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Wanna Hang With Kiss Frontman Paul Stanley And Don Felder Formerly Of The Eagles And Judas Priest?

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Looking for that amazing summer experience for yourself or your spouse? Rock Camp is the perfect summer experience for anyone who loves music. There is no where else where you can jam live with some of rock and roll’s greatest icons, perform live with them at the legendary Whisky A Go Go in Hollywood CA and spend 4 days with over 20 of the country’s top touring musicians. Rock camp offers packages, master classes, for all skill levels of musicians, from advanced to beginners, plus catering, parties and so much more.

Rock and Roll Fantasy Camp facilities are located minutes from Universal Studios-home of the new Harry Potter ride, the heart of Hollywood’s Walk of Fame, Chinese Theatre and many other attractions. This is the perfect summer getaway for the entire family and a true bucket list experience!

Rock and Roll Fantasy Camp is celebrating it’s 20th Anniversary and is a non-competitive atmosphere.

ROCK ICONS PAUL STANLEY ALONG WITH DON FELDER formerly of THE EAGLES will appear at Rock and Roll Fantasy Camp JUNE 23-26, 2016 and the Metal Gods JUDAS PRIEST will appear August 4-7, 2016 in Hollywood CA.

Over the course of four days, attendees will be placed into bands led by rock star counselors including Rudy Sarzo (Quiet Riot, Whitesnake), Vinny Appice (Dio, Black Sabbath) and many more.

For their attendees, this is a life changing experience. Some of the campers play well and even gave up careers as musicians to become businessmen and women, etc. Some campers can’t play at all. What they have in common is passion for rock music. At Rock ‘n’ Roll Fantasy Camp they all get to pursue their passion – and meet, and play with the artists who became the soundtrack of their lives

David Fishof is the founder and creator of the famed Rock ‘n’ Roll Fantasy Camp where rock dreams become reality. Past rock star camp headliners have included Jeff Beck, Tony Iommi (Black Sabbath), Brian Wilson (Beach Boys), Roger Daltrey (The Who), Joe Perry (Aerosmith), Def Leppard, and many more.

Simon And Garfunkel Are In The Top 10 On Billboard…Wait…What?

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Simon and Garfunkel have broken into the top ten on Billboard’s Hot Rock Songs chart thanks to “Sounds of Silence” being included in a viral video that shows Ben Afflecklooking existentially sad after being asked about the reviews for his new movie Batman v Superman. The video now has over 20 million views on YouTube. (Billboard)

Call for Submissions: 16th Annual Open Sky Festival In NorthWest Territories

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Music NWT is inviting artists, musicians, performers and vendors from the NorthWest Territories to apply for the 16th annual Open Sky Festival. The festival will take place on July 2 & 3, 2016 in Fort Simpson, NT.

Music NWT’s mandate is to develop, foster and promote the continued growth of the Northwest Territories music industry to its fullest potential.

The submission deadline for this opportunity is Saturday, April 30, 2016 and go here for the details.

Alberta’s up and coming country and roots artists, check this out to win $100,953.00…

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Alberta Music has announced that submissions for Project WILD, previously known as the PEAK Performance Project, will open on Wednesday, April 6 at 10:00AM.

Project WILD is a professional development program designed to educate, promote, develop and launch the careers of some of Alberta’s up and coming country and roots artists.

Submissions will remain open until Wednesday, May 4 at 5:00PM. For more information, go here.

The best part? This.

First Place $100,953.00

Second Place $75,000

Third Place $50,000

Shirley Manson Of Garbage Is Proud To Be An Elder

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DiS: It’s true but there is so much ageism in the industry.

Shirley Manson, Garbage: …but that’s not the music industry, that’s the media full stop. Across the board. That’s the culture we live in right now. We’re living in this culture right now where everyone is desperate to remain a child. I find it amazing that they don’t want to take adult power, they don’t want to take an adult stance. They want to suck their thumbs and, meanwhile, it’s all the young kids sort of acting like 50 year old divorcees. It’s fascinating to me.

I’ve always loved that idea of being an elder, it’s such a fucking great position to be in. Where you are no longer scared, you are not cowed, you’ve developed into a fully formed human being. That’s powerful. I think there is a deliberate attempt to infantilize people because infantilized people are powerless. They’re not dangerous, they don’t have a voice. So to me, it’s like, why are women dumping their forehead with botox, trying to pretend to be sometime they are not? It’s like, be your fully-fucking-realised, bad-ass self. Fucking go take over the world instead of wanting to be a baby. This is endlessly fascinating to me.

