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Jonas Brothers Release XV

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Jonas Brothers Release XV

Responding to overwhelming fan demand, GRAMMY Award-nominated trio Jonas Brothers have released XV, a special two song bundle featuring their new single “X” featuring Latin GRAMMY Award-winner KAROL G and “Five More Minutes.”

Audiences received a taste of these two anthems in the band’s newly released concert film and documentary Happiness Continues and flooded the band with requests for a proper release. The undeniable and upbeat “X” boasts a guest spot from multiplatinum songstress KAROL G.

Meanwhile, Jonas Brothers first teased “Five More Minutes” with a clip during the 2020 GRAMMY® Awards. This release marks the first time the song will be heard in full.

This special release sets the stage for a full-blown television takeover. Next up, the group will perform “X” with KAROL G for the first time on Lebron James’ upcoming primetime special Graduate Together: America Honors The Class Of 2020 on Saturday May 16. The show airs on ABC, CBS, FOX, and NBC at 8PM PT/ET and 7PM MT/CT. A few days later, they take the stage to perform on NBC’s The Voice finale on Tuesday May 19.

Be on the lookout for more from the preeminent male pop group of the 21st century soon.

Following a six-year hiatus, Jonas Brothers took the world by storm in 2019 with the surprise release of their critically acclaimed and widely successful single “Sucker.” The triple-platinum single debuted at #1 on Billboard’s Hot 100, becoming the first #1 for the band and the first #1 debut from a group this century.  The band went on to release Chasing Happiness, an Amazon Original film documenting the brothers rise and return to music, before going on to deliver their third #1 album debut with the release of their platinum-selling album Happiness Begins (Republic Records). Throughout the year the band continued to soar with their sold-out “Happiness Begins Tour,” with over 1.2 million tickets sold.

Continuing the journey that began with last year’s Amazon Original documentary Chasing Happiness, Happiness Continues captures the band’s live concert experience and provides an exclusive look into the Jonas Brothers’ lives on the road, including performances of beloved hits like “Burnin’ Up,” “S.O.S.,” and “Year 3000,” and music from last year’s chart-topping “Happiness Begins” album, including their Billboard #1 smash “Sucker.” Happiness Continues gives viewers a front-row seat in fan-packed arenas in Miami, Vancouver, and Mexico City, as well as at the intimate Cobra Lounge in Chicago, in their first time performing there in 12 years. Happiness Continues gives fans a deeper look at how Nick, Joe, and Kevin navigate tour life while continuing to balance music, their relationship with one another, and their new families.

Happiness Continues is available to stream now exclusively on Amazon Prime Video, in more than 200 countries and territories worldwide.

Toronto’s Emerging R&B Artist MALACHI Releases Debut EP, Right Now, Out Today

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Toronto’s Emerging R&B Artist MALACHI Releases Debut EP, Right Now, Out Today

Toronto’s newest up-and-coming R&B artist MALACHI drops his debut EP, Right Now, today. Comprised of 7 songs including the title track and major label debut, “Right Now,” the EP also features the hot new island infused single, “Aquafina” and the standout track, “Out Of My Reach.”

On the new EP, MALACHI notes: “This is the first body of work I ever created so these songs will always feel special to me. I poured my life experiences from that time into these songs. I’ve been sharing pieces of it up until now. This is the bookend to the first chapter. And I’m most excited for ‘Out Of My Reach’ to finally be released. It’s my most different song sonically and one of my personal favourites.”

Right Now arrives as a genre bending collection of songs that showcase MALACHI’s undeniable vocal strength and songwriting abilities. From the mesmerizing piano ballad, “Soul Is Mine,” to the upbeat “I Got You,” each track draws on the diverse range of musical influences that lead to MALACHI’s distinct sound and style.

Growing up on the outskirts of Toronto, 22-year-old rising artist MALACHI, spent his childhood surrounded by music of all genres. From his Trinidadian-born father’s reggae career to his mother’s favourite R&B singers like Mary J. Blige, Aaliyah and Destiny’s Child, music was always part of his environment. At the age of four, he began grounding himself in music when his grandmother had him join their church’s gospel choir.  In 2019, MALACHI took the world by storm with his debut mixtape, Bread Winner, and a number of stand out singles including, “Son of a Gun,” “We Don’t Mind,” “I Got You,” “San Fernando Wine,” and his major label debut, “Right Now.”

Right Now arrives as the first taste of what’s to come from MALACHI, as he sets his sights on breaking through to the R&B music scene and beyond.

