘Always In Between’ finds Jess on a breath-taking journey of self-acceptance. Jess’s debut album, ‘I Cry When I Laugh’ is one of the defining British pop records of its era. It debuted at number one in the UK, spawning 12 million worldwide singles sales, 39 weeks on the UK top 10, 2.5 billion Spotify streams, a sold-out UK arena tour, Brit, MTV: EMA, Ivor Novello, MOBO, Q and Glamour award nominations.

‘Always In Between’ captures the heart of what being a 28-year old woman in 2018 can feel like – trying to balance real life with everything that you want it to. If ‘I’ll Be There’ and ‘All I Am’ are anything to go by, there’s no doubt that ‘Always In Between’ will capture even more under its spell as Jess Glynne once again reaches out her hand, and offers love and friendship and unity to all that can hear her.