You’re set up to lose. It’s a game you cannot win. I could go on about that subject forever because it really is so fascinating, pervasive and alarming. I see a lot of women sitting opposite me with their plastic faces and I don’t see them looking young. I see them looking their age, attempting to look young and in the process, looking desperate and sad and disempowered.

Via

Destroyer On World Cafe

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Though Destroyer, the project led by Canadian musician Dan Bejar, has been making records since 1996 — even before Bejar became known as one of The New Pornographers — today’s session marks Destroyer’s World Cafe debut.

Long a critics’ favorite, Destroyer made its biggest popular impact with 2011’s Kaputt!, which reached the charts and got more people listening than ever. Now, Bejar has released Poison Season, his 10th album as Destroyer. On this page, hear a live set from Destroyer, plus Bejar’s conversation with World Cafe’s Dan Reed.

Country music singer Merle Haggard dead at 79

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Merle Haggard has died after a series of recent health struggles. The legendary singer passed away on April 6, 2016, which was also his 79th birthday.

Haggard canceled tour dates in December of 2015 after he checked into a hospital and learned he had double pneumonia. In an interview later with Willie’s Roadhouse on Sirius XM, he said he was “nearly dead” when he was hospitalized for two weeks. He canceled shows scheduled for Jan. 30 and 31 after his double pneumonia returned. At the end of March, the legend announced he was canceling all of his scheduled shows for April on doctor’s orders.

According to Country Aircheck, Haggard had been in hospice care recently. The country icon’s manager, Frank Mull, reveals that he died of pneumonia at 9:20AM on Wednesday (April 6) in Palo Cedro, California.

Along with Buck Owens, Haggard and his band The Strangers helped create the Bakersfield sound, which is characterized by the unique twang of Fender Telecaster and the unique mix with the traditional country steel guitar sound, new vocal harmony styles in which the words are minimal, and a rough edge not heard on the more polished Nashville sound recordings of the same era.

By the 1970s, Haggard was aligned with the growing outlaw country movement, and he continued to release successful albums through the 1990s and into the 2000s. In 1994, he was inducted into the Country Music Hall of Fame. In 1997, he was inducted into the Oklahoma Music Hall of Fame.

Though for the last decade his new recordings have received almost no airplay—in the innocently cruel Nashville taxonomy, he is classified as a living legend—Merle Ronald Haggard remains, with the arguable exception of Hank Williams, the single most influential singer-songwriter in country music history.

Haggard is certainly one of the genre’s most versatile artists. His repertory ranges wide: aching ballads (“Today I Started Loving You Again,” “Silver Wings”); sly, frisky narratives (“Old Man from the Mountain,” “It’s Been a Great Afternoon”); semi-autobiographical reflections (“Mama Tried,” “Hungry Eyes”), political commentaries (“Under the Bridge,” “Rainbow Stew”), proletarian homages (“Workin’ Man Blues,” “White Line Fever”), as well as drinking songs that are jukebox, cover-band, and closing-time standards (“Swinging Doors,” “The Bottle Let Me Down,” “I Think I’ll Just Sit Here and Drink”).

His acolytes are legion and include many of country music’s brightest and lesser lights, as well as thousands of nightclub musicians. As fiddler Jimmy Belken, a longtime member of the Strangers, Haggard’s exemplary touring band, once told The New Yorker, “If someone out there workin’ music doesn’t bow deep to Merle, don’t trust him about much anything else.”

Haggard was born poor, though not desperately so, in Depression-era Bakersfield to Jim and Flossie Haggard, migrants from Oklahoma. Jim, a railroad carpenter, died of a stroke in 1946, forcing Flossie to find work as a bookkeeper.

Flossie was a fundamentalist Christian and a stern, somewhat overprotective mother. Not surprisingly, Merle grew quickly from rambunctious to rake-hell. By his twenty-first birthday he had run away regularly from home, been placed in two separate reform schools (from which he in turn escaped a half-dozen times), worked as a laborer, played guitar and sung informally, begun a family, and performed sporadically at southern California clubs and, for three weeks, on the Smilin’ Jack Tyree Radio Show in Springfield, Missouri. He also spent time in local jails for theft and bad checks.

