Photo Gallery: Lady Antebellum with Darius Rucker and Russell Dickerson at Toronto’s Budweiser Stage
All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com
Photo Gallery: Lauryn Hill at Toronto’s Budweiser Stage
All photos by Mini’s Memories. You can contact her at minismemories@hotmail.com
My Bloody Valentine’s Kevin Shields On The Jazzmater Guitar And How Jimi Hendrix Influenced His Music
When you do buy a new Jazzmaster, do you have to tweak it?
Kevin Shields: Yeah, I have to modify it to play comfortably. I started sticking tape on the arm to stop it from going all the way into the hole. That way it’s very loose, and I can just strum the guitar or hit it and play it the way I wanted, and the tremolo arm rests in my palm.
Was it the changing pitches that appealed to you?
Kevin Shields: It wasn’t just a pitch change. We’d already been doing that. I remember when we started in ’83, we used to work with cassette tapes, and we did our drum stuff with bending the tape and changing the pitch. We also did it with synthesizers. There was a band called D.A.F., which was a German electronic band with a synthesizer, and they had a song that was shifting in and out of tune all the time. And I was fascinated by that. When I suddenly discovered the tremolo arm on the guitar, I realized I could do all the stuff I liked from the synthesizer. It was just a moment of, “Oh, my God, I can do all this stuff easily.”
I also remember a video of Jimi Hendrix at Monterey Pop when he’s doing “Wild Thing” quite a few times on TV, and the tape transfer would be wobbling in and out of tune at various spots. At the end it seemed like the tape was about to be eaten. That was the sound of danger, that something wasn’t right. So it was something I was conscious of and slightly fascinated by. When I discovered the Jazzmaster, I could do that and other stuff with it. It was a “eureka” moment.
Ramones Are Releasing ‘Road to Ruin’ 40th Anniversary Deluxe Edition This Fall
The Ramones released the band’s fourth studio album, Road To Ruin, 40 years ago this September. Rhino Records will release two versions of the Ramones’ Road to Ruin 40th Anniversary Edition on Sept. 21, a day before the anniversary of the album’s original release on Sept. 22, 1978: a 3-CD/1-LP boxed set, as well as a newly remastered version of the original album. Both titles will also be available digitally and via streaming services. You can pre-order it here.
Dee Dee, Joey, and Johnny were joined for the first time by drummer Marky Ramone, who replaced founding member Tommy Ramone, who’d left to do more producing and writing for the band. It was also the album that introduced a nation of pinheads to the all-time Ramones’ classic “I Wanna Be Sedated.”
Disc One
Original Mix Remastered
“I Just Want To Have Something To Do”
“I Wanted Everything”
“Don’t Come Close”
“I Don’t Want You”
“Needles And Pins”
“I’m Against It”
“I Wanna Be Sedated”
“Go Mental”
“Questioningly”
“She’s The One”
“Bad Brain”
“It’s A Long Way Back”
40th Anniversary Road Revisited Mix
“I Just Want To Have Something To Do”
“I Wanted Everything”
“Don’t Come Close”
“I Don’t Want You”
“Needles And Pins”
“I’m Against It”
“I Wanna Be Sedated”
“Go Mental”
“Questioningly”
“She’s The One”
“Bad Brain”
“It’s A Long Way Back”
Disc Two: Rough Mixes & 40th Anniversary Extras
“I Walk Out” (2018 Mix) *
“S.L.U.G.” (2018 Mix) *
“Don’t Come Close” (Single Mix)
“Needles And Pins” (Single Mix)
“I Just Want To Have Something To Do” (Basic Rough Mix) *
“I Don’t Want You” (Basic Rough Mix) *
“I’m Against It” (Basic Rough Mix) *
“It’s A Long Way Back” (Basic Rough Mix) *
“I Walk Out” (Basic Rough Mix) *
“Bad Brain” (Basic Rough Mix) *
“Needles And Pins” (Basic Rough Mix) *
“I Wanna Be Sedated” Take 2 (Basic Rough Mix) *
“I Wanted Everything” (Basic Rough Mix) *
“Go Mental” (Basic Rough Mix) *
“She’s The One” (Basic Rough Mix) *
“Questioningly” Take 2 (Basic Rough Mix) *
“S.L.U.G.” (Basic Rough Mix) *
“Don’t Come Close” (Basic Rough Mix) *
“I Wanna Be Sedated” (Backing Track) *
“I Don’t Want You” (Brit Pop Mix) *
“Questioningly” (Acoustic Version) *
“Needles And Pins” (Acoustic Version) *
“Don’t Come Close” (Acoustic Version) *
“I Wanna Be Sedated” (“Ramones-On-45 Mega-Mix!”)
