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The Kanye Effect Helps Tidal Make Waves

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Things haven’t exactly been easy for Tidal since its high-profile relaunch last spring. After rapper Jay Z had acquired the streaming service in March and assembled an impressive line-up of fellow artists to do no less than “change the course of music history”, Tidal quickly stopped making waves in the media, but their loyal fans championed the service.

Co-owned by the musicians themselves, Tidal was supposed to return the control over music to those who made it – the artists. However, the music streaming market got even more competitive when Apple entered the scene with Apple Music in late June.

Enter Kanye West: After premiering his new album as part of a fashion show / art performance in Madison Square Garden last Thursday, the long-time Jay Z confidant released “The Life of Pablo” as a Tidal exclusive over the weekend. He even went as far as saying that the album would never be available anywhere but on Tidal, which would be a departure from the usual practice of granting the service an exclusive period before releasing the album to a wider audience.

West’s announcement turned out to be a godsend for the music service. Global interest in Tidal quickly exploded (see the chart below) and the company’s app shot up the app store charts as fans eager to hear the record signed up in droves. Whether or not the current spike will help Tidal gain a foothold in the streaming market remains to be seen, but one thing seems fair to say: the notoriously self-absorbed rapper knows how to make some waves.

Infographic: The Kanye Effect Helps Tidal Make Waves | Statista
You will find more statistics at Statista

Hayden Announces Everything I Long For 20 Re-Release And Tour

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In 1996, an understated clearing of the throat not only kicked off the debut album from Toronto’s Hayden, but announced the arrival of a unique and lasting voice that has continued to resonate in music circles across the globe. With subtlety, simplicity, depth and a haunting quality that is no less affecting 20 years later, to many, Everything I Long For is a classic record. Fittingly, in September, Music Canada awarded the landmark album Certified Gold status in Canada, commemorating the sale of more than 50,000 copies.

On the occasion of its 20th anniversary, Hayden has announced that Everything I Long For will be re-issued as a limited edition remastered vinyl, made available for fans on his own Hardwood Records on April 1, 2016. In addition, he will embark on a solo tour in Ontario, performing much of the album – including material rarely or never previously performed live – as well as songs from throughout his extensive and acclaimed recording career.

“I’ve always had a bit of a complex relationship with this record,” admits Hayden, “but with all of the personal baggage it comes with, I can’t deny the impact it has had on my life and the meaning it had to a certain group of people in the mid 1990s. For that, I’ve made the decision to briefly go back in time and celebrate the first songs I ever wrote.”

Over the course of more than twenty years, Hayden has written and recorded 8 full-length albums and a series of EP and singles most of which were self-produced and recorded in his own home studio. An artist biographical timeline can be viewed and downloaded, here.

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The Double, 180 Gram, white vinyl  includes 5 never before heard demos and out-takes, remastered from the original recordings by Joao Carvalho. It’s hand-numbered and limited to 1000 copies worldwide and contains free download card for both MP3 & High quality WAV files, and includes handwritten lyrics and a collage of images and memorabilia.

 

EILF20 TOUR DATES:
Saturday, April 2 Wakefield, QC The Black Sheep Inn
Sunday, April 3 Peterborough, ON Gordon Best Theatre
Monday, April 4 Kingston, ON The Grad Club
Thursday, April 7 Hamilton, ON Dundas Montessori
Friday, April 8 Ridgeway, ON The Sanctuary
Saturday, April 9 London, ON Aeolian Hall
Monday, April 11 Waterloo, ON Starlight Social Club
Tuesday, April 12 Owen Sound, ON Heartwood Concert Hall
Wednesday, April 13 Creemore, ON Avening Hall
Friday, April 15 Toronto, ON Trinity-St Paul’s United Church
Tickets for all shows go on sale this week.  wasteyourdaysaway.com
EVERYTHING I LONG FOR, 20 TRACKLISTING:

Side A:
1. Bad As They Seem 3:30
2. In September 2:37
3. We Don’t Mind 4:32
4. Tragedy 3:56
5. Stem 1:58

Side B:
1. Skates 7:15
2. I’m to Blame 2:24
3. Assignment In Space with Rip Foster 2:35
4. Driveway 4:28

Side C:
1. Hardly 4:12
2. You Were Loved 2:46
3. When This Is Over 3:58
4. My Parent’s House 4:34
5. Lounging 7:04

Side D:
1. Original Recipes 3:59
2. I Almost Cried 3:34
3. Trees Lounge (demo) 3:27
4. Bad As They Seem (Cassette Version) 5:09
5. Recipes (Out-Takes) 3:55

Roam Like Home

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I’m home now, but a few months ago, I was in Havana and Varadero Beach, Cuba, places I haven’t been to in more than 25 years, and it’s still a country of magic and memories, full of great art, music, weather and food. The trade sanctions limiting Americans’ time on the beach will soon be history, and with that, Cuba are going to become a wonderful alternative to the vacation resorts of the Bahamas and any number of Caribbean islands that enjoy a constant stream of U.S. visitors during the peak season. Being in Canada, though, we’ve had the luxury to travel there at will, and I’ve never been disappointed.