His woebegone criminal career culminated in 1957 when, drunk and confused, he was caught burglarizing a Bakersfield roadhouse. After an attempted escape from county jail, he was sent to San Quentin. There, in a final burst of antisocial activity, he got drunk on prison home brew, landing himself briefly in solitary confinement. He was paroled in 1960 and, after a fitful series of odd jobs, got a regular gig playing bass for Wynn Stewart in Las Vegas.

Another Bakersfield mainstay, Fuzzy Owen, signed Haggard to his tiny Tally Records in 1962. After recording five singles there—the first release, “Skid Row” b/w “Singin’ My Heart Out,” sold few copies; the fourth, “(My Friends Are Gonna Be) Strangers,” entered Billboard’s Top Ten (1965)—Haggard signed with Capitol. He moved to MCA in 1976, to Epic in 1981, and in 1990 to Curb.

He released his first album, Strangers, in 1965. Roughly seventy feature albums have followed. Counting repackagings, reissues, compilations, promotional and movie-soundtrack albums, as well as albums in which Haggard has participated—with the likes of Willie Nelson, Porter Wagoner, Johnny Paycheck, Bob Wills, Dean Martin, Ray Charles, and Clint Eastwood—the number of albums is likely more in the vicinity of the 150 mark.

Haggard has recorded more than 600 songs, about 250 of them his own compositions. (He often shares writing credits as gestures of financial and personal largess.) He has had thirty-eight #1 songs, and his “Today I Started Loving You Again” (Capitol, 1968) has been recorded by nearly 400 other artists.

In addition, Haggard is an accomplished instrumentalist, playing a commendable fiddle and a to-be-reckoned-with lead guitar. He and the Strangers played for Richard Nixon at the White House in 1973, at a barbecue on the Reagan ranch in 1982, at Washington’s Kennedy Center, and 60,000 miles from earth—courtesy of astronaut Charles Duke, who brought a tape aboard Apollo 16 in 1972. Haggard has won numerous CMA and ACM Awards including both organizations’ 1970 Entertainer of the Year awards, been nominated for scores of others, was elected to the Songwriters’ Hall of Fame in 1977, and won Country Music Hall of Fame membership in 1994. In 1984 he won a Grammy in the Best Country Vocal Performance, Male category for “That’s the Way Love Goes.”

Even so, he has remained famously independent (he once walked out on an imminent appearance on the Ed Sullivan television show), and he has kept himself at arm’s length from musical Nashville’s sociopolitical vortex. He currently lives near Redding, in northern California, well away from music industry power centers.

There is no such thing as a typical Merle Haggard concert. He prides himself on riding the winds of whim and cussedness and, on any given night, might divert from chart and fan favorites and give himself over to a long set of songs by Jimmie Rodgers, Lefty Frizzell, or Bob Wills. The three men constitute Haggard’s most lasting musical influences. Additionally, he takes great pride in the Strangers’ musicianship, and their importance transcends that of mere sidemen. The band has ranged in number from three to ten over the years, incorporates such atypical country instruments as trombones, trumpets, and saxophones, and has included long-respected players such as Roy Nichols, Norm Hamlet, Biff Adam, and Clint Strong. The Strangers themselves have garnered eight ACM Touring Band of the Year awards.

Ironically, Haggard is inextricably linked with a casual ditty that shifted attention from his soaring musicianship to his politics. “Okie from Muskogee” (Capitol, 1969), a #1 song for four weeks and the 1970 Single of the Year for both the ACM and CMA, is a seemingly belligerent and defensive screen of traditional American-heartland values that appeared at the height of the fractious decade of the Vietnam War. Haggard’s retellings of the song’s intent are manifold and contradictory. In 1974 he told a Michigan newspaper reporter, “Son, the only place I don’t smoke is Muskogee.” A dozen years later, however, he told the Birmingham Post-Herald that “Okie” was “a patriotic song that went to the top of the charts at a time when patriotism wasn’t really that popular.” Although he has frequently bemoaned the public’s perception of him as a political animal, he followed “Okie” with the truly angry “The Fightin’ Side of Me” (Capitol, 1970) and, in 1988, a sentimental reaction to flag burning, “Me and Crippled Soldiers.”

Nor has Haggard’s personal life been without drama. His business acumen is notoriously erratic, and he has been married five times. At the time that this was written, he had five children, four by his first wife, Leona Hobbs, and one by his present wife, Theresa Lane. From 1965 to 1978 Haggard was married to singer Bonnie Owens, with whom he recorded a duet album, Just Between the Two of Us (Capitol, 1966) and who is a regular member of Haggard’s musical company. He was also married for a time to singer Leona Williams, who wrote his #1 hits “You Take Me for Granted” and “Someday When Things are Good” (co-written with Haggard).