Disc Three: Live At The Palladium, New York, NY, December 31 1979
“Blitzkrieg Bop” *
“Teenage Lobotomy” *
“Rockaway Beach” *
“I Don’t Want You” *
“Go Mental” *
“Gimme Gimme Shock Treatment” *
“I Wanna Be Sedated” *
“I Just Want To Have Something To Do” *
“She’s The One” *
“This Ain’t Havana” *
“I’m Against It” *
“Sheena Is A Punk Rocker” *
“Havana Affair” *
“Commando” *
“Needles And Pins” *
“I Wanna Be Your Boyfriend” *
“Surfin’ Bird” *
“Cretin Hop” *
“All The Way” *
“Judy Is A Punk” *
“California Sun” *
“I Don’t Wanna Walk Around With You” *
“Today Your Love, Tomorrow The World” *
“Pinhead” *
“Do You Wanna Dance?” *
“Suzy Is A Headbanger” *
“Let’s Dance” *
“Chinese Rock” *
“Beat On The Brat” *
“We’re A Happy Family” *
“Bad Brain” *
“I Wanted Everything” *
LP: 40th Anniversary Road Revisited Mix
Side One
“I Just Want To Have Something To Do”
“I Wanted Everything”
“Don’t Come Close”
“I Don’t Want You”
“Needles And Pins”
“I’m Against It”
Side Two
“I Wanna Be Sedated”
“Go Mental”
“Questioningly”
“She’s The One”
“Bad Brain”
“It’s A Long Way Back”
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Diamond D And The Psychotic Neurotics’ Landmark Album ‘Stunts, Blunts And Hip-Hop’ Gets Reissued Today
On July 20, 2018, UMe will reissue the out-of-print, 2LP vinyl set of Diamond D And The Psychotic Neurotics’ landmark album Stunts, Blunts and Hip-Hop.
Twenty-six years ago MC/producer Diamond D from New York’s mighty D.I.T.C. (Diggin’ In The Crates) collective debuted with a stunning classic that entailed elements of what brought him and his crew notoriety—grimy boom-bap anchored by effusive yet obscure samples. Diamond emerged in the late ’80s as a member of Ultimate Force, a short-lived troupe whose debut album was shelved and didn’t see the light of day until over a decade afterwards. Diamond’s encyclopedic knowledge of records, after years of contributions and studious vision, came to the forefront in 1992 with his first official solo venture, Stunts, Blunts and Hip-Hop.
Despite his acumen and talent as a beatmaker, Diamond D had other production notables pepper his album with mastery and know-how. While Diamond helmed the majority of the beats, longtime visionaries like The 45 King, Jazzy Jay, Large Professor, and D.I.T.C. teammate Showbiz all make stellar appearances on the project. Despite its gritty, sonorous East Coast aesthetic, the album still hit No. 47 on Billboard’s R&B and Hip-Hop chart. You also hear sped up samples and vocals, a sound that would also be forever influential in the decades to come by the likes of 9th Wonder or Kanye West, respectively.
The track “Best-Kept Secret” featured lyrical fury from Fat Joe and peaked at No. 2 on the Hot Rap Singles chart. The follow-up single, “Sally Got A One-Track Mind” also did well, charting at No. 12 nationally. The release featured celebrated cameos from Tribe Called Quest frontman, Q-Tip, as well as Brand Nubian MC Sadat X. Crewmembers Lord Finesse and the late Big L also make their presence abundantly felt on choice cuts.
Diamond’s production was so ahead of its time, Stunts, Blunts and Hip-Hop sounds as fresh now as it did upon its release decades ago. And while Diamond’s production prowess and loop-centric sound was already known amongst fans of D.I.T.C., Stunts, Blunts and Hip-Hop proved that a producer driven album could hold its own.
In the years that came about, Diamond remained proactive and contributed to many albums and one-offs that would define his style. Stunts, Blunts and Hip-Hop is a jazzy foray bound with storytelling narratives, battle raps, and light-hearted lyrics. At 70-minutes, Diamond D’s organized structure keeps the release above water and remains to this day an underground, and often under-mentioned, rap masterwork.
