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Michael Bublé set to entertain and delight audiences as host of The 2018 JUNO Awards, March 25

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Prepare to be entertained by the one and only Michael Bublé. The Canadian Academy of Recording Arts and Sciences (CARAS) and CBC today announced that the 12-time JUNO Award winner and beloved Canadian crooner is set to host The 2018 JUNO Awards, which will be held at the Rogers Arena in Vancouver on Sunday, March 25, 2018 and broadcast live across Canada on CBC and CBC Radio and around the world on CBCMusic.ca at 5 p.m. PT/8 p.m. ET (6 p.m. MT, 7 p.m. CT, 9 p.m. AT, 9:30 p.m. NT).

“I’m so grateful for the opportunity to host such an iconic night in Canadian music,” said Michael Bublé. “To be able to host the JUNO Awards in my hometown is both an honour and a privilege.”

The multi-platinum singer released his most recent studio album, Nobody But Me, in the fall of 2016. The release followed the critically acclaimed album To Be Loved, Bublé’s fourth album to reach #1 on Billboard’s Top 200 Charts. Nobody But Me was co-produced by the Canadian and includes three original songs written by Bublé and new twists on classic favorites including “My Baby Just Cares For Me”, “The Very Thought of You”, Brian Wilson’s “God Only Knows” and the Johnny Mercer classic “I Wanna Be Around.”

Tickets for The 2018 JUNO Awards go on sale this Friday, November 24 at 10 a.m. PT. Tickets are available starting at $59 (plus fees) through the Rogers Arena Box Office, by phone at 1-855-985-5000 and online at ticketmaster.ca. CBC audiences can enjoy a special ticket presale via www.cbcmusic.ca/JUNOs starting Wednesday, November 22 at 10 a.m. PT until 10 p.m. PT. The JUNO Awards has once again partnered with Plus 1 so that $1 from every ticket is donated to MusiCounts, helping to ensure that children and youth across Canada have access to musical instruments. Plus 1 is a non-profit that partners with touring artists to facilitate a $1 add-on from every concert ticket to go to a cause the artist partner believes in.

The 47th annual JUNO Awards and JUNO Week 2018 will be hosted in Vancouver from March 19 through March 25, 2018, culminating in The JUNO Awards Broadcast on CBC on Sunday, March 25.

Additional details regarding JUNO Week and The JUNO Awards Broadcast will be announced in the coming months.

The JUNO Awards, MusiCounts and TD Bank Group announce renewed partnership to support Canadian Music

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The Canadian Academy of Recording Arts and Sciences (CARAS) and TD Bank Group are pleased to announce the renewal of their seven year relationship. The exclusive collaboration will provide enhanced and continued support for Canadian music through a variety of events, community and educational programs across the country.

As part of the renewed collaboration, MusiCounts is thrilled to share that TD will be increasing their support with a contribution of $1.875 million, over the next three years. As Canada’s music education charity associated with CARAS, MusiCounts transforms communities across Canada by giving underserved youth access to musical instruments and equipment. To date, the initiative has supported almost 100 programs across Canada with over $1.7 million provided in instruments and equipment.

Also announced today were the 2017 MusiCounts TD Community Music Program recipients from all across Canada, a total of 27 community music programs will receive $500,000 worth of instruments and equipment. For a complete list of 2017 recipients click here.

“We are extremely proud to be continuing our collaboration with the JUNO Awards and MusiCounts,” said Andrea Barrack, VP Community Relations and Corporate Citizenship, TD Bank Group. “TD has a long-standing commitment to enriching lives and helping communities across Canada come together to share in the love of music. By continuing our relationship with both organizations, we have an opportunity to grow community music programs and celebrate musical excellence in Canada.”

JUNO Week 2018 will also receive increased support from TD for the JUNO Fan Choice Award, as well as the TD Green Room, which provides a unique showcase opportunity for local and emerging Canadian artists. JUNO Week 2018 will be hosted in Vancouver, British Columbia from March 19 through March 25, 2018.

The partnership will also see TD collaborating with the JUNO Awards, MusiCounts and CBC Music to create new custom activations and programming that will extend the bank’s support of Canadian talent and communities throughout the year creating a commitment to music 365 days of the year.

CMAOntario Awards Show Returns to London in June 2018

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The Country Music Association of Ontario is excited for the return to London, Ontario as the host city for the 2018 CMAOntario Awards show. Set to take place Sunday June 3, 2018, at Centennial Hall, Jason McCoy of The Road Hammers resumes his role as host.

