Studio Bell, home of the National Music Centre, will open on Canada Day 2016
Prince To Record Label President: “One of the things I want to make sure is that you don’t make me black”
After many years of turning down interview requests, legendary Warner chief Mo Ostin recently conversation with HITS Magazine’s Bud Scoppa. That exchange appears in its entirety in their most recent print edition; below are a couple of key excerpts.
[Prince] said something quite interesting to Lenny Waronker. He said, “One of the things I want to make sure is that you don’t make me black.” He just wanted to be treated like all artists. He wanted to be Fleetwood Mac; he wanted to be The Beatles, The Rolling Stones; he didn’t want to be restricted to being an R&B artist. He was right—when he went into pop, when he went into rock, whatever he did, he did it extraordinarily well. I remember when we signed Duke Ellington at the very beginning of the history of Reprise, Duke said to me, “I don’t want to be categorized as a jazz artist.” He said, “I’m a musician and do every kind of music.” And Prince had pretty much the same idea.
He always had autonomy. I mean, the power of the creativity, his inventiveness, daring, he was always pushing boundaries, all of those things made us say to ourselves, “Hey, this guy is the real deal.” Norman Granz once said to me, “I never tell Oscar Peterson how to play piano. Don’t get in the way — get out of the way.” We knew how good he was, and he was what he was.
An Annotated Look At The Classic Beach Boys Album “Pet Sounds”
In the next episode of Pitchfork’s new series, Liner Notes, they take an annotated look at the Beach Boys classic album, Pet Sounds, 50 years after its release. Released on May 16, 1966 The Beach Boys eleventh studio album that sounds is considered one of the most influential albums in pop music history with classics like “God Only Knows” “Sloop John B” and “Wouldn’t It Be Nice“. These sounds brought complex orchestrations ambitious lyrical arrangement and the concept album to pop music leaving an imprint that is still heard today.
Tegan And Sara To Perform In Toronto As Part Of 2016 Hilton Concert Series
This June, as part of the 2016 Hilton Concert Series, Hilton Worldwide will host their first Canada concert, featuring Juno award-winning Grammy nominated Tegan and Sara with Indie Pop Duo JR JR. The concert, which helps highlight the unique access and experiences provided to Hilton HHonors members, is taking place at Hilton Toronto.This will be the fourth of seven concerts to take place at hotels within the Hilton portfolio in 2016, following February’s Jason Derulo concert at Hilton San Diego Bayfront, April’s Elle King performance at Diplomat Resort & Spa Hollywood, Curio Collection by Hilton, and May’s Halsey performance at Hilton Tokyo Odaiba.
The 2016 Hilton Concert Series is traveling around the world to bring exclusive experiences to HHonors members and highlight the benefits of HHonors membership. Now in its second year, the Series, produced by Live Nation, is helping fans around the world discover some of the music industry’s most buzz-worthy artists.
The artists will be Tegan and Sara, with JR JR, at Hilton Toronto in Toronto, Canada on June 25, producer and singer/songwriter Grimeswith HANA at Hilton Berlin in Berlin, Germany on July 19, country music singer/songwriter Kip Moore at DoubleTree by Hilton Hotel Nashville Downtown in Nashville, Tenn., on August 31, and GRAMMY award winner Gary Clark Jr at Hilton Austin in Austin, Tex., on October 28.
To get tickets, click here.
Billboard adds Americana and Folk music to charts
Billboard magazine has decided to create a new Americana and Folk Albums chart in a move that recognizes the rise of artists — such as Jason Isbell and the Lumineers —who have enjoyed commercial success.
Billboard announced the chart change on Thursday, effective June 4, in an email to record executives. The chart was previously called the Folk Albums chart, leaving some Americana artists without a go-to chart.
The move comes a few months after heated debate when the country-folk band Green River Ordinance was left off the Country Albums chart, but slotted on the Folk and Rock charts. And the new chart serves as another piece of recognition for the rise of Americana, the broad umbrella of a genre that covers American roots music from multiple sub-genres — country, rock, blues, folk and jazz, among others.
“This change recognizes the growth of Americana and the prominent rise of the term overall, both within the industry and in widespread music coverage,” said Gary Trust, co-director of charts for Billboard in email forwarded to The Tennessean.
Jason Isbell, Lucinda Williams and Chris Stapleton Lead The Americana Awards Nominations
Jason Isbell, the Alabama-born singer-songwriter whose 2013 album Southeastern established him as one of the leaders in American roots music, received three Americana award nominations Wednesday night for his work on his latest release, Something More Than Free.
The former Drive-By Trucker garnered nominations for Artist of the Year, Album of the Year, and Song of the Year (“24 Frames”). The nominations were announced in Washington, D.C. at an invitation-only event presented by MusicFIRST, an organization that advocates for fair compensation for musical creators.
Lucinda Williams, whose latest album The Ghosts of Highway 20 stands is another great record for her, received two nominations, as did country star Chris Stapleton for his work on last year’s Traveller.
The winners will be announced during the Americana Honors and Awards show on September 21 at the Ryman Auditorium in Nashville.
A full list of categories and nominees is below:
Album of the Year
Something More Than Free, Jason Isbell, Produced by Dave Cobb
The Ghosts of Highway 20, Lucinda Williams, Produced by Greg Leisz, Tom Overby and Lucinda Williams
The Very Last Day, Parker Millsap, Produced by Parker Millsap and Gary Paczosa
Traveller, Chris Stapleton, Produced by Dave Cobb and Chris Stapleton
Artist of the Year
Jason Isbell
Bonnie Raitt
Chris Stapleton
Lucinda Williams
Duo/Group of the Year
Alabama Shakes
Emmylou Harris & Rodney Crowell
Lake Street Dive
The Milk Carton Kids
Tedeschi Trucks Band
Emerging Artist of the Year
Leon Bridges
John Moreland
Margo Price
Nathaniel Rateliff & the Night Sweats
Song of the Year
“24 Frames” Jason Isbell
“Dime Store Cowgirl” Kacey Musgraves
“Hands Of Time” Margo Price
“S.O.B.” Nathaniel Rateliff & The Nightsweats
Instrumentalist of the Year
Cindy Cashdollar
Stuart Duncan
Jedd Hughes
Sara Watkins
The Stone Roses have released their first new song in over 20 years: “All for One”
What the world is waiting for. They are the resurrection, they are the light. The Stone Roses have released their first new song in over 20 years: “All for One.”
https://open.spotify.com/embed/track/7d339Lvm6sTy8HId4HIzfY
Watch Bruce Springsteen Perform “Out In The Streets” In 1980
How I wish I was a tad older in the early 1980s, just to catch the very best of Bruce Springsteen. He was touring with the geniuses of the E Street Band to support The River, and now there’s a great video to relive, if you were there, or check out what we all missed.
Bruce delivered this performance at Arizona State University where he stopped as his tour as the presidential election concluded and Ronald Reagan became the President.
It’s spring-loaded and deliriously exciting stuff.
If you’re new to Grimes, you should watch this short doc
Back in November, Grimes released her technicolor new record, Art Angels. During The FADER’s cover story reporting back in the summer, we sat down with Canadian producer/singer Claire Boucher in her Los Angeles home to find out how she’s evolved the Grimes project, the misconceptions she has to deal with as a DIY artist, and what’s she learnt touring the world.
“At first, I guess, there was just Grimes,” she says in the documentary. “I don’t technically have control of her narrative anymore—she very much exists in pop culture now. Grimes as one person cannot represent more than a couple of ideas. That’s why I started developing some of the other characters, like really abstract from who I am and how I am.”



