Katy Perry has joined Funny Or Die’s ‘Everyone Votes campaign’ and wants you to know that there is no dress code this election day. Just get out there and make your voice heard in whatever outfit seems appropriate! Pledge To Rock The Vote Now:
Robert Plant Joins North American Lampedusa: Concerts for Refugees Tour
Five of Americaās most popular musical acts are coming together for an 11-stop concert tour this fall to raise awareness of the unprecedented worldwide refugee crisis. Lampedusa: Concerts for Refugees will be headlined in North America by Grammy Award-winning artists Emmylou Harris, Steve Earle, Patty Griffin, Buddy Miller, and The Milk Carton Kids. However, a sixth performer has just been added for select dates, including Toronto – Robert Plant.
Jesuit Refugee Service (JRS) announced today that it will host this singer/songwriter tour in support of the organizationās Global Education Initiative, which was commissioned by Pope Francis. JRS seeks to double the number of refugees served in its educational programs by 2020.
āAfter witnessing firsthand the work of JRS in Ethiopia this past June, I have never been more inspired to champion such a critical cause,ā said Emmylou Harris, 13-time Grammy winning artist. āThe better angels of our nature call upon us to act with compassion and not with fear in the face of so much suffering.ā
In an effort to shed light on the plight of the more than 65 million refugees worldwide and the need to raise funds to support refugee education, Plant offered this statement about joining the tour.
āI’m taking a break from recording the new Sensational Space Shifters record to be a part of this very important and worthwhile cause. When I watch the news and see people from these places being displaced by hatred and ignorance, I know that these people are just like you and me. All they want is to live in peace and have their children grow up loved, fed and educated. That seems a million miles away for many people at the moment. They are living in refugee camps, in conditions that are far below sustenance levels. When I heard that some of my friends were rallying to do a series of concerts to help raise funds and awareness, to help address the basic needs of food, shelter and medical care, I wanted to help, in whatever way I could. One thing that I want to make clear: as with all the other members of this tour, I will be performing two or three songs a night and no more. Iām not making a political statement. The organization that is receiving these funds is a religious one. This appeal is trying to help on the ground wherever it can. I hope that my voice, along with my friends, helps bend the arc of the universe a little more toward the loving and helps with the work of getting the basic essentials of life to those who are without.ā
The complete tour dates are below. The shows featuring Plant are noted.
October 6 – Boulder Theater in Boulder, CO
October 8 – Kauffman Center for the Performing Arts in Kansas City, MO
October 9 – Rococo Theater in Lincoln, NE
October 11 – Sheldon Concert Hall, St. in Louis, MO
October 12 – Pabst Theater in Milwaukee, WI w/Robert Plant
October 13 – Vic Theater in Chicago, IL w/ Robert Plant
October 14 – Massey Hall in Toronto, ON w/Robert Plant
October 16 – Berklee Perfomance Center in Boston, MA ) w/Robert Plant
October 18 – The Town Hall in New York, NY w/Robert Plant
October 19 – Merriam Theater in Philadelphia, PA w/Robert Plant
October 21 – Lisner Auditorium in Washington, DC w/Robert Plant
Everyoneās journey begins somewhere ā and for some that journey includes Lampedusa, an Italian island off the coast of Sicily that serves as a waypoint in a refugeeās search for safety and security.
JRS works in more than 45 countries worldwide to meet the educational, health, social and other needs of many of these refugees and other forcibly displaced persons. The scale of this humanitarian crisis is staggering: one in every 122 people is a refugee. More than half are women and children; at least 30 million are under the age of 18.
āWe are ready to bring this critical issue to the stage and help people understand that education provides a path forward in life for refugees,ā said Fr. Timothy P. Kesicki S.J., the President of the Jesuit Conference of Canada and the United States. āMost people donāt realize that refugees spend an average of 20 years displaced from their homes and many never return. Itās time to take action and our Lampedusa concert tour will help us do so.ā
Liberty Silver and award winning producer Eddie Bullen perform in Oakville
Michael Williams Presents SUNDAY NIGHT is thrilled to present a return engagement by R&B singer/songwriter Liberty Silver and award winning producer Eddie Bullen, Sunday October 16, 2016 at Taste of Colombia’s El Salon.
Back by popular demand, Liberty Silver and Eddie Bullen return to El Salon to fill us with song once again.
