Page 2760 – That Eric Alper

The History Channel To Air 8-Hour Remake Of ‘Roots’ Beginning On Memorial Day

Music

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Feb 17, 2016

The History Channel To Air 8-Hour Remake Of ‘Roots’ Beginning On Memorial Day

HISTORY premieres “Roots” on Memorial Day 2016, airing over four consecutive nights at 9 p.m. beginning Monday, May 30. The four-night, eight-hour event series developed by HISTORY, from A+E Studios, is a historical portrait of American slavery recounting the journey of one family and their will to survive and ultimately carry on their legacy despite hardship. “Roots” will be simulcast on A&E and Lifetime, in addition to HISTORY.

https://youtu.be/ZZwaqFhs9fo

Here’s the trailer for the original 1977 series, going on to receive unprecedented Nielsen ratings with the finale still standing as the third-highest rated U.S. television program ever.

Kids React to The Weeknd’s ‘Can’t Feel My Face’ Lyrics

Music

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Feb 17, 2016

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Kids React to The Weeknd’s ‘Can’t Feel My Face’ Lyrics

CBC Music searched out kids to get their reaction to The Weeknd’s I Can’t Feel My Face lyrics. Best line: “I think his name is The Weekday?”

Next up, they should ask seniors they same question. “That’s just crazy talk, what does he mean, he can’t feel his face? I haven’t felt my legs in years! Ouch, my back! Now go put on a sweater, I’m cold.”

Rick Rubin On Having Experimentation In A Recording Studio

Music

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Feb 17, 2016

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Rick Rubin On Having Experimentation In A Recording Studio

Master-producer Rick Rubin gave LL Cool J a beat, urged Run-DMC and Aerosmith to “Walk This Way,” convinced Johnny Cash to love “Hurt” and brought Adele a perfect “Lovesong.” He’s won eight Grammys and two CMAs along the way.

“I don’t really have any control over what’s going to happen with a recording,” Rubin tells Rolling Stone. “It’s more just experimentation and waiting for that moment when your breath gets taken away. It’s an exciting, exhilarating thing when it happens. But it’s not anything to master. You just have to recognize it when it happens and protect it evaporating. It takes luck, patience, a strong work ethic and being willing to do whatever it takes for it to be great. It’s a bit of a process we have to go through to get there.”

This Land is Your Land, This Land is VICELAND Launches Programming On February 29

Music

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Feb 17, 2016

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This Land is Your Land, This Land is VICELAND Launches Programming On February 29

Welcome to VICELAND. Featuring hundreds of hours of original and engaging content developed and produced by the creative minds that are the heart and soul of VICE, new premium specialty channel VICELAND launchesMonday, Feb. 29 at 5 a.m. ET/PT with a nationwide three-month free preview.

Boasting a roster of compelling hosts – including Canadians Ellen Page (Gaycation) and Matty Matheson (Dead Set on Life), and renowned actor Michael K. Williams (Black Market with Michael K. Williams) – this new culture and lifestyle channel explores the worlds food, sex, fashion, music, sports, and much more.

The full list of television service providers offering VICELAND as a free preview to their subscribers can be found here.

Additionally, viewers can watch anywhere, anytime on mobile and tablet web, and desktop devices by visiting VICELAND.com, brought to you by Fido. Additional details on how viewers can access VICELAND content will be announced in the coming weeks.

Beginning Monday, Feb. 29 at 5 a.m. ET/PT (check local listings), viewers wake up in VICELAND with the one-hour special Bar Talk, hosted by VICE Canada’s Head of Content Patrick McGuire from the new Toronto studio. Then, at 6 a.m. ET/PT (check local listings), you can talk to them, in the thirteen-hour special 646-851-0347 Leave A Message.

See below for full details on VICELAND‘s prime-time schedule.