In 2000 Haggard aligned himself with Los Angeles-based punk label Epitaph Records to release If I Could Only Fly on its Anti imprint. Just as Johnny Cash had done by moving to rock- and rap-oriented American Records, Haggard inspired a flurry of media attention with his choice for a label home. On his second release for Anti, Roots Volume 1 (2001), Haggard worked with guitarist Norm Stephens, who played on Frizzell’s early recordings. On Hag Records, his own label, Haggard issued two gospel albums in 2001 and was slated to release Haggard Like Never Before in 2003. A single, “That’s the News,” criticized the media’s coverage of the war in Iraq.

We’ve lost one of the greatest writers and singers of all time. His heart was as tender as his love ballads. I loved him like a brother. Rest easy, Merle. — Dolly Parton

We’ve lost another hero. Now he doesn’t have to be in pain anymore. I know he’s not suffering anymore. I just can’t imagine a world without Merle. It’s so hard to accept, but I’ll continue honoring him on stage just as I do during every show. We played a lot of gigs together through the years, but some of my fondest memories were hanging out in a natural setting, like the time we sat there by the river in his backyard and ate bologna sandwiches. Merle was a simple man with incredible talent like no other. And now he’s up there singing with George [Jones] and all the angels. Love you, Merle. — Tanya Tucker

Merle Haggard was an original. Not just a singer, not just a songwriter, not just another famous performer. He was your common everyday working man. I remember when I was 15 years old on tour with Waylon Jennings and Merle Haggard. They both were wondering which one of the two was going to make it. Well, they both made it. Today, ole Merle joined Waylon, George, and daddy to sing in the Heavenly choir. — Hank Williams, Jr.

My heart is broken over the loss of one of the greatest country singers ever. He was an icon to me. He took me to school with his phrasing, his songwriting and style – and he was undoubtedly one of my greatest influences. Getting to sing with him several times over the years will be memories I cherish forever. He was such a great man, on stage and off. — Gene Watson

Merle Haggard was one of the greatest songwriters, performers and story-tellers that ever lived. I grew up on his music and am I’m so saddened by his passing. — Kiefer Sutherland

I am deeply saddened to hear of Merle’s passing. He was a dear friend, I remember touring with him at various points throughout the 90’s and those are memories that I will always cherish. I hate that he lived so far away from us these last few years, but definitely understand it. My hope is that he passed a happy and content man. I learned so much from this kind man about singing, when Merle Haggard sang you paid attention. He is about as close to perfection in country music as we will probably ever have. — Lorrie Morgan

I am devastated over the loss of Merle Haggard. He was my absolute favorite of ALL time. I have listened to him since I was a kid. His poetry, his voice and his pure country music style will live forever. I am listening to him sing Sweet Jesus with The Oak Ridge Boys as I write this. SO honored to have recorded this Dove Award winning song with my HERO! Rest Easy Hag… Until The Day…“Jesus… Sweet Jesus…You love me just as I am… Jesus… Sweet Jesus… I’ve been washed in the Blood of the Lamb!” — Joe Bonsall / Oak Ridge Boys

A few years ago Merle sent me a song he wanted The Oak Ridge Boys to record. He’d written it with Kenny Vernon. When I heard it, I felt there was no way we could do it unless we asked Merle to do it with us.
His response was, “Anything you ‘Boys’ want.”
So, we recorded “Sweet Jesus,” and it won a Gospel Music Association Dove Award for Best Country Song. It was a huge honor to sing with one of our biggest heroes, Merle Haggard.
May he rest in peace in the arms of Sweet Jesus. — Duane Allen / Oak Ridge Boys
Merle was a singer’s singer, a musician’s musician, and a songwriter’s songwriter. He set the feelings of the everyday common man to music, creating songs that will outlive us all. I feel privileged to have toured with him and known him as both a great artist and as a friend. His passing leaves a big hole in country music and in the hearts of the millions who loved him and his artistry. — Bill Anderson

Merle always treated me like a true friend treats his true friends. We had great fun every time we worked together. He was one of the good ones. Getting to see God’s face on your birthday, what a wonderful gift! — T. Graham Brown

