Supercut: Judas Priest’s Rob Halford Holds A High Note For Five Minutes
He’s the Metal God for a reason. Watch Judas Priest’s Rob Halford hold a high note for five minutes.
Watch A Rose Bush Play ‘Every Rose Has Its Thorn’ Because Meta
Michael Ridge attempts to play a 7″ vinyl single of Every Rose Has Its Thorn by Poison using thorns from a dried rose bush branch. The rose bush displays technical skill and empathy.
Every Rose Bush Has Its Thorn(s) from Michael Ridge on Vimeo.
Watch Public Enemy And Run D.M.C. Perform On Holland TV In 1988
Watch this video to reaffirm to yourself just the timelessness of Public Enemy. During their It Takes a Nation of Millions to Hold Us Back tour, the brilliant Public Enemy made an appearance on a Dutch music television show called Fa. Onrust. During the show, Chuck D, Flavor Flav, Professor Griff, and DJ Terminator X tear through Night of the Living Baseheads, Rebel Without a Pause, Bring the Noise, and Don’t Believe the Hype. And if that doesn’t delight you enough, Run DMC just happened to be in Holland themselves at exactly the same time, and Joseph Simmons/DJ Run and Darryl D.M.C. Matthews joined the group on stage to blast through 1988 track, How’d Ya Do It Dee? from Tougher Than Leather.
https://youtu.be/q8JJBRFBOMY
Steve Mason on why The Beta Band won’t reform
How do you feel about a lot of cult bands reforming and have you discussed, or even considered it with The Beta Band guys or is that a chapter you’ve completely put to rest?
Ah, I’m not a big fan of nostalgia I have to say. I think it’s lazy, I think it’s, there’s something just a bit sad about it. I do understand why bands do it and I understand why bands who sort of had their time but didn’t make a lot of money at the time and then their older and kind of skint and want some money – I understand that. But I think culturally it feels a bit weird, you know, culturally it’s weird but culturally its really in keeping with what’s happening. You know artists in this country, there’s no more, there will never be – take bands like The Stone Roses as a wild example; there will never another band like that. There will never be another band that starts at grass roots level like that, that’s not put together by someone else, or even The Beta Band, completely organically. We managed to get a big deal with a label, they put a load of money into us and allowed us to spunk a load of money in this beautiful artistic way, completely unhindered and it never ever happened again, ever. The Beta Band were, we were a brilliant band and we were like a shot of colour across the landscape but we weren’t really rock stars so, like The Stone Roses; they were much bigger but there will never be another band like that. There will only be things like Adele and these kind of, people that come from a TV show – that’s what your rock star is going to be. The days of The Rolling Stones and The Beatles, Queen, The Who – all gone, that’s history.
Steven Van Zandt reflects on the making of Bruce Springsteen’s ‘The River’
As Bruce’s co-producer on The River, how did you deal with telling him “No” or “You should change this”?
It’s about having the right conversation at the right time. In the end, you accept the fact that you’re there to help him realize his vision. Every single outtake was a lost argument. He was getting 10, 12 great songs very quickly at that point. I would be like, “OK, let’s put that out. You want to do 12 more? That will be the next album.” But you can’t stop that flow when it happens. Chuck Berry had that flow for five or six years. The Beatles, the Rolling Stones — the great ones have a run where they’re in touch with something a little bit mystical, a little bit beyond logic.
It’s not something you plan, that you aspire to. You have this stuff built up inside, wanting to come out, and you tap into that faucet. Born to Run was eight songs. He went from that to a hundred [over Darkness and The River]. It was some of divine … [pauses] It’s something you can’t take for granted. That’s what made me mad sometimes. I’d get angry with him. Here I am, struggling to write a good song; every fucking one of them is war. And I’d be like, “Hey, man, you’re annoying me here. You’re taking this shit a little bit for granted. [Laughs] What do you mean you’re throwing out this song other people would have a career with?” “Restless Nights,” that’s a career. “Loose Ends,” that’s a career. But you can’t stop it. Once it’s happening, you go with it.
