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Concert Review and Photo Gallery: Def Leppard with Journey and Peter Frampton at Toronto’s Rogers Centre

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All photos and concert review by Mini’s Memories. You can contact her at minismemories@hotmail.com

40,000+ people got rocked at the Rogers Centre in Toronto on Friday and couldn’t be happier about it. Fans of all ages flocked to the downtown core to see not one, not two, but, three iconic bands. Parents brought the new generation to bask in the glory of some hard rocking musicians that they grew up with while they reminisced about times past.

They best way to start this stadium run on a hot almost summers night was with Mr Peter Frampton. This 68 year old puts some musicians half his age to shame. Commanding the stage as his own he played all his “staple” songs as well as paid tribute to the one and only Chris Cornell. At the end of “Black Hole Sun” he raised his arm to the sky and paused for one brief moment as if Chris was looking down on him with approval. Peter we can’t wait for you to come back to Toronto.

Next up was Journey to hit the stage and the Rogers Centre was packed. I can only think of one word to accurately describe Arnel Pineda, “firecracker”. Running and jumping from one end of a massive stage to the other and still managing to sing is not an easy feat, yet Arnel seems to do this with ease.

Nothing but amazing nostalgic songs were performed throughout Journey’s set. Bringing back floods of memories for the thousands in attendance. The fans had no problems belting out the lyrics to quintessential songs like “Wheel In The Sky” or “Faithfully”.

Neal Schon’s ripping guitar solos echoed through the massive stadium, the stage, basking in glowing red lights as Neal’s guitar screamed. There is nothing quite like listening to “O’Canada” Neal style. This isn’t the first time I have seen Journey live and it won’t be my last.

Co-headliner Def Leppard’s massive count down clock slowly counted down the seconds on a screen in front of the stage and as it hit the 2 minute mark people rushed to their seats not wanting to miss a minute of the show. The guitars of “Rocket” started and the screaming audience lept to their feet and stayed that way for the rest of the night.

You sometimes forget how massive the Rogers Centre is until you are standing in the middle of the floor and look all around you at the thousands of people in the stands and Joe Elliott mentioned as much as he addressed the crowd “whoa this is something else ya know” as he looked around the sea of people “we have been coming here a long time but this place is a, this is the first time we have played here …”

The night was full of rock anthems from “Armageddon It” to “Love Bites” but I honestly thought my insides were going to rumble out of my body when they started “Rock On”, Rick Savage left no dust or cobwebs in the rafters at the Rogers Centre, they are now left lying comfortably on the floor.

The night was brought down a notch as the entire band walked down the catwalk and got as close as they could to the massive audience to perform “Two Steps Behind”. Joe asked if they brought their singing voices with them and the fans obliged and sang every word. It isn’t hard to know every word to every Def Leppard song as they have been around for decades.

I have been a long time fan of Def Leppard, longer than I care to admit for fear of aging myself but I hope they continue to rock the masses for a long time to come. If you have a chance to see any of the shows on this tour I highly suggest it, you won’t be disappointed! The fans left the stadium with smiles on their faces, singing into the night.

Once again thanks to the crew because without them there is no show!

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Nick Hornby On What Vinyl Provides That Spotify Doesn’t

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Nick Hornby, author of High Fidelity and About a Boy, both of which were adapted into feature films showing his protagonists touching upon music and sport. He recently sat down with the Reverb site to discuss vinyl records.

What does a record provide that other formats do not?

Nick Hornby: The reason I started buying vinyl again was that I didn’t think I was making enough of a commitment to music. I’m an enthusiastic user of Spotify, and I’m not enough of an audiophile to tell the difference between the music provided by a streaming service and a pair of good earphones, versus a vinyl record. When audiophiles talk about the obvious superiority of the latter, they forget that most people are not and have never been audiophiles, and that an iPhone and a pair of earbuds can provide better sound than the kind of crappy stereo systems we used to use.

But these things enabled me to pay less attention to the music itself. I skip tracks all the time, I listen to things for twenty seconds before deciding whether I like them, I don’t pay enough for the music I do appreciate. So I decided that whenever I fell in love with an artist or an album, I would do them the courtesy of spending some decent money on their work, sitting in a room and listening to it properly, over the course of twenty minutes or so. It’s stopped my endless skid over the surface of things.