George and I loved Merle so much. George would always say nobody could ever sing like Merle Haggard. Merle was one of our Country Heroes. Now, George and Merle are together again singing with the Angel Band. — Nancy Jones

We join the world of the broken hearted hearing of the death of Merle Haggard. One of the first things John and I realized we had in common was our love of Haggard songs. What a blessing to have had a chance to get to know him and work with such a legend in our career. Merle, guess you finally are on the ultimate Natural High. We will have your music in our hearts and souls and honkytonk nights forever! God Bless the great Merle Haggard. May you fly with the Angels. — ‘Big Kenny’ Alphin / Big & Rich

“Mighty” Merle Haggard was the greatest country songwriter of ALL TIME. We shared many great memories, and I will miss him. Merle set the bar so high no one will ever top it. He refused to bend and turn to the whims of the music industry throughout the decades, and instead remained a steady ship of constant greatness that every artist could look up to and aspire to be. I had the distinct honor of becoming his friend and spent priceless time picking guitars on the back of his bus, doing videos together, and I soaked up every drop of soul from him every chance I got. You take your hat off when you shake hands with Merle Haggard. You listen and pay attention and realize that you are in the company of one of God’s prize creations. I will miss him. I bet Heaven has swingin’ doors today. — John Rich / Big & Rich

We’ve lost another great one. Merle leaves a great legacy behind, the songs, the styling, the phrasing….to study Merle’s musical style was to immerse yourself in the heart of Country. For months we’ve been planning a Tribute to Merle, the guest have been invited and Merle had it on his calendar. We will miss him greatly. Now the tribute will be a honoring of the man his songs, his music and his life. — Larry Black, Larry’s Country Diner

He was the genius of the last half century in country music and we will all miss him and nobody can replace him. — Leroy Van Dyke

It was a tremendous opportunity to be able to sing duets with Merle and for that to be a part of my life. What a great difference it made to me to be able to work on Merle’s records. It was like a dream come true… I never would have imagined to be able to sing duets with all the great artists that I’ve worked with. Merle has been such a special part of my life, I’m just proud to have great memories of working with him. — Janie Fricke

He’s my hero and I’ll never forget recording ‘Don’t Sing Me No Songs About Texas’ with Merle. To hear hear him on the same track as me was amazing. Merle was the master. The ultimate writer, musician and singer. He did it all. And I will miss him so much. — Moe Bandy

Merle Haggard’s death not only signifies the passing of the greatest singer Country Music has ever known, but also resonates hard with us personally. At our house we considered Merle almost a family member, from the early days when our dad would wake us up for school by playing one of his albums to years later when we played many shows together with Merle on tour. The first show we played with Merle – he came barreling on to our tour bus looking for a place to hide while the police were searching his bus. By the time that incident got cleared up we’d become friends. We let him know he could hide out on our bus anytime he needed to and we continued to tour many more times with him and collect lots more Merle stories over the years. Our thoughts and prayers are with his family today and may God rest his soul. — David and Howard Bellamy, The Bellamy Brothers

He did our Statler Brothers TV show a few times and I got to know him over the years. He was one of the most influential people in this business. He is going to be sorely missed. Heaven’s band just got another great member much like so many of our other heroes who have passed. We will miss him dearly. — Jimmy Fortune

It’s a very sad day for the world to lose the great Merle Haggard. I still can’t believe it. The last time I saw him was just outside of the Station Inn here in Nashville. We stood in the middle of the road and laughed and talked. I can still see the sparkle in his eye. He had such a beautiful spirit. I treasure that memory. Even beyond his amazing songs and music, it was easy to see why Merle was so loved. He will missed forever. — Deborah Allen

I have lost a dear friend, but Country music and its fans have lost one of its greatest treasures. One of my greatest memories of Hag was always speaking on Christmas and catching up, as well as having toured and sang with him. — T.G. Sheppard

I am still sitting here processing the news I just learned of the passing of Merle Haggard and ironically on his birthday. Remembering precious memories of meeting him just one year ago, sitting on his bus, talking about how he continued to write songs each and every day. He even mentioned he had a song for me. How special it was, as he listened to us sing, and after he even played Hunter’s fiddle. His music will live forever! Our sincere condolences to his family. Rest In Sweet Peace “Mighty Merle”!! — Rhonda Vincent