Ever-engaging and entertaining, Jason McCoy, a two-time CCMA Male Vocalist of the Year, has become a popular host on many fronts. From voicing the nationally syndicated Country Radio show, Sounds Canadian, (2007-2010), to stepping in front of the camera as host of Smashtown (CMT Canada/USA), two seasons of CMT’s Pet Heroes (2010/2011), and Jason McCoy Eats America.

As creator and front man of the best-selling band in Canadian country music history, The Road Hammers, Jason took on the Country Rock genre and guided the band to unprecedented success throughout Canada and the United States, picking up a platinum album, three CCMA Band of the Year awards, as well as a Juno Award.

“After the tremendous response from the London community, we are proud to bring the CMAOntario Awards Show back to London for 2018 in partnership with Tourism London”, said Cathie Faint, President, CMAOntario.

“CMAOntario’s mandate is to nurture new talent and at the same time celebrate the success of all of our artists in the province. We look forward to presenting another great weekend of events providing our emerging artists an opportunity to showcase their talents to a city that has embraced this event and our artists”.

“We are thrilled to announce the CMAOntario Awards will be returning to London in 2018. Building on the success from this past summer, we look forward to working to further developing all events surrounding the festivities and showcasing Ontario’s great artists,” said Chris Campbell, Director of Culture and Entertainment Tourism, Tourism London.

The Awards are preceded by a weekend of activities, launching with the CMAOntario’s Legacy Show on Thursday, May 31, 2018. Other events over the weekend include the CMAOntario Charity Softball Challenge, Songs & Stories: The Songwriters Sessions, R2I TuneUp Conference, New Faces Showcase & Concert and our first Gospel Celebration.

The festivities conclude with the presentation of the CMAOntario Awards on June 3rd at Centennial Hall. A full line-up of performers and award nominees will be announced in early 2018.

Last year’s highlights include performances by The Abrams, Jason Blaine, Cold Creek County, James Barker Band, Genevieve Fisher, Tim Hicks, Jason McCoy, Jessica Mitchell, Meghan Patrick, Aaron Pritchett, River Town Saints and Deric Ruttan.

Tickets for the CMAOntario Awards will be available to the public for purchase as of Friday, November 24th at 10:00am through the Centennial Hall box office – online at www.centennialhall.london.ca, by calling 1.888.999.8980, or in person at the venue (550 Wellington St.). Ticket prices range from $65.00 (plus taxes and service fees) for regular reserved seating to $225.00 (plus taxes and service fees) for fan VIP packages. Details for corporate and group rates are available on the venue’s website.

CMAOntario Members can take advantage of a special members-only price also beginning Friday, November 24thth at 10:00am. Promo codes to access the members’ discount will be sent to CMAOntario members via email through the Association.

Delegate registrations for the R2I TuneUp Conference will be made available for purchase beginning January 1, 2018.

The CMAOntario Awards and R2I TuneUp Conference are presented by Slaight Music with support from the Ontario Media Development Corporation.

The Legendary El Mocambo Appoints Ticketmaster Canada as its Ticketing Agent

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Michael Wekerle and his team at the El Mocambo are pleased to announce they have appointed Ticketmaster Canada to handle ticketing services once the legendary music venue reopens in the spring of 2018. The deal was inked at a signing celebration at the El Mocambo Productions’ office in midtown Toronto.

The El Mocambo is one of North America’s oldest and most iconic music venues. Located in downtown Toronto where its famous neon palm-tree hangs over Spadina Avenue, the El Mo has hosted some of the biggest names in music, from Fats Domino and Charles Mingus, to Arlo Guthrie, The Rolling Stones, U2, The Guess Who, Elvis Costello, Stevie Ray Vaughan, The Cars, and Blondie.

“As we prepare to relaunch the El Mo in time for its 70th anniversary next spring, we’re thrilled to have this important service looked after by the pros at Ticketmaster Canada,” says Michael Wekerle, owner of the El Mocambo and CEO of El Mocambo Productions. “The music fan experience is paramount to me and my team. We want the El Mo concert-going experience to be both amazing and seamless, and obviously that experience begins with purchasing a ticket. We’re proud to have an industry leader managing this transaction for us, as well as the follow-up needed to help us maintain and grow the El Mocambo community.”

