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Fast Romantics’ “Julia” Wins SOCAN Songwriting Prize

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Toronto-based indie rock band Fast Romantics have been voted the winner of the 11th annual English SOCAN Songwriting Prize for their song “Julia,” written by founding band member Matthew Angus.

From June 9 to 23, 2016, Canadian music fans voted for their favourite from the 10 songs nominated by a panel of music industry experts. Other than nominees having to be members of SOCAN, the Canadian music rights organization had no role in determining nominees or winners.

After the votes were tallied, “Julia” was the English song that came out on top. A record of nearly 30,000 votes were cast in this year’s English and French competitions, shattering 2015’s record total by almost 33%.

“I’m surprised and thrilled to hear we’ve won this prize, and beyond honoured to have been included alongside so many spectacular Canadian songwriters,” said Matthew Angus. “Really, everybody on the list deserved this prize. Big thanks to our fans for voting, to the folks on the panel for selecting us, and to SOCAN for continuing to do stuff like this to help inspire, promote, and protect Canadian music creators. We love ya something fierce!”

“The SOCAN Songwriting Prize celebrates the art and work of music creation,” said Michael McCarty, SOCAN Chief Membership & Business Development Officer. “‘Julia’ is a winner deserving of the prize, and congratulations to Matt Angus for creating a fantastic, creative song that caught the ear of our judging panel, and music fans around the world.”

For winning the competition, Fast Romantics receive $10,000 from SOCAN, a choice between a Seagull Artist Studio CW guitar or Godin 5th Avenue Jazz guitar from Godin Guitars, a Yamaha PSRS970 keyboard from Yamaha Canada, and a $500 gift card from Long & McQuade.

The SOCAN Songwriting Prize identifies 10 outstanding songs each in English and French created over the past year by emerging songwriters, as selected by a panel of 15 esteemed music industry experts. The general public is then invited to vote up to one time daily for their favourite in English or French to decide the winners in each language.

The winner of the French-language equivalent prize, the Prix de la chanson SOCAN, was Laurence Nerbonne, for her song “Rêves d’été.”

The other nine songs nominated in the English category were:
• “Black Body” – written by Benjamin Addy, Renee Wisdom; performed by Spek Won, featuring Shi Wisdom.
• “Dead or Alive” – written by Jahmarie Adams, Michael Lantz; performed by Jazz Cartier.
• “Desire” – written by Kathleen Monks, Benjamin Reinhartz, James Rowlinson, Elizabeth Ball; performed by Dilly Dally.
• “How Could You Babe” – written by Tobias Jesso Jr.; performed by Tobias Jesso Jr.; published by Universal Music Publishing.
• “No Hurry” – written by Terra Lightfoot; performed by Terra Lightfoot; published by CCS Rights Management Corp.
• “Paradise” – written by Ashton Simmonds, Matthew Burnett, Jordan Evans, Alexander Sowinski, Matthew Tavares, Leland Whitty, Chester Hansen, Keaven Yazdani; performed by Daniel Ceasar, featuring BADBADNOTGOOD, Sean Leon; published by Reclusive Music Inc., Kobalt Music Publishing Ltd. Canada, Robinson Heart Publishing, Third Side Music
• “Pen to Paper” – written by Sean Graham, Thomas “Tawgs” Salter; performed by Modern Space; published by Sony/ATV.
• “Spirits” – written by Simon Ward, Jeremy Drury, Jonathan Hembrey, Darryl G.J. James, Brian Leigh Pickett, David Ritter, Joanne Setterington, Isabel Cunningham Ritchie; performed by The Strumbellas; published by Domino Double Nine.
• “Wendell Walker” – written by Andy Shauf; performed by Andy Shauf; published by Peer International Ltd. (Canada), Music of the Mothership.

Previous winners of the SOCAN Songwriting Prize: Dear Rouge for “I Heard I Had” (2015), Alejandra Ribera for “I Want” (2014), Mo Kenney for “Sucker” (2013), Kathleen Edwards for “A Soft Place to Land” (2012), Katie Moore for “Wake Up Like This” (2011), Brasstronaut for “Hearts Trompet” (2010), D-Sisive for “Nobody With a Notepad” (2009), The Weakerthans for “Night Windows” (2008), Abdominal for “Pedal Pusher” (2007), Propagandhi for “A Speculative Fiction” (2006).

Red Hot Chili Peppers mistaken for Metallica, signs autographs anyway

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Red Hot Chili Peppers were called into a Belarus customs office, where they were asked to sign autographs. Pretty normal, right? Except that the officials apparently believed the band were in fact Metallica, and wouldn’t be convinced otherwise.