Being that I was a huge Merle Haggard fan, he was one of the ones that I did a couple of shows with early in my career. He welcomed me into the music industry. It’s extremely sad when you see people like “The Hag” leave us – he’s been huge, the industry is what it is today because of great musicians/artists/songwriters like him. — Mark Wills

My friendship goes back to 1963 when Merle was voted Most Promising Male Vocalist and I was voted Most Promising Female Vocalist by VIP, which later became the ACM Awards. When I first met Merle, I was a little intimidated because my mom warned me of anybody who had been in prison. I got over my fears and we became very close through the years. He recorded two of my songs “Life of a Rodeo Cowboy” and “My Love For You.” And I sang backup for him on “Ramblin Fever” and “Always On A Mountain When I Fall.” His passing is such a loss to not only me personally, but our entire industry. We all loved the Hag. — Jeannie Seely

Via and adapted from the Country Music Hall of Fame® and Museum’s Encyclopedia of Country Music, published by Oxford University Press

Joseph Arthur Announces New Album “The Family” Out June 3

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Musician, painter and poet Joseph Arthur acquired a Steinway Vertegrand piano from the early 1900’s, moved it into his Red Hook, Brooklyn studio and saved it from the storm (Sandy, propped on cinderblocks, while the neighborhood flooded).  He learned some of its history:  the piano had been a part of the same family for a century, somewhere in Connecticut.   Written entirely on that piano, The Family, out June 3 through True North Records) is mostly a work of fiction and a meditation on the idea of family.

“Nothing in this album comes from judgment,” explains Joseph. “These are stories being told from different voices and mysterious times, which hopefully resonate with all the families everywhere.”  (Joseph’s full notes are below.)

Produced, recorded and performed by Joseph, The Family was mixed and sequenced by Tchad Blake, who has collaborated with Arthur on some of his mostly well-known work, including  “Honey and the Moon” and “In the Sun” (covered by Michael Stipe and Peter Gabriel).

Joseph Arthur on The Family

 

I never really sat down at a piano and asked for much from it. Though for me, piano runs deep as the nucleus of my relationship with music. It’s how I started. And a thing I hated – not unlike three hundred million suburban kids before and after me. But this thing in my world as a kid just stood there like a judgment of failure and a stunning opportunity, all at the same time. And was used that way against me and for me. And thus began my long, weird relationship with music. This saviour. This damnation. And I won’t apologize for the Emo direct sloppiness of this description. There’s no way to soft sell it. 

Music quickly became the cornerstone of my identity out of need. And it has remained that way ever since. It’s a need to transcend this reality for another, and it’s what we all seem to strive for in one way, or another. For me, music means freedom and is still the best place to put all the love-frustration-pain-suffering-euphoria-bliss-magic I can muster. It always pays back and pays back in full.

A piano restorer in Carroll Gardens found my 1912 Steinway Vertegrand piano for me. When it came up on Craigslist, he said he was baffled by it. It came to my place for $1,600, all in. It was a steal.  There are famous photos of John and Paul (The Beatles) playing identical pianos, writing their early hits. My piano tuning friend gave it the full inspection and tuning, but little to no repair was needed.  It was like out of a time capsule. It was aged, and it had character. But nothing compared to what it was and how old it is. It had lived in Connecticut with the same family for generations, and it simply had become an artifact, despite sentimental value. Beyond all measure, though entirely impersonal to me, it had become a thing the family could no longer afford to deal with (as all things in this realm finally become.) And how unfortunate/fortunate for it to end up in an industrial garage space/studio off the coast of the waters of Red Hook, Brooklyn, where early in its new life it faced near devastation.  It was only saved by friends who lifted it on cinderblocks when Sandy came to fuck us all. 

But it survived.

We survived.

This record evolved right around the time the piano made its way to Brooklyn. I’d had a random conversation (is anything random?) with a woman I judged to be into speed and pills (okay, by her own admission). She was telling me about her problems with her ex-husband hounding her about the kids. This inspired the song, “You Wear Me Out”, which became the catalyst for the concept of this record about family dynamics. I set out to make an album that centred about all of the aspects and all of the relationships of “The Family”.  And how fitting that these songs should begin on that hundred-year-old Steinway that had only ever belonged to one family. 

So the songs just came. One after the other. It felt like some dumb divine clockwork. Everything else I had, or was doing, went out the window and seemed tired and irrelevant. I hadn’t yet released “Boogie Christ”, but I dove into this passionately.

“The Family” story is mostly a work of fiction.  This isn’t about my family.  It’s about family.