Liberty Silver made history in 1985 when she became the first black woman to win not only one, but two Junos. That night she walked away with two awards for Best Reggae/Calypso Recording and Best R&B/Soul Recording. From the young girl who started crooning at the age of three to opening for Bob Marley and the Wailers at Madison Square Garden (MSG) with Toronto reggae band The Wild Bunch, Silver has gone on to co-write the themes for the 1996 and 2000 Olympics and, since MSG, has opened for The Temptations, B.B. King and Harry Belafonte.
One of Silver’s Juno award winning songs,”Lost Somewhere Inside Your Love” was produced by Eddie Bullen. Throughout his career, Bullen has produced over 150 albums, working with Caribbean, Canadian and American artists such as Melba Moore, David Rudder, Deborah Cox, Anslem Douglas (Who Let The Dogs Out) and of course, Liberty Silver. His smooth Caribbean-influenced jazz/soul records have won awards and recognition around the world. It’s been years since Silver and Bullen have worked together. June 26th brings them together once again for a special, intimate live performance. It will be a special night indeed.
Michael Williams Presents SUNDAY NIGHT is a series of live events featuring both international and local artists performing intimate, informal shows at Taste of Colombia’s El Salon. The evening is hosted by Musicologist Michael Williams whose lifelong passion for music has provided him many roles as producer, journalist, musician, media personality and educator. āI have always wanted a platform to present intimate shows…and have found the perfect venue in El Salon. The plan is to bring in the best artists I know and pair them with up-and-coming local artists.”
Join us at A Taste of Colombia for an evening of great music. The perfect place to relax, unwind, and enjoy a great cup of your favourite beverage.
Show Details
Doors Open: 6:O0pm
Show Times: 7pm to 9pm
Tickets are $20 each and can be purchased at the door.
Gord Deppe of The Spoons and Bill Wood announce acoustic show in Oakville
Michael Williams Presents SUNDAY NIGHT is excited to host two exceptional performers — Gord Deppe of The Spoons and Bill Wood of Bill Wood and The Woodies together in a live, acoustic performance on Sunday, October 2, 2016 at Taste of Colombia’s El Salon in Oakville, ON.
With almost 40 years as a singer/songwriter/performer with the The Spoons, Gord Deppe and his band have never stopped performing. Originally from Burlington, Ontario The Spoons were formed in 1979 and, at the time, considered leaders in the New Wave scene during the 1980s. Over the years the band produced hits such as “Romantic Traffic”, “Old Emotions”, “Nova Heart” and “Tell No Lies”. Their most recent album (and the first in 20 years), Static in Transmission, produced two more singles, “Imperfect” and “Tell No Lies”. Deppe will be joining us for an acoustic evening of song and to share the stories behind his latest venture, a new book that actually started years ago as small vignettes and grew over time into SpoonFed.
Singer/songwriter Bill Wood is the front man for Bill Wood and The Woodies. With over 30 years of experience in the music industry his songs have been honed over decades of life experiences. To Wood, the songs are the main event. Wood is also the former lead vocalist of the Juno-nominated pop band Eye Eye. Bill Wood & The Woodies have recently released their new album “Mumbo Jumbo Tumbo” featuring the first single “Blue Plate Special”.
Michael Williams Presents SUNDAY NIGHT is a series of live events featuring both international and local artists performing intimate, informal shows at Taste of Colombia’s El Salon. The evening is hosted by Musicologist Michael Williams whose lifelong passion for music has provided him many roles as producer, journalist, musician, media personality and educator. āI have always wanted a platform to present intimate shows…and have found the perfect venue in El Salon. The plan is to bring in the best artists I know and pair them with up-and-coming local artists.”
Join us at A Taste of Colombia for an evening of great music. The perfect place to relax, unwind, and enjoy a great cup of your favourite beverage.
Ry Cooder Mini-Doc For His Debut Album, Produced By Warner Music’s Van Dyke Parks. Yes, THAT Van Dyke Parks
The name Ry Cooder may be familiar to a lot of you – Cooder was ranked eighth on Rolling Stone magazine’s 2003 list of “The 100 Greatest Guitarists of All Time”, and a 2010 ranking by Gibson placed him at number 32. There’s also a Canadian connection – Cooder is referenced in the lyrics of “At the Hundredth Meridian” by The Tragically Hip: “Get Ry Cooder to sing my eulogy.”
Here’s a 14-minute promotional documentary that Warner Bros. put together for the 1970 debut album by Cooder, put together by singer/songwriter Van Dyke Parks, best known for his collaborations with Brian Wilson and for his contributions as lyricist to the Beach Boys’ Smile project. At this time of this doc, Parks was an employee of Warner Bros. tasked with overseeing the creation of promotional videos for the label’s artists. Working on the studio side left Parks wanting to focus more behind-the-scenes and with lesser-known artists, such as Randy Newman and Cooder, after being unhappy with the aspect of being “typecast” by his songs.