But there’s my cell phone. I have to still be available for important calls at the record label, and managers and booking agents and the rest of the music industry doesn’t sleep. And then, there’s this social media thing. I tweet a lot. I post a lot on Facebook and Instagram. And I’m not alone. A recent survey revealed that 49% of Canadians who travel with their mobile devices turn data roaming off while in the U.S. Almost two-thirds said the high cost of roaming packages is the biggest barrier to using their mobile devices while in the U.S. Instead of sharing their experiences in real time, 66% of respondents wait until they get home before uploading photos of their trip. More than half of people surveyed would rather take a chance on a nearby restaurant instead of using their mobiles to find the top-rated eateries in the area.

That’s right. We choose data over food. WHO WOULDN’T, RIGHT? But, no more.

Rogers is turning up the heat on the wireless industry once again, adding more countries around the world where Roam Like Home is available. Rogers customers can use the data and unlimited talk and text from their Share Everything plan when roaming in over 100 destinations around the world!

Customers travelling to the Caribbean, Mexico, and South and Central America, Europe and now Asia and beyond will pay only $10 per day when roaming within an eligible country and will only be charged for a maximum of 10 days on each monthly bill or a maximum of $100. Travellers to the U.S. will pay only $5 per day when roaming and only be charged for a maximum of $50 on each monthly bill. Calls and texts to local numbers in the country you’re visiting or back to Canada are included and no long distance charges will apply for those calls.

And just to show you a bit of my trip, check out this exotic alternative video to the 800 photos on my phone, so you, too, can visit these places, without having to leave your living room. But you should get away. And Rogers has just made it easier for you to stay connected while traveling.

 

Visit Sponsors Site

As of July 12, Cuba will no longer be a Roam Like Home eligible destination. Roam Like Home still covers over 100 worldwide destinations, which you can check out on their website:

This is a sponsored post written by me on behalf of Rogers Communications for IZEA. All opinions are 100% mine.

 

The Most Satisfying Video In The World

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Have you ever seen something that makes your skin tingle and for some unknown reason provides you with a sense of unbridled peace and happiness? Gears working in perfect synchronization, a cake frosted with absolute precision, marbles rolling so smoothly it hurts. Something that is just…satisfying? Well here’s five solid minutes of that feeling.

BBC Doc Music Moguls: Masters of Pop Is GREAT

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This is the secret, and untold, history of pop and rock from the men and women who pulled the strings behind the scenes – the producers, the managers and the PR giants.

Episode one tells the story of the maverick managers who controlled the careers of megastar artists, from Colonel Parker (Elvis) right the way up to Scooter Braun (Justin Bieber). Along the way are rollicking tales of industry legends like Led Zeppelin’s Peter Grant, and Don Arden, who managed the Small Faces, Black Sabbath and ELO. Narrated by Simon Napier-Bell, it also features contributions from Andrew Loog Oldham (the Rolling Stones), Jon Landau (Bruce Springsteen), Bill Curbishley (the Who), Paul McGuinness (U2) and Jonathan Dickins (Adele).

https://youtu.be/gyPJiey6vck

Part two of this enlightening series exploring the music business from behind the scenes looks at the music producers. These are the men and women who have created the signature sounds that have defined key periods in rock and pop history. Highlights include Trevor Horn on inventing the ‘Sound of the Eighties’, Lamont Dozier on Motown, and a TV first with legendary producer Tony Visconti taking us through David Bowie’s seminal song Heroes.

https://youtu.be/9sEUVJRw9qU

Part three of this illuminating series exploring the music business from behind the scenes takes a look at PR, the unseen force behind all the biggest musical acts in the world. With unique revelations, unseen footage and unrivalled access, it tells the story of the rise of PR within the music industry through the eyes of the people who lived it. Highlights include the PR campaigns behind superstars Jimi Hendrix, Taylor Swift and David Bowie.

https://youtu.be/AOoJd4xDQio

Disabled Musicians Use Ground-Breaking Technology To Create Music With Their Minds

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Four members of a Paramusical Ensemble, who are unable to talk or move, are using ground-breaking technology to create music with the power of their minds. The University of Plymouth and the Royal Hospital for Neuro-Disability developed technology to read the electrical activity in the brain and used it to create the piece of music. The disabled musicians wear and EEG cap which reads electrical signals from their brain.