I did interview my parents. I asked for stories – anything they could recall. I remember thinking how strange it was that I hadn’t really asked before, and also how relatively little they seemed to know. I think many modern American families operate like this. Off the top of my head, I don’t even know much about my heritages. I know that one of my grandfathers comes from Spain, and the other comes from Scotland. My grandmothers are mixes that I can’t recall, and so it goes. We blend. Our histories are lost or confused. This is no bad thing, mind you. It’s life and it’s great, and I’m all for it. We should blend. We should progress. But I digress…

I used facts from things my folks told me and then quickly fictionalized. Not as a rule, but because I wasn’t interested in creating a personal history, or telling a story that no one really knows. I utilize the personal to imbibe reality into the universal.

For example, when I refer to ‘sister’ in “Sister Dawn”, I’m not speaking about my sister, though I did use her actual name in the song, “The Family”. However, it was me who would climb up every tree. And that wasn’t in West Virginia, either. It was in Akron, Ohio. But we did go to Anmoore, West Virginia every summer and every Christmas, and we did play football there. 

I incorporated actual names of people who meant something to me, and for whatever reason, never changed them. Perhaps I should have. But songwriters know that names hold weight and are hard to change.

The songs are sung from the perspective of different characters, both male and female, both child and adult, in different times in history. World War II factors in heavily to the story, but for me it was always just about war right now—the loss we all have right now. That’s why I let it surround the main story, which is the way family dynamics shape us and make us who we are. 

“When I Look At You” is sung from the perspective of a mother looking at her son as she is dealing with losing her husband to the war. As a songwriter, there was great freedom to take myself far out of the equation. And yet the songs felt like these things had been waiting for me, waiting for me to get out. Maybe they were stored up in that piano. Or maybe writing from that thing that had threatened me most was really setting me free. The story is non-linear and abstract, and works to help make it less personal and more universal. (An aside: I asked Tchad Blake to sequence it. He has a peculiar talent for this, as well as for mixing. This album came alive not only through his mixes, but through his sequence and edits.)

“Wishing Well” is about going to the mall in the late ‘70s/early ‘80s; it was the only suburban destination for my best friend, Jeremy and me. We’d spend hours with stolen twenties, playing Asteroids or Pac-man, smoking menthol cigarettes I stole from my mom, and joints we got any other kind of way — and looking at that freaky well in the center of it all — the weird display of financial lunatic freedom, right in the middle of the celebration of capitalism that was wooing us to sleep through sticky treats and flashing lights. But at the mall we could make some wish, to what or who, I don’t know. But no one ever seemed to take that money (from the wishing well). And lets hope at least some of those wishes came true. I know mine did.

In West Virginia, you could see the highway from a tiny porch of this little house that had been destroyed. It only exists, like it only ever existed, up here in the spirit where everything is eternal and forgiven, and the complicated aspects that make us these remarkable things called humans. That’s what I was trying to document here. That’s the story I was trying to tell. Love and loss. Dysfunction and surrender. Hopelessness and abuse. And the thing that somehow allows us to transcend it all. To let the things that at one point impaired us, be the same things from which we develop, or like a blessing, get our strengths. 

Nothing in this album comes from judgment. These are stories being told from different voices and mysterious times, which hopefully resonate with all the families everywhere. 

The last song on the record, “Daddy, The War Machine”, is sung from the perspective of an innocent child, with his simplistic understanding of where his father went, and why – and then with the complexity of his loss and absence. Then the grown-up in him sings almost with defiance, or even as a challenge, with a boxer’s pose at the end. It is the loss endured and turned into fearlessness – a kind of punk rock exuberance inviting the reality of this war machine that is the nature of man. It’s a celebration of it all. An acceptance and a love letter. To life. And to all families, including mine.

Joseph Arthur

March 2016

 

About Joseph Arthur

Born in Akron, Ohio, Joseph has been described by The Guardian as “a driven, visionary character…he might just be a genuine mad genius” and NPR Music as ““a ‘triple threat’ artist since the mid-’90s, bridging music, poetry and painting with prolific creativity and unyielding inventiveness.”  Discovered by Peter Gabriel in the mid-90s, Joseph became the first artist signed to Peter’s Real World Records.  “It has been great to watch his evolution,” says Gabriel.  “Jo is a really unusual, interesting, and talented artist in music and art.”