TRACK LIST:
Side A
1. Intro
2. Best Kept Secret
3. Sally Got A One Track Mind
4. Step To Me
Side B
1. Shut The “*!*!” Up
2. “*!*!” What U Heard
3. I’m Outta Here
4. A Day In The Life
Side C
1. Comments From Big “L” And Showbiz
2. Check One, Two
3. What You Seek
4. Lunchroom Chatter
5. Confused
Side D
1. Pass Dat S**T
2. Freestyle (Yo, That’s What Sh..)
3. K.I.S.S. (Keep It Simple Stupid)
4. Stunts, Blunts, & Hip-Hop
5. Best Kept Secret (Radio Edit)
Matt Andersen Releases Live Video of “Coal Mining Blues”
Today, New Brunswick’s multi-award winning soul/blues powerhouse Matt Andersen releases the pro-shot live performance video of “Coal Mining Blues.”
The song comes off Matt Andersen & The Mellotones’ Live At Olympic Hall, which was recorded on Nov 22, 2014 at Olympic Hall in Halifax, Nova Scotia in support of Andersen’s JUNO nominated record Weightless.
“I was fortunate enough to have The Mellotones on the road with me for a slew of shows,” Andersen told American Blues Scene. “Some of the best time’s I’ve had playing music. It was an absolute treat to share the stage with these guys, especially this night at Olympic Hall. I’m thrilled that we captured what was coming from those shows.”
From the first notes of “Weightless” to the slow-dying roar of the crowd as the last licks of “Devil’s Bride” squeal out, Matt Andersen and the Mellotones Live at Olympic Hall is a rollicking, sizzling night of Andersen’s thunderous voice and hot guitar playing mashed up with the ten-piece force of nature that is the Mellotones, all captured at a historic dance hall in downtown Halifax.
Andersen calls it “the most drastic thing I could do,” a far cry from his usual one guy, one guitar context. “I make an impact when I’m solo with the quiet parts more than the loud parts. With a band it’s the opposite.” And if you’re going to have a band, it should be the Mellotones. Long a staple of Halifax’s live music scene, the band features a smoking horn section along with keys, drums, and more. “I felt like a rock star,” Andersen says.
Andersen’s also announced a number of solo US dates including stops at Los Angeles’ Hotel Cafe, Seattle’s Tripple Door, and Chicago’s City Winery. Full list of shows below.
Tour Dates:
7/21: Bathurst, NB – Bathurst Hospitality Days*
7/26: Moncton, NB – Mud City Meltdown
7/29: Canso, NS – Stan Rogers Folk Festival
8/16: Ajax, ON – Music By The Bay Live
8/17: Huntsville, ON – Algonquin Theater
8/18: Waterdown, ON – Artsfest, Gallery Stage
9/08: Vancouver, BC – SKOOKUM Festival*
9/20: Los Angeles, CA – Hotel Utah
9/21: Buellton, CA – Standing Sun Winery
9/22: San Francisco, CA – Hotel Utah
9/23: Winters, CA – The Palms Playhouse
9/25: Portland, OR – Mississippi Studios
9/26: Seattle, WA – Triple Door
9/29: Bozeman, MT – The Filling Station
10/1: Minneapolis, MN – Dakota
10/2: Chicago, IL – City Winery
10/3: Ann Arbor, MI – The Ark
10/4: Cleveland, OH – Music Box
10/21: Labrador West, NL – Arts & Culture Centre
10/23: Stephenville, NL – Arts & Culture Centre
10/24: Corner Brook, NL – Arts & Culture Centre
10/25: Grand Falls-Windsor, NL – Arts & Culture Centre
10/26: Gander, NL – Arts & Culture Centre
10/27: St. John’s, NL – Arts & Culture Centre
12/20: Ottawa, ON – National Arts Centre – Southam Hall
*full band performance
Willie Nelson Pays Homage to Frank Sinatra on New Studio Album, My Way, Out September 14
Willie Nelson will release My Way, his new studio album on Friday, September 14. Check out Willie’s take on the classic “Summer Wind” below:
My Way is Willie’s second new studio album this year, following the release of his critically-acclaimed Last Man Standing in April.
An album of standards and classics made famous by Frank Sinatra, My Way finds Willie (who’s written a few standards himself) swinging his way through some of the most beloved songs in the Great American Songbook. The album–which features lush string and horn arrangements–was produced by Buddy Cannon and Matt Rollings.