We had a wonderful recording method by then. We’d found the right studio [the Power Station in New York City]; we’d found the right engineers. We figured all that stuff out. It felt so good to go to work every day, after three years of torture. Suddenly, recording is fun. That alone is good for 40 fucking songs.
Does Danzig Have A Favourite Joke? Get Ready.
This an exchange from an actual interview with Glenn Danzig in Rolling Stone magazine:
Who was the funniest person in your family growing up?
I don’t know. I don’t think anyone in my family was funny.
Maybe you picked up your sense of humor more from movies and TV.
Yeah. Sometimes on a tour bus, we watch comedy when it’s slow.
Do you have a favorite joke?
No.
OK.
Third Man Records will publish a book about the Stooges, as told by Iggy Pop
Third Man Records will publish a book about the Stooges on Nov. 17. The band’s story will be told in the words of Iggy Pop, though author Jeff Gold and contributor Johan Kugelberg will be putting Pop’s stories together.
JUNO nominee Lori Cullen set to release “Sexsmith Swinghammer Songs” on October 28
JUNO nominee Lori Cullen set to release Sexsmith Swinghammer Songs on October 28, 2016 via True North Records.
Long time friends and respected musicians Lori Cullen, Kurt Swinghammer and Ron Sexsmith come together and collaborate on a new recording – Sexsmith Swinghammer Songs. Ron, who has been a huge fan of Lori’s for years, suggested to Kurt that they co-write an album of material specifically for Lori to sing. The inspired results are sure to draw attention, as always, to her remarkable voice.
Identified by jazz giant Kurt Elling as one of his favourite new vocalists, Lori Cullen’s upcoming album on True North Records is a fresh expression of jazz-infused chamber-pop. With her pure, unaffected style she delivers twelve tunes that evoke the rich creativity of 60’s/70’s composers Bacharach, Webb and Jobim. Supporting the combination of Sexsmith’s renowned lyrical approach and Swinghammer’s unique musical sensibilities, the tracks feature contributions from a dozen of Toronto’s finest musicians.
The album was recorded at Toronto’s Canterbury Sound by veteran engineer Jeremy Darby and produced by Maury Lafoy, who also played bass along with the core band of drummer Mark Mariash, keyboardist Robbie Grunwald, and guitarist Swinghammer. Centered around nylon string and Rhodes, the skillfully constructed arrangements sparkle with trumpet, trombone, oboe, clarinet, recorder, and harmonica. Backing vocalists Mia Sheard and Jennifer Foster add a signature sound throughout the songs with intricately layered counterpoint parts. With his celebrated experience and sonic sensitivity, David Travers-Smith created the exquisite mix.
The first Lori Cullen CD came out at the start of a new century. Garden Path reflected a young sensibility informed by her heroes Joni Mitchell and Jane Siberry. Two years later she shifted gears to jazz standards for the well received So Much. Her third release Uneven Hill focused on original writing and dramatically broadened the scope of her sonic world. Calling For Rain in 2006 brought together all the previous elements to create a hybrid of jazz and pop which established her artistic identity. It was nominated for a Best Vocal Jazz Juno and one of her original tunes won the Colleen Peterson Songwriting Award from the Ontario Council Of Folk Festivals. The CDs Buttercup Bugle and That Certain Chartreuse continued to define her reputation as a brilliant interpreter of covers, as well as a distinctive original writer, and expanded her reputation overseas with releases in Japan.
Lori’s seventh album is a confident, mature artistic statement inspired by the personal milestone of motherhood.
A Toronto album launch concert for Sexsmith Swinghammer Songs has been announced at Hugh’s Room on October 29.