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Now You Can Be The Lead Singer Of A Flock Of Seagulls

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What better costume for an 80s Party than Mike Score from Flock of Seagulls? This Flock of Seagulls Wig will make you look just like Mike Score, the lead singer of the English new wave rock band.

This is currently out of stock, but next Halloween, I’m wearing this. Actually, I might not even wait to put it on.

One customer says, “This wig looks amazing. i wore it to an 80s concert (Flock of Seagulls was performing) and everyone there lost their minds when they saw my wig. Some people thought it was my real hair. This is the perfect wig for any 80s themed event, right away everyone will know what it is. Im not normally a wig wearer so I did notice it would feel a little hot but it was fine, also, a lot of people will ask to take pictures with you so be warned.”

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Cameron Crowe tells an awesome story about what it takes to get Axl Rose onstage

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According to an EW interview with Cameron Crowe, Rose once delayed a show over a missing piece of wardrobe. During the promotion of his new Showtime series “Roadies,” Crowe was asked about the best roadie story he ever heard. Gleefully, it’s about Guns N’ Roses, who are acting quite well-behaved now.

I heard some roadies talking about how something had to be “yellow-jacketed” and I [asked] “What is yellow-jacketing?” They said, “There was a guy that worked with Guns N’ Roses, and there was a show and Axl Rose needed a yellow jacket that he’d left in England before he would perform. So a roadie was given the job to get on a plane as fast as possible, go to London, find Axl Rose’s yellow jacket, and come back so he could play the show.” The best part about that story is not that somebody had to go get a yellow jacket for Axl Rose, but that it became such lore among other roadies that it became a verb — to yellow-jacket.

Salon talks to Toto’s Steve Lukather about rock longevity, the future and what it means to be “the ‘Africa’ band”

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Salon talks to Toto’s Steve Lukather about rock longevity, the future and what it means to be “the ‘Africa’ band”

It’s funny that you say that so much of Toto’s audience is younger, as that’s the sense I get, too.

I’m really surprised. Let me give you an example: 2012 was our 35th anniversary from when we started the first album, and we had sold 35 million records worldwide. Fairly impressive for a bunch of people that think we had, like, three songs that were worth a shit—when in fact we had a lot more hit singles than people think. What happened was, between that moment and last year when we played Barclays Center in New York, Sony came out to us and handed us a plaque for 40 million sales. We’re like, “Okay, what happened in the last couple years?” [Laughs.]

I think what’s happening is these kids hear the song and they go, “Well, what else have these guys got?” And they find out we’ve got 14 other albums and they buy ’em, and all of a sudden we’ve got this new interest. We’re almost like an underground thing. People like to be into shit that’s under the radar, and then they find out that they actually like some of the other stuff that we do. They come see us live, and we’re really fucking good live, and we’re creating a new audience for ourselves in a very organic way. Which is very exciting and very surprising, I have to be honest, I look up in the sky and go, “Thank you God! Thank you!”

We are like the tortoise and the hare. We’ve taken so much shit from day one from the press and the rock critics and all that stuff. They tried to kill us, and we can’t be killed. After a nuclear disaster there will be very little life on earth and us. [Laughs.] Because we’ve withstood every disaster. Two brothers dying in the band. Death, drugs, divorce, being ripped off by business people and bad management, getting screwed over by the ex-record company, which now all those people are gone. We just stayed the course. People lapped us, passed us, laughed at us, and now all of a sudden we get this respect, like, “Wow, you guys really hung in there. You guys are good.”

One of the guys writing my book with me is this guy Paul Rees, he used to be the editor of Q Magazine in the U.K. And he said, “We were not allowed to write about you.” The fucking editor said, “We can’t write about you.” It’s like that whole Jann Wenner attitude, they deny the fact that my band has played on over 5,000 records, 220 nominated records, some of the biggest records in history, and we’ve sold 40 million records on our own, yet we don’t exist. They’re gonna eventually have to deal with us face to face, because we’re not gonna die.

Why was it that they wouldn’t cover you?

I’ll never know! There’s nobody like us in rock history. I’m not saying we’re the greatest band in the world—that would be ridiculous. I’m standing next to a guy who used to be in the greatest band in the world, the Beatles, so I know what greatness really is. But we have contributed a lot. We were the fucking house band for “Thriller,” but nobody ever mentions our name. Stuff like that.

I mean, I’m cool enough for Miles Davis to call me on the phone and go, “You want to join my band?” So if Miles Davis thinks that we’re cool, I don’t really give a shit what some smarmy rock critic says. And we’re so over it—I think they’re on to picking on Nickelback now, which is maybe a more worthy subject.