Right Now – Tracklist:

  1. Soul
  2. San Fernando Wine
  3. Right Now
  4. Out Of My Reach
  5. I Got You
  6. We Don’t Mind
  7. Aquafina

 

Montreal’s Alt Rock Artist And Hoan Frontman ALEX NICOL Says it’s ‘All For Nada’

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Montreal’s Alt Rock Artist And Hoan Frontman ALEX NICOL Says it’s ‘All For Nada’

Canadian alt-rock singer/songwriter and Hoan frontman Alex Nicol has released a new album All For Nada — and single “Two Times A Charm” — via Anniversary and Michel Records.

Directed and edited by Alexander Maxim Seltzer, and produced by Nada Termerinski and AMS Films, the video for “Two Times A Charm” serves as a lushly fevered, retro-drenched dream into the prickly and uncomfortable deception of understanding.

“We know that we don’t control the flow of our ideas, and that they are, by nature, difficult to understand,” Nicol expands. “And sometimes, even if we like to think we have ‘overcome’ feelings, thoughts or behaviours from the past, we are actually deceived by a false sense of self-awareness.

“It is this process of self-deception that’s dramatized in the video, in which thoughts materialize in the form of a blue box which the protagonist is unable to get rid of, even if he tries as best as he can.”

Collaborating with Temerinski — Nicol’s long-time partner who also produced the record and had a hand in everything from song titles to arrangements, to mixing decisions to art direction — All For Nada brings the pair’s creative vision to ultimate fruition across the LP’s eight tracks.

Operating as a unit, Nicol and Temerinski toy with the notions of the stereotypical ‘female muse’ and how ‘she’ is often credited as the primary, if sometimes elusive, source of male creativity. “Instead, we probed into the incandescent spaces where true collaborations — whether creative or romantic — live,” Nicol offers.

The album lands steady as a testament to the creative and emotional labour partners often invest into their loved ones’ work, and the results are narratives summoned and recounted over a sonic terrain, equally haunting and surreal. “Warm, yet full of vigor,” Nicol adds, “it’s a statement of intent from two creative individuals intent on trivializing the status quo.”

As part of Hoan, Nicol has stacked critical acclaim from the likes of the Toronto Star and The Fader for their debut EP Modern Phase (Fantome Records). The band toured North America twice, playing SXSW, Waking Windows, Pop Montreal, CMW, M for Montreal, as well as opening for SUUNS, Half Waif, and Crumb.

All For Nada and “Two Times a Charm” are available now.

Montreal Artist And Filmmaker Anthony Aramouni Weaves Creative Worlds to Release Textural Tribute Track, “L. Cohen”

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Montreal Artist And Filmmaker Anthony Aramouni Weaves Creative Worlds to Release Textural Tribute Track, “L. Cohen”

Canadian singer/songwriter, composer, producer and screenwriter Anthony Aramouni has combined his ear for music and eye for film in this, his richly textural, hypnotically reverent tribute track, “L. Cohen” — available now.

“This is my attempt to pay homage to a man who has deeply touched my life through his music, words, and genuineness,” Aramouni offers of his long-time adoration for the late Leonard Cohen. “He is forever inspiring me to strive for personal growth and excellence while remaining grounded in, what I think, ultimately unites us all as human beings — love, sacrifice, kindness, curiosity, ambition, gratitude, and all we deem sacred.”

With that sentiment deeply ingrained, the Montreal-based artist’s long-time inspiration took ultimate hold one afternoon, seemingly out of the blue.

“I was in my apartment, strumming the guitar aimlessly,” Aramouni recalls. “The progression of certain chords caught my attention and seemed to be laying themselves out with a certain promise.

“An idea dawned on me in that moment: to tell the story of Leonard Cohen and his muse, Suzanne Verdal.”

That, and Cohen’s 1967 classic hit, “Suzanne,” specifically.

“Taking from my personal experience with such short-lived yet incredibly giving relationships, I attempted to tell a universal — yet personal — tale of love and sacrifice,” Aramouni elaborates on his own songwriting for the track. “It was only moments later the song was born.”

The recording process would soon prove to be just as organic and seamless a process for Aramouni, who went into the studio to record a few weeks later. “I was accompanied by a brilliant musician and sound engineer in Montreal, Kento Kataoka,” he shares. “The recording session was as agreeable as the songwriting process. It was not long before it was officially brought to life.”

A tour de force and frequent fixture across many creative scenes, Anthony Aramouni’s songwriting and productions have been featured in award-winning short films; his latest collaboration with soul/blues artist Eric Mercury is set to be featured in the forthcoming film — which he also co-wrote and is producing — Blue Tongues. In addition, Aramouni is the co-founder, CEO, executive producer and music supervisor of Montreal-based film house Film & Blues Production.

This experience naturally led to creating the “L. Cohen” video in-house, as well as a ‘Making Of’ detailing the process.