“Working with such an iconic venue as the El Mocambo is a dream come true for us at Ticketmaster,” Patti-Anne Tarlton, COO, Ticketmaster Canada said. “Its relaunch will be the talk of the town and the start of a new chapter for our relationship as their official ticketing and technology partner. We simply couldn’t be more excited to service the fans going to see shows at the El Mo.”

Andy Curran, GM and head of A&R for El Mocambo Entertainment, helped facilitate the deal. “It’s important for the legacy of the venue and for future generations of music fans who will attend El Mo shows that we offer the best service possible. Our partnership with Ticketmaster goes a long way in sending the message out globally that we’re doing everything first class. We’re excited to finally get some shows up on sale.”

The El Mocambo is nearing the end of a major renovation led by New York’s Walters–Storyk Design Group (WSDG), one of the leading acoustical architectural firms in the world. The reno will transform the historic venue into a state-of-the-art entertainment, recording, and production facility, complete with an in-house studio run by the famed producer–engineer, Eddie Kramer. Kramer and WSDG co-founder John Storyk first collaborated in the late ’60s, when they built Electric Lady Studios in New York for Jimi Hendrix.

Black Rebel Motorcycle Club reveal ‘King of Bones’, taken from new album “Wrong Creatures” due January 12

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Black Rebel Motorcycle Club are currently putting the finishing touches to their forthcoming eighth studio album, the follow-up to 2013’s Specter At The Feast, entitled Wrong Creatures which will be released on January 12th 2018.

The band have already treated fans to three instant grat tracks, first single “Little Thing Gone Wild” a dirty, sexy, rollicking ride of big licks and heavy bass – which was the inspiration for the LP’s title, drawing on a lyrical passage. “Lord you hear me loud into my soul speaker, why won’t you let me out, you’ve got the wrong creature’. Next up came the Cave-esque murder balladry of “Haunt” , followed by ‘Question of Faith’. On 2oth November the band will be making a fourth track available – ‘King Of Bones’.

BRMC – Robert Levon Been — Bass, Guitar, Piano, Vocals, Peter Hayes— Guitar, Bass, Harmonica, Vocals and Leah Shapiro — Drums, Backing Vocals, Percussion, started to formulate the album in the summer of 2015. Shapiro was six months clear of life-saving brain surgery for Chiari Malformation, a rare disorder the restricts the flow of spinal fluid between the brain & spine . The trio had come off a tour and began sketching out new songs in their private lockout space appropriately nicknamed ‘The Bunker’ in North Hollywood. “It’s a crazy making machine, it can chew you up good, I mean we literally toured ‘till the wheels came off and Leah’s brain literally started leaking out of her head” says Been. “I know I’ve battled on and off with mental depression, and Pete’s head never came with any proper instructions.”

Nick Launay, famed for his work with Yeah Yeah Yeahs, Arcade Fire and most significantly here Nick Cave & The Bad Seeds, came in to produce the album, and became a fundamental part of the BRMC machine, providing the band with a sounding board. “I find myself writing about death a lot,” says Hayes. “I find myself having a discussion with death, which sounds dark. For me, it’s dark humor.”

Adds Been “We are truly an island – come hell or high water, so it’s usually best to dress accordingly. Though I’m not sure what the proper attire is when drowning in fire. But leather usually goes with everything.”

North American Tour Dates:
January 15 San Diego, CA @ House of Blues
January 16 Phoenix, AZ @ The Van Bure
January 18 Dallas, TX @ Granada Theater
January 19 Austin, TX @ Stubb’s Waller Creek Amphitheater
January 20 Houston, TX @ House of Blues
January 21 New Orleans, LA @ House of Blues
January 23 Tampa, FL @ The Ritz Ybor
January 24 Fort Lauderdale, FL @ Revolution Live
January 26 Orlando, FL @ The Beacham
January 27 Charlotte, NC @ The Underground
January 29 Washington, DC @ 9:30 Club
January 30 Philadelphia, PA @ Union Transfer
January 31 Boston, MA @ Royale
February 2 Brooklyn, NY @ Brooklyn Steel
February 5 Montreal, QC @ Club Soda
February 6 Toronto, ON @ Rebel
February 7 Detroit, MI @ Majestic Theatre
February 9 Columbus, OH @ Newport Music Hall
February 10 Chicago, IL @ Vic Theatre
February 11 Minneapolis, MN @ First Avenue
February 12 St. Louis, MO @ Delmar Hall
February 13 Kansas City, MO @ The Truman
February 15 Denver, CO @ Ogden Theatre
February 16 Salt Lake City, UT @ Metro Music Hall
February 18 Portland, OR @ Roseland Theater
February 19 Vancouver, BC @ Commodore Ballroom
February 20 Seattle, WA @ The Show Box
February 22 Oakland, CA @ Fox Theater
February 23 Pomona, CA @ The Glass House
February 24 Los Angeles, CA @ The Fonda Theatre