We can play. We played on a lot of different records in a lot of different styles. Played on a lot of hit records—either wrote, played, produced, arranged. We’re always there, but nobody wants to admit that we exist, as far as mainstream media. Which doesn’t bother me, because all of a sudden we’ve become this underground band. You can’t be out of style if you were never in style, so we just sort of existed, bubbling under. People like our stuff, some people hate it, but that’s like anything, right? Some people love donuts, some people are allergic to ’em. It’s all the same shit.

There’s a lot of options out there, but we’re classic rock that hasn’t been overridden like a horse Some of these bands are like, “Okay, I’ve seen it, I’ve heard it.” They play the same 12 songs every time, which is great for memories every once in awhile, but we’re not that band. Some people think, “Oh it’s that ‘Africa’ band, I hate that fucking song,” and for some reason they think that’s all we do.

Which really, that’s the most oddball song we’ve ever written in our career, and it turns out to be our biggest song. I was the guy saying, “This is a great fun track, but what the fuck is this song about, David [Paich, Toto keyboardist/vocalist]?” I said, “If this song is a hit I will run naked down Hollywood Boulevard.” Well, being 58 years old, I don’t think anyone wants to see me run around naked anyway, certainly not in the light of day.

The other thing people don’t realize is we have a great sense of humor about this shit. I’m sitting there watching “South Park,” I’m a “South Park” character. I’m watching “American Dad” and the alien’s getting fucked in the ass by Stan listening to one of my songs. What the fuck? [Laughs.] “Family Guy” did a whole episode on “Africa,” which is hysterical, and I’m just sitting here watching this on TV and it comes up. A “Jeopardy” question. And so you realize, we’re part of pop culture. I love the Jimmy Fallon-Justin Timberlake summer camp thing, that was fucking hilarious.

How cool is it to be part of pop culture? People laugh, and nobody laughs harder than we do. But at the end of the day we plug in and fucking play and blow minds. That’s what we do.

Via

101 Facts About Coca-Cola

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Holidays are coming, holidays are coming, holidays are coming, holidays are coming, holidays are coming, holidays are coming, tease the season, watch out look around, something’s coming, coming to town, dooh dooh dooh, ALWAYS COCA-COLA!

Lifehack: How To Make A Disposable Vegetable Peeler From A Soda Can

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If you ever go camping and you find that you did not take a vegetable peeler with you, no worries! In this video, you’ll learn a way to make a vegetable peeler out of a beverage can.

Stephen Hawking And Paul Rudd Play A Game of Quantum Chess, As Narrated by Keanu Reeves

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Caltech’s Institute for Quantum Information and Matter in association with Trouper Productions brings you a chess match for the ages: Paul Rudd vs. Stephen Hawking in a game of Quantum Chess, narrated by Keanu Reeves.

The game is real and the stakes are high as the future of humanity hangs in the balance. Can Paul Rudd beat Stephen Hawking, one of the greatest minds of our generation, in a game of chess that will determine the future of humanity? Most likely not. Unless…

Here’s A Sneak Preview Of Alex Ross Art’s San Diego Comic Con 2016 Catalog

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Here is a sneak peek at the Alex Ross Art San Diego Comic Con 2016 catalog that will be available on-site and likely on his website later. I had a chance to talk to Alex last month on my SiriusXM show as legendary record label Apple Records recently commissioned Ross to paint images of The Beatles themselves with a series of images he’s aptly titled “John, Paul, George and Ringo.”and his Yellow Submarine lithograph prints. His collection includes portraits of John, Paul, George, and Ringo, as well as images of the Blue Meanies, Captain Fred and Jeremy.

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Duran Duran’s Nick Rhodes Leaves Tour To “Attend Urgent Family Matter”

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Regrettably, keyboardist Nick Rhodes will be leaving the current Duran Duran tour tomorrow for a short period of time,to return to the UK to attend to an urgent family matter. The band have just embarked on the third US leg of their Paper Gods tour, which kicked off last night in Nashville. They are currently in Chicago, where they play two nights at the Ravinia Pavilion (Friday July 8 and Saturday July 9).

Nick will be temporarily replaced by long-time friend and collaborator, artist MNDR.

Speaking this afternoon from Chicago, Nick said “I am devastated to be missing even a single date on this tour. We are having such an amazing time and the shows have been fantastic. I will be back as soon as possible but know, in the meantime, that I am leaving both my band mates and the fans in incredibly good hands, with the amazing MNDR.”