SEXSMITH SWINGHAMMER SONGS TRACK LIST
1. The Face Of Emily
2. Miracle Home
3. Strange Is This Life
4. New Love
5. Something Right
6. This Morning
7. Beginner’s Luck
8. Off Somewhere (duet with Ron Sexsmith)
9. Then There Were Three
10. Some Part Of Me
11. Don’t Go Yet
12. True
UPCOMING DATES
Aug 20 – Waterdown, ON – Waterdown Arts Festival
Sept 9 – Toronto, ON – Hugh’s Room
Sept 17 – Toronto, ON – Kensington Market Jazz Festival
Oct 29 – Toronto, ON – Hugh’s Room (Album Launch)
Multiple JUNO Award Winner Jane Bunnett Featuring Maqueque To Release “Oddara” On October 14
Four-time JUNO Award winner, two-time Grammy nominee, and Officer of the Order of Canada, soprano saxophonist/flautist Jane Bunnett & Maqueque is set to release Oddara on October 14, 2016 via Linus Entertainment.
Jane Bunnett’s continuing quest to seek out and present musical talent untapped and unheard beyond the confines of the island nohas led her down many roads, and it was during a trip 30 years ago to Havana, Cuba she discovered then-unknown musicians and formed the all-star ensemble Maqueque (pronounced “Mah-Keh-Keh”, meaning “the energy of a young girl’s spirit.”) Their 2014 self-titled debut CD was awarded a much-deserved Juno Award for Best Group Jazz Album of the Year.
Jane Bunnett’s assembly of all-star Cuban musicians, the sextet which includes herself and five extraordinary young females, ensured a spotlight for their fluid, seamless music. “Everything I’ve done,” Jane says with pride, “has led up to this group, which is the perfect vehicle for now.” Maqueque currently includes Yissy Garcia on drums, Dánae Olano on piano, Magdelys Savigne on batá drums and congas, Elizabeth Rodriguez on violin and vocals and Celia Jiménez on bass. Maqueque often features guest stars Melvis Santa on percussion and vocals, as well as Dayme Arocena assisting vocals.
With cover art by Spain’s most-famous and successful designers, Javier Mariscal, Oddara fills the air with intoxicating spirit of joy and electricity, and live, their shape-shifting enthusiasm is contagious, thrilling audiences in clubs and festivals throughout North America. Their smiling faces and lively attitude radiates their spirit, and speak to their love of performing. And audiences wouldn’t have it any other way – Maqueque’s fresh, inventive, no-compromise music earned the group a standing ovation at the Kennedy Center, a rare encore at the Chicago Jazz Festival, and four sold out nights at Chicago’s legendary Jazz Showcase. Maqueque also received the Premiers Award for Excellence In The Arts this past October and performed in NPR offices where they filmed a session for Tiny Desk Concert series.
Jane and Maqueque will kick off their tour in San Jose, CA and will go on to play shows across the U.S and Canada with additional dates to be added. A list of confirmed dates are below.
ODDARA TRACK LIST
Little Feet
Dream
El Chivo
25 New Moves
Song For You
Power of Two (Ibeyi)
La Flamenca Maria
Eulogy
Tres Golpes
Changui Guaso
Cafe Pilon
TOUR DATES
| 8/14/2016 | San Jose Festival | San Jose, CA |
| 8/20/2016 | Yerba Buena Center for the Arts | San Francisco, CA |
| 8/22/2016 | Kuumwba Jazz Center | Santa Cruz, CA |
| 8/26-28/2016 | The Arlington Hotel & Pub | Maynooth, ON |
| 9/16/2016 | Guelph Jazz Festival | Guelph, ON |
| 9/18/2016 | Kensington Market Music Festival | Toronto, ON |
| 10/13 – 15/2016 | Hugh’s Room (CD Launch) | Toronto, ON |
| 10/19/2016 | Shenkman Arts Centre | Ottawa, ON |
| 10/20/2016 | Burlington Performing Arts Centre | Burlington, ON |
| 10/21/2016 | Markham Flato Theatre | Markham, ON |
| 10/25/2016 | Birdland | New York, NY |