Two iconic avatars on the American pop culture landscape, Frank Sinatra and Willie Nelson express the range of romantic emotion–from the intoxicating thrill of falling in love to the crushing hangover of heartbreak–in songs that speak directly to the listener. Recorded in the spirit of Willie’s legendary 1978 Stardust album (one of the first contemporary artists to “cover” the Great American Songbook) and 2016’s Summertime: Willie Nelson Sings Gershwin (a Best Traditional Vocal Album Grammy Award winner), My Way pays homage to one of his heroes.
Willie and Frank were close friends, musical colleagues and mutual admirers of each other’s work throughout Sinatra’s lifetime. In the 1980s, Sinatra opened for Willie at Golden Nugget in Las Vegas and the two of them appeared together in a public service announcement for NASA’s Space Foundation.
“I learned a lot about phrasing listening to Frank,” Willie said recently in an interview for AARP magazine (June/July 2018). “He didn’t worry about behind the beat or in front of the beat, or whatever—he could sing it either way, and that’s the feel you have to have.”
That’s the attitude Willie brings to My Way with abiding classics like “Summer Wind,” “It Was A Very Good Year,” “I’ll Be Around,” “Fly Me To The Moon,” “What Is This Thing Called Love” (a duet with 9 time Grammy winner Norah Jones) and the anthemic title track, Frank done Willie’s way, one master vocalist channeling another.
Willie Nelson – My Way
01. Fly Me To The Moon
02. Summer Wind
03. One For My Baby (And One More For The Road)
04. A Foggy Day
05. It Was A Very Good Year
06. Blue Moon
07. I’ll Be Around
08. Night And Day
09. What Is This Thing Called Love (with Norah Jones)
10. Young At Heart
11. My Way
House of Marley Expands Outdoor Collection With Earth-Friendly ‘No Bounds’ Speaker Series
Known for its innovative practices in sustainable design, earth-friendly audio maker House of Marley is bringing a new element to their most rugged outdoor collection to date. Introducing the No Bounds family of all terrain speakers designed using lightweight and buoyant, consciously harvested cork.
The first release is the No Bounds Bluetooth® outdoor speaker. The cork-backed speaker is water and dust-proof (IP67) and boasts a 10+ hour battery life with wireless dual-speaker pairing capability giving the ability to stream music across two No Bounds speakers. Its built-in microphone allows for speakerphone functionality and Siri integration while maintaining complete track and volume functionality. Choose from four bold colorways, take it on-the-go and hook the compact speaker to all your outdoor gear with the included carabiner.
In upgrade to the No Bounds speaker, the cylindrical No Bounds Sport offers high-performance 360° sound, a functional and intuitive rotating volume dial to quickly adjust your music, and an extended battery life for under $100. Durable and lightweight, it not only floats but can go anywhere you do and is available in three colorways. Stash the charging cable within the twist-bottom cork base for seamless portability. Similarly designed using renewable cork, the No Bounds Sport is bringing sustainability to the summer gear line-up.
Embodying the Marley materialization around sustainability, all No Bounds series speakers are designed using signature Marley REWIND fabric, non-toxic REGRIND Silicone, REGRIND Cork, and Recyclable Aluminum — more natural physicality for your physical lifestyle. The final speaker from the No Bounds series, the larger No Bounds XL, will be released this fall.
The No Bounds and No Bounds Sport are available now at TheHouseofMarley.com, Amazon, Target, Best Buy and select retailers nationwide.
Eric B. & Rakim’s ‘The Complete Collection’ 8-LP + 2-CD Deluxe Box Set Arrives!
In the decades since they exploded on the scene in the mid-1980s, Eric B. & Rakim have been universally recognized as one of hip-hop’s greatest creative units. Eric B.’s distinctive soundscapes, and cuts, and Rakim’s philosophically deep and lyrically complex raps remain unequaled, and the duo’s classic recordings remain a benchmark of the genre.
Although the duo’s albums have remained immensely influential, all have been out of print on vinyl in the U.S. for many years, making the UMe release The Complete Collection 1987-1992 an especially timely package. Not only a monument to Eric B. & Rakim’s larger-than-life catalog, this ten-piece vinyl / CD set is the first U.S. career-encompassing box set for any hip-hop artist.
The Complete Collection 1987-1992 incorporates 2-LP vinyl editions of each of Eric B. & Rakim’s four original albums — 1987’s Paid In Full, 1988’s Follow the Leader, 1990’s Let the Rhythm Hit ‘Em and 1992’s Don’t Sweat the Technique — plus two bonus CDs of classic remixes, none of which have ever appeared on an album, and only a handful of which have previously been available digitally. All four LPs and both CDs are housed in a ridged slipcase that also boasts a 36-page book (with 29 vintage photos spanning the group’s career together, as well as liner notes from writers Tom Terrell and Brian Coleman).