In addition to touring a solo musician, Joseph exhibits his paintings worldwide (they can be found online at the Museum of Modern Arthur).  He hosts the podcast series Nothing to Talk About and published book of poetry, including his latest, I Miss the Zoo and Other Poetry Selections (EM Press).   Arthur’s music has covered by Michael Stipe and Coldplay, and remixed by Justin Timberlake for the Hurricane Katrina benefit EP, In the Sun.  He’s a member of RNDM with Jeff Ament and Fistful of Mercy with Ben Harper and Dhani Harrison, and has released close to 30 solo albums and EPs, including Lou, a tribute to his friend Lou Reed.

Tracklist

“The Family”
“Sister Dawn”
“With Your Life”
“They Called Him Lightning”
“When I Look at You”
“Wishing Well”
“Machines of War”
“Ethel Was Born”
“You Wear Me Out”
“Hold on Jerry”
“You Keep Hanging On”
“The Flag”
“Daddy, The War Machine”

 

Tour Dates
April 16  Paris, France  Le Trianon
April 17  London, UK  Borderline
April 20  Bridgeport, CT  The Acoustic
April 21  Sellersville, PA  Sellersville Theater
April 22  New York, NY  Rubin Museum of Art
May 16  Los Angeles, CA  The Troubadour
May 17  San Diego, CA  Music Box
May 19  Seattle, WA  The Triple Door
May 21  Vancouver, BC, The Cobalt
May 23  Portland OR, Alberta Rose Theatre
June 5  Madrid, Spain  Café Berlin
June 6  Barcelona, Spain  Side Car
June 8  Hamburg, Germany  Knust
June 9  Berlin, Germany  Gruner Salon
June 10  Munich, Germany  Strom
June 11  Cologne, Germany  Luzor
June 13  Amsterdam, Netherlands  De Vondelkerk
June 14  Antwerp, Belgium  Bourla
June 16  Zurich, Switzerland  Exil

Canadian Folk Music Awards Submissions Are Now Open

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Submissions are now open for the 12th edition of the Canadian Folk Music Awards (CFMA). Canadian artists and groups whose albums were released in Canada between June 15, 2015 to June 14, 2016 are eligible.

Established by Canada’s burgeoning and internationally-recognized folk music community, the awards currently boast 20 categories. Five nominees are chosen for each category. A three stage jury process by 100 jurors located across Canada representing all official provinces, territories and languages determine the official winners in each category. Complete eligibility requirements are listed here: http://folkawards.ca/eligibility/

The earlybird submission deadline is April 30, 2016. The final deadline is June 30, 2016. Submit here: http://folkawards.ca/eligibility/online-submission/

Submissions are also open for the Unsung Hero award. This annual legacy category award recognizes the exceptional contribution of an individual, group, or organization to any aspect of the Canadian Folk music scene. Nominees must be perceived as an “unsung hero”; someone who has received little in the way of national and/or public recognition for their accomplishments.

Unsung Hero submissions are also via online submission form and must include:

  • Name, mailing address, phone number, e-mail of the individual(s) submitting the application
  • Name, mailing address, phone number, e-mail, website (if applicable) of the nominee
  • A list of all Awards received by the nominee with respect to their contribution to the Canadian folk music scene (performance, promotion, presentation, etc.)
  • A letter from the nominator (max 500 words) explaining the candidate’s involvement in, and impact upon, the Canadian folk music scene
  • Three letters supporting the nomination from other individuals or organizations (please do not submit more than 3 letters)
  • A biography (max 250 words) and a high-resolution (300 dpi) photo of the nominee

There is no entry fee for this award category.  All submissions must be submitted via online submission form by June 30, 2016. The Unsung Hero category is judged by the board of the Canadian Folk Music Awards. Complete details are online at http://folkawards.ca/eligibility/unsung-hero-award/

The 12th edition of the CFMA weekend takes place December 2 and 3rd, 2016 in  Toronto, Ontario and includes concerts from many of the nominees. The gala awards event, featuring live performances from some of the best of Canada’s folk community, happens at the Isabel Bader Theatre on December 3, 2016.

Twenty One Pilots’ Isolated Vocals For “Stressed Out”

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Twenty One Pilots released single “Stressed Out” off their album Blurryface, released in 2015. The track went to #2 on the Billboard Hot 100 and the album debuted at #1 on the Billboard Top 200 Albums chart. The track was recorded at Can Am in Tarzana, California and produced by Mike Elizondo.