The Coroner’s Report Into INXS’ Michael Hutchence’s Death Has Been Released

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I’ll start off here by saying I loved INXS. There was no stopping for me when Shabooh Shoobah came out in 1982, and when those Platinum albums were flying in like Frisbees during their triumphant Kick album and tour in 1987, it was the band striving to become what they finally achieved. Lead singer Michael Hutchence passed away 20 years ago this week and the coroner’s report into his death has finally been released. I glanced at it quickly, not wanting to know any more than what I do, and have started to put their albums from start to finish today. Loudly.

I have received a completed police brief into the death of Michael Kelland Hutchence on 22nd November, 1997, at the Ritz-Carlton Hotel, Double Bay. I am satisfied that the cause of death was ‘hanging’. I am also satisfied that there was no other person involved in causing the death.

The question of whether the death was a suicide or not has to be considered.

The deceased was found at 11.50am naked behind the door to his room. He had apparently hanged himself with his own belt and the buckle broke away and his body was found kneeling on the floor and facing the door.

It has been suggested that the death resulted from an act of auto eroticism. However, there is no forensic or other evidence to substantiate this suggestion. I therefore discount that manner of death.

With regard to the question of suicide I have to be satisfied on a strong balance of probabilities before I am able to come to such a conclusion. There is a presumption against suicide. Having considered the extensive brief I am satisfied that the standard required to conclude that this death was a suicide has been reached for the following reasons:

1. Michelle Bennet, [sic] a former de-facto of the deceased, received two telephone calls from him on the morning of the 22nd November. The first was on an answering machine and Mr Hutchence sounded ‘drunk’. During the second call at 9.54am the deceased commenced to cry and according to Ms Bennett sounded ‘very upset’. She was concerned about his demeanour and for his welfare and told him she would come immediately. However, when she arrived at the hotel she was not able to rouse him by knocking loudly on his door nor by ringing him. She wrote a note and left it at reception. Ms Bennett stated that Mr Hutchence never expressed previous inclinations regarding suicide.

2. The deceased’s father, Kelland Hutchence, dined with him the previous night. The deceased was in good spirits, however appeared very worried in regard to the outcome of a custody suit in London. Mr Hutchence could offer no explanation as to why his son would take his own life.

3. Ms Kym Wilson and Mr Andrew Rayment were with the deceased in his hotel room from sometime after 11pm and left about 5am. According to Ms Wilson the deceased appeared to want both of them to remain with him to offer support if the result of his custody hearing was unfavourable. His mood was described as ‘elevated, however pensive when discussing Court proceedings’. All three persons consumed alcohol, including vodka, beer and champagne together with cocktails during this time.

4. Whilst Ms Wilson and Mr Rayment were in the room Ms Martha Troup, the deceased’s personal manager, rang from New York. Then later at 9.38am she received, via voicemail, a call from Michael Hutchence in which he said ‘Martha, Michael here. I f***ing had enough.’ She rang the hotel immediately and the telephone rang out. A further call was received at 9.50am on Ms Troup’s telephone answering machine. The deceased sounded as if he was affected by something, and was slow and deep. This call worried Ms Troup and spoke to John Martin the tour manager for INXS about her concerns. Mr Martin refers to a note received from the deceased stating that he was ‘not going to rehearsals today’. The rehearsal was to be the last one prior to the start of the tour and was quite important.

5. Ms Paula Yates provided a statement. She provided background to the custody dispute between her and Sir Robert Geldof. She stated that she rang the deceased at sometime prior to 5.38am on the 22nd November and he told her he was going to beg Geldof to let the children come out to Australia. She had told the deceased that the custody matter had not been finalised and was adjourned until the 17th December and she would not be bringing the children out. Ms Yates stated that the deceased sounded ‘desperate’ during the conversation.