“I took the final version to film director Youcef Beghdadi here at Film & Blues Production to explore ideas,” he recalls. “After several sittings, we decided to recreate shots inspired by a number of Cohen’s music videos — like ’First We Take Manhattan’ and ‘Dance Me To The End Of Love’ — and also find inspiration in the work of legendary film director Ingmar Bergman.

“We aimed at telling a visual story that would capture the essence of the song while paying tribute to the work done in his music videos,” Aramouni expands. “I was blessed to be accompanied by a wonderful artist and writer, Claudia Emmanuelle, who’s featured in the music video as well.”

“L. Cohen” is available now.

Coronavirus Has a Playlist. Songs About Disease Go Way Back

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Coronavirus Has a Playlist. Songs About Disease Go Way Back

Tunes about hard times during disease outbreaks have a long history.

2Pac’s Isolated Vocals For “Old School”

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2Pac’s Isolated Vocals For “Old School”

Taken from Me Against the World, Old School helped get the album nominated for Best Rap Album at the 1996 Grammy Awards. It lost, but the disc won Best Rap Album at the 1996 Soul Train Music Awards. In 2008, the National Association of Recording Merchandisers, in conjunction with the Rock and Roll Hall of Fame, recognized Me Against the World as one of the “most influential and popular albums”, ranking it number 170 on a list of 200 other albums by artists of various musical genres.

…and here’s the original:

Twenty One Pilots’ Isolated Vocals For “Stressed Out”

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Twenty One Pilots’ Isolated Vocals For “Stressed Out”

With “Stressed Out” being released as a single, Twenty One Pilots became the very first rock act to have a song reach a billion streams on Spotify. “Stressed Out” has received two Grammy Awards nominations: Record of the Year and Best Pop Duo/Group Performance, winning the second award.[

https://youtu.be/D_kWeIIMc8Y

…and here’s the original:

The Cranberries “Zombie” video Hits 1 Billion YouTube views making history as the first Irish band ever to hit this milestone

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The Cranberries “Zombie” video Hits 1 Billion YouTube views making history as the first Irish band ever to hit this milestone

Taken from their second album No Need To Argue and released in September 1994, the official video for The Cranberries track “Zombie” has just passed 1 billion views on YouTube, breaking records as the first Irish band to hit this milestone. The Cranberries now join a small club of iconic artists to reach this landmark and the video is the fifth most viewed rock video of all time globally.

Written by Dolores O’Riordan as a protest song after IRA bombings in Warrington killed two children and injured 56 others in March 1993, “Zombie” was recorded at Windmill Lane Studios in Dublin and was produced by long time Cranberries collaborator Stephen Street (The Smiths, Blur). Containing the lyrics “But you see, it’s not me. It’s not my family,” the band were adamant “Zombie” should be the lead single from their new album and resisted the suggestion to go with a less political track, such was their commitment to the song. The official video directed by Samuel Bayer – who now notches his second billion viewed clip following Nirvana’s ‘Smells Like Teen Spirit’ – shows original footage of Northern Irish street scenes with children playing war games during The Troubles, including the now famous political and historical murals. In the video a gilded Dolores O’Riordan stands before a giant cross wearing a crown of thorns surrounded by silver cherubs, with cutaway shots of the band performing live outdoors.

Vans Launches Shoe Customization Program To Support Small Businesses During COVID-19 Crisis

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Vans Launches Shoe Customization Program To Support Small Businesses During COVID-19 Crisis

Vans “Foot The Bill” initiative aims to assist the creative communities of our extended Vans Family around the world during this difficult time. Using our Vans Customs platform, we invite you to express your creativity and be a designer to your favorite Vans shoe, all while supporting the skate shops, music venues, art galleries, restaurants and local hangouts that enable your creative self-expression every day.

Vans are committed to supporting at least 80 local and community driven small businesses including skate shops, music venues, art galleries and restaurants. Though, this amount does not include all of the amazing partners that they work with around the world, they are hopeful this program will help our communities get through this unprecedented time.

All proceeds less the cost of production and shipment will be paid to the local and community driven skate shops, restaurants, art galleries and music venues.

Vans will be producing up to 500 pairs of Custom Vans per partner, based on demand.

For more information, go here.

Diana Ross’ ‘Supertonic’ Digital Release Due On May 29; CD And Vinyl Will Be Available On June 26

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Diana Ross’ ‘Supertonic’ Digital Release Due On May 29; CD And Vinyl Will Be Available On June 26

Supertonic is a special kind of Diana Ross magic. Absolutely authentic, it’s her voice, her electrifying sound. This music has no boundaries, blending the past and the now in this new collection. On May 29, the digital release of Supertonic, featuring new remixes of nine classics, will be released by Motown/UMe. Supertonic also will be available June 26 on CD and crystal-clear vinyl. Supertonic is produced by Diana Ross with remixes by producer Eric Kupper. Executive Remix Production & Marketing By Brad LaBeau Co + Peter Nelson for Pro-Motion. All remixes are created from the original multi-tracks of the masters taken from the Motown vaults.