MC Hammer’s “You Can’t Touch This” Without Music Is Hilarious
Amsterdam-based music agency House of Halo beautifully imagines what the music video for MC Hammer’s 1990 hip hop classic “U Can’t Touch This” would sound like without music.
Music Doc “Discovering Electronic Music” From 1983 Is Glorious And Righteous At The Same Time
This 1983 documentary film by director and writer Bernard Wilets examines the basics of analog synthesis, digital sampling and sequencing.
“We live in an age of technology in which machines touch every part of our lives. It is not suprising that music has also been influenced by technology.”
My Morning Jacket’s Jim James on Tortoises and Being In A Band For 20 Years
Rolling Stone: You’re from Louisville, Kentucky, but lately you’ve been living in Los Angeles. What’s that like?
Jim James: There are so many people here trying to make their dreams come true, and it’s incredibly inspiring. I’m renting an Airbnb from an artist who kinda built the place. There are two 40-year-old giant desert tortoises that live here, and they’ve been amazing to live with. They don’t need you, but they also enjoy being around you. They’re so content to do very little, and I’m trying to learn from them: “You’re just gonna climb out of your hole and sit in the sun?” “Yeah, that’s all I’m gonna do today.”
Rolling Stone: You’ve fronted My Morning Jacket for almost 20 years. What have you learned about leadingĀ a band?
Jim James: The biggest part, as clichĆ© as it sounds, is just being honest and never carrying a debt with anybody. If someone makes you mad, tell them. Work it out. Don’t carry it around like a burden. The same with love. If someone makes you happy, let them know how awesome they are. You can never say “I love you” enough.
Jeff Tweedy: “Everybody looks back on Yankee Hotel Foxtrot and thinks it was a watershed moment. That’s just ridiculous.”
Faster Louder: I wanted to ask about the Star Wars album as well. Obviously theĀ surprise release of that record was a little bit of a gamble but itĀ created a lot of buzz around the record. I guess it maybe feels, fromĀ an outsiderās position, that the last couple of Wilco records haveĀ maybe slipped by, like you guys have become victims of your ownĀ success and that thereās aĀ consensusĀ of āYeah, itās a great record, but itāsĀ just a Wilco record.ā Was that the intention to shake up that idea?
Jeff Tweedy: Yeah, I think that the ⦠I donāt know what people are thinking aboutĀ the band as a whole. From our perspective, people keep showing up justĀ to see us play and people tend to buy our records at a time when notĀ many people are buying records and we feel very fortunate to be in aĀ position where we could do whatever we wanted. I think, that beingĀ said, there are a lot of expectations that go along with being a bandĀ for a long time and having put out many records. Everything about theĀ release and the way the record was packaged, everything about it, wasĀ really an effort to try and subvert expectation and to get people thatĀ care about the band to lead the discussion or the dialogue about theĀ record.
With all due respect, I tend to think people like yourself are theĀ ones that look at it like, āOh, they just put out another record andĀ itās good.ā Fans donāt think that. People that get paid to think aboutĀ stuff like that think that, because your job is to find something newĀ and be the cool guy that found the new thing. Wilco doesnāt really fitĀ that category as much anymore, so there tends to be a certain amountĀ of, I donāt know ⦠I would never complain that weāre taken forĀ granted but, certainly, within certain professional classes, thatĀ would be the case.
I didnāt mean to imply that Iām not excited when a new WilcoĀ record comes out. Iāve been a fan for a long time and I alwaysĀ look forward to a new album. It just feels that thereĀ isnāt an explosion of attention and hypeĀ now the wayĀ maybe it did around Yankee Hotel days.
Thatās bullshit. Thatās complete bullshit, because, first of all, the internet wasnāt anything close to what it is. There was no socialĀ media when Yankee Hotel Foxtrot came out and people were telling usĀ that the record was the end of the band for months and when the recordĀ finally came out, nobody gave a shit. It did well, but it didnāt doĀ well right away.
Now everybody looks back on it and thinks thatĀ it was some sort of watershed moment and the record has sold a lotĀ over this time period because of the story and itās a good record. TheĀ whole idea that, I donāt know, thatās just ridiculous. Thatās not whatĀ happened at the time.Ā There was a ton of coverage, but it wasnāt social media buzz orĀ anything.