VICELAND PREMIERE WEEK PRIME-TIME SCHEDULE

All times ET. (s) = simulcast

Monday, Feb. 29
7 p.m. – Welcome to VICELAND (s) **One-hour Special**
8 p.m. – Gaycation (s) **Sneak Peek**
9 p.m. – Balls Deep (s) **Sneak Peek**
9:30 p.m. – F*ck, That’s Delicious (s) **Sneak Peek**
10 p.m. – Weediquette (s) **Sneak Peek**
11 p.m. – Flophouse (s) **Sneak Peek**
11:30 p.m. – VICE Lab (s) **Sneak Peek**

Tuesday, March 1
10 p.m. – NOISEY (s) **Series Premiere**
11 p.m. – Weediquette (s) **Regular Time Slot**

Wednesday, March 2
10 p.m. – Gaycation (s) **Regular Time Slot**
11 p.m. – Balls Deep (s) **Two Back-to-back Episodes – Regular Time Slot**
11:30 p.m. – Balls Deep (s)

Thursday, March 3
10 p.m. – F*ck, That’s Delicious (s) **Regular Time Slot**
10:30 p.m. – Flophouse (s) **Regular Time Slot**
11 p.m. – VICE Lab (s) **Regular Time Slot**

Friday, March 4
6 p.m. – VICE Guide to Film (s) **Canadian Original Series**

Saturday, March 5
6 p.m. – VICE Guide to Film (s) **Canadian Original Series**

Additional premiere dates, including Canadian original series Abandoned, Cyberwar, Dead Set on Life, and Terror, as well as Black Market with Michael K. Williams, Huang’s World, King of the Road, States of Undress, and VICE World of Sports to be announced at a later date.

New Series Descriptions

NOISEY: Tuesdays at 10 p.m. ET/PT (check local listings), beginning March 1
Created by VICE executive producer Andy Capper, NOISEY is the most original music documentary series on TV today. Hosted byZach Goldbaum, this one-hour series takes a first-hand look at the most interesting music scenes around the world. From Compton toLas Vegas, London to São Paolo, NOISEY closely follows the artists defining music today while reflecting on and reacting to the socio-political issues within the cultures that produce them.

Weediquette: Tuesdays at 11 p.m. ET/PT (check local listings), beginning March 1
In a weed show like no other, VICE correspondent Krishna Andavolu chronicles the science, culture, and economics of the emerging “green” economy. Each one-hour episode explores the impact of marijuana legalization across the United States and internationally, examining how people on all sides of this issue are dealing with the growing popularity and acceptance of this remarkable plant. There are many players in this weed revolution, and each one has a story to tell.

Gaycation: Wednesdays at 10 p.m. ET/PT (check local listings), beginning March 2
In this one-hour series, Canadian Ellen Page and her best friend, Ian Daniel, set off on a personal journey to explore LGBTQ cultures around the world. From Japan to Brazil, and Jamaica to here in North America, Page and Daniel discover the multiplicity of LGBTQ experiences, meet amazing people, and hear their deeply moving stories of struggle and triumph.

Balls Deep: Wednesdays at 11 p.m. ET/PT (check local listings), beginning March 2
There are more than seven billion lives happening on Earth right now – not all of them great, but most pretty interesting. In each half-hour episode, Thomas Morton attempts to find out what humanity’s deal is by hanging out with different groups of people to give their lives a try. Think of it as a foreign-exchange program, but for subcultures instead of countries – and with only one student.

F*ck, That’s Delicious: Thursdays at 10 p.m. ET/PT (check local listings), beginning March 3
F*ck, That’s Delicious chronicles the life and eating habits of rap’s greatest bon vivant, Action Bronson. In each half-hour episode, Action – along with the help of his long-time friends and collaborators Meyhem Lauren and Big Body Bes – shows us that life is meant to be enjoyed as much as possible.

Flophouse: Thursdays at 10:30 p.m. ET/PT (check local listings), beginning March 3
In this half-hour series, filmmaker Lance Bangs explores the underground circuit of young comedians living together in group houses – then throws a house party and stand-up comedy show.