Via BBC

Remember View-Master? Take A Look At What It’s Like Now With Virtual Reality

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Remember the View-Master? That red device purchased with “reels”, the thin cardboard disks containing seven stereoscopic 3-D pairs of small color photographs on film?

The View-Master system was introduced in 1939, four years after the advent of Kodachrome color film made the use of small high-quality photographic color images practical. Tourist attraction and travel views predominated in View-Master’s early lists of available reels, most of which were meant to be interesting to users of all ages.

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Well, it’s been updated.

Step into an amazing virtual world with just three items: a View-Master viewer, an Experience Pack, and your compatible iOS or Android smartphone.

Then follow these few easy steps: Download and launch the Experience Pack app, which is available on the App Store or Google Play Store. Take your Pass Card, which is included in each Experience Pack, and scan on your smartphone to unlock the Experience. Then open your viewer, slide in your smartphone, take the viewer and look through it at the reel.

Star Wars Episode VIII Video Released With A List Of Cast Members

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Cameras roll for the next chapter of the Star Wars saga, written and directed by Rian Johnson.

Star Wars: Episode VIII, released on December 15, 2017, continues the storylines introduced in Star Wars: The Force Awakens, welcomes back cast members Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, and Andy Serkis. New cast members will include Academy Award winner Benicio Del Toro, Academy Award nominee Laura Dern, and talented newcomer Kelly Marie Tran.

Tom Waits Streams New Track From Blind Willie Johnson Tribute Album

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Legendary artist Tom Waits is streaming his new recording of Soul Of A Man from the forthcoming album God Don’t Never Change: The Songs Of Blind Willie Johnson on Soundcloud. Waits also recorded John The Revelator for the album.

The album — to be issued on CD on February 26 and soon after on vinyl — features newly recorded versions of the iconic slide guitarist/vocalist’s most seminal material. In addition to Waits, Lucinda Williams, Derek Trucks and Susan Tedeschi, Cowboy Junkies, Blind Boys Of Alabama (with Jason Isbell on guitar), Sinéad O’Connor, Luther Dickinson featuring The Rising Star Fife & Drum Band, Maria McKee, and Rickie Lee Jones all deliver deeply moving interpretations of Johnson’s otherworldly “gospel blues” music.

Produced by Jeffrey Gaskill (producer of the twice Grammy-nominated compilation, Gotta Serve Somebody: The Gospel Songs of Bob Dylan), God Don’t Never Change: The Songs Of Blind Willie Johnson highlights the music of one of the greatest and most influential slide guitarists and vocalists who ever walked the Earth. Johnson sang his sanctified gospel lyrics with overwhelming intensity, his deep, raspy voice accompanying his haunting, blues-drenched guitar playing. Rock fans will no doubt recognize many of his songs which have been recorded over the years by artists ranging from Led Zeppelin to Eric Clapton to Bob Dylan. Johnson’s recording of John The Revelator was included in the Anthology Of American Folk Music, archivist Harry Smith’s 6-LP collection released in 1952 that set the folk revival of the 1960s into motion. God Don’t Never Change: The Songs Of Blind Willie Johnson is, according to Gaskill, “my life’s work.” The project was years in the making, and Gaskill is thrilled it’s ready to be released. “You gotta serve somebody,” he says, referencing his earlier compilation, “and I got the songs of Blind Willie Johnson.”

Blind Willie Johnson, whose life remains shrouded in mystery, was born in Pendleton, Texas in 1897 and grew up around Marlin, Texas, He recorded a total of 30 songs between 1927 and 1930 for Columbia, leaving behind a priceless legacy of the unforgettable music he created by marrying the raw, gospel fervor of his voice with the steely blues fire of his guitar. His songs were mostly traditional or came from hymnals, but when Johnson performed them, he transformed them with his soul-shaking voice and amazing slide guitar. Johnson was among the best-selling black gospel artists of the era, but the Great Depression ended his recording career. He continued traveling as a street singer, moving between Dallas, Galveston, Houston, Corpus Christi, San Antonio and finally to Beaumont, where he thundered out his street corner evangelism, spreading his sacred message through his transfixing music. He died in 1945 in Beaumont, Texas at the age of 48.