Via

Jimmy Fallon, Camila Cabello, and The Roots Play ‘Havana’ With Classroom Instruments

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Camila Cabello joins Jimmy Fallon and The Roots in the Tonight Show Music Room to perform her international hit “Havana” with classroom instruments.

https://youtu.be/P6K9Y6FWo74

David Bowie’s Press Conference Promoting 1. Outside, London, 1995

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1. Outside is a concept album first released in September, 1995 by David Bowie and was his reunion with Brian Eno, whom Bowie had worked with on his Berlin Trilogy in the 1970s. Subtitled “The Nathan Adler Diaries: A Hyper-cycle”, Outside centres on the characters of a dystopian world on the eve of the 21st century. The album put Bowie back into the mainstream scene of rock music with its singles “The Hearts Filthy Lesson”, “Strangers When We Meet”, and “Hallo Spaceboy” (remixed by the Pet Shop Boys).

This press conference features a bit of insight into the making of the record, as Bowie and Eno visited the Gugging psychiatric hospital near Vienna, Austria in early 1994 and interviewed and photographed its patients, who were famous for their “Outsider art”. Bowie and Eno brought some of that art back with them into the studio as they worked together in March 1994, coming up with a three-hour piece that was mostly dialogue. Late in 1994, Q magazine asked Bowie to write a diary for 10 days (to later be published in the magazine), but Bowie, fearful his diary would be boring (“…going to a studio, coming home and going to bed”), instead wrote a diary for one of the fictional characters (Nathan Adler) from his earlier improvisation with Eno. Bowie said “Rather than 10 days, it became 15 years in his life!”, and became the basis for the story of 1. Outside.

https://youtu.be/cL23CRklTi0

Pat Boone, Richard Pryor, Ray Charles, The Beach Boys And More Discuss Psychedelia On CBC TV Show, 1968.

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The CBC television series Let’s Go was filmed in Vancouver and aired from 1964 to 1968 aimed at teens. The program mainly shows performances and interviews with musicians. This episode looks at the psychedelic hippie culture in the city, and is hosted by a 22-year-old Bill Good

People interviewed include Pat Boone, Richard Pryor, Everly Brothers, Little Richard, Timothy Leary, Ray Charles, Maharishi Mahesh Yogi, and The Beach Boys.

How Much Money Would It Take To Get R.E.M. To Reform? Ummm…

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REM announced their end in 2011, and this was one of three previously unheard tracks that featured on a compilation that tied in with their split. Michael Stipe says, “We had fulfilled our contract and it had become evident to us that it was time to either let it devolve into silliness, which none of us wanted, or make the difficult decision of walking away from it on our own terms and let that be that. And then spend the rest of our lives saying, ‘No, we are not going to reform, no, there’s not going to be a return concert or a tour.’ Some guy said to me last night at a cocktail party: ‘I book things for private parties. How much money would it take to put the band together for three songs? No one would ever know about it.’ I said: ‘There’s not enough money in the world.’ And he said: ‘Thank you – I’m a huge fan, and I wanted to know you couldn’t be bought.’ And I thought, that’s cool, and that’s manipulative, and fuck you. As much as we love each other and love what we did, it just shouldn’t happen.”

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How INXS’ Michael Hutchence Inspired R.E.M.’s Michael Stipe

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R.E.M.’s Strange Currencies, found on their Monster album came from Stipe’s ascension into rock royalty: it was inspired by Michael Hutchence of INXS. “He raised the bar for both myself and Bono. The middle eight of that is completely taken from INXS and from Michael. He was such an amazing rock star. I’m really a little embarrassed by the term rock star. When I met Andy Warhol, he called me a pop star. I said: ‘No I’m the singer in a band.’ He said: ‘No, you’re a pop star.’ ‘No, I’m not.’ OK, well, he won. As it turned out, I’m a pretty good pop star. I’m not a very good rock star – I don’t have the voice for it. I think it’s an odd thing to reach for, to be a rock star.”

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Marching Band Does A Killer Cover Of Disclosure’s “You & Me”

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Berlin, Görlitzer Park: Techno Marching Band MEUTE getting ready for summer with a live performance of their new version of Disclosure and Eliza Doolittle’s track You & Me, originally remixed by Flume.

Buddy Holly’s Recording Of The Telephone Conversation Between Him And His Record Label

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In 1955, after opening for Elvis Presley, Buddy Holly decided to pursue a career in music. He opened for Presley three times that year; his band’s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.Holly’s recording sessions at Decca were produced by Owen Bradley. Unhappy with Bradley’s control in the studio and with the sound he achieved there, he went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day”, among other songs.

But first, he had to get his songs back into his personal ownership so there wouldn’t be any confusion in the marketplace. Wait until you hear this recording Buddy made of the phone call.

https://youtu.be/qiGlIQE1AXI

System Of A Down Played On Ukuleles

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The Melodicka Bros. cover System of a Down’s classic B.Y.O.B., performed entirely on a pair of ukuleles.