VICE Labs: Thursdays at 11 p.m. ET/PT (check local listings), beginning March 3
A late-night, half-hour variety show made by and starring VICE staffers and friends. Broadcasting from the makeshift VICE Lab HQ inBrooklyn, NY, lovable grump and veteran equipment manager, Dan Meyer, serves as host, introducing experimental content unfit for prime time.

VICE Guide to Film: Saturday, March 4 and Sunday, March 5 at 6 p.m. ET/PT (check local listings)
**Canadian Original Series**
VICE Guide to Film is the ultimate guide to cinema through the eyes of some of the most innovative and influential film figures in the world. The 24-part, half-hour documentary series caters to the style of the filmmaker profiled in each episode, and features interviews with experts and critics, ‘supercuts’ of devices, and archival footage of films. VICE Guide to Film is an engaging, cinematic series that will entertain and educate even the most intense film fans on the world of cinema.

Video: “Tight Pants” with Jimmy Fallon, Will Ferrell & Christina Aguilera

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Feb 17, 2016

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Video: “Tight Pants” with Jimmy Fallon, Will Ferrell & Christina Aguilera

One town isn’t big enough for a tight pants love triangle. Watch Will Ferrell, Christina Aguilera and Jimmy Fallon (looking strangely like Mike Meyers), perform the 60s classic hit that never was, Tight Pants.

Line Rider Game Synched To ‘Black Betty’ Is Spot-On

Music

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Feb 17, 2016

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Line Rider Game Synched To ‘Black Betty’ Is Spot-On

Line Rider was one of the internet’s most popular games back in the mid-2000’s. TheConundrumer made this course that perfectly syncs up with the classic rock song, Black Betty.

Here’s how to draw Adele on a flaming hoverboard

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Feb 17, 2016

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What’s more compelling than pop icon Adele? Well, Adele on a flaming hoverboard of course. Mashable’s very own Bob Al-Greene shows you how to draw this very strange mash-up. Once you’ve drawn your own, share it using the hashtag #AdeleOnAHoverboard on Twitter or Instagram.

Who Received The Biggest Sales Jump From The Grammys? Here You Go.

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Feb 17, 2016

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Who Received The Biggest Sales Jump From The Grammys? Here You Go.

The Grammy Awards lived up to its billing as “Music’s Biggest Night,” according to same-day numbers from Border City Media’s BuzzAngle Music platform, which collects daily data from all meaningful U.S. sellers of music, both digital and physical, as well as music streaming services.

Nominated artists gained on average an increase of 17,000 album sales (a 27.8% increase) and 118,000 song sales (a 39.7% increase) on Grammy Monday as opposed to forecast.– Nominated albums gained an uplift of 54.8% and nominated songs gained an uplift of 130.4% against forecast.

“Traveller” by Chris Stapleton was the top selling album on Grammy Monday (over 8,100 sales), “To Pimp A Butterfly” by Kendrick Lamar had the largest growth against forecast (over 4,500 sales) and James Bay’s “Chaos And The Calm” had the largest % increase, 657%. All three artists performed during the telecast, while Stapleton and Lamar each received Grammys during the broadcast.

“Let it Go” by James Bay was the top selling song on Grammy Monday (21,000) as well as the largest growth against forecast (over 18,000). Alabama Shakes “Don’t Wanna Fight” had the largest % increase against forecast, over 1,900%.

Top 10 Selling Albums on Grammy Monday:

Rank	Title	Artist
1	Traveller	Chris Stapleton
2	To Pimp A Butterfly	Kendrick Lamar
3	Sound and Color	Alabama Shakes
4	Beauty Behind The Madness	The Weeknd
5	Chaos And The Calm	James Bay
6	1989	Taylor Swift
7	Montevallo	Sam Hunt
8	Cheers To The Fall	Andra Day
9	Hymns	Joey + Rory
10	Unbreakable Smile	Tori Kelly

Top 10 Selling Songs on Grammy Monday:

Rank	Title	Artist
1	Let It Go	James Bay
2	Girl Crush	Little Big Town
3	One Call Away	Charlie Puth
4	Thinking Out Loud	Ed Sheeran
5	Hollow	Tori Kelly
6	Can’t Feel My Face	The Weeknd
7	Heartbeat	Carrie Underwood
8	Take Your Time	Sam Hunt
9	Rise Up	Andra Day
10	Uptown Funk	Mark Ronson

Without fail, exposure from the Grammys’ annual telecast provides robust activity in the market for participating artists, with performances generally meaning more than who does or doesn’t win. Last year, album of the year winner Beck and nominees Annie Lennox and Ed Sheeran were among those who garnered the biggest upticks in both album and song sales, all three among the acts who played the 2015 show.

Even though this year’s Grammys fell the day after Valentine’s Day, this marks the fourth time in five years the industry will see the benefit of Valentine shopping and award show exposure fall within the same tracking week. This time, however, it happens because the July 2015 adoption of Global Street Date moved the start of the U.S. tracking week from Monday to Friday. In the previous alignment, benefits from those two market drivers would have fallen into different weeks.

Since 2004, when the Oscars moved into late February, where the Grammys used to reside, the Recording Academy has strived to schedule its show in front of Valentine’s Day, but that is contingent on where in the calendar the Super Bowl lands. This year’s Grammys happened on the President’s Day holiday, only the second time since 2004 that the awards show didn’t air on a Sunday.

According to overnight ratings, various entertainment journals report the telecast brought in 24.8 million viewers, down slightly from the 25.3 million drawn in 2015.

Via BuzzAngle

Phil Collins sets the record straight about his return

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Feb 17, 2016

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Phil Collins sets the record straight about his return

Phil Collins is out of retirement. That much is true.

His health is back. He’s moved to Miami. He’s in the midst of a reissue campaign of his entire discography. There’s an autobiography due later this year, and he is looking to make some new music and play some shows.

But the reported tour and new album? Like many headlines from Collins’ life in recent years, they’re greatly exaggerated. They may happen. They’re likely even, but it’s still too far out to say. Right now, Collins’ biggest focus is embracing his new lease on life and taking advantage of the pop culture tidal shift that’s returned him to favor.

I was floored when I heard that you were touring again. That isn’t an easy thing at all, and from all the reports of the past five years, your body has taken quite a beating. I’m excited that you’re feeling well enough for that.

I’m still hobbling around with a broken foot, but that will get better. This thing is accelerating a little bit quicker than I would like it to. I have said that I would like to do a few shows, and now people are saying, “You’re going back out on tour,” but I’m not going to go back out on tour.

I like the rhythm of my life. It’s very important to me at this moment of my life to be with my kids. I do not want to go back out on the road. I think doing some shows would be fun. I know I’m going to be doing that once the foot is better. There have been pictures of me with a walking stick, and that’s the reason I’m with a stick. It’s because of my foot — it’s not old age, you know.

Same thing with the record. People are saying I’m making a record, and I’m not. I haven’t written a song yet. I’m putting things with you in perspective. It’s not exactly as you read it. Things have kind of been elaborated upon to make a better story, but I’m not sure how that will take shape yet.

Via CoS

Elvin Bishop, Eddy Clearwater, Jimmy Johnson, John Mayall Inducted Into Blues Hall Of Fame

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Feb 17, 2016

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Elvin Bishop, Eddy Clearwater, Jimmy Johnson, John Mayall Inducted Into Blues Hall Of Fame

On May 4, 2016 five legendary blues performers, two individuals who were instrumental in the creation of blues music, five single blues recordings, one blues album and an important piece of blues literature will be inducted into the Blues Hall of Fame.