The bonus CDs include an impressive 26 vintage remixes, including such influential classics as Coldcut’s “Seven Minutes of Madness” mix for “Paid In Full”; the “Six Minutes of Soul” reworking of “I Know You Got Soul” (by Double Trouble aka Norman “Fatboy Slim” and Danny D; Marley Marl and M.C. Shan’s original 1986 mix of “My Melody”; and “Friends,” Eric B & Rakim’s 1989 Top Ten collaboration with Jody Watley.
Hailing from Queens, New York and Wyandanch, Long Island, respectively, forward-thinking DJ and producer Eric B (born Eric Barrier) and revered lyricist Rakim (born William Michael Griffin Jr.) are, according to AllMusic, “almost universally recognized as the premier DJ/MC team in all of hip-hop.” After debuting with the independently released “Eric B Is President” single in 1986, they would go on to establish themselves as the hardest, most musically complex and most lyrically challenging rap act in the world. Rakim’s rhymes boasted plain-spoken but complex imagery and thought, ambitious internal rhymes, and a smooth, deliberate and unmistakable flow, while Eric’s innovative sonic experimentation was highlighted by his early manipulation of samples, including his pioneering mining of James Brown’s catalogue.
The Complete Collection 1987-1992 is packed to the ceiling with hip-hop classics. The landmark debut Paid In Full, which many fans consider to be the greatest album in hip-hop history, includes the beloved classics “I Know You Got Soul” and “Eric B Is President,” as well as the title track, which inspired no less than 30 remixes. The equally fierce follow-up Follow the Leader boasts such favorites as “Microphone Fiend” and the title track, and expanded the debut album’s minimalistic sound into broader, darker sonic territory. Let the Rhythm Hit ‘Em found the pair maintaining their stature on such tracks as “Step Back” and “In the Ghetto.” And Don’t Sweat the Technique brought the twosome’s sound to a plateau with songs like “Pass the Hand Grenade” and “Casualties of War.”
More than three decades after they hit on wax, Eric B. & Rakim have recently started touring together again, and remain one of hip-hop’s seminal acts. The Complete Collection 1987-1992 presents their brilliant body of work the way it was meant to be heard!
TRACKLIST:
PAID IN FULL [1987] (2-LP)
1. I Ain’t No Joke
2. Eric B. Is on the Cut
3. My Melody
4. I Know You Got Soul
5. Move the Crowd
6. Paid in Full
7. As the Rhyme Goes On
8. Chinese Arithmetic
9. Eric B. Is President
10. Extended Beat
FOLLOW THE LEADER [1988] (2-LP)
1. Follow the Leader
2. Microphone Fiend
3. Lyrics of Fury
4. Eric B. Never Scared
5. Just a Beat
6. Put Your Hands Together
7. To the Listeners
8. No Competition
9. The R
10. Musical Massacre
11. Beats for the Listeners
LET THE RHYTHM HIT EM [1990] (2-LP)
1. Let the Rhythm Hit ‘Em
2. No Omega
3. In the Ghetto
4. Step Back
5. Eric B. Made My Day
6. Run for Cover
7. Untouchables
8. Mahogany
9. Keep ‘Em Eager to Listen
10. Set ‘Em Straight
DON’T SWEAT THE TECHNIQUE [1992] (2-LP)
1. What’s on Your Mind?
2. Teach the Children
3. Pass the Hand Grenade
4. Casualties of War
5. Rest Assured
6. The Punisher
7. Relax with Pep
8. Keep the Beat
9. What’s Going On?
10. Know the Ledge
11. Don’t Sweat the Technique
12. Kick Along
BONUS CD ONE
1. Paid In Full seven minutes of madness — the coldcut remix
Originally released on UK 4th & B’way 12-inch single 12 BRW 78, Oct 19, 1987
2. Let The Rhythm Hit ‘Em UPSO mix
Remix and additional production by Blacksmith
Originally issued on UK MCA 12-inch single MCAT 1433, 1990
3. The R remix
Remix by C.J. Mackintosh and Dave Dorrell
Originally issued on Uni 12-inch single UNI-8012, December 1988
4. Casualties of War smooth mix
Remix and Additional Production by Soulshock, Cutfather & Karlin for Soulpower Productions.