In 1977, NASA sent the Voyager 1 spacecraft on a one-way trip out of our galaxy and into the far recesses of outer space. The hope was that one day some other lifeform would come upon it and gain some insight into the essence of mankind. To that end, a gold record and player were included, featuring sounds and music to illuminate the human condition. Included on that record—along with a recording of a human heartbeat and music by Beethoven and Bach—was Blind Willie Johnson’s haunting and ethereal “Dark Was The Night—Cold Was The Ground,” a timeless representation of the humanity of Earth’s inhabitants.

Appropriately, a newly recorded version of “Dark Was The Night—Cold Was The Ground” (performed by Rickie Lee Jones) closes God Don’t Never Change: The Songs Of Blind Willie Johnson. The eleven-track album features inspired interpretations of the iconic slide guitarist/vocalist’s most seminal material. Tom Waits, Lucinda Williams, Derek Trucks and Susan Tedeschi, Cowboy Junkies, The Blind Boys Of Alabama (accompanied by Jason Isbell), Sinéad O’Connor, Luther Dickinson with The Rising Star Fife & Drum Band, Maria McKee, and Rickie Lee Jones all deliver deeply moving and highly personal reinventions of Johnson’s otherworldly “gospel blues” music.

Blind Willie Johnson recorded a total of 30 tracks for Columbia between 1927 and 1930, creating a priceless legacy. He created unforgettable music by marrying the gospel fervor of his vocals with the steely blues fire of his guitar. His songs were mostly traditional or came from hymnals, but when Johnson performed them, his soul-shaking voice and amazing slide guitar transformed each one into something wholly original.

Rock fans will no doubt recognize many of Johnson’s songs, which have been recorded over the years by artists ranging from Led Zeppelin to Eric Clapton to Bob Dylan. Johnson’s recording of “John The Revelator” was included in The Anthology Of American Folk Music, archivist Harry Smith’s six-LP collection released in 1952, that set the folk music revival of the 1950s and 1960s into motion.

According to Luther Dickinson, “Blind Willie Johnson touches everybody. His music is so of the earth that it still sounds completely modern. It’s timeless and like nothing else ever recorded. If we could hip anybody to Blind Willie Johnson, their lives would be enriched for sure.”

Derek Trucks wholeheartedly agrees, saying, “I never heard a slide player, even to this day, play with that much emotion. I’ve only heard a few things that have hit me quite that strongly. There’s something so honest about his recordings. He’s one of the few handful of musicians whose music really feels sacred to me. Johnson’s songs, lyrics and the ability to pair the slide with the voice were amazing. It feels like it came out of a different world.”

Produced by Jeffrey Gaskill, God Don’t Never Change: The Songs Of Blind Willie Johnson highlights the music of one of the most charismatic and influential slide guitarists who ever walked the Earth. As Gaskill states, “Blind Willie Johnson’s music is imperishable. His music speaks to us as it laments the human condition; it speaks to us as it praises the steadfastness of an unchanging God. It travels through time with the same bold call of repentance that was once delivered to listeners on Texas street corners. Ultimately, it is the message that endures.” God Don’t Never Change: The Songs Of Blind Willie Johnson is, according to Gaskill, “my life’s work.” The project was years in the making, and Gaskill is thrilled that it’s finally ready to be released.

On God Don’t Never Change: The Songs Of Blind Willie Johnson, each artist sounds as if he or she was born to preach Johnson’s gospel. These eleven performances are a powerful and cohesive affirmation of faith as deep as the soul of a man, with an eternal message that is as boundless as the dark, cold night at the farthest edge of the universe.

God Don’t Never Change: The Songs Of Blind Willie Johnson
1) The Soul Of A Man (Tom Waits)
2) It’s Nobody’s Fault But Mine (Lucinda Williams)
3) Keep Your Lamp Trimmed And Burning ( )
4) Jesus Is Coming Soon (Cowboy Junkies)
5) Mother’s Children Have A Hard Time (Blind Boys of Alabama)
6) Trouble Will Soon Be Over (Sinéad O’Connor)
7) Bye And Bye I’m Going To See The King (Luther Dickinson featuring The Rising Star Fife & Drum Band)
8) God Don’t Never Change (Lucinda Williams)
9) John The Revelator (Tom Waits)
10) Let Your Light Shine On Me (Maria McKee)
11) Dark Was The Night–Cold Was The Ground (Rickie Lee Jones)

That Time The Who Recorded The ‘Batman’ Theme

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The Who recorded a cover of the Batman theme in 1966. It was originally released on the EP Ready Steady Who, but has since been re-released as a bonus track on CD pressings of A Quick One. Composed by Neal Hefti, who is humorously credited with “word and music”, the song is built around a guitar hook with a twelve bar blues progression, using only three chords until the coda.