Elvin Bishop, Eddy Clearwater, Jimmy Johnson, John Mayall, and The Memphis Jug Band will each take their places beside performers who have been deemed by a group of blues scholars and industry veterans to be the Best in the Blues. Each of these musicians has carved his place in blues history. Bishop’s beginnings with the Paul Butterfield Blues Band to his more recent recognition for the 2015 Blues Music Awards “Song of the Year” have elevated him to the highest stature in blues music. Clearwater, Johnson, and Mayall each boast careers that have spanned more than a half century, and their talent has not waned as they each continue to produce music and to perform for devoted audiences, yet each are distinguishable by their stage presence and musical talent. The Memphis Jug Band’s music crossed the racial divides of the first half of the twentieth century and inspired many musicians to follow in their footsteps.

The Blues Foundation is Memphis-based, but world-renowned as THE organization whose mission is to preserve blues heritage, celebrate blues recording and performance, expand worldwide awareness of the blues, and ensure the future of this uniquely American art form. Founded in 1980, The Blues Foundation has approximately 4000 individual members and 200 affiliated local blues societies representing another 50,000 fans and professionals around the world. Its signature honors and events–the Blues Music Awards, Blues Hall of Fame, International Blues Challenge and Keeping the Blues Alive Awards–make it the international center of blues music. Its HART Fund provides the blues community with medical assistance. Blues in the Schools programs and Generation Blues scholarships expose new generations to blues music. The recent opening of the Blues Hall of Fame Museum, in Memphis, TN, now adds the opportunity for music lovers of all ages to interact with the music and the history.

Non-performer individuals to be recognized by The Blues Foundation for their behind-the-scenes contributions are Malaco Records partners Tommy Couch, Sr. and Wolf Stephenson, whose label’s first big hit was Dorothy Moore’s “Misty Blue” in 1976, and who then went on to produce such blues greats as Bobby Bland, Little Milton, Z.Z. Hill, Denise LaSalle, Latimore, Johnnie Taylor, and Tyrone Davis. The business foundation they built has allowed Malaco to remain an active player in the music world today.

The book Early Downhome Blues: A Musical and Cultural Analysis, by Jeff Todd Titon is the literature entry into the Blues Hall of Fame this year, and is one of the most important analytical studies of the blues to have been published.

The classic album Blues in the Mississippi Night (Nixa, 1957: United Artists, 1959) is being honored as are the singles, “Crazy Blues” by Mamie Smith (OKeh, 1920), “That’s All Right” by Jimmy Rogers (Chess, 1950), Billy Boy Arnold’s “I Wish You Would” (Vee-Jay, 1955), Johnny Moore’s Three Blazers’ (Charles Brown, vocal and piano) “Merry Christmas Baby” (Exclusive, 1947), the first Yuletide song inducted into the Blues Hall of Fame, and “Blues Before Sunrise” by Leroy Carr and Scrapper Blackwell (Vocalion, 1934).

The induction ceremony will be held Wednesday, May 4, at the Sheraton Memphis Downtown in Memphis, Tennessee, the night before the 37th Blues Music Awards. With living musicians like Buddy Guy and Eric Clapton, and legends like Muddy Waters and Koko Taylor, the Blues Hall of Fame consists of blues music’s best and brightest stars. The Blues Hall of Fame induction ceremony will coincide with the one year anniversary of the opening of the Blues Hall of Fame Museum, also located in Memphis, TN at the home of the Blues Foundation. This state of the art facility celebrates the lives and the music of each Hall of Fame individual as well as the history of the music and the literature produced through the blues timeline. These newest inductees will be added to the museum’s permanent exhibits and interactive displays in conjunction with their induction this May.

On May 5, the night after the Blues Hall of Fame inductions, The Blues Foundation will present the Blues Music Awards for the 37th time. Performers, industry representatives, and fans from around the world will celebrate the best in blues recording, songwriting, and performance from the previous year at the Memphis Cook Convention Center in downtown Memphis. For tickets and more information, visit This link.

Major funding is provided by ArtsMemphis and the Tennessee Arts Commission. The 37th Blues Music Awards and The Blues Foundation are also supported by BMI, the First Tennessee Foundation, the Hyde Family Foundation, the Legendary Rhythm & Blues Cruise, Memphis Convention and Visitors Bureau, and the Sierra Nevada Brewing Company.