Mixed by Kenneth Kikkenborg at Werner Studios, Copenhagen.
Originally released on MCA 12-inch single MCA 11505, 1992
5. Don’t Sweat The Technique funky ginger club version
Remixed by Simon ‘The Funky Ginger’ Law & Mr. Lee
Originally released on UK MCA 12-inch single MCA12-54369, 1992
6. My Melody original mix
Mixed by Marley Marl & M.C. Shan
Originally released on Zakia 12-inch ZK-014, 1986
Reissued on 4th & B’way 12-inch BWAY- 431, 1986
7. As The Rhyme Goes On pumpin’ the turbo – chad jay in effect
Remixed by Chad Jay
Human mouth madness by Sefton Terminator
Originally released on UK 4th & B’way 12-inch 12BRW 106, July 18, 1988
8. In The Ghetto drums and Rakim mix
Remixed by Mark Morales and Mark Rooney for Mark Morales Productions
Originally released on MCA 12-inch single MCA12-53901, May 4, 1990
9. Casualties of War militant remix
Additional Production & Remix by Michael “Militant Mixx ‘n” Moor for Militant Mic Productions
Originally released on MCA 12-inch single MCA12-54492, 1992
10. Let The Rhythm Hit ‘Em 12″ vocal version remix
Executive Producer: Eric B.
Remixed by DJ Mark “The 45 King”
Originally issued on MCA 12-inch single MCA-24026, 1990
11. Move The Crowd the wild bunch remix
Remixed by The Wild Bunch
Originally released on UK 4th & B’way 12-inch 12BRW 88, Feb 8, 1988
12. I Know You Got Soul six minutes of soul – the double trouble remix
Remixed by Double Trouble
BONUS CD TWO
1. Friends
JODY WATLEY WITH ERIC B. & RAKIM
Produced by Andre Cymone
From Jody Watley’s MCA album Larger Than Life (1989)
2. Put Your Hands Together parkside mix
Remixed by Graeme Park
Originally issued on UK MCA Records 12-inch single MCAT-1300, 1988
3. Casualties of War radical radio edit
Additional Production & Remix by Michael “Militant Mixx ‘n” Moor for Militant Mic Productions
Originally released on MCA 12-inch single MCA8P-2386, 1992
4. Paid In Full derek b.’s urban respray
Remixed b Derek B.
Remix Engineer: Chief Engineer Scott
Originally released on UK 4th & B’way 12-inch 12 BRX 78, 1987
5. Let The Rhythm Hit ‘Em 45 king club mix
Remixed by DJ Mark “The 45 King”
Originally issued on MCA 12-inch single MCA-24026, 1990
6. Microphone Fiend extended remix
Remixed by DJ Mark “The 45 King”
Originally issued on Uni 12-inch single UNI-8007, 1990
7. No Omega extended remix version
Remixed by Bret Lover
Issued on MCA 12-inch single MCA12-53997, Feb 12, 1991
8. Don’t Sweat The Technique UK flavor club version
Remixed by Simon ‘The Funky Ginger’ Law & Mr. Lee
Originally released on UK MCA 12-inch single MCA12-54369, 1992
9. Casualties of War soulpower remix
Remix and Additional Production by Soulshock, Cutfather & Karlin for Soulpower Productions.
Mixed by Kenneth Kikkenborg at Werner Studios, Copenhagen.
Originally released on MCA 12-inch single MCA 11505, 1992
10. Mahogany extended remix version
Remixed by Eric B. for Lyn Star
Issued on MCA 12-inch single MCA12-53997, Feb 12, 1991
11. Put Your Hands Together fon force mix
Remixed by Mark Brydon and Robert Gordon for Fon Force
Originally issued on UK MCA Records 12-inch single MCAT-1300, 1988
12. Let The Rhythm Hit ‘Em brixton bass mix
Remixed and additional production by Blacksmith
Engineered by Paul Wright
Originally issued on UK MCA 12-inch single MCAT 1433, 1990
13. Move The Crowd beatmix by the democratic 3 featuring dj slack
Beatmix by The Democratic 3
Originally released on UK 4th & B’way 12-inch 12 BRW 88, Feb 8, 1988
14. I Know You Got Soul the richie rich megamix
Megamix by Richie Rich
Remix Engineer: PJ “Dyna-mix” Smith
Originally issued on UK 4th & B’way 12-inch 12 BRW 69, June 1, 1987