Diana Ross rewrote history earlier this year when “Love Hangover 2020,” the first single from Supertonic, which is available today, topped Billboard magazine’s Dance Club Songs Chart – her fourth consecutive No. 1 remix with a song that had previously been No. 1 in its original release. This unprecedented accomplishment followed her history-making chart success in 2019 when “The Boss 2019” reached No. 1 on the Billboard Dance Club Songs Chart during the 40th anniversary of the original version topping the same chart, her then third consecutive No. 1 Dance Club Songs Chart hit. Written by Pam Sawyer and Marilyn McLeod, “Love Hangover 2020” reached top 5 on the Billboard Dance Club Songs Chart in just two months and peaked at No. 1. The song’s original version, produced by Hal Davis, was a simultaneous No. 1 on Billboard‘s Pop, R&B and Dance Club Play charts the week ending May 15, 1976.

Supertonic also includes the three Billboard No. 1 Dance Club Songs Chart singles that reached the pinnacle during a 15-month period – “Ain’t No Mountain High Enough,” “I’m Coming Out / Upside Down” and “The Boss.” In January 2018, the remix of Ms. Ross’ exquisite global anthem “Ain’t No Mountain High Enough” (an edited version of which appeared on Diamond Diana: The Legacy Collection) hit No 1. The original version of “Ain’t No Mountain High Enough,” written and produced by Nick Ashford and Valerie Simpson, was a No. 1 Pop and R&B hit in 1970. Kupper’s mashup, “I’m Coming Out / Upside Down 2018,” hit No. 1 on Billboard‘s Dance Club Songs Chart in just eight weeks. The original versions, written and produced by CHIC’s Nile Rodgers and Bernard Edwards, were both ranked No. 1 on the same chart during the same week in 1980. “Upside Down” was also a No. 1 Pop and R&B hit in 1980. “The Boss 2019” leapt over a strong field to hit No. 1 on the Dance Club chart in April 2019; the Ashford & Simpson-produced original was No. 1 on the same chart 40 years earlier. These magnificent achievements marked the first time any artist had back-to-back-to-back No. 1 Dance Club Chart hits with songs that were originally No. 1; “Love Hangover 2020” adds to this record-breaking feat. To date, Ms. Ross has had eight No. 1 hits on Billboard‘s Dance Club Songs chart.

The success of “Love Hangover 2020” continues to illustrate the unprecedented star-power of Ms. Ross as a trailblazer and legend in the music industry.

The balance of the nine tracks on Supertonic include remixes of two more cuts from the album The Boss, whose original LP tracks were collectively No. 1 dance hits: a dramatic, up-tempo rendering of “No One Gets The Prize” and a Latin-ized “It’s My House.” The top 20 hit “Remember Me,” gets a smart R&B feel, while “Surrender,” and the 1973 No. 1 hit “Touch Me in the Morning” are two additional thrilling Kupper remixes.

In addition, Supertonic: Instrumental Mixes, instrumental versions of all tracks on Supertonic, will be available only via all digital services on May 29, the same day as the digital release of Supertonic.

DIANA ROSS SUPERTONIC [CD/DIGITAL]
SUPERTONIC: INSTRUMENTAL MIXES [DIGITAL]

CD/DIGITAL

  1. I’m Coming Out / Upside Down 3:07*
  2. Love Hangover 3:45
  3. The Boss 3:38
  4. Surrender 3:06
  5. Ain’t No Mountain High Enough 4:05
  6. No One Gets The Prize 5:20
  7. It’s My House 4:40
  8. Touch Me in the Morning 4:18
  9. Remember Me :40

*Running time is longer for this track on the digital-only instrumental album.

DIANA ROSS SUPERTONIC [LP]

LP (CRYSTAL-CLEAR VINYL)

Side One

  1. I’m Coming Out / Upside Down 3:07
  2. Love Hangover 3:45
  3. The Boss 3:38
  4. Surrender 3:06
  5. Ain’t No Mountain High Enough 4:05

Side Two

  1. No One Gets The Prize 5:20
  2. It’s My House 4:40
  3. Touch Me in the Morning 4:18
  4. Remember Me 3:40
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That Eric Alper

Eric Alper is a 6-time nominee for Publicist of the Year during Canadian Music Week and has overseen the publicity campaigns for over 183 JUNO Award-nominated albums (and 16 in 2025), 45 Grammy-nominated albums, including 47 JUNO Award, 58 Canadian Folk Music Award, 126 Maple Blues Award-winning albums and is also truly honoured to work with some of the biggest and most important artists of our time.

Contact me: eric@thatericalper.com

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