There are pop stars and there are songwriters, and then there is Ed Sheeran, who has somehow become the rare figure who genuinely belongs in both categories simultaneously. The proof is not in his solo discography, impressive as it is. The real proof is in his collaborations, because nothing tests a songwriter’s range quite like being asked to make music with people who exist in completely different sonic universes and having it work every single time.
In 2024, Sheeran was the most played artist in the UK for the seventh time. Seven times. That is not luck. That is the result of a songwriting instinct so finely developed that it translates across genres, eras, audiences, and artistic identities that have almost nothing in common with each other. Here’s the evidence.
He Made a Grime Record Before Anyone Knew His Name
In 2011, a few months before his career exploded, Ed Sheeran put out an EP called ‘No.5 Collaborations Project’, a series of duets with established artists from the UK’s grime scene. This was not a crossover stunt. This was a relatively unknown singer-songwriter from Suffolk immersing himself in one of the most credible and street-specific genres in British music and convincing artists who had no reason to take him seriously that he belonged in the room. He did. The EP found an audience, established his range before his first album was even out, and set the template for everything that followed.
Eminem Chose Him
Eminem’s “River” featuring Ed Sheeran hit the charts and demonstrated that one of the most scrutinising and lyrically demanding artists in the history of hip-hop was prepared to share a track with a ginger British pop singer. That is not nothing. Eminem doesn’t do favours. He chose Sheeran because the song worked, because Sheeran understood the emotional register the track required, and because his voice and his writing fit inside a world that has very little tolerance for anything that doesn’t belong. The fact that it worked is the argument in a single data point.
Beyoncé Called Him
In 2017, Beyoncé and Ed went straight to the top of the charts with their collaboration. Think about that pairing for a moment. Beyoncé is one of the most musically sovereign artists alive, someone who controls every element of her creative output with extraordinary precision. She chose to put her name alongside his on “Perfect.” She didn’t need to. She wanted to. The song, a wedding waltz that became inescapable at actual weddings for several consecutive years, worked because the writing was strong enough to support both of them without either one diminishing the other.
He Put Bruno Mars, Chris Stapleton, and Himself on the Same Track
‘No.6 Collaborations Project’ leveraged an almost unprecedentedly wide list of superstar feature artists, including Travis Scott, Justin Bieber, Cardi B, Eminem, 50 Cent, Chance the Rapper, Camila Cabello, Young Thug, Skrillex, Chris Stapleton, Bruno Mars, Stormzy, and others. “Blow” put Bruno Mars’s funk and pop sensibility alongside Chris Stapleton’s country and blues heritage alongside Sheeran’s acoustic pop roots and somehow produced something that didn’t sound like a car crash. “South of the Border” featuring Camila Cabello and Cardi B gave an exciting blend of artists on the same track. Nobody else has assembled a guest list this eclectic and made it cohere. The reason it cohered is the songwriting.
He Made an EDM Record in 2014 That Took 12 Years to Come Out
In 2014, Sheeran recorded “Repeat It” with Dutch DJ Martin Garrix. Many people initially considered the collaboration unusual because Sheeran was not associated with dance music. He said the project challenged both artists to merge their different musical styles and that they were ultimately pleased with the outcome. The track was finally released commercially in May 2026, over 12 years after it was recorded. An EDM record so good it waited twelve years to be released is an unusual category, but here we are. Sheeran writing inside a dance music framework in 2014 and producing something worth releasing in 2026 is exactly the kind of timeline that only works if the writing is genuinely strong rather than trend-dependent.
Taylor Swift Made Him a Star in America
Sheeran’s collaboration and friendship with Taylor Swift put a major stamp of approval on his value as a singer and songwriter. Swift featured Sheeran in “Everything Has Changed” on her ‘Red’ album, and Sheeran opened for Swift on her 2013 Red Tour, which arguably catapulted him into superstar status. The reason Taylor Swift — who is extremely protective of the artistic context she creates around herself — invited him into that world is the same reason Beyoncé, Eminem, and Stormzy all did. He doesn’t disrupt the room. He enhances it. The writing fits wherever it lands.
So Why Does It Work?
The answer is deceptively simple: Sheeran writes about things that are universal — love, loss, longing, gratitude, regret — and he does it with enough specificity that it feels personal rather than generic, but enough accessibility that it translates across any genre you put around it. A song about love works over a guitar. It works over trap production. It works over a waltz. It works over EDM. The production is the outfit the song wears. The song itself is what it is, and Sheeran’s songs tend to be built well enough that they hold up in any room.
That’s the whole secret. He’s a very good songwriter. Everything else is decoration.