6. Sir Robert Geldof received two telephone calls from the deceased, the first at about 6.30pm London time on evening of 21st November. It was a short duration and Geldof asked the deceased to call back. The second call was received by Geldof about 5.30am on 22nd November, Sydney time. This call was of some length. Geldof refers to deceased’s demeanour as being ‘hectoring and abusive and threatening’ in nature. He refers to the deceased as ‘begging’ to allow him to let the children come to Australia. He did not sound depressed during the conversation. A friend of both Geldof and Paula Yates, Ms Belinda Brewin, confirms the substance of the conversation between the two. A statement obtained from a Gail Coward, the occupant of the room directly next to the deceased’s room, alludes to her hearing a loud male voice and expletives emitting from the deceased’s room about 5am that morning. I am satisfied that she was hearing the telephone conversation between the deceased and Geldof.

7. A statement obtained from the mother of the deceased, Mrs Patricia Glassop, confirms her opinion that the deceased was in a depressed state.

8. In December, 1995, Michael Hutchence was first prescribed Prozac by Dr J. Borham, a London medical practitioner to treat a pre-existing depressive problem. He was last so prescribed on 1st November, 1997. A London psychiatrist, Mr Mark Collins, was consulted by the deceased on 17th October, 1997 in regard to a minor depression being experienced by him. According to the Doctor there was no hint of suicidal thinking by the deceased.

9. An analysis report of the deceased’s blood indicates the presence of alcohol, cocaine, Prozac and other prescription drugs.

On consideration of the entirety of the evidence gathered I am satisfied that the deceased was in a severe depressed state on the morning of the 22nd November, 1997, due to a number of factors, including the relationship with Paula Yates and the pressure of the ongoing dispute with Sir Robert Geldof, combined with the effects of the substances that he had ingested at that time. As indicated I am satisfied that the deceased intended and did take his own life.

I am also satisfied that this death is one in which nothing will be gained by holding a formal Inquest. The identity of the deceased, the date and place of death and the manner and cause of death are clearly set out and the time and expense of holding an Inquest is not warranted and therefore such will be dispensed with.

May I offer to the family of Michael Hutchence my sincere condolences on their sad loss.

INQUEST DISPENSED WITH.

(D.W. HAND)

N.S.W. STATE CORONER.

Glebe. 6th February, 1998

You’re Going To Be Shocked At How Much The Average Person Spends On Music Per Year

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Technology continues to drive changes for how listeners are crafting and shaping their own music experience. Listening to music is more of an individual experience than ever before through playlist creation, choice of listening device and the management of what is shared across social media channels.

Now in its sixth year, Music 360 is a comprehensive, in-depth study of consumer interaction in the U.S. It examines curation, streaming and exclusive content, the impact of technology, the continuing success of radio and the influence of social media.

Playlisting Is On the Rise

Nearly three-quarters of those who stream music in the U.S. create online playlists—some are for themselves, and some they share with others. More than half of all music listeners create playlists, and 32% share their lists with others, up from 24% in 2016.

Via

Bauhaus’ Kevin Haskins’ “UNDEAD: The Visual History and Legacy of Bauhaus” Available For Presale

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Bauhaus Undead’s aesthetic reflects the bands art school origins to create and elegant and tasteful art book. This deluxe coffee table book is a fitting tribute and celebration of the legacy created by this ground breaking band. The book is ready for pre-order now.

Jack Black’s Son Racked Up a $3K App Bill

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Jack Black talks to Jimmy Fallon about life with his two sons, including occasionally getting attacked in his wallet and genitals.

Pixar’s ‘Incredibles 2’ Official Teaser Trailer

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Everyone’s favorite family of superheroes is back in “Incredibles 2” – but this time Helen (voice of Holly Hunter) is in the spotlight, leaving Bob (voice of Craig T. Nelson) at home with Violet (voice of Sarah Vowell) and Dash (voice of Huck Milner) to navigate the day-to-day heroics of “normal” life. It’s a tough transistion for everyone, made tougher by the fact that the family is still unaware of baby Jack-Jack’s emerging superpowers. When a new villain hatches a brilliant and dangerous plot, the family and Frozone (voice of Samuel L. Jackson) must find a way to work together again—which is easier said than done, even when they’re all Incredible.

Directed by Brad Bird (“Iron Giant,” “The Incredibles”) and produced by John Walker (“The Incredibles”) and Nicole Grindle (“Sanjay’s Super Team” short, “Toy Story 3” associate producer), “Incredibles 2” busts into theaters on